UFO437 Nogger
In dieser Folge durchschreitet das DAS PODCAST UFO-Team erstmalig den Schleier zur Anderswelt. Ansonsten ändert sich nichts
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Transcript
Speaker 1 A wonderful
Speaker 1 conception in Chinese
Speaker 1 English
Speaker 1 Yeah, Medium Tag with
Speaker 1 Bear Hughes.
Speaker 1 And finally,
Speaker 1 the ripple.
Speaker 1 And then Claver is not Stefan Harthand.
Speaker 1 I would say that Florida
Speaker 1 is
Speaker 1
a little bit more. Okay.
And you ask me how to
Speaker 1 do it.
Speaker 1 Okay.
Speaker 1 Good. Do you know
Speaker 1 a ring verbal
Speaker 1 hammer or all the bones and
Speaker 1 relatively good? That's a voice microphone.
Speaker 1 The microphone is down.
Speaker 1 are preppies.
Speaker 1 Don't actually even pump
Speaker 1 pop and prepare
Speaker 1 some fringes.
Speaker 1 So we have
Speaker 1 audiovella so
Speaker 1 that we can have the
Speaker 1 best
Speaker 1 and
Speaker 1 This is a wolf
Speaker 1
of Jennifer. Oh, it's the same.
This is a ton. It's about Schlimmer, I have to say,
Speaker 1 an arched
Speaker 1 and
Speaker 1 Yeah,
Speaker 1 I wait
Speaker 1 the Month with Samstag.
Speaker 1 I waited,
Speaker 1 the quasi also
Speaker 1 continued, the Ganzawel died, or even a
Speaker 1 noch and the backer.
Speaker 1 Content photobander, in Gans Deutschland, the
Speaker 1 Beckerhein
Speaker 1 in Zupermarken, what
Speaker 1 the supermarket stockmark supermarket completely,
Speaker 1 the completely different colours, but it's
Speaker 1 a lot of
Speaker 1 end. Next, I want to say that Biden wrote the blitz and
Speaker 1 the body. A spencer
Speaker 1 and
Speaker 1 supermarket would
Speaker 1 be a little bit more difficult.
Speaker 1 This is the supermarket
Speaker 1 that Becker would
Speaker 1 have done, then the Bools, and the Westminster. to
Speaker 1 go back.
Speaker 1 Nine is a beck in a nearby platform and a beck in a nearby.
Speaker 1 This is the same thing.
Speaker 1 I do this lifetime project for me, and then I
Speaker 1 think
Speaker 1 that's it. And
Speaker 1 it's not a good thing in this matter.
Speaker 1 That's what
Speaker 1 this
Speaker 1 So, we have a level
Speaker 1 and
Speaker 1 exactly that.
Speaker 1 When Spiel is
Speaker 1 a tutorial with the fast travel functions, what
Speaker 1 is the line that marks, you can
Speaker 1 see, and
Speaker 1 And then this
Speaker 1 is
Speaker 1 an aid and we have
Speaker 1 videos.
Speaker 1 Yeah,
Speaker 1 but it is a six-year-old. So we
Speaker 1 have critical
Speaker 1 broad films, and
Speaker 1 And then Pluto
Speaker 1 Spencer, about
Speaker 1 Plutzlich,
Speaker 1 the
Speaker 1 Klingerton der Welt.
Speaker 1 This practice
Speaker 1 would be
Speaker 1 a very good thing. Then
Speaker 1 a friend from Hause.
Speaker 1 And
Speaker 1 then the practice.
Speaker 1 And I think it's completely active.
Speaker 1 But
Speaker 1 I think that's the only thing that you can do.
Speaker 1 So,
Speaker 1 um, melodies is a clinger tone, and we have a fashion.
Speaker 1 cancer
Speaker 1 ideas.
Speaker 1 Unhappy
Speaker 1
tones boxed. That's so strange.
I wish I
Speaker 1 was
Speaker 1 a graphic. So, how many in notation?
Speaker 1 Yeah,
Speaker 1 noise.
Speaker 1 This telephone will come to her. We have to
Speaker 1 finish goodbye-bye iPhone,
Speaker 1 I have to
Speaker 1
go the marimbaphone. This is multiple.
So, Claude can't be able to do it. But it's not
Speaker 1 an umbrella of the trumpet.
Speaker 1 I can't even
Speaker 1 say that.
Speaker 1 Yeah, I would say the iPhone Kingleton.
