The Daily Show's Jordan Klepper Takes on Next-Gen MAGA and the Manosphere

You are the fourth Daily Show host I've interviewed.

I have a thing for you, people.

Collect the whole set.

Congratulations.

I will, yes.

I'm a little offended I'm this low on the totem pole.

But if you had to choose one, if you had to pick one, your favorite Dessie, obviously.

Okay, fair enough.

Come on.

I'm a lesbian.

I have to pick the girl.

Hi, everyone, from New York Magazine and the Vox Media Podcast Network.

This is On with Kara Swisher, and I'm Kara Swisher.

My guest today is The Daily Show's co-host and correspondent, Jordan Klepper.

Klepper started on The Daily Show in 2014, and he covered President Trump's 2016 presidential campaign from the trail into the White House.

After a brief stint on his own late, late show, The Opposition, in which he played right-wing pundit and kind of an Alex Jones InfoWars spoof, Klepper came back to The Daily Show as a correspondent in 2019, just in time to finger the pulse of Trump's 2020 re-election campaign.

Klepper went to Trump rallies across the country, following MAGA supporters from parking lots in Midwestern towns all the way to the steps of the Capitol building on January 6, 2021.

And then he got the hell out of there.

Since 2023, Klepper has been part of the rotating roster of these Daily Show hosts, Manning the Desk alongside Jon Stewart.

But when Trump decided to run again, Klepper was the obvious choice to go back in the field, reuniting with his old MAGA friends.

friends.

I really like Jordan Klepper.

He makes me laugh.

I'm a big fan.

I like when he goes out into MAGA land and comes back with these very funny interviews with people on the street as a field reporter.

One of the differences that he and others have noted between Trump 1.0 and 2.0 is the growing number of young people, especially young men, who are now in the Republican fold.

MAGA, the Next Generation, is the name of Klepper's latest special, which comes out next week.

I'm looking forward to talking about what he's uncovered in this reporting journey, the trends he's seeing in this younger generation of Trump acolytes, the impact of the Manosphere influencers like Joe Rogan and Charlie Kirk, and the role the conservative comics are playing.

Our expert question this week comes from CNN's Ellie Reeve, who has also reported deeply on the negative impact of social media on young men.

I also want to talk to Clepper about the future of late night and whether this brand of political satire has the same pull that it used to have.

Clepper is funny, but also very informed and thinks deeply about stuff.

It's going to be a great conversation, so stay with us.

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All right, Jordan, thank you for being on on.

We We have a lot to talk about, including your new special, which I am so excited for.

I do a podcast with Scott Galloway.

He talks about the Manosphere all the time.

It's coming out next week.

But first, I want to get your take on some news right now to start with.

You're hosting the Daily Show this week.

Which of these stories are gaining the most traction?

I'm going to give you a list.

The U.S.-China trade deal, the House Republicans proposing cuts to Medicaid, President Trump's Gulf Tour and luxury 747 airliner the Qataris want him to replace Air Force One with the top buyers of the Trump meme coin winning the White House dinner or none of the above.

And this is all what happened in the last 20 minutes.

20 minutes, exactly.

Recall, right?

Exactly.

We had a morning meeting a few hours ago looking at many of these stories.

You know, the up-and-down stock market to us, we're like, that's going to be an ongoing story.

Yeah.

for the next 700 years.

So we're less eager to jump on board that.

For today's show, these images were coming back of his Middle East trip, which Donald Trump going to Saudi Arabia, where he suddenly is treated like the crown prince that he wants to be,

surrounded by horses and swords.

It's the type of

vibe that I think Trump just feels most at home.

Yeah, remember the globe that they were all around that with.

Get around the orb.

The orb.

I mean, we're all taking bets right now if there's an orb, if he's going to touch it, what kind of powers he might get from it.

So we're on orb duty right now.

If I step out of this podcast at any point, you know an orb is being touched or close to being touched.

So orb would be your hope.

Orb would orb is, you start with orb, then you talk, talk about $400 million Air Force One grift that's up there.

And just Trump in the Middle East is something we're keeping an eye on and trying to kind of, right now we're crafting a show around his big trip.

His giant bag of money.

How big is his bag of money?

Where he's going to put it.

You know, all of those things are very important topics.

But then an image came out that there's a portable

McDonald's truck that is set up in Riyadh right now, which is a comedy show.

For him.

All eyes are brawn to that.

If we are really bringing fast food to Donald Trump, you know, as perhaps a Trojan horse, we want to watch that breathlessly.

Yeah, see, this is the great news.

This is the news of the day.

You know, one of the things that's good for you all, and it's good for comedy, is Trump 2.0 has flood the zone feels like the theme of the administration at this point.

I spoke to the Atlantic's Ashley Parker on the show last week, and she said that she just did the interview with Trump, the long interview.

She said that Trump's

team admitted its strategy is meant to screw with the press, knowing they won't be able to cover everything.

So this is good for the Daily Show, presumably, with so many stories, because you don't really care if it's a distraction, because a distraction CORB is something you're interested in.

Well, I mean, Carol, we are still at the Daily Show, we are still human beings who have to exist in a world that Donald Trump floods the zone with.

So our souls are bombarded with chaos and stories.

I think as a comedy show, it is good to have input and things to craft comedy out of, and Trump has never disappointed with that.

But there's a pace you have to get used to.

You know, Trump has never left the news cycle since he jumped into it 400 years ago.

But when he got back in for Trump 2.0, I think there was a shock to the system and sort of a reminder of the pace that he was moving at.

And again, you could feel it.

We are a fake news show whose bias is towards finding comedy.

We take it very seriously, but we are still trying to find where the humor is,

some perspective and a take that we can have.

