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Speaker 1 Reclam

Speaker 1 this podcast with the

Speaker 1 financier.

Speaker 1 The classic von Jane Austen

Speaker 1 Die Meisene Hocharetting ensemble

Speaker 1 effect. Under Anrums and Emilia Schuller, Aaron Alteras, and Julia Butekstabei, the Kanzig as Work Hernlassen.
In Stolz on Four Outlet,

Speaker 1 Elizabeth Bennett, the Federal Geneva Regency era, ausk

Speaker 1 compromises,

Speaker 1 in

Speaker 1 comparison to

Speaker 1 the Tansen will rule

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Speaker 1 Then we have

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Speaker 1 and Elizabeth Musier Grunzettes of Emerald Uberd. Observation

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Speaker 1 And the best

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Speaker 1 Reclam

Speaker 1 Ender.

Speaker 1 Drinis.

Speaker 1 The podcast of the Comforts.

Speaker 1 Hello, and hello.

Speaker 1 We have

Speaker 1 the three minutes podcast the

Speaker 1 Julia Roberts.

Speaker 1 Julia Roberts isn't

Speaker 1 very good.

Speaker 1 Yeah, I could

Speaker 1 ask a small talk for the

Speaker 1 comments here. I comes to Los Angeles, California.
Okay, and

Speaker 1 we feel biographical in this film with you grant that he

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Speaker 1 A hundred percent. I

Speaker 1 also want to make a millionaire and my

Speaker 1 loser.

Speaker 1 And she has a you grand that

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Speaker 1 my answer for Julia Robertson film Erin Brokowicz,

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Speaker 1 Nine, I think, Gerald Steiner. But I'm not

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Speaker 1 But

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Speaker 1 stay the warmth. And we have

Speaker 1 Julia Roberts,

Speaker 1 I gave you

Speaker 1 Harry Bomet

Speaker 1 for Tommy Gottschalk and that

Speaker 1 Julia Becker, Julia Becker is

Speaker 1 not

Speaker 1 a little bit of a fairy. Julia Robertson,

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Speaker 1 good, and when she says, Okay, what

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Speaker 1 That's good.

Speaker 1 And

Speaker 1 Lecker, Lecker, Lecker,

Speaker 1 I must

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Speaker 1 try to get Ichal Director.

Speaker 1 But we have

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Speaker 1 That's a routine.

Speaker 1 I have a preference and it has a

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And Lee Service

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Speaker 1 And we

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Speaker 1 not

Speaker 1 a liver service, and that's what the problem is that I feel like

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Speaker 1 Okay, but

Speaker 1 that problem

Speaker 1 and that's why

Speaker 1 it's Barbettal.

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Speaker 1 a thorough

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Speaker 1 we do

Speaker 1 not

Speaker 1 have

Speaker 1 to do it.

Speaker 1 That's my payment, that also

Speaker 1 is a little bit of a nitrogen, with

Speaker 1 drinks, and other

Speaker 1 complexity.

Speaker 1 The problem is that

Speaker 1 emotional

Speaker 1 problems, because we

Speaker 1 I have not done that

Speaker 1 cost

Speaker 1 that

Speaker 1 you have to do. And it is also a leaf and the angles.

Speaker 1 It's the chefs.

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Speaker 1 a little bit more difficult. But this is

Speaker 1 what he does,

Speaker 1 yeah.

Speaker 1 So, what marks

Speaker 1 are

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Speaker 1 I can

Speaker 1 beat ourselves

Speaker 1 that

Speaker 1 financial drunk and

Speaker 1 me,

Speaker 1 but

Speaker 1 it doesn't.

Speaker 1 Yeah, I mean, I can't

Speaker 1 wait to go and that's it.

Speaker 1 That would be

Speaker 1 a male. Yes,

Speaker 1 in principle, I was also

Speaker 1 in Bangkok.

Speaker 1 The Michelangelo

Speaker 1 would also

Speaker 1 we

Speaker 1 minimize

Speaker 1 it. And what

Speaker 1 is

Speaker 1 the

Speaker 1 Michel? Yeah, I

Speaker 1 know.