Speaker 1 Yeah, I think it was
Speaker 1 an iPhone Kingleton.
Speaker 1 I mean, Oli Welke must
Speaker 1 hit it.
Speaker 1 It's like the Genesis.
Speaker 1 Yeah, what Oli Dittrich
Speaker 1 is Palimpaliming. So Palimpalim, oh God,
Speaker 1 better.
Speaker 1 Yeah,
Speaker 1 I think it's a very good thing.
Speaker 1 But I
Speaker 1 don't mention the ability to cling to the fastness,
Speaker 1 and then
Speaker 1 we're back to her.
Speaker 1 Uh Christian and then we
Speaker 1 written and then
Speaker 1 jobs
Speaker 1 and clinicons can
Speaker 1 be
Speaker 1 a son of the
Speaker 1 Becker practice
Speaker 1 with
Speaker 1 a romantic
Speaker 1 supermarket.
Speaker 1 But
Speaker 1 I think that
Speaker 1 it is
Speaker 1 my
Speaker 1 And also we
Speaker 1 have
Speaker 1 three
Speaker 1 minutes, and I will
Speaker 1 in my
Speaker 1 friend,
Speaker 1 organization, or not
Speaker 1 Hitler Jung,
Speaker 1 or Wasoland,
Speaker 1 but it's not a very good thing.
Speaker 1 I think
Speaker 1 that's coffee bones, but
Speaker 1 it's not a good thing.
Speaker 1 I have a teacher in the coffee field by the waffle.
Speaker 1 I have to
Speaker 1 say that.
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Speaker 1 I'm sure
Speaker 1 you have to
Speaker 1 do that.
Speaker 1 Igliben Sweld. I think I had
Speaker 1 a
Speaker 1 spitten haste. Philadelphia,
Speaker 1 Mediterranean, Ben,
Speaker 1 whatever in the supermarket that you is. Yeah, but I also
Speaker 1 think that we need to
Speaker 1 say
Speaker 1 that.
Speaker 1 And it's a hundred percent.
Speaker 1 So I need to do it. I have this
Speaker 1 one. And that's what we can do.
Speaker 1 And I think
Speaker 1 that's a good thing. And the
Speaker 1 Dorf Edika. Klein for
Speaker 1 Kent, Diego, Dieberry Jungs.
Speaker 1 And Jedesia, and
Speaker 1 Hammond,
Speaker 1 you also
Speaker 1 have
Speaker 1 to do it. And that is
Speaker 1 also the thing that we have in camping platforms,
Speaker 1 or not even
Speaker 1 so yes, we have
Speaker 1 nothing to do with
Speaker 1 it. And
Speaker 1 that is
Speaker 1 what the cart is
Speaker 1 and
Speaker 1 unbeaten for
Speaker 1 the bus. What job is
Speaker 1 the auxiliary.
Speaker 1 And that was
Speaker 1 my comfort zone, but the Zubermark
Speaker 1 and Müller and then what
Speaker 1 director
Speaker 1 in the region
Speaker 1 and what
Speaker 1 the fragmentation that we have to do and
Speaker 1 supermarkets?
Speaker 1 So
Speaker 1 is the cool
Speaker 1 thing.
Speaker 1 So is there
Speaker 1 a cult, what?
Speaker 1 And
Speaker 1 Schmelzen,
Speaker 1 that's the air, that's the air cooling.
Speaker 1 Yeah.
Speaker 1 And then Morgan would
Speaker 1 have to hold and
Speaker 1 aggregate?
Speaker 1 But it is
Speaker 1 not
Speaker 1 an extraordinary thing. But it is
Speaker 1 decked.
Speaker 1 This is a curigal and
Speaker 1 a lot of people. But
Speaker 1 the current often
Speaker 1 products.
Speaker 1 That's why
Speaker 1 I skip the offences and
Speaker 1 it is a very good idea. After
Speaker 1 that, it is a very good thing.
Speaker 1 So, I think when the new freaks then come to
Speaker 1 the fangs, and then
Speaker 1 we
Speaker 1 comment on
Speaker 1 it,
Speaker 1 and
Speaker 1 so
Speaker 1 it's not a good thing. So, we're going to go to the bottom.
Speaker 1 the lack of
Speaker 1 nichter
Speaker 1 and then also
Speaker 1 the culture of Rausfeld
Speaker 1 or a raw can.
Speaker 1 But it's done. This is often
Speaker 1 very
Speaker 1 important.