But we understand what other newsrooms are going through, and it is.

It's just a constant bombardment where your attempt to add something to a story that's ever-changing and also getting more distracting.

You think you have a great story and then he does something else.

Sure.

Like suddenly RFK jumps into an E.

coli pond, for example.

Can you believe that?

Yes, I can.

Yes, I can.

That's not on our comedy show tonight.

RFK Jr.

is swimming in a sewer pond, a sewer river.

Sewer stream.

Sewer creek.

Sewer stream.

He's a sewer stream.

A creek.

A creek.

A creek of stream.

A creek of poop, yeah.

A shit creek.

Yeah, yeah.

Shit creek, yeah.

He's swimming in a shit creek.

And the comedy show is like, I'm sorry, we already have too much stuff to deal with with that going on.

Are you not going to get back to the shit creek?

I feel like, you know,

God is my witness.

We will get to shit creek.

So, one of the things you did say, you know, you're fake news, but a lot of viewers, including my two older sons,

think the Daily Show is the main source of news.

And actually, you do do a great and trenchant job of analyzing the news.

Among many, you have gone out into the MAGAverse, and you were a field reporter, really.

For Daily Show, you covered President Trump's 2016 campaign and then 2020.

And so many MAGA rallies.

What's the number of MAGA rallies you've been to?

It feels like infinity.

I started going in 2015 all the way up until now.

So

I don't have a number, but it feels like all of them.

Right.

And then you also were at the Capitol on January 6th.

Working.

Working.

I was working on January 6th.

Yep.

Yep.

Although, I don't know.

Maybe I was also insurrectioning, if that gets me up.

Harden and a Fox News job, I'll take it.

Yeah, you did take a pen from Nancy Pelosi's office.

But it was all over in 2021.

You were sitting in an empty parking lot.

I want to to play this clip from the Into the MAGAverse Roundup that you did.

So, that's it.

The MAGA rally journey is over, and President Trump's ending is not unlike that of the ancient King Ozymandius, his wrinkled lip and sneer of cold command, looking across this vast emptiness that was once his empire.

Look on his works, ye mighty in despair!

Anyway, I'm just gonna stay here here so I can be first in line when the rallies start up again in 2023 or when Don Jr.

runs in 28.

I'll always be here, I guess.

This is my life now.

Ha ha ha.

Nothing but sand.

Why did you have to play that?

That's taking me to a dark spot.

I know it is.

It is.

But here you are again.

That was the point.

Most people had written Trump off.

Sand, sand.

Only sand remains, or whatever the last line of that is.

And not to call you a prophet, but you really did think there was a Trump 2.0.

You kind of called it.

You know, it was interesting going out after being there on January 6th.

That felt like, you know, honestly, what has become even infuriating is watching the conversations on January 7th, hearing what Lindsey Graham said about that day.

And there seemed to be a moment where the world, the left and the right, saw something happened and could admit that they existed in the same plane of reality and therefore were moving forward beyond it.

And so it did, for a moment, feel like, oh, maybe there's a clean break from what this is.

And I I went to a few events after January 6th.

And what was amazing was just how quickly that narrative was shifting on the ground.

Yeah.

And that narrative, it never actually settled as to whether it was Antifa, whether these people were heroes.

You know, it became sort of this muddled mess of what's supposedly happening.

Just accountability was nowhere to be found, but the narrative kept bouncing around.

But it jumped so quick to the point that

I think within a month after January 6th, I was like, oh,

this is not settling in a way that we are going to regard it as history and move on and or learn from it.

This is still being churned up in a way where the people who have seen this are creating their own realities out of it.

This is not dying.

It's being birthed anew.

Because Kevin McCarthy was down there pretty quickly.

I mean, he went down.

Yeah, like a few weeks later, he went down.

Were you surprised by that?

Again, I'm rarely surprised by any of this.

I think the part of me that has a modicum of surprise, it's the 14-year-old me that has a little bit of hope for like American institutions and the things that I was taught, that our better angels come through and they're moving on some sort of arc.

And

again, in that moment in January 6th, I was like, well, perhaps this is us moving beyond that.

Now we're looking at 2.0 and

yeah, the cynicism has stayed within me.

I've watched these conversations shift.

They didn't want to leave the story.

I remember my grandmother, she liked the stories, right?

She was watching soap operas.

But to me, he's building a narrative, right?

And that's kind of, he's like a movie or a TV show or something like that, which he's good at.

But it feels like you were preparing for Trump 2.0.

In 2022, you took your Jordan Klepper Fingers the Pulse, which is the best, I think, production name I've ever heard, reporting to Hungary for the special you wrote, hosted and produced.

President Trump obviously buddied up to Hungarian Prime Minister Viktor Orbán in the first term.

The European Parliament had declared Hungary to be an autocracy.

Talk about why you wanted to go there, and what was your biggest takeaway from that trip?

Because you were still going.

You were still searching for your MAGA at that time.

Yeah, at that time,

you know, Orban, it feels like, feels like quite some time ago, but Orban was being welcomed to CPAC, which again, you know, that Overton window keeps nudging over.

And a year before that, the idea of Victor Orban being supported and lauded in the conservative movement was ridiculous.

And then suddenly, Orban was being talked about at CPAC.

And so we went to CPAC and we talked to people about it and this authoritarian rule.

and how people saw what was happening in Hungary.

And it felt for us like the writing's on the wall.

This is where the conservative movement is heading.

These are the people they're putting up on their pedestals.

There's no surprise because people have been talking about what they want for years.

And if at CPAC, they're saying, this is the guy, this is what we want Donald Trump to do, then it's like, well, let's go see what Victor Orban is doing.