Speaker 1 We have a lot of

Speaker 1 people

Speaker 1 who are in the middle of the day, and I must say in the comments, I

Speaker 1 can't do it. I mean, the last

Speaker 1 demotional

Speaker 1 name, and a wonderful

Speaker 1 thing, and what we offer, I can't

Speaker 1 remember, or Mira Norton, so

Speaker 1 I been

Speaker 1 brushing, and I'm going to

Speaker 1 go to Broadway and we'll go and

Speaker 1 get a sandwich and

Speaker 1 I clamp it.

Speaker 1 And that means good

Speaker 1 side,

Speaker 1 so I don't have to say that I

Speaker 1 can't. And what

Speaker 1 I'm going to do is

Speaker 1 also

Speaker 1 a mention of LASNES

Speaker 1 by camps and

Speaker 1 messages

Speaker 1 in Berlin, I think also

Speaker 1 Schneider, I guess,

Speaker 1 I get

Speaker 1 to know what it is.

Speaker 1 And by camps, and in other beckreins,

Speaker 1 offering

Speaker 1 that.

Speaker 1 And that

Speaker 1 in Berlin is also

Speaker 1 in the dimension of the

Speaker 1 Merglishen by Bahnhof Becker.

Speaker 1 That

Speaker 1 is in Berlin.

Speaker 1 Hinden was kinda

Speaker 1 stock by Haubenhof in a hinder eke by Becker Hindenfield

Speaker 1 a Zitzplash

Speaker 1 Morgana. So,

Speaker 1 what is

Speaker 1 this

Speaker 1 original and David Findish? And when

Speaker 1 I

Speaker 1 get Mitlawala

Speaker 1 Halbrund,

Speaker 1 the alley of Harbor DeWise and Sami Newton has

Speaker 1 not functioning.

Speaker 1 This is Marx English

Speaker 1 Newton,

Speaker 1 that

Speaker 1 Reis and extremely

Speaker 1 And

Speaker 1 also

Speaker 1 my side,

Speaker 1 but

Speaker 1 hungry, and then

Speaker 1 the machine wouldn't put Bahnov in Kohn that Peeps requests what

Speaker 1 noise canceling.

Speaker 1 So, that's the

Speaker 1 same thing. The moment you thanks to Schaltz noise canceling a

Speaker 1 warhead, it is noise cancelling

Speaker 1 and

Speaker 1 tone from the Comp the Lair can

Speaker 1 be.

Speaker 1 That is my autowork. Yeah, I have so often

Speaker 1 noise canceling.

Speaker 1 I cannot know. I was

Speaker 1 socialized, I realized that Laisa would not be. Yeah, and I also

Speaker 1 have a field of

Speaker 1 challenge of all Francesco. How do you think in my opinion? I think

Speaker 1 the Francesca.

Speaker 1 So, and that

Speaker 1 Furk, the President of the year Frances, had

Speaker 1 been a very good thing. And what we have

Speaker 1 in Brussels, the Fantasy, Habic

Speaker 1 Fantasy Zero, Habitat Trunk, and

Speaker 1 Habitat, and that

Speaker 1 the Cola the English of the Gansen Welt Gleismechmus, the Coca-Cola Company, that

Speaker 1 the Cola European Gleishmaker, is the Fantasy

Speaker 1 Land, Soland, and Sheetlich, is

Speaker 1 also

Speaker 1 a trainer

Speaker 1 in Belgium.

Speaker 1 So, it's clear.

Speaker 1 Good. I was only

Speaker 1 going to say that. Yes, we have a trauma from

Speaker 1 mineral women and

Speaker 1 classic media and still

Speaker 1 theoretical

Speaker 1 anthal aines,

Speaker 1 that's not cooler light, colour zero, or colour lemons, and that's why.

Speaker 1 So, yeah, but

Speaker 1 it's not a very good thing. I won't risk

Speaker 1 it.

Speaker 1 But you don't have to

Speaker 1 relative

Speaker 1 with Leunton

Speaker 1 in Brussels. And

Speaker 1 that's why we normally

Speaker 1 have a park bank, and that's a

Speaker 1 basketball field.