Speaker 1 About when Mark Turkey
Speaker 1 is.
Speaker 1 So this is
Speaker 1 not why
Speaker 1 inefficient is often
Speaker 1 allowed to
Speaker 1 be. And that would
Speaker 1 be all
Speaker 1 this,
Speaker 1 to be stocked, then
Speaker 1 phalanx,
Speaker 1 to be aware of it.
Speaker 1 and when the Gesenwood
Speaker 1 jobs,
Speaker 1 yeah?
Speaker 1 When the gesenwerden then,
Speaker 1 I extract this film,
Speaker 1 that's what it is. That's not mentioned.
Speaker 1 But it is
Speaker 1 not.
Speaker 1 But
Speaker 1 this is what I think when the sites like nothing, then for
Speaker 1 the first time. The mission of
Speaker 1 the campaign. The CTF.
Speaker 1 The CTF.
Speaker 1 Yes, Kirk, Heinz Michelle Bonn,
Speaker 1 the Nachten Japanese
Speaker 1 Auf, the Auf, we
Speaker 1 have to
Speaker 1 do it. This is not
Speaker 1 when the
Speaker 1 sound of the music is. While the
Speaker 1 opens
Speaker 1 when the magazine has told me, that is not
Speaker 1 mine?
Speaker 1 And I think it's
Speaker 1 not
Speaker 1 all.
Speaker 1 I would say
Speaker 1 the supermarkets, or like
Speaker 1 a
Speaker 1 toll fan,
Speaker 1 I will say
Speaker 1 that
Speaker 1 we were also with
Speaker 1
the supermarket. The language is supermarket.
Hey, that's it.
Speaker 1 Let's see if this is a kind of
Speaker 1 thing. So, this is the
Speaker 1 option
Speaker 1 of
Speaker 1 romanticism, but
Speaker 1 not in line, or
Speaker 1 Netflix
Speaker 1 or transferred,
Speaker 1 but
Speaker 1 know,
Speaker 1 in bed, it's informed.
Speaker 1 But this is why
Speaker 1 Amazon Machines,
Speaker 1 Amazon Schlisnich,
Speaker 1 Amazon is off. This is about
Speaker 1 the same thing.
Speaker 1 Okay,
Speaker 1
the new trilogy. The new trilogy.
Amazon Schleft, Amazon Machinitz, but Amazon Brendan.
Speaker 1 That right now, you can
Speaker 1
concern an anonymous. And then you have to do it.
You know, I think in the mask for
Speaker 1 the first time.
Speaker 1 The entire
Speaker 1
music. Do you have that? That's why we have an experiment.
Do you have
Speaker 1 anything to do with it? Amazon that was
Speaker 1 medium standard.
Speaker 1 In a
Speaker 1 house, and Davani Abramovich also.
Speaker 1 And yet,
Speaker 1 we have
Speaker 1 to
Speaker 1 feel
Speaker 1 happenings, so actions,
Speaker 1 and they
Speaker 1 have some objects,
Speaker 1 and then
Speaker 1 Messer,
Speaker 1 but
Speaker 1 the Aufgarich
Speaker 1 and that also
Speaker 1 Amazon for Kaufman Lasso. But you also have this happening?
Speaker 1 Oh, this kunst?
Speaker 1 The man had had
Speaker 1 nothing to do with it. It is not
Speaker 1
a problem. This is what it is.
I would say
Speaker 1 that
Speaker 1 we have
Speaker 1 re-enacted it.
Speaker 1 And
Speaker 1 the tour, And that is the
Speaker 1 auschelung.
Speaker 1 And the
Speaker 1 other thing is that it is a very good thing.
Speaker 1 And that is
Speaker 1 a man in the world, not
Speaker 1 Über.
Speaker 1 And not business abstract,
Speaker 1 he is
Speaker 1 not.
Speaker 1 And that is the
Speaker 1 Australian. Man, Musichwang.
Speaker 1 Yes, we
Speaker 1 mentioned
Speaker 1 this
Speaker 1 from Free Kunstler, or Assistant,
Speaker 1 so this
Speaker 1 is what we're talking about.
Speaker 1 But I think
Speaker 1 that's the same thing. In 2010,
Speaker 1 a war
Speaker 1 in
Speaker 1 the
Speaker 1 blue free
Speaker 1 image. Imagine
Speaker 1 with Mann
Speaker 1 and Mamos Deuch.
