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Speaker 1 Untasme.

Speaker 1 When I supermarket,

Speaker 1 and so what is the setting? So we have Raisin Weltraum, Raise Unters.

Speaker 1 Raise in the United States.

Speaker 1 And very

Speaker 1 well, and that is this end.

Speaker 1 Yeah.

Speaker 1 So

Speaker 1 I

Speaker 1 think

Speaker 1 it's

Speaker 1 a

Speaker 1 little bit

Speaker 1 too

Speaker 1 much of the

Speaker 1 mean,

Speaker 1 it's a

Speaker 1 book,

Speaker 1 you do it, yeah.

Speaker 1 And this is

Speaker 1 a messenger what a standard

Speaker 1 and then for

Speaker 1 this

Speaker 1 figure, the figure is also

Speaker 1 the

Speaker 1 standard, and what?

Speaker 1 and then

Speaker 1 the man der the

Speaker 1 standwares

Speaker 1 in bed, there is

Speaker 1 a coffee.

Speaker 1 The sticker book is

Speaker 1 a blood sticker and

Speaker 1 a ticket. And then

Speaker 1 you have left.

Speaker 1 And then we have the sticker ain't going to be a little bit more.

Speaker 1 I do

Speaker 1 not know what to do. I have a bushel

Speaker 1 and the left in a way. Ich bin a

Speaker 1 layer. And then we take a sticker.

Speaker 1 That is just so negative

Speaker 1 interactive interactive kind of things. But

Speaker 1 a lot of images,

Speaker 1 with Simpson, Star Wars, Fuspad,

Speaker 1 and that

Speaker 1 we have

Speaker 1 a little bit of a musician.

Speaker 1 And

Speaker 1 we critical,

Speaker 1 but

Speaker 1 okay, I must also

Speaker 1 be

Speaker 1 there. And

Speaker 1 then

Speaker 1 I will

Speaker 1 say, a hang of the workforce is nominal.

Speaker 1 This nomination? This nomination.

Speaker 1 And that's

Speaker 1 cool.

Speaker 1 That wolf in

Speaker 1 the world

Speaker 1 is nominal. The

Speaker 1 new für.

Speaker 1 What?

Speaker 1 I think of the art that

Speaker 1 you have

Speaker 1 to supersonic

Speaker 1 and then

Speaker 1 policy

Speaker 1 that

Speaker 1 you have. But I think that so that

Speaker 1 we can

Speaker 1 do it when the

Speaker 1 state and inhabitants are. That

Speaker 1 we

Speaker 1 have

Speaker 1 to do, and do this.

Speaker 1 So, in many facts,

Speaker 1 that

Speaker 1 class

Speaker 1 is not a minion.

Speaker 1 And we

Speaker 1 have a quasi-newer,

Speaker 1 so

Speaker 1 it is official documentation.

Speaker 1 And these officials act.

Speaker 1 And in this

Speaker 1 have to minions. So this is a minion.

Speaker 1 So what

Speaker 1 we do is

Speaker 1 in this idea of all minions.

Speaker 1 Is it all minor minions?

Speaker 1 Yeah.

Speaker 1 I find that fantastic.

Speaker 1 I think I have a problem when you consolidate

Speaker 1 a problem with

Speaker 1 checking

Speaker 1 the price

Speaker 1 I went back to

Speaker 1 Einstein.

Speaker 1 I was

Speaker 1 thinking about it that when

Speaker 1 I was a good favorite,

Speaker 1 I have to

Speaker 1 say, yes,

Speaker 1 but I was like,

Speaker 1 Ding dong, but you know,

Speaker 1 okay, so I have documented.

Speaker 1 Yeah,

Speaker 1 whatever,

Speaker 1 you stand or

Speaker 1 something like that.

Speaker 1 Yeah, nothing

Speaker 1 but small, I would say, and then the other one.

Speaker 1 that the underscores are not. This is a stand for Kinder.

Speaker 1 Yeah, but let's see what happens.

Speaker 1 And then Hinton and Fenster, the Kleinikov.

Speaker 1 The post-credits scene.

Speaker 1 This is not the film. This is all.
Post-credits is

Speaker 1 the film. The post-credit scene is better as much as a complete film and that is not

Speaker 1 and that

Speaker 1 in 30-way and the fancy partners,

Speaker 1 and that also

Speaker 1 in Springfield in Nebraska.

Speaker 1 The brachiate, the baby. And the

Speaker 1 side of the lemonade stands and

Speaker 1 absolutely

Speaker 1 dominions. And then

Speaker 1 we have the

Speaker 1 same

Speaker 1 relatable. That's funny.

Speaker 1 It's kind of okay, we're in the gate, and the spirit of speech is

Speaker 1 comfortable.

Speaker 1 for

Speaker 1 Langerhaus.

Speaker 1 No, that's not the same.

Speaker 1 That's

Speaker 1 unseen.

Speaker 1 So, no bullshit, Leuterbeiden, these nice

Speaker 1 filters,

Speaker 1 but you have to

Speaker 1 do it.

Speaker 1 I think we

Speaker 1 are shifted

Speaker 1 and I

Speaker 1 have

Speaker 1 to

Speaker 1 say,

Speaker 1 but

Speaker 1 and this fabric is not a problem.

Speaker 1 Aye, in Berlin,

Speaker 1 what is the green screen?

Speaker 1 And

Speaker 1 we are okay with green screen,

Speaker 1 and

Speaker 1 we are line. And then

Speaker 1 we can

Speaker 1 see that

Speaker 1 the perfect green screen comes from

Speaker 1 the market. The

Speaker 1 group is helleron, it was

Speaker 1 hell groups

Speaker 1 also.

Speaker 1 And the market is

Speaker 1 the frank master class will

Speaker 1 send and they had

Speaker 1 a manager.

Speaker 1 They were promising managers as a von Filmbrum Leuten and they had an Zivas Machine

Speaker 1 and so on.

Speaker 1 And we also often

Speaker 1 have

Speaker 1 to do it. And they had one down.

Speaker 1 We did that side of the

Speaker 1 masterclass.

Speaker 1 And then we're on the video.

Speaker 1 Sorry.

Speaker 1 Good best.

Speaker 1 And then we have

Speaker 1 to

Speaker 1 go to the next one. And we have a green screen.

Speaker 1 Thumbs up.

Speaker 1 And then we have the green fabric. And that's why

Speaker 1 we have a green screen.

Speaker 1 So

Speaker 1 I'm going to go to the next one.

Speaker 1 And then

Speaker 1 we have

Speaker 1 to

Speaker 1 can

Speaker 1 go

Speaker 1 to

Speaker 1 the bottom.

Speaker 1 I think

Speaker 1 it's kind of

Speaker 1 anastasia and so on and so forth. But

Speaker 1 Yeah,

Speaker 1 the service was

Speaker 1 a little bit different.

Speaker 1 Yeah,

Speaker 1 what about the website that

Speaker 1 you have?

Speaker 1 the

Speaker 1 website and then emails.

Speaker 1 So, if you're not an office master,

Speaker 1 I would say

Speaker 1 that it's mentioned,

Speaker 1 and I'm going to

Speaker 1 come

Speaker 1 back to Telephone Code. That's is the Florentine service.

Speaker 1 I think we have

Speaker 1 to

Speaker 1 do it.

Speaker 1 Has this been the worst world production?

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