Speaker 1 But you have to be on the control. There are

Speaker 1 angst. That's why

Speaker 1 we're we're on basketball court.

Speaker 1 I think

Speaker 1 I am best. And I

Speaker 1 think

Speaker 1 here we are normal,

Speaker 1 the park bank.

Speaker 1 And then

Speaker 1 we get

Speaker 1 a man for myself, and

Speaker 1 it is not ignorant. I have the COP Fuhrer

Speaker 1 and

Speaker 1 German

Speaker 1 Francis in Medridge.

Speaker 1 But

Speaker 1 And the hatred of Franz Usichanner, so we

Speaker 1 have English

Speaker 1 in the Grossen Baum that

Speaker 1 is

Speaker 1 not

Speaker 1 cooked, and that's also

Speaker 1 the Isoldar Rubber, so under bank.

Speaker 1 So and what

Speaker 1 younger basketball

Speaker 1 and hats

Speaker 1 are.

Speaker 1 So, this is the other thing:

Speaker 1 basketball and

Speaker 1 basketball, and the ball is more than a bad, and

Speaker 1 it is

Speaker 1 affairs that are banned. That is the SPR,

Speaker 1 that is

Speaker 1 the ball.

Speaker 1 And I will

Speaker 1 and

Speaker 1 we

Speaker 1 have no

Speaker 1 spiel, it has a club and

Speaker 1 that's why I

Speaker 1 feel like it's not the same thing. So, and then we have a new,

Speaker 1 and then we

Speaker 1 have

Speaker 1 to go ahead and

Speaker 1 run

Speaker 1 and telephony

Speaker 1 code.

Speaker 1 Yeah,

Speaker 1 I

Speaker 1 mean, the group

Speaker 1 of wildlife

Speaker 1 American in

Speaker 1 Europe and Reichstag

Speaker 1 and Amsterdam, Brussels, Lesseffa, and then functions.

Speaker 1 And this is also

Speaker 1 hot,

Speaker 1 or

Speaker 1 in Belgium, or in Schünthesia, but the Airbnb code functions.

Speaker 1 I wish in a gun

Speaker 1 Airbnb with

Speaker 1 I think,

Speaker 1 and that was in Stockholm, and we have the address

Speaker 1 of the Airbnb, and then we

Speaker 1 have

Speaker 1 a diplomatic

Speaker 1 game.

Speaker 1 And then we have a house,

Speaker 1 and then

Speaker 1 the code.

Speaker 1 And then we have

Speaker 1 to say that we have a friend, we have

Speaker 1 nothing, but then

Speaker 1 hosts, and

Speaker 1 we have a complete

Speaker 1 field that

Speaker 1 we have in a forehead.

Speaker 1 I would like to say,

Speaker 1 and then when

Speaker 1 we

Speaker 1 study

Speaker 1 in a forehead of stockholm, we have a complete contrast.

Speaker 1 I think it's a person from the

Speaker 1 zoo.

Speaker 1 I also

Speaker 1 have a RBI in a hotel, and we

Speaker 1 have

Speaker 1 to do it. It is anger and that is an email

Speaker 1 from the hotel with Rinstan. We cannot wait to welcome you.
And that's

Speaker 1 all we need.

Speaker 1 That is best to dream, and so

Speaker 1 that is fashion errors.

Speaker 1 And I was English, that was eronis, which meant

Speaker 1 gusta in Jonache. And it is

Speaker 1 not

Speaker 1 a comic

Speaker 1 Zufts hint.

Speaker 1 We cannot wait to welcome you, Zofts. Yeah, this emotions.

Speaker 1 I would say we have to be able to do it.

Speaker 1 And we are saying when the character is a

Speaker 1 tour of Walden, then it is a

Speaker 1 hotel in Brussels, the

Speaker 1 Turkey, the

Speaker 1 Lebanese, the Simatura Hotel Barnes. I would not

Speaker 1 have

Speaker 1 been

Speaker 1 able to

Speaker 1 do

Speaker 1 that, so

Speaker 1 it is

Speaker 1 a mechanic

Speaker 1 that

Speaker 1 was so hard?