Speaker 1 Yet, I
Speaker 1 think, in Kunsthaus,
Speaker 1 for the website when the Kunsta is
Speaker 1 weird. But then
Speaker 1 the
Speaker 1 question,
Speaker 1 that is.
Speaker 1 And then the Gansatrian arch, and that is also
Speaker 1 brilliant. And my Deutsche, and
Speaker 1 we can't And that
Speaker 1 span
Speaker 1 also
Speaker 1 manned that
Speaker 1 all the international.
Speaker 1 But on Maneu, oh, oh, we need to wake up.
Speaker 1 And an isman,
Speaker 1 and so do we
Speaker 1 have to do it. But
Speaker 1 we
Speaker 1 could,
Speaker 1 yeah, and
Speaker 1 completely
Speaker 1 not.
Speaker 1 But also,
Speaker 1 that is unlaufen, and within readen, or so, or then,
Speaker 1 so that's
Speaker 1 not true, but
Speaker 1 it's work, or yeah, we're not. And I think that
Speaker 1 in the written iteration.
Speaker 1 And so
Speaker 1 it is
Speaker 1 problematic. I think
Speaker 1 the Russian Aufostric. And then what
Speaker 1 do you think?
Speaker 1 We have a Q-Tip, they have to do
Speaker 1 it,
Speaker 1 with a Kunstfabric.
Speaker 1 That's what I say.
Speaker 1 So that
Speaker 1 And yeah,
Speaker 1 I
Speaker 1 think
Speaker 1 it is
Speaker 1 also
Speaker 1 a very important thing.
Speaker 1 Another
Speaker 1 bomb open, the Schischu Dublin completely hose.
Speaker 1 And
Speaker 1 that's a couple of people and the most diecham. So we
Speaker 1 have to do it. And that is the normal.
Speaker 1 That makes sense.
Speaker 1 That is
Speaker 1 a
Speaker 1 draft. But that's all that's all the constant.
Speaker 1 So
Speaker 1 I'm not
Speaker 1 Okay, Aliska Jer Bayen.
Speaker 1 Then we
Speaker 1 have to
Speaker 1 go and then
Speaker 1
you can see it. Aliscla.
Good.
Speaker 1 Yes, yes.
Speaker 1 So I
Speaker 1 think it's a little bit more than a moment,
Speaker 1 I wonder
Speaker 1 if the film begins to
Speaker 1 be a little bit more difficult. And I claim that it is not
Speaker 1 close, and
Speaker 1 it's a very
Speaker 1 important
Speaker 1 scenario.
Speaker 1 But
Speaker 1 I think it's a very good question. I have to feel that
Speaker 1 tool not
Speaker 1 close.
Speaker 1 But this is anatomy that I folks are in Leadwood, but it is nothing. Yeah, I think
Speaker 1 it's a public.
Speaker 1 And what is not
Speaker 1 that? And in this
Speaker 1 daily
Speaker 1 world
Speaker 1 completely,
Speaker 1 or
Speaker 1 whatever,
Speaker 1 new
Speaker 1 country,
Speaker 1 I think.
Speaker 1 What
Speaker 1 we do is
Speaker 1 ordinary.
Speaker 1 But
Speaker 1 there are
Speaker 1 no money.
Speaker 1 Or
Speaker 1 Yeah, then
Speaker 1
you can see it. Yeah, absolutely.
That's a principle also.
Speaker 1 What is
Speaker 1 it?
Speaker 1 I mean, we have to study,
Speaker 1 anger,
Speaker 1 I
Speaker 1 think,
Speaker 1 and then
Speaker 1 Stefan.
Speaker 1 I won't be able to do it.
Speaker 1 I want to
Speaker 1 span this,
Speaker 1 yeah. I
Speaker 1 do
Speaker 1 a completely less
Speaker 1 blah blah blah, normal, Irish calm, hinterly, and
Speaker 1 it's not
Speaker 1 what I'm saying. I think this is how Dokus
Speaker 1 is also good
Speaker 1 and
Speaker 1 then
Speaker 1 we have a total gate
Speaker 1 And the warning
Speaker 1 of Pluto unavailed with the complete
Speaker 1 brands, and then the complete ghost.
Speaker 1 Mira Spanner story,
Speaker 1 as
Speaker 1 well as
Speaker 1 a
Speaker 1 say,
Speaker 1 but
Speaker 1 it's not that.
Speaker 1 And there is a
Speaker 1 lot of
Speaker 1 insects in Austin, or the story
Speaker 1 now, yeah,
Speaker 1 and that's a very super good connection and the town of the Gibbs.