It's right there.

Also, let's be honest, Budapest, lovely city.

They shoot a lot of wonderful films there.

So like, you know, I'm half looking for a great vacation as well.

Much goulash.

Four seasons, Budapest.

You got to spend time there.

It's really, it's where you meet all the

big swing and dick Hollywood execs there.

You dabble in autocracy and then you hang out with the cast and crew of Jack Ryan.

Right, that's right.

That's right.

They filmed there.

That's literally what it is.

So do you,

what did you imagine after going to Hungary was going to happen here?

And how do you assess the situation right now?

I think what was really interesting to see was the way in which they controlled the public education there, the liberal school that had been shifted and moved and frankly left and went to Vienna.

Like, I think there was so much that I noticed on the ground that was like, oh, this

my dark vision of what an autocracy looks like is perhaps some caricature of

old Russia, or you go there and everything is shut down, you have no access to anything.

And I was like, oh, no, this feels like a European city.

I understand how that still works as a city.

I also understand how people come in and out of this city that feels like

a normal American city as well.

But then I'm like, oh, so what happened to the universities and the professors there?

And you hear the limitations they had, partially put on by the government, but also partially by the government shutting things down so that they had to move and that they went to Austria at that time.

I think talking again to people who are part of the LGBTQ community there, like things started to shut down in a way that we quickly saw happening over here as well.

It was like, oh, the language starts to get changed.

Oh, the Constitution starts to get written so that the language is changed.

So suddenly the rights that you have have now been stripped away from you.

And so it's not as if you are in jail right now, but suddenly you have a child or you're in the middle of an adoption process.

And suddenly that has now ended.

And now you suddenly feel that now you're getting discriminated against at your job because the writing has shifted.

And now the media, is the media, can they not say anything?

No, they can be critical of Orban.

Who can?

That guy, that one guy.

He's the only guy who has a platform to talk.

And because of the state-run media, state-funded media, it suddenly encompasses

everything people interact with.

And C, and so then we talked to the person who was running against Victor Orban, and he couldn't get a microphone in front of him to to get his message out.

And so you saw a deadening of the conversation.

Do you see that happening here?

Do you see, as you come back here, as you started doing this next generation, this special, it's called MAGA, the Next Generation.

It's a special coming out next week.

Did you anticipate or see that that's happening here?

Yes.

I mean, I do think in terms of how the language is certainly being shifted, again, we talked, we mentioned the Overton window here.

It's like, oh, we're getting more and more comfortable with the land grab that Donald Trump has taken.

With this special, you know, what we were seeing with electoral results was so many young kids kind of leaning right, especially this manosphere, this bro world.

And so for us, it was, it was like, oh, wow, are people buying into this more than they were before?

Is this suddenly cool?

Is this hip?

Is this what the magic trip

Trump has pulled?

And the cynic in me thought I would find just hands-down people who were mini Marco Rubios, mini Ted Cruz's, mini Donald Trump's in 18-year-old form.

And there were elements of it, and there was conservativism that was there.

I think what I often see at Trump rallies, which people are drawn to the tribalism, the community that is there, the identity that they get.

The fun.

It's fun.

It's fun.

Yeah, that was really interesting.

So the impetus for doing it was to find out.

Like, and did you have a goal going in to change their minds?

Or what was, or just to see?

It was mostly to see.

Yeah.

I mean, I feel like when I go to the Trump rallies, they're just a plethora of old people hypocrisy.

Yeah.

And so to hear that suddenly college kids think Charlie Kirk is cool is a question.

And the larger question I had is like, is there a true conservative ideology embedded in these 18-year-olds?

Is that what they're, are they drawn to an ideology, a morality that is there?

Or is it just for clicks?

And as you go in there, like...

I was impressed with the empathy and humanity of the 18-year-olds that I talked to.

I thought they would be cynical and potentially cruel.

And what I realized, the cruelty is something you learn.

It's something that's embedded by these older folks who are manipulating that space.

So when I went to Texas A ⁇ M and I talked to people, very conservative school, very religious school.

It is.

And they have, many of the people I talked to had, you know, conservative leanings, but they were very open.

They were very open to hear what people had to say.

And Charlie Kirk comes on campus and he's famous.

They've seen him online and on TikTok.

He gets clicks and he shows up and it's a thing.

He throws out a bunch of hats.

People grab the hats.

They put on the hats.

Everybody's wearing Trump hats.

It's not that you don't have conservative leanings, but I see you right now and I see you creating an identity for yourself based around a free hat, based around somebody who gets attention, which for an 18-year-old, attention is the king of all kings.

You want to be an influencer, and you find somebody who finds success in that.

And there's nobody in a liberal space who's speaking to you.

And so I see you starting to graft onto that persona.

But what I don't see is

a cruelty or a meanness that old me was projecting onto you.

I see an openness.

I see somebody who doesn't know.

When you were pushing them, they're like, oh, yeah, good point.

Like, you know, I mean, it wasn't sort of the anger thing.

It was, well, yeah, you're right.

More often than not, when I asked them why they were seeking out Charlie Kirk, they're like, he explained things so well.

He's so interesting.

He thinks about stuff.

He gives you answers.

You're curious.

I loved Christopher Hitchens back in the day, and I loved his contrarian nature.

I loved that he was articulate.

I don't think I loved his politics, but I was compelled by an articulate voice that these kids earnestly crave.

He has answers, right?

He has answers to very, life is complex.

And if you could give a short answer or something easy.

And it's also put to you in a question, which I think is really interesting.

I was talking to Charlemagne the God, who's often on the Daily Show.

And last night, he was making a really good point.