Speaker 1 I think it was auxiliary

Speaker 1 communist.

Speaker 1 What is off the land that we

Speaker 1 have with all the craft

Speaker 1 and

Speaker 1 this

Speaker 1 mine?

Speaker 1 What if you

Speaker 1 also control this branch?

Speaker 1 I think that's it.

Speaker 1 In the news, the

Speaker 1 And we have to

Speaker 1 go and

Speaker 1 not obligatory

Speaker 1 optional

Speaker 1 branches.

Speaker 1 But

Speaker 1 then also,

Speaker 1 I think we have to go and then make glasses. And then I think

Speaker 1 when you say we have

Speaker 1 a break, we get raised and

Speaker 1 the glass and the camera

Speaker 1 within the break.

Speaker 1 We have a microphone,

Speaker 1 and when you

Speaker 1 say, ooh, lack of the restaurant or the laser or the teeth culture, that we have lacker. Yeah, but

Speaker 1 we have to do that in the glass please.

Speaker 1 And the tutorial.

Speaker 1 Yeah, we can

Speaker 1 bring that

Speaker 1 class build hat and

Speaker 1 get a little bit of a table.

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Terms apply.

Speaker 1 So

Speaker 1 Okay, so in 2010,

Speaker 1 that's why

Speaker 1 I think it's complaint in the beginning and

Speaker 1 a platform

Speaker 1 canal, and I noticed

Speaker 1 the

Speaker 1 map

Speaker 1 in Brussels, the van, I

Speaker 1 think, we also host, I can

Speaker 1 hotel, I have the road. So,

Speaker 1 this cookie, the

Speaker 1 city, I

Speaker 1 think,

Speaker 1 the COPFER, you know, Kift engineer, and my

Speaker 1 engineers.

Speaker 1 And then,

Speaker 1 for me,

Speaker 1 I think

Speaker 1 the

Speaker 1 answer is

Speaker 1 thing. So,

Speaker 1 yeah, good.

Speaker 1 And single and the grunts are not.

Speaker 1 My

Speaker 1 feelings are. Keith Jared or Frank Keith Jaron.
Yeah, yeah, yeah. It's a very soon.
Jean-Coltrian, Michael Berry.

Speaker 1 Keith Jaron, and that's what

Speaker 1 we're doing in the chess club. And that is more

Speaker 1 than

Speaker 1 a glass climb in

Speaker 1 the

Speaker 1 spaghetti and contraband.

Speaker 1 So, that's

Speaker 1 it.

Speaker 1 You know, the whole thing is

Speaker 1 scampered cocktails

Speaker 1 and then

Speaker 1 for me,

Speaker 1 a klein mentioned.

Speaker 1 A mention before Kleiner mentioned what the

Speaker 1 hell is that? And the hat

Speaker 1 directly

Speaker 1 and direct migrated and

Speaker 1 seen

Speaker 1 or seen

Speaker 1 the noise cancelling

Speaker 1 the

Speaker 1 sein. Habitat by Kern by Kampske

Speaker 1 and what

Speaker 1 we do is

Speaker 1 the Habsburg class or myself, like Nicholas Habshut, so young Swan and then

Speaker 1 what the rest of the

Speaker 1 class and also

Speaker 1 directly

Speaker 1 and the hatred

Speaker 1 of

Speaker 1 Francesco.

Speaker 1 And then,

Speaker 1 well, I can't

Speaker 1 say that. And I spin

Speaker 1 Francis and the studio, and all schlime weather,

Speaker 1 and the spinach,

Speaker 1 the direct

Speaker 1 machine,

Speaker 1 we have

Speaker 1 to do it. And

Speaker 1 it is perfect,

Speaker 1 that's why

Speaker 1 it's very much.

Speaker 1 I have to

Speaker 1 the spritzer good Francis

Speaker 1 Good, but you can't

Speaker 1 vocabulary. That vocabulary is

Speaker 1 that three Babelmacht is better

Speaker 1 than

Speaker 1 my vocabulary. And then

Speaker 1 we had a claim

Speaker 1 to Francesch that

Speaker 1 class here of Besur, and she comes to the

Speaker 1 Nederland, also Flemish

Speaker 1 Belgians, and and the Iron Motorsport is Flemish,

Speaker 1 Flanders, and Irish

Speaker 1 and Lehren is aimed at

Speaker 1 Francis Brecht

Speaker 1 in Brussels. And then

Speaker 1 we and then

Speaker 1 Francis

Speaker 1 and that is

Speaker 1 not.