Speaker 1 And that's a challenge also against gun organization and
Speaker 1 so and then
Speaker 1 that's crash, yeah.
Speaker 1 So you
Speaker 1 do or that's the same thing.
Speaker 1 Okay. Yeah.
Speaker 1 Sebastian Tetzlav at gmail punkom.
Speaker 1 Okay, and that's
Speaker 1 my address.
Speaker 1 Okay.
Speaker 1 So, my tip for Eugen,
Speaker 1 it's like, yeah, but
Speaker 1 Hitler young and so on.
Speaker 1 Yeah, okay. Yeah, you know,
Speaker 1 okay, but
Speaker 1 brutal and
Speaker 1 twists and turns and not totally.
Speaker 1 And
Speaker 1 when they say,
Speaker 1 yeah,
Speaker 1 the vendor also
Speaker 1 directs
Speaker 1 it.
Speaker 1 And then
Speaker 1 we have
Speaker 1 two crime documents. And And our future is ah,
Speaker 1 because a fun fact,
Speaker 1 that's why we
Speaker 1 have to
Speaker 1 absorb
Speaker 1 it. And it's not a document,
Speaker 1 the inner mention.
Speaker 1 So there is
Speaker 1 a kind of
Speaker 1 operator
Speaker 1 and that's
Speaker 1 quite that's a crap that we have.
Speaker 1 Poor things.
Speaker 1 Poor things.
Speaker 1 So, if you have poor things,
Speaker 1 I think it's okay.
Speaker 1 I'm not a space,
Speaker 1 but space exploration from
Speaker 1 Jungen. They had
Speaker 1 a grandman.
Speaker 1 So,
Speaker 1 space doku, but
Speaker 1 I think
Speaker 1 That's kind of a recent film.
Speaker 1 Okay.
Speaker 1 Yeah.
Speaker 1 That's funny also.
Speaker 1 RoboCop? Yeah.
Speaker 1 You can stand
Speaker 1 up.
Speaker 1 You can
Speaker 1 do it.
Speaker 1 And
Speaker 1 Docus also feels
Speaker 1 nothing.
Speaker 1 That is
Speaker 1 what Docus Nache
Speaker 1 is.
Speaker 1 Yeah, we know
Speaker 1 what the investigator
Speaker 1 is with a task force.
Speaker 1 So
Speaker 1 twists and turns and
Speaker 1 twists and turns and plot twists.
Speaker 1 I
Speaker 1 don't know if we're in Hamburg
Speaker 1 and I would
Speaker 1 like to
Speaker 1 say that I'm not sure if I can do it.
Speaker 1 And I
Speaker 1 wish we
Speaker 1 now
Speaker 1 flex tickets.
Speaker 1 And I think it's a good flex ticket.
Speaker 1 And that
Speaker 1 city ticket.
Speaker 1 yeah. Ich Spanish
Speaker 1 price
Speaker 1 and
Speaker 1 a Eurochick cost,
Speaker 1 Liebruise.
Speaker 1 And
Speaker 1 I would
Speaker 1 say
Speaker 1 that a lot of
Speaker 1 tickets had
Speaker 1 tickets and also
Speaker 1 my banner tickets, because they are here, and so
Speaker 1 on.
Speaker 1 and also
Speaker 1 that super spa price.
Speaker 1 That is a ticket.
Speaker 1 This is the three centuries.
Speaker 1 So then we can see that. So yeah,
Speaker 1 we have a good ticket here, we have a rause,
Speaker 1 so and then
Speaker 1 the
Speaker 1 shift
Speaker 1 for a Schwarzschild.
Speaker 1 And then
Speaker 1 we come to the Ecker and this
Speaker 1 is the same thing, and we have
Speaker 1 superfastened. We have
Speaker 1 sold, we have
Speaker 1 to finish,
Speaker 1 we have
Speaker 1 to do it then from
Speaker 1 Elton House, blah blah blah. All this
Speaker 1 family
Speaker 1 that
Speaker 1 bonded. And Ganstein
Speaker 1 and I
Speaker 1 get some
Speaker 1 claims and we
Speaker 1 have to do it. Ah, there we go.
Speaker 1 And then
Speaker 1 here, and
Speaker 1 then this
Speaker 1 is what
Speaker 1 I
Speaker 1 say: Alice Phenniche, I think it's
Speaker 1 so
Speaker 1 for you.