It's like the problem with the media is they ask the question, is it unconstitutional to take the plane?

Like they're asking it like a question.

So that puts it in the minds of people that is that we should ask that question.

When in fact, the the answer is, yes, it fucking is.

Like, stop.

Like, like, why are we doing that?

And so these kids are looking for certainty, I would imagine.

They are looking for certainty.

They want somebody to tell them how to find, like, where I have empathy.

It's hard to leave college and find your identity, find a job, find purpose.

And this person who you know is famous comes to your campus and they tell you, I have the answer.

Take these tools.

They glom onto that.

Also,

there's a trick that happened.

Again, when we were at this turning point event, I thought it was just about these people, they're learning conservative ideology because Lara Trump was there, Charlie Kirk was there, and they're talking about conservative talking points, but they're also debating people.

The point of those things is that it's an open debate for college students.

And what ends up happening is, like, on its surface, I love that there's debates happening.

I think there should be debates happening on campuses.

It's great that that's happening, and you don't have to agree with everybody.

But the people who went there, they're going there to debate, but it's a performance of liberal hyperbole and anger, where there's a lot of people who show up who are on the left side of things, who are angry and want to engage with Charlie Kirk, and they line up and they fight Charlie Kirk, and they're 18 or 19, and they're upset, and they've been waiting in line for 40 minutes, and they get in a screaming match with Charlie Kirk, and he's 31, and he's calm, and he's relaxed, and he talks to them.

And then, when I talk to the people who watch that, I asked them, what did you think?

And they're like, you know, I've been hearing about how the left are just these lunatics who are so outraged.

And I mean, I didn't think it was true.

And and then I saw it.

And you're like, oh, that's part of what's happening on this campus.

Right, they're creating a crazy.

It's a performance of liberal outrage that they've created so a campus can see it and build their ideology against it.

We'll be back in a minute.

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So two years ago, you did a long story short on the Daily Show about Andrew Tate and the lack of male role models for Young-owned.

This is something my pivot co-host, Scott Galloway, talks often about.

We talk about it on the show.

We do, he's coming out with a book on it.

And one of the things he's arguing is that like you just need different male influences, right?

That the right has managed to create a whole bunch of characters, sort of action figures, and the ones on the left aren't very good or interesting or articulate enough.

So do you see any

difference between influencers like Andrew Tate, political activists like Charlie Kirk or Joe Rogan, and how they're perceived by this generation?

I do think the shine is off a lot of them, I have to say.

I think for some reason you can feel it.

Are they fundamentally the same or different with slightly different colors, essentially?

And huge?

I mean, I think there's a lot of,

I think those are all very different types of

influencers in that sphere.

I think you see the success of Joe Rogan is that people want, people are curious.

I talk to a lot of young men who have time, have three hours in the day that they want to listen to somebody talk to.

They want Joe Rogan to talk to a conspiracy theorist, but also Joe Rogan will talk to a

beekeeper for three hours.

And there's a 25-year-old dude who's like, yeah, I want, I'm curious.

I want to hear about macros.

Yeah.

I think Andrew Tate is pitching, you know, the old cars, sex, power.

He's pitching that to 12-year-olds.

And you have a lot of stunted men who are looking for attention.

And I think kids are getting it early on.

So I see what they're drawn to as well.

You know, more often than not, what I understand the appeal here is

they preach certainty, they preach curiosity, and they look like strong, successful men that when you are a young, you you know, malleable boy, you're drawn to.

I spent a little time in this special with Hassan Piker, who I thought was...

Yeah, I was going to ask you about them.

The New York Times has called him a progressive mind and a body made for the manosphere.

Talk a little bit about that interview.

Well, I mean,

I think liberal media suddenly loved Hassan Piker because he's a Twitch streamer.

He has like 2.8 million followers.

He talks about progressive policies for eight hours a day, but he also talks about culture and life.

He gets clicks also because he works out in his backyard.

He's got anime pictures in his background.

And when I spent some time with him, what I really liked about Hassan, he was a very authentic person.

And he felt like a very different generation than me.

As somebody who understands what progressives in their 40s feel like, what the guardrails are, and the ways in which you should

take certain topics seriously and how you should eskew other topics.

Like, Hassan Biker's like, no, I work out.

I like working out.

I like to post videos about working out.

I also like to fight the billionaire class and talk about socialism.

And then I like to talk about anime.

And it's a much more authentic, casual conversation

and the thing that resonated most with me is when I talked to him I was like you know the media cycle is so exhausting right now how do you stop from going crazy and I'm paraphrasing him but he mentioned like you know he makes as much noise about the things he cares about as he can and then he focuses on self-improvement he's like right it's the thing you can control and and the left gets so weird about like

it's about image it's about this and that's that's toxic masculinity it's like no dude that's a guy like doing push-ups who feels good about himself right and like and for a 24-year-old who's like, man, I just, what can I control that I can feel good about?

Give me a hero's journey, even the tiniest hero's journey.

What do you got for me?

He's also getting through his messages via that, right?

Macros.

And also, Elon Musk sucks.

Yeah.

Right.

And he's taking your shit, macros.

And also, Elon Musk, you know what I mean?

I only say macros because my 20-year-old son talks about macros all the fucking time.

Well, he's able to connect with the things kids are talking about.

But beyond that, it's fun.

It's easy on the left for people to say, well, look at these videos of cars cars and these hyper-masculine traits that

they can go awry.

But you have an 18-year-old who's looking to attach something that feels fun and playful and somebody who can speak authentically about traditionally masculine things that isn't boxed in by an idea that I have to be the perfect version of this.

But then it can be complicated.

Why aren't more progressive voices getting that kind of traction among young male audiences, like Piker, for example?

