Episode 82: “Are You Lonesome Tonight?” by Elvis Presley
Episode eighty-two of A History of Rock Music in Five Hundred Songs looks at "Are You Lonesome Tonight?" by Elvis Presley, and the way his promising comeback after leaving the Army quickly got derailed. This episode also contains a brief acknowledgment of the death of the great Little Richard, who died just as I was recording this episode. Click the full post to read liner notes, links to more information, and a transcript of the episode.
Patreon backers also have a ten-minute bonus episode available, on "Muleskinner Blues" by the Fendermen.
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
Resources
Apologies for the delay this week -- I've been unwell, as you might be able to tell from the croaky voice in places. Don't worry, it's not anything serious...
No Mixcloud this week, as almost every song excerpted is by Elvis, and it would be impossible to do it without breaking Mixcloud's rules about the number of songs by the same artist.
My main source for this episode is Careless Love: The Unmaking of Elvis Presley, the second part of Peter Guralnick's two-volume biography of Elvis. It's not *quite* as strong as the first volume, but it's still by far the best book covering his later years. I also used Reconsider Baby: The Definitive Elvis Sessionography 1954-1977 by Ernst Jorgensen.
The box set From Nashville to Memphis contains all Elvis' sixties studio recordings other than his gospel and soundtrack albums, and thus manages to make a solid case for Elvis' continued artistic relevance in the sixties, by only including records he chose to make. It's well worth the very cheap price.
And Back in Living Stereo, which rounds up the 1960s public domain Elvis recordings, contains the gospel recordings, outtakes, and home recordings from 1960 through 1962.
Patreon
This podcast is brought to you by the generosity of my backers on Patreon. Why not join them?
Errata
I say that by the time “Stuck on You” had come out, Elvis had already made his TV appearance with Sinatra. In actual fact, he was still rehearsing for it, and wouldn't record it for a few more days.
I also say that the Colonel had managed Gene Austin. In fact the Colonel had only promoted shows for Austin, not been his manager.
Transcript
Before I start this week's episode, I had to mark the death of Little Richard. We've already covered his work of course, in episodes on "Tutti Frutti" and "Keep A Knockin'", and I don't really have a lot to add to those episodes in terms of his importance to twentieth-century music. We can argue about which of Elvis, Chuck Berry, or Little Richard was the most important artist of the fifties, but I don't think you can make a good argument that anyone other than one of those three was, and I don't think you can argue that those three weren't the three most important in whatever order.
Without Little Richard, none of the music we're covering in this podcast after 1955 would be the same, and this podcast would not exist. There are still a handful of people alive who made records we've looked at in the podcast, but without intending the slightest offence to any of them, none are as important a link in the historical chain as Richard Penniman was.
So, before the episode proper, let's have a few moments' noise in memory of the force of nature who described himself as the King and Queen of Rock and Roll:
[Excerpt: Little Richard, "Ooh! My Soul!"]
Now on to the main podcast itself.
Today we're going to take what will be, for a while, our last look at Elvis Presley. He will show up in the background of some other episodes as we go through the sixties, and I plan to take a final look at him in a hundred or so episodes, but for now, as we're entering the sixties, we're leaving behind those fifties rockers, and Elvis is one of those we're definitely leaving for now.
Elvis' two years
Patreon backers also have a ten-minute bonus episode available, on "Muleskinner Blues" by the Fendermen.
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
Resources
Apologies for the delay this week -- I've been unwell, as you might be able to tell from the croaky voice in places. Don't worry, it's not anything serious...
No Mixcloud this week, as almost every song excerpted is by Elvis, and it would be impossible to do it without breaking Mixcloud's rules about the number of songs by the same artist.
My main source for this episode is Careless Love: The Unmaking of Elvis Presley, the second part of Peter Guralnick's two-volume biography of Elvis. It's not *quite* as strong as the first volume, but it's still by far the best book covering his later years. I also used Reconsider Baby: The Definitive Elvis Sessionography 1954-1977 by Ernst Jorgensen.
The box set From Nashville to Memphis contains all Elvis' sixties studio recordings other than his gospel and soundtrack albums, and thus manages to make a solid case for Elvis' continued artistic relevance in the sixties, by only including records he chose to make. It's well worth the very cheap price.
And Back in Living Stereo, which rounds up the 1960s public domain Elvis recordings, contains the gospel recordings, outtakes, and home recordings from 1960 through 1962.
Patreon
This podcast is brought to you by the generosity of my backers on Patreon. Why not join them?
Errata
I say that by the time “Stuck on You” had come out, Elvis had already made his TV appearance with Sinatra. In actual fact, he was still rehearsing for it, and wouldn't record it for a few more days.
I also say that the Colonel had managed Gene Austin. In fact the Colonel had only promoted shows for Austin, not been his manager.
Transcript
Before I start this week's episode, I had to mark the death of Little Richard. We've already covered his work of course, in episodes on "Tutti Frutti" and "Keep A Knockin'", and I don't really have a lot to add to those episodes in terms of his importance to twentieth-century music. We can argue about which of Elvis, Chuck Berry, or Little Richard was the most important artist of the fifties, but I don't think you can make a good argument that anyone other than one of those three was, and I don't think you can argue that those three weren't the three most important in whatever order.
Without Little Richard, none of the music we're covering in this podcast after 1955 would be the same, and this podcast would not exist. There are still a handful of people alive who made records we've looked at in the podcast, but without intending the slightest offence to any of them, none are as important a link in the historical chain as Richard Penniman was.
So, before the episode proper, let's have a few moments' noise in memory of the force of nature who described himself as the King and Queen of Rock and Roll:
[Excerpt: Little Richard, "Ooh! My Soul!"]
Now on to the main podcast itself.
Today we're going to take what will be, for a while, our last look at Elvis Presley. He will show up in the background of some other episodes as we go through the sixties, and I plan to take a final look at him in a hundred or so episodes, but for now, as we're entering the sixties, we're leaving behind those fifties rockers, and Elvis is one of those we're definitely leaving for now.
Elvis' two years
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Transcript
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A History of Rock Music in 500 Songs — Episode 82: “Are You Lonesome Tonight?” by Elvis Presley