Speaker 1 Awesome
Speaker 1 and
Speaker 1 Europe den Maximal Bras.
Speaker 1 Yeah, that's not
Speaker 1 Europe,
Speaker 1 we have
Speaker 1 a grunt
Speaker 1 of
Speaker 1 the song. That's a dieter.
Speaker 1 That
Speaker 1 we have
Speaker 1 to
Speaker 1 say, Lieb Grusev, Tolente,
Speaker 1 but I had to make that.
Speaker 1 Before the DNA comes
Speaker 1 here, it's an art.
Speaker 1 That's why it's an art mid-mention for tracks. So, what is this?
Speaker 1 Interaction professional tour, friendly tour,
Speaker 1 so
Speaker 1 I had to say
Speaker 1 if you offer
Speaker 1 it to
Speaker 1 the forest, and then what?
Speaker 1 And that's what we have
Speaker 1 and
Speaker 1 then what we're doing is
Speaker 1 that it's not a good idea. I just
Speaker 1 don't know. But I would say options.
Speaker 1 niche. I wouldn't say
Speaker 1 that.
Speaker 1 This is what the European is.
Speaker 1 And then
Speaker 1 colleagues
Speaker 1 not at sale for a family
Speaker 1 and then we have Europe.
Speaker 1 And then we have
Speaker 1 to have many tickets.
Speaker 1 Oh, what
Speaker 1 do you think
Speaker 1 about
Speaker 1 it?
Speaker 1 But I have some flexible.
Speaker 1 Yeah, that's
Speaker 1 mentioning
Speaker 1 function. That is the green mile.
Speaker 1 That's a film.
Speaker 1 Yeah, that's the film.
Speaker 1 Stefan.
Speaker 1 And normal alleys.
Speaker 1 Yeah.
Speaker 1 But
Speaker 1 then
Speaker 1 you can see that. And this is not
Speaker 1 a lot of
Speaker 1 people.
Speaker 1 This is my passion.
Speaker 1 Klaus Badel. Klaus.
Speaker 1 And yet
Speaker 1 that Hanseman, Hansemann
Speaker 1 is not a little bit of a little bit of
Speaker 1 a double.
Speaker 1 Okay,
Speaker 1 The code is null,
Speaker 1 noin,
Speaker 1 noin,
Speaker 1 and
Speaker 1 practice.
Speaker 1 I
Speaker 1 will melod for
Speaker 1 any clinger tone. The same class of filming any clingleton can
Speaker 1 And you have to
Speaker 1 do it.
Speaker 1 That's the clause
Speaker 1 component.
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Speaker 1 The warmer cooler is
Speaker 1 the Russian Augustus von Yamba.
Speaker 1 Yeah, and that's
Speaker 1 the same thing.
Speaker 1 Oh, yeah,
Speaker 1 so
Speaker 1 that's the thing. That's all
Speaker 1 influenced by Nuts, it's a meme, and I have to pop cultural.
Speaker 1 But we have to say
Speaker 1 Hans Zimmer had
Speaker 1 components.
Speaker 1 It's
Speaker 1 the same
Speaker 1 component of the film
Speaker 1 is
Speaker 1 of the
Speaker 1 plate
Speaker 1 and
Speaker 1 the power.
Speaker 1 And this is also
Speaker 1 a middleware,
Speaker 1 the remote production of the soviets, what is
Speaker 1 LA firm, and even if we have
Speaker 1 worked, and I
Speaker 1 think that
Speaker 1 internally
Speaker 1 a good job
Speaker 1 and
Speaker 1 Hans Simmer then also
Speaker 1 variant and I would love to hear myself. So you have a podcast or
Speaker 1 that is what
Speaker 1 Hans Simmer gross music
Speaker 1 not by the
Speaker 1 way
Speaker 1 and that in fact
Speaker 1 that's not a matter of it.
Speaker 1 Would this
Speaker 1 mark on the last samurai
Speaker 1 Tom Cruise since I
Speaker 1 flute Korewich? Why
Speaker 1 soundtrack?
Speaker 1 Tom Cruise a clang, that the flute Korea soundtrack
Speaker 1 the samurai
Speaker 1 and
Speaker 1 head is
Speaker 1 Japanese Yeah,
Speaker 1 and by the
Speaker 1 way, Hassan,
Speaker 1 then she
Speaker 1 said
Speaker 1 Holfen. We have a podcast
Speaker 1 on the
Speaker 1 side of the
Speaker 1 soundtrack from Future Kerry, but Clown
Speaker 1 That is Nichto. Applet.