Why aren't there more of them?

Because I would assume they could could be just as appealing and cool, just as, well, I don't think Charlie Kirk is cool, but I get the point you're making.

Yeah.

I mean, I think he's really uncool.

He's like deeply uncool.

Well, that's what's so interesting.

You see, it's not as if the right is killing it in this sphere.

If Charlie Kirk is cool, there is space for other people to step in and be cool.

Right.

It's out there.

I made the joke that Keanu Reeves is like the ultimate

progressive cool.

If somebody who could be respectful and interesting and literally be the matrix is the one.

Right.

I think it's interacting in those spheres.

I think there's a misunderstanding when people talk about who's the Joe Rogan of the left.

And I think there's a misunderstanding that Joe Rogan is mostly a cultural commentator who kind of talks about politics.

I'm like, the Joe Rogan of the left is more like Travis Kelsey than anybody else.

It's like it's being able to engage in a space where your life isn't defined around one political ideology, but that you're interested in culture and you're comfortable in who you are, and that exudes itself to something else.

So in your intertrait piece, you said the biggest goal was not to end up interviewing your own son at a MAGA rally someday.

Has it changed the way you think about politics with your son, talking about it with your son, et cetera?

Yes.

I mean, my son is...

How old is he?

He's four and a half.

Okay.

So we are we talk very little politics.

So it's mostly Moana too at this point.

We talk Moana too, and he's a big Jill Stein guy, so I don't want to get into that with him.

Paw Patrol, where you can talk about propaganda.

Yes.

I was going to say,

don't even get into Paw Patrol.

I fucking hate Paw Patrol.

Oh my God.

The institutionalized,

you know, back the blue methodology that's inside that?

Propaganda.

My young son loves it.

My three-year-old loves Paw Patrol.

And my older son walked by and he goes, propaganda.

And I'm like, well, they do nice things for the people of the town.

This is, but I think that's also, you've pinpointed the crux of where like.

progressivism is having a really hard time right now because I know people who like push that out and they won't watch paw patrol because of what is back behind it and you're also like but guys you're gonna have to be able it's not just bluey sometimes the left gets a bluey and it's lovely and it's great and it's perfect it's able to deal with humanity in these other ways but the left has to open up their circle so it's not just bluey it's also paw patrol maybe a blippy sneaks in there as well like the world is complicated so did it did this were you worried about your son being in a MAGA rally yes well I mean of the future yes in the sense that I mean when you have a child in this this weird culture we're in right now, everything is filtered through that of like, what do I want to expose my kid to?

How can my kid be useful within this environment?

How can he be safe,

but also

be tough in this space?

Or not taken in.

Yeah, not be gullible.

And I mean, I'm like, I'm a Luddite at heart, and so I see what's happening here

for this special.

I got on TikTok for the first time, and my mind is blown.

The first time?

First time.

Okay.

What's in your feed?

I'm curious.

There was a study that was done last year that essentially created a blank 16-year-old.

And within like 20 minutes or so, suddenly anti-feminist, toxic masculinity all started feeding in there.

And so we were like, let's try this out.

What does it actually look like?

If you just create 16-year-old male, pop it on, what starts coming at you?

And very quickly, some right-wing stuff started to pop into that algorithm.

But even top line for me was just the algorithm,

the interface itself was so discombobulating.

It was so aggressive.

It scrambled my mind in a way that I- Look at this, look at this, look at this.

Yeah, it numbed me to- You can't look away.

You can't look away.

And also, you can't emotionally experience anything.

I think, above all, all of this social media stuff, it takes you away from actually being with yourself.

And you realize, you talk to an 18-year-old, if they're with themselves and figure out what they think about.

They got interesting, complicated, open ideas.

If you put a screen in front of their face that says, don't think about it, don't think about it, don't think about it, then all they're doing is reflecting the thing that's on the screen the most.

And more often than not, it's right-wingers who get in that space, or it's corporations who are just like, you need this loud, loud materialism, capitalism.

That's what you're reflecting back at the world.

So it's less that we're creating kids who are cruel with bad intentions.

We're creating reflections of the media that we're shoving down their throat.

And that in and of itself is toxic.

So last question.

When you were doing this, did you think the Charlie Kirk rules were being effective by being there?

And is there any,

besides Hassan, is there any counterpoint to what the Democrats could do?

Do you think the left has gotten the message of humor and certainty and different messaging?

I think they are focus testing this message.

They feel really optimistic about learning about this message, and they will talk to other people and put them in the ring in a way that they can effectively articulate this message.

Yeah, now you've lost me.

I think they're really looking hard at this message.

This problem, yeah.

I mean, when I look at

who will make a dent here,

like Charlie Crook is making a dent.

He's on campus.

Love him or hate him.

He feels authentic to these kids, and he also knows how to talk to him on the device that they talk to.

I think what the Democrats are looking for, they're not going to create in a lab.

It's not going to have a prescribed political ideology.

It might be more moderate than people think.

It might be more left than people think, but it's going to feel authentic.

It seems like AOC and Bernie show is kind of interesting.

I think that's the one version where you're like, AOC and Bernie resonate with people when they show up.

Even if you don't like them.

Even if you don't like them, you believe them.

Bernie's not Hassan Piker.

Hassan Piker really likes Bernie Sanders, and they're both authentic in very different ways, but they're both authentic.

And so I think the left has space for that.

And quite frankly, they keep thinking, who can be in a podcast to do that?

A podcast is a very revealing place.

Joe Rogan talks for three hours.

People talk for a long amount of time.

They expose who they are.

And I think if they engage in places where they are more open, more authentic, more curious, like I think voices and faces will resonate with a younger generation, but you're not going to be able to plan it.