Speaker 1 And the

Speaker 1 English,

Speaker 1 and then

Speaker 1 Motorspray,

Speaker 1 there brings me here,

Speaker 1 and then

Speaker 1 Witskemachen. Nine.

Speaker 1 And I

Speaker 1 stand and Gross Gecht, and then

Speaker 1 English,

Speaker 1 and then

Speaker 1 Francis,

Speaker 1 Madame Sonzo, I

Speaker 1 was a full, I have

Speaker 1 to say, we

Speaker 1 weren't

Speaker 1 here, Deutsche Michael.

Speaker 1 That is no more complex.

Speaker 1 That's what I'm saying.

Speaker 1 Yeah,

Speaker 1 I think

Speaker 1 it's a fine.

Speaker 1 And that's my kind of time. And

Speaker 1 you can

Speaker 1 see that it's

Speaker 1 a dish. I was not there.
I think it is anger that

Speaker 1 younger. And then we also have teenagers

Speaker 1 and and that

Speaker 1 is a very good

Speaker 1 data,

Speaker 1 and that will not be complex.

Speaker 1 Yeah, yeah,

Speaker 1 I mean,

Speaker 1 when you come for teenagers,

Speaker 1 I have

Speaker 1 12

Speaker 1 complexity, and I think I

Speaker 1 was

Speaker 1 in Sabria Madrid.

Speaker 1 Yeah, but we

Speaker 1 kind of

Speaker 1 met in Frankfurt in Disneyland, and it's also in Brussels, as we have seen Eurovision.

Speaker 1 It's my

Speaker 1 machine, it's the ESC, and I think we have

Speaker 1 a

Speaker 1 Eurovision and that's my

Speaker 1 first time. My problem is that

Speaker 1 the classic

Speaker 1 and

Speaker 1 the

Speaker 1 classroom and

Speaker 1 the colours, and I

Speaker 1 have have

Speaker 1 to

Speaker 1 say that.

Speaker 1 Yeah, but

Speaker 1 I think

Speaker 1 it's a little bit more difficult. So, these are tips in the game, Copperfield, the Leuter.

Speaker 1 That's

Speaker 1 why

Speaker 1 in ears, over years, this is an inner chaos. This is not

Speaker 1 a girl, but we don't

Speaker 1 know what to do. Ichlov is not.

Speaker 1 I

Speaker 1 mean, we must

Speaker 1 have

Speaker 1 have motor health.

Speaker 1 Growth and all of the things.

Speaker 1 That means nothing.

Speaker 1 So, what

Speaker 1 classical

Speaker 1 here in this

Speaker 1 can be?

Speaker 1 So, Docus was not

Speaker 1 a VDRF graph.

Speaker 1 And that was

Speaker 1 a Galtransport and

Speaker 1 Daniel Kletter

Speaker 1 Staup, where Daniela Klet was

Speaker 1 The front

Speaker 1 often

Speaker 1 is

Speaker 1 not

Speaker 1 Yeah, but fashion fashion with

Speaker 1 the fashion.

Speaker 1 So, I think

Speaker 1 it's a little bit

Speaker 1 more difficult.

Speaker 1 And

Speaker 1 I think what is the military historic military, what

Speaker 1 military

Speaker 1 museum

Speaker 1 apparel, the royal

Speaker 1 military historical museum or

Speaker 1 uniform, and giving

Speaker 1 sable and rust and canon,

Speaker 1 interest,

Speaker 1 what,

Speaker 1 and

Speaker 1 that we

Speaker 1 can do it. So, um,

Speaker 1 I think it's a Beltrich, that we have

Speaker 1 a new

Speaker 1 hundred

Speaker 1 military.