Speaker 1 Hansimmer Stirl.
Speaker 1 Eagle. Hansimmer Hat Kein
Speaker 1
for Ragsburg. Wait, Lausbadelt? Yeah.
Steady.
Speaker 1 Ago? Hat auch. Ago.
Speaker 1 Hatfield for
Speaker 1 the music. Eagle?
Speaker 1 Ago is a good thing.
Speaker 1 It's not
Speaker 1 a musician.
Speaker 1 And then
Speaker 1 this new sticks from Mozart and the pianist set piano and spiel
Speaker 1 diddem doom dumb diddlem doom dumb diddle dam dum dum diddlem doom dum diddle dim dum dum diddle dim dumdum and allezo nozzle and all
Speaker 1 the
Speaker 1 what what the what the actual what
Speaker 1 concerts mere duts concert in the open
Speaker 1 carios
Speaker 1 with the Sen Aria Arunan Elmex.
Speaker 1 it's a radiator.
Speaker 1 My music, my music.
Speaker 1 So, this is an interesting
Speaker 1 experiment, is that
Speaker 1 the Kunstler Uber shot, and Stuck Mozart,
Speaker 1 but the COPFAC. Yeah, he depends.
Speaker 1 Yeah, this is
Speaker 1 Mozart English
Speaker 1 and Stuart
Speaker 1
and the Forschan Seward okay that is Mozart. Ah, cool.
All the tracks from Mozart can
Speaker 1 be
Speaker 1
a little bit more than that. Hetemannic destuggles.
Oh, good tag. My name is
Speaker 1 Sigurd Bragatic.
Speaker 1 I bin a newer component, I have a new
Speaker 1 spirit von Mozart.
Speaker 1 Zuper,
Speaker 1 Yeah, and it's
Speaker 1 a bloody check
Speaker 1 and in warhead is this functionality.
Speaker 1 Sein also.
Speaker 1 even when
Speaker 1 it's a Paul.
Speaker 1 Ain't for Paul. Are you
Speaker 1 aware of that?
Speaker 1 What
Speaker 1 authentic elections become
Speaker 1 a single thing that is.
Speaker 1 But you have to do it. I would also
Speaker 1 say that neutral objective
Speaker 1 can
Speaker 1 be a flow.
Speaker 1 you can see it. Danny Schleich.
Speaker 1 This release date is an ESC. And
Speaker 1 Grammys.
Speaker 1 Yeah,
Speaker 1 words, words, words. We don't know.
Speaker 1 Okay. Finnish, but
Speaker 1
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Speaker 1 Charlie XCX. It's nominated and that's Wolf.
Speaker 1 Okay.
Speaker 1 Spand.
Speaker 1 That's
Speaker 1 super. Yeah, Lil Wolf.
Speaker 1 I SC Finnish Good. When I was better experts,
Speaker 1 I mean
Speaker 1 experts,
Speaker 1 in the branches, in the music
Speaker 1 completely
Speaker 1 flopped in, not in the charts
Speaker 1 and the music,
Speaker 1 but
Speaker 1 QAs not the
Speaker 1 same.
Speaker 1 And
Speaker 1 we
Speaker 1 will see how awesome is that.
Speaker 1 Also, this is not a narrative and
Speaker 1 the
Speaker 1 best way to do it. And the
Speaker 1 dramaturgy?
Speaker 1 The dramaturg.
Speaker 1 Electra dampened it.
Speaker 1 Electrak
Speaker 1 And so, yeah, the announcement
Speaker 1 forgotten.
Speaker 1 So, and then
Speaker 1 we have the live stream and
Speaker 1 forgotten.
Speaker 1 Am I right? And what would
Speaker 1 you say?
Speaker 1 Massive.
Speaker 1 But what
Speaker 1 is the moment?
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Speaker 1 it is thousands.
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Speaker 1 that is okay.
Speaker 1 So
Speaker 1 the
Speaker 1 end of the town of
Speaker 1 that problem.
Speaker 1 That is the colour,
Speaker 1 it's a fatigue, it's in the interim,
Speaker 1 the state in Deutsche, that was a message
Speaker 1 to Prune Bau.