You're just going to have to leave space for it to occur.

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So every week we get a question from an outside expert and we've got a great one for you.

Hi, I'm Ellie Reeve, CNN correspondent and author of Black Pill, a book about how the darkest corners of the internet took over American politics.

Jordan, you and I have covered the same events and at least once interviewed the same person.

And I think that's because we're both drawn to the absurd that's also consequential.

And so I'm wondering what you think of a story I'm working on now, which is about this new class of right-wing comedians who are reaching millions of young men through their podcasts on YouTube.

When I was young, it was all about Jon Stewart.

The Daily Show was offering these searing indictments of the Bush administration.

And there was this idea that conservatives just weren't funny.

And now that's totally changed.

So I'm wondering what you think about that and whether it's hard for you to reach young men today.

That is a

great question.

I mean, I think comedy,

to me, I've always found resonance in people in the political space, the George Carlins, the Lenny Bruces, the Jon Stewarts, who like call out bullshit where they see it and poke holes at those in power.

You know, they're tickling the feet of the giants, if you will.

And so there's space on the left and the right.

And I think there's good comedians who are able to work in both of those spaces and not be pigeonholed into one left or right.

Right-wing comedians, there's of course space for people to connect.

Again, I think it's what I always say is like the job of a comedian is to read the room and speak to what that room is.

Our rooms are getting more and more

one-sided.

And so I think there are right-wing rooms that people speak within that.

I think an issue I always have is sometimes they talk about like these truth-tellers and these right-wingers and these podcast bros.

Bold truth-tellers.

These bold truth tellers who are willing to say what they want to to say, you know, and they don't have to be tied down.

They're not these lefty lips.

So like, yeah, they will, fuck it.

There's no constraints.

And then they have Elon Musk on and kiss his ass or Donald Trump on and just compliment him and not push him.

And you can do whatever you want in this podcast space or this comedy space, but in some ways,

where I think right-wing comedy to me has not appealed to me is that like you are you are praising the actions of cruelty as opposed to calling out those in power

and perhaps finding levity in the people

who are fighting back against them.

I think like if you're always looking at the victims of the cruelty as the punchlines of your jokes,

to me,

that's a comedic space that is less appealing.

There seems to be right now this Trump pivot.

Tim Allen's new sitcom, Shifting Gears, has become a surprise hit.

He plays essentially Archie Bunker, which used to exist, by the way.

Everyone's like, oh, he's winning with an Archie Bunker.

I'm like, Archie Bunker was a hit, you know, for lots of reasons.

Live cop shows are coming back.

A ⁇ E is bringing back Duck Dynasty.

Oh, thank God.

The Conservatives are calling it a course correction.

Hollywood says they want to appeal to fly over America.

What do you think about this?

Is there an opposite impact?

Is it a course correction?

And do you think that it will have an impact on the entertainment business at all?

It's interesting here.

I think there are always audiences in different corners.

The Tim Allen show is an interesting one because, so Tim Allen's my mom's cousin.

Oh.

He was my dad's college roommate, and that's why my parents met.

What?

So

Tim Allen is a part of my life.

I used to see cousin Tim, Uncle Tim, at Thanksgivings when he would come back into Detroit.

So I know Tim.

This is the Santa Claus phase?

This is Santa Claus phase.

Tim was on home improvement.

He did Santa Claus.

And Tim is a lovely guy, libertarian beliefs.

When we meet now and see each other, we usually fight over politics in a lovely.

comedian funny way.

And and I get it.

As somebody who knows Tim and somebody who's on a the daily show, a progressive show, people come up to me and they'll talk about like that Tim Allen show.

And I'm like, here's what's complicated about it.

Tim Allen is a lovely, funny, nice guy.

He's not a cruel guy.

He's a funny guy.

He's got libertarian views.

He likes to be a contrarian.

He likes to push buttons.

And I know he's doing a show that might not appeal to you because he's playing in that lane.

But I know it plays to a lot of people and I get what is appealing.

about it.

And I think in

an America that I want to live in,

these shows exist with other shows in ways that are a softening towards these people who have political beliefs that are outside our own, but that doesn't define who they are completely.

And so, yes, am I afraid sometimes that the entertainment industry will course correct in a way that they are trying to appease a Trump administration?

Yeah.

I think that's something that...

is worrisome to me.

And when we talked about seeing what's happening in other countries, it's like, oh, yeah, I think, is there a finger that could be put on the scale?

Totally could be.

And that is worrisome and scary as shit.

But I'm also not like knee-jerk upset about a proliferation of other types of show that have different audiences, because I think that is also important in the weirdness of what Hollywood is right now.

Like there's a lot of space for different types of stories, and some are going to work and some are not.

And I think

we're going to test that out in the next coming years.

Well, you see something like Sinners, which is all about racism.

It is.

It really is.

And it's a huge hit.

It's like, it depends.

So a lot of the debate of how liberals, how Democrats in particular in Washington around the country respond to to Trump.

You said that the country will experience a crisis of certainty, and you gave a TED Talk on this in 2023 a comedian's take on how to save democracy.

I want to play a clip.

It's hard to give any ground when you can't agree that the earth you stand on is either round or flat.

But

perhaps a gesture of understanding, if not towards irrefutable facts, but to your own uncertainty, is a step towards progress.

I think the phrase, I don't know, invites a softening.

And the ground is too hard to grow much of anything right now.

What I think, in order for American democracy to survive, we need a culture of vulnerability, or at least a space in that culture for vulnerability.

The good news is being wrong is sexy.

Again, that was before 2023.

That was in 2023, before Trump won re-election.