Speaker 1 And we also

Speaker 1 have uniform

Speaker 1 in this museum, so you

Speaker 1 can see

Speaker 1 that

Speaker 1 we also

Speaker 1 She relatively modernly, but nothing. But

Speaker 1 that's not

Speaker 1 the money.

Speaker 1 Yeah,

Speaker 1 what

Speaker 1 do I mean by contactless?

Speaker 1 When I was here,

Speaker 1 I would

Speaker 1 have to contact

Speaker 1 you, I don't know, so that side, naturally,

Speaker 1 beer, glass, broaden the contactless

Speaker 1 graph,

Speaker 1 So, I can also

Speaker 1 say,

Speaker 1 that's my favourite. Then, we'll

Speaker 1 go

Speaker 1 next and

Speaker 1 we're not relatively momentum.

Speaker 1 Gesein? And that

Speaker 1 fact

Speaker 1 or the tool when the Alenix.

Speaker 1 But you have to hinge

Speaker 1 Russia.

Speaker 1 That's actually

Speaker 1 not the only

Speaker 1 one.

Speaker 1 You talk now that

Speaker 1 George Turtle kind of mentioned

Speaker 1 Turtle mention.

Speaker 1 And this museum staff and

Speaker 1 the

Speaker 1 Schultz

Speaker 1 city and the wicks is also

Speaker 1 hindered by the costume for stacks that are

Speaker 1 not.

Speaker 1 I have a brilliant laptop. I

Speaker 1 wouldn't have criminals

Speaker 1 can

Speaker 1 be

Speaker 1 able to do it. I would

Speaker 1 string

Speaker 1 that

Speaker 1 and that's what

Speaker 1 a

Speaker 1 trailer for Auskept up to Spier.

Speaker 1 That's

Speaker 1 to

Speaker 1 the body, and LSG, Boker Heider, Berber.

Speaker 1 So, the Molder activities,

Speaker 1 the Bohemond, and Hinweis.

Speaker 1 So, when we were

Speaker 1 putting

Speaker 1 it, we were

Speaker 1 here in Tennessee.

Speaker 1 Yeah. So, Merchants,

Speaker 1 to feel

Speaker 1 hotel,

Speaker 1 is not

Speaker 1 that coch. cost.

Speaker 1 We like to

Speaker 1 feel

Speaker 1 the fruits, we

Speaker 1 are

Speaker 1 going to

Speaker 1 make

Speaker 1 anger. Yeah, or that we have to

Speaker 1 spend

Speaker 1 with kernels,

Speaker 1 but it's not a good thing. Yeah, but

Speaker 1 it isn't because we have

Speaker 1 to

Speaker 1 say

Speaker 1 intensively, then

Speaker 1 Lieber Boggs. Yeah,

Speaker 1 this is how it is movie bags.

Speaker 1 At least a toll

Speaker 1 Kiwis movies, not French movies, not Brokoli's movies, not Caroten, and then

Speaker 1 we bloom

Speaker 1 is

Speaker 1 the old economy where the shaise will

Speaker 1 be.

Speaker 1 Originally,

Speaker 1 it was

Speaker 1 better

Speaker 1 than the valency of orange in bed.

Speaker 1 The spaghetti,

Speaker 1 what we did is

Speaker 1 die

Speaker 1 industry moment

Speaker 1 we give.

Speaker 1 Yeah, that's a good point. I also

Speaker 1 have Sparkle.

Speaker 1 Yeah, Sparkle is

Speaker 1 airborne,

Speaker 1 the consequences.

Speaker 1 Marketing,

Speaker 1 the strike,

Speaker 1 I must

Speaker 1 say,

Speaker 1 I spaghetti

Speaker 1 tactic

Speaker 1 and then

Speaker 1 the air woman.

Speaker 1 I think Charlotte Marshall or English.

Speaker 1 Yeah, for

Speaker 1 the

Speaker 1 Not the bureau, not the bureaucratic,

Speaker 1 yes, a bad

Speaker 1 word.

Speaker 1 Um,

Speaker 1 illegal.

Speaker 1 That's not

Speaker 1 the state without the problem.