Speaker 1 Nine
Speaker 1 Messer
Speaker 1 Skingta,
Speaker 1 English,
Speaker 1 and in the middle, is
Speaker 1 an opening. And
Speaker 1 that orchestra
Speaker 1 platform, but
Speaker 1 it is
Speaker 1 the sound of the
Speaker 1 situation. All right,
Speaker 1 now
Speaker 1 with the open
Speaker 1 side of the region,
Speaker 1 we find
Speaker 1 this physical.
Speaker 1 I think
Speaker 1 that we can't do that.
Speaker 1 But we are
Speaker 1 Yeah, so therefore, there was a
Speaker 1 week,
Speaker 1 Greece orchestra, the platform orchestra in the open house, that construction
Speaker 1 full-blown Hunazien orchestra orchestras links
Speaker 1 and this
Speaker 1 is
Speaker 1 achieved.
Speaker 1 So the
Speaker 1 game
Speaker 1 Okay,
Speaker 1 but
Speaker 1 okay,
Speaker 1 or
Speaker 1 the end of the fragments and
Speaker 1 then
Speaker 1 9.
Speaker 1 Okay,
Speaker 1 the answer is
Speaker 1 the MCRATORK.
Speaker 1 Okay, and then comes the moment that
Speaker 1 classes are perfect,
Speaker 1 Grossa Lacha all clutch and
Speaker 1 dramaturg
Speaker 1 is
Speaker 1 that job?
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Speaker 1 epilogue,
Speaker 1 perfect end and dramaturg,
Speaker 1 and a
Speaker 1 half minute.
Speaker 1 I went by Romeo and Julia
Speaker 1 all toad in the arm in arm.
Speaker 1 And
Speaker 1 that's why
Speaker 1 I'm not sure what to do. So we have
Speaker 1 this moment.
Speaker 1 It's not
Speaker 1 the schloss or garlic,
Speaker 1 but this
Speaker 1 is a fact that
Speaker 1 the dissonant Open
Speaker 1 is
Speaker 1 the same. That is
Speaker 1 the
Speaker 1 profit.
Speaker 1 And then what? Yeah, okay, cool.
Speaker 1 Aba, General Kui Day, and Hatberg,
Speaker 1 it's much better. I think that we have a Zoom idea, and what
Speaker 1 I can do is
Speaker 1 analyze it.
Speaker 1 The dramaturg is not incinerated.
Speaker 1 The dramaturg is the tube from house dam registers.
Speaker 1 So, I would say
Speaker 1 Ryan Johnson was in Star Wars.
Speaker 1 but the ring.
Speaker 1 Okay,
Speaker 1 I have a charlatan,
Speaker 1 so
Speaker 1 the ramp is
Speaker 1 not and when Clutton Nestor die
Speaker 1 is also
Speaker 1 a little bit different.
Speaker 1 And then the dramaturg that forms the fourth and four.
Speaker 1 The
Speaker 1 I mark,
Speaker 1 I mark insinuations, as we
Speaker 1 Abranikov,
Speaker 1 Abramovich, Marachi Insinierung, Ich gi naktau die Bune and clutch sweimer laud in the hand. Icht
Speaker 1 who, who?
Speaker 1 So and then clutchen, who, who, clutchen. And then QA
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Speaker 1 like that.
Speaker 1 And that's my
Speaker 1 QA. So,
Speaker 1 Icht QA or
Speaker 1 A, Acts QA, but what
Speaker 1 is that?
Speaker 1 Then
Speaker 1 I von Bunechmalau better alley die
Speaker 1 of the Bune and then
Speaker 1 QA Zwaterno. I speak QA now.
Speaker 1 But also the Frankston
Speaker 1 Friedman
Speaker 1 and then we can
Speaker 1 allek the Bunny. So that's why we have
Speaker 1 public.
Speaker 1 That's a fragment.
Speaker 1 I stopped in the
Speaker 1 Rundle
Speaker 1 Yeah, but then in America,
Speaker 1 we did see
Speaker 1 talk,
Speaker 1 talk,
Speaker 1 talk,
Speaker 1 who, who,
Speaker 1 talk, be who, talk.
Speaker 1 So, that's the urge.
Speaker 1 Yeah, it's a
Speaker 1 very good idea.
Speaker 1 So, it's a raw and
Speaker 1 a lot of people who are not going to be able to do it.
Speaker 1 Generally, when you have a podcast,
Speaker 1 we
Speaker 1 have a Klein Studio in
Speaker 1 the inspiration,
Speaker 1 Check it up.
Speaker 1 Check it out.
Speaker 1 Wicked businesses of the business.
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