You've said that the big reason it's so hard hard to debate or even talk to MAGA people, although you do a lot of that, is that MAGA has become the identity, the certainty, no matter how many facts you put on the table, they believe Trump and his acolytes.

So do you think making concessions showing the vulnerability is the answer?

Or is it kind of a suicide mission for liberals when you're dealing with people on the other side for whom any concession is non-negotiable?

I'm thinking of my mother this morning, for example, about trans fencers.

Oh, which I'm sure is an issue that's very important to her and has been for years and years.

Extremely.

She's 92, and it's going to affect her when she's.

Wait, just a second.

Anyway, go ahead.

I mean, you know what?

People often ask, like, are you able to change people's minds when you go do daily show pieces?

I mean, that's not the intention of those pieces.

And the answer is no.

More often than not, because there's a camera there and it invites people to put on a shield and be right and win an argument with their certainty and their identity.

Right.

But the interesting moments to me are the moments off camera where you're actually able to show some of the things you don't know.

I did a podcast with Governor John Kasich, and the most interesting moments to me were our phone calls that were not recorded, where we were much more revealing in the things we were unsure about and the political ideas we had that we hadn't fully understood and were open for like the ability to change and feel something different about it.

Who else is doing that well, say in the Democratic Party?

Because the Democratic Party justifiably has an image of being humorless, right?

In some fashion.

I mean, it...

I haven't listened to much of like the Gavin Newsom podcast where he's inviting people on.

I think what is dangerous about an idea there, there's something I really like about that idea, but I think you speak to something that's like, oh, it's one thing to come to something and say, like, I'm going to show you my vulnerability.

And the other person will be like, gotcha, bitch.

Yeah, right.

Tends to be what happens in these situations where the left reveals an opening and the right takes it, as opposed to both people meeting.

And the people he selected, Charlie Kirk, for example, know that.

They're there for the dunk, not for anything else.

I think you have to be careful for politics.

politics, I don't have the answer.

I don't know how to invite that vulnerability into that culture to allow people to meet on the same page.

I don't think it tends to happen in front of cameras or in front of audiences because I think that's too dangerous.

Right.

Who do you see as funny, though?

Who do you see as someone who's very accessible?

Anybody?

On the left?

On the left.

Who is funny on the left, like in the political sphere?

Boy, who is funny?

I mean, I will say who's most like,

I think AOC and Bernie are compelling in themselves, and I like that.

I spent some time with Wes Moore, who I thought was really, really impressive and interesting.

Yes, I just interviewed him.

Yeah, I think Wes was great.

I'm a sucker for governors on the left.

Again, not from the comedy side necessarily, although there's some real cracker jacks there.

But I think they're people who got shit done in their states and are able to talk in ways that are less partisan.

I feel like when I spend time with senators or folks,

you see the politics.

They're good at politics, but governors are like, we got to get shit done.

And that to me is super compelling.

Do you have a favored governor besides Wes?

Well, as a Michigander, gander, I spent some time with Whitmer and I like Gretchen Whitmer.

Gretsch.

You like Big Gretsch.

And again,

I think Wes Moore was a really impressive, thoughtful person that I like spending a little bit of time with.

He also wrapped Bring the Pain by Method Man with me after a show in Chicago.

And so I got to give respect for anybody with Wu-Tang love.

All right then.

All right.

Before we go, I want to talk about the future of late night.

In 2017, you had your own show, The Opposition, in the 11.30 p.m.

slot after the daily show, in which you played a right-wing pundit character that lasted lasted a year.

In 2019, you launched docuseries Clipper, where you toured the country, talked to people in marginalized communities, veterans, undocumented college students, cannabis entrepreneurs, Mars fanatics, not just Elon.

And then you went back to the Daily Show.

Talk about what were you...

hoping to happen there and how do you like having all of you versus one to become the one like as a university

like there can be only one

it would be really cool if you did a sword fight for it again

Desi would win again.

God, you had such Desi love on this show.

Well, I'm sorry.

She would kick your ass, all of you.

She probably would.

You'd make fun of her height, and then she'd cut you off at your knees.

So what do you think about sharing and where late night's going?

It's been on the climb for years.

Many have been downsizing.

Obviously, due to a shift in streaming and on-demand, how do you look at where late night is going to stay relevant to this generation?

It's kind of the obvious question.

Well, I will say, I mean, I love what the Daily Show is doing right now.

For me, it's been a blast.

We've had so much upheaval and uncertainty in the last few years.

Like, we had a pandemic, we had a writer's strike, we had Trevor leave, we had a year of guest hosts coming in and out, and it kind of created a resiliency in the show as to like things are going to change.

You're going to think it's one way and it's going to have to shift.

Suddenly, the show has to have to do new hosts every single week for a year to figure out what that was.

And it landed us in a place that

has been really fun.

I mean, John hired me.

And so when John came in, I, you know, was it was a mentor of mine and to get a chance to actually work with John like this week.

It's incredible.

John hosts on Monday, and I'm here, and I talk to John, and then I'm watching John, I'm learning from John, and then I'm hosting the rest of the week, the dream job, to sit behind the desk at the daily show and get to talk about this stuff.

It's exhausting.

And I get to then stop at the end of the week, and then somebody else gets to come on.

Desi gets to come on.

Some people like Desi more than other people, and they make that very obvious in interviews that they do, which I understand and I want to be open to that.

So for people who have their favorites, you're going to get your favorite the next week.

And I think that's.

I like all night daily show children.

This is, I respect it.

But I think, honestly, what has been fun about it is it has been a humane way to deal with the Trump deluge in that we all don't go crazy because of it.