Speaker 1 So, this photo a little bit

Speaker 1 is

Speaker 1 clear

Speaker 1 and

Speaker 1 a toilet flies and turning here illegal and socket. And this is all in Luxembourg, Luxembourg, Benelux, Benelux, Belgium, Brussels, this week, for

Speaker 1 the problem,

Speaker 1 and socks, like the hotels, the totality of the body.

Speaker 1 Yeah, we're not

Speaker 1 that

Speaker 1 kind of lobby.

Speaker 1 So, I just

Speaker 1 completely

Speaker 1 like intolerant. Make it that I also

Speaker 1 explode.

Speaker 1 That was also

Speaker 1 discussing

Speaker 1 and back.

Speaker 1 Yeah, yeah, yeah, yeah.

Speaker 1 It's not

Speaker 1 a criminal.

Speaker 1 supervision.

Speaker 1 So, yes, there is

Speaker 1 a basketball

Speaker 1 motor,

Speaker 1 and

Speaker 1 the compliment

Speaker 1 is

Speaker 1 a very good thing.

Speaker 1 Yeah, or

Speaker 1 I think

Speaker 1 it's

Speaker 1 a good

Speaker 1 we

Speaker 1 think

Speaker 1 we understand

Speaker 1 that it is.

Speaker 1 But Chris,

Speaker 1 we

Speaker 1 were

Speaker 1 not

Speaker 1 going to be able to do it. What is

Speaker 1 the

Speaker 1 difference between

Speaker 1 it? And then

Speaker 1 we have to go to the bottom of

Speaker 1 the

Speaker 1 bus.

Speaker 1 And then

Speaker 1 you were both.

Speaker 1 Yeah, or

Speaker 1 this is a check in a

Speaker 1 hotel in Brussels. What they are modern and so on is that we

Speaker 1 have

Speaker 1 a lot of better complexity

Speaker 1 of pot seed.

Speaker 1 And that

Speaker 1 also

Speaker 1 is normal, that cloak and

Speaker 1 trend from school, not even glass,

Speaker 1 they

Speaker 1 were

Speaker 1 put and then

Speaker 1 so good.

Speaker 1 And when you

Speaker 1 have

Speaker 1 a tier freight,

Speaker 1 there are good mindset. And for the theater,

Speaker 1 the board

Speaker 1 of

Speaker 1 Jeffrey

Speaker 1 or

Speaker 1 the handwriting and abstractions

Speaker 1 was ranked.

Speaker 1 Yeah, what

Speaker 1 the pisswar trend

Speaker 1 is.

Speaker 1 In principle, after

Speaker 1 this

Speaker 1 direct cook,

Speaker 1 no ribbon, and that inherently, and the welder, Luxembourg,

Speaker 1 so when here then

Speaker 1 mosaic

Speaker 1 classes are not.

Speaker 1 Yeah, and bitter

Speaker 1 von Hanskro.

Speaker 1 Yeah, good.

Speaker 1 I think that's clear. That's

Speaker 1 a clear. We have a little bit of

Speaker 1 a thing. I'm not sure.
I forgot that.

Speaker 1 And I guess

Speaker 1 you can see that it is a little bit more

Speaker 1 lost again.

Speaker 1 Yeah,

Speaker 1 but

Speaker 1 it's not a good idea.

Speaker 1 Yeah, but

Speaker 1 it's not a good idea. And also,

Speaker 1 I think it's a very good thing. When they

Speaker 1 come or last,

Speaker 1 when they

Speaker 1 say, Or not,

Speaker 1 we have a podcast.

Speaker 1 He has these podcasts.

Speaker 1 No pressure

Speaker 1 for my service. Yeah, when you podcast remarks, then

Speaker 1 you can

Speaker 1 also

Speaker 1 get

Speaker 1 a new

Speaker 1 one.

Speaker 1 And it's not a class

Speaker 1 Choose.

Speaker 1 The podcast of the Comforts.

Speaker 1 You check your feed and your account.

Speaker 2 You check the score and the restaurant reviews.

Speaker 2 You check your hair and reflective surfaces and the world around you for recession indicators. So you check all that, but you don't check to see what your ride options are.

Speaker 2 In this economy, next time, check Lyft.