And I think as an audience, they get the same Daily Show voice with different people with their own perspectives that they bring to it.

I also love the fact that I get to go out and do short field pieces and I get to do specials.

And I sort of think, you're like, what does late night do?

Well, the Daily Show does something late night doesn't get to do, which is like, you get a monologue based on what happened that day.

You get field pieces where we actually go into the world and talk to people.

And those are going to live as six-minute things.

You get quick little clips to show the hypocrisy of the world that is there.

I get to do deep dive pieces on Hungary.

And so you can watch a special on that.

It's like you need to, you need to approach this as like, if you got 15 minutes on what happened today, or you want six minutes about what happened to the the middle of Pennsylvania or you want to watch a big full-on special on Hungarian politics, like the Daily Show is able to engage in that way.

So it's been a wild ride for late night.

We've weathered all of the storms and I think we've stumbled into something that I don't think anybody could have sort of pitched as what we thought the landing point would be, but it's allowed us to be fresh and malleable to the weird times we're in.

Yeah, you also can pull it apart, which I think is critical for social media because a lot of your watching is on social media.

Correct.

I know the Daily Show has found a lot of success in that.

And when I go on,

when I talk to anybody who's under 30, they're watching one-minute clips that I've done from the road.

If I'm talking to people over 50, they're watching the full episode.

And it's like, I'm able to communicate with people in these different ways.

So you got to get savvy at doing that.

So I have two more questions.

If you were the host host, the only host, is there something you would do differently?

I mean, Jesus Christ, the property I would buy upstate would be unreal.

I would finally, I'd get up the Hudson Valley.

I would get something just outside Hudson.

It would be a nice place.

I wouldn't feel regret about it.

I'd invest in a liquor company.

I mean, I would be, I'd be the person I thought I could be when I moved to New York.

What liquor?

Don't say tequila.

What liquor?

I mean, it'd be a mezcal company, I think.

Of course, you said tequila.

Oh, don't even.

Oh, what would Desi do?

Would she do something better?

A nice cognac?

Would that would you like Kara?

You know what?

Open your mind, Kara.

There's other voices on the show.

Anyway, so what would you do?

Tell me one thing, thing, and then I have one last question.

One thing.

Well, here's the thing that it's tough to do is to give up going on the road.

And so I think that that is what is difficult for me is that like I, if I were hosting, I would figure out a way, I was trying to do with the opposition to be both hosting during the week, but also to be on the road and talk to people and where they're at.

And so I think that that's something I always like bringing back into the daily show.

And if that was my full-time job, I don't know how I would do it, but I'd have to spend some time on the road as well.

So last question then.

When you think about this special you just made, tell me the one person that really stuck with you in the special or maybe you didn't make it in.

Who is the one

moment where you're like, this is really good.

This is something I'm that's substantive that you're bringing to people?

That's a great question.

We went down to Tampa Bay and I talked to the young Republicans at Tampa Bay.

And they had just gone through a little bit of a firestorm because Andrew Tate returned from Romania and Andrew Tate, the alleged sex trafficker, comes back from Romania.

And the Tampa Bay Young Republicans invite him to speak to their group.

And there was a bit of an outcry from the left and some people on the right who are like, what are you doing?

This guy's a sex trafficker, alleged.

There's terrible videos of him being so misogynist and beating women.

This is a toxic person.

Why are you inviting this person to

talk to your group?

And I sat down with them and I had,

to be fair, it's an awkward interaction on the special because

when I talked to these men,

their group made a decision for clicks because

their group made a decision that lives in the MAGA sphere.

The MAGA playbook is do the most outlandish thing to own the libs, no matter the consequence.

And they did this thing.

And then I reached them a week or so later and they've been blasted by people on the left.

And when I talk to them about it, you can hear and see them.

There's a morality, there's a core underneath there that's like,

you don't want to,

you don't want to have Andrew Tate come here.

You've talked about your sisters, your mothers, you've talked about women in your lives in a way that what he does is disgusting and you don't want him anywhere near you.

But yet, but yet, you are, you are young and part of this Republican Party in a way that you have to play MAGA.

And here are the MAGA rules: do anything for attention and to own the lips.

And you played it, and now you're stuck.

And what you don't have, what you don't have is the dead soul or the political savviness to like escape this conversation.

you're like stuck grappling with a morality that is based on like love and empathy and a MAGA party that is telling you to burn it all down and to me that that interaction really resonated because I looked at them and I and I was like I see it in you it's this cruelty is not in you but the game asks for it and that's what breaks my heart yeah they have shame they're not shameless I know this is the and that's perhaps Trump's greatest superpower is that without shame he can do do gosh near anything.

But everybody else has shame.

They do.

They seem to.

A lot of people do.

Yeah.

A lot of people do.

That's my hope.

They do.

I think they do.

I think we've built a country based around the idea that most, that people do, and therefore those are the boundaries that we will work within, that Nixon will eventually step down because it's so gosh darn embarrassing.

It's like, I don't know if those are the rules anymore.

Well, let me tell you, I think this is a very resonant show.

I think you're doing a lot more seriousness, but it's very funny at the same time.

But I think there's a lot going on here, and it's really important.

You're reclaiming America one bro at a time.

Thank you very much for round them up.

All right.

Thank you, Jordan.

On with Kara Swisher is produced by Christian Castor-Wassell, Kateri Yoakum, Dave Shaw, Megan Burney, Megan Kunane, and Kaitlyn Lynch.

Nishat Kirwa is Vox Media's executive producer of podcasts.

Special thanks to Annika Robbins and Emil Klein.

Our engineers are Rick Kwan and Fernando Aruda, and our theme music is by Trackademics.

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We'll be back on Monday with more.