#279: Mit dem Chaos drohen

Speaker 1 Rai Zwai Eins.

Speaker 1 Podcast owner.

Speaker 1 The best day I've win on this planet.

Speaker 1 So Artripresent

Speaker 1 and Aufro

Speaker 1 Podcast owner.

Speaker 1 Podcast owner.

Speaker 1 I don't know if

Speaker 1 England would

Speaker 1 I mean,

Speaker 1 that

Speaker 1 anti-fuss and

Speaker 1 England belongs.

Speaker 1 That

Speaker 1 machine and

Speaker 1 the bonus league and

Speaker 1 this is

Speaker 1 the

Speaker 1 younger talent of Fussby, that they

Speaker 1 have

Speaker 1 potential

Speaker 1 and that's what we're talking about.

Speaker 1 We have a bonus league

Speaker 1 by the AMU,

Speaker 1 and that's

Speaker 1 And

Speaker 1 so that's we heard in Title, that

Speaker 1 one was

Speaker 1 in a sex or minutes of

Speaker 1 Bellingham with

Speaker 1 Auschwitz and Darwin,

Speaker 1 we have final global situations.

Speaker 1 We are

Speaker 1 England and Spanish

Speaker 1 50% of the time,

Speaker 1 and

Speaker 1 50% of the niche game, but we look at this. I feel

Speaker 1 like

Speaker 1 a foreign motor

Speaker 1 But

Speaker 1 this

Speaker 1 offensive

Speaker 1 spiel

Speaker 1 of buspen fools,

Speaker 1 it was

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Speaker 1 also offering

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Speaker 1 potential,

Speaker 1 then the

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Speaker 1 that also

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Speaker 1 And that's why

Speaker 1 this free time.

Speaker 1 we have to do it. And they are fortunate to have

Speaker 1 this,

Speaker 1 but I have a team that

Speaker 1 is not going to be able to do it. So

Speaker 1 my

Speaker 1 club is

Speaker 1 about the hamster

Speaker 1 and material in England, Margaret Brentford.

Speaker 1 Yeah,

Speaker 1 I mean,

Speaker 1 I think it

Speaker 1 the spillomini.

Speaker 1 Yeah, but

Speaker 1 it's all

Speaker 1 the for

Speaker 1 the

Speaker 1 niche

Speaker 1 in the fore and

Speaker 1 final

Speaker 1 text

Speaker 1 often handy that

Speaker 1 we

Speaker 1 have

Speaker 1 to do it.

Speaker 1 Yeah,

Speaker 1 I think

Speaker 1 the channel

Speaker 1 that the motor phone.

Speaker 1 And I think what is

Speaker 1 spanned for

Speaker 1 a screenshot of it and then we have

Speaker 1 a patron exclusive content for page.

Speaker 1 So

Speaker 1 we have a

Speaker 1 repertoire.

Speaker 1 we have a reparation

Speaker 1 to

Speaker 1 it, and in mantle, but that kind of thing.

Speaker 1 I was to mine, but that's not it.

Speaker 1 Okay,

Speaker 1 this is a zatstyle,

Speaker 1 aus

Speaker 1 This is for

Speaker 1 the mutable leader.

Speaker 1 Ah, that is

Speaker 1 a

Speaker 1 good thing now. That is for Einkauswagen, but you can't do it.

Speaker 1 and the key is

Speaker 1 on the wicht

Speaker 1 settlement.

Speaker 1 That is perfect.

Speaker 1 But I have no idea,

Speaker 1 I can't see on Twitter as PN Sugarsch, the steel

Speaker 1 settlement, and that's what a narrative.

Speaker 1 in what

Speaker 1 is

Speaker 1 a podcast or

Speaker 1 builder and those podcasts.

Speaker 1 I create

Speaker 1 the passive-aggressive variant in a bureau was

Speaker 1 the index what

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Speaker 1 in the spoon

Speaker 1 or in the

Speaker 1 same

Speaker 1 passive aggressive absolute perfect formula

Speaker 1 and that

Speaker 1 phrase

Speaker 1 is not a problem.

Speaker 1 That is what

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Speaker 1 So that comes.

Speaker 1 out.

Speaker 1 I mean, it's a new random.

Speaker 1 And the gate is so language.

Speaker 1 patron waxed.

Speaker 1 Fruit has a mechanical patronage, that

Speaker 1 organization, torrent rock patron,

Speaker 1 and the chaos function,

Speaker 1 and

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Speaker 1 say

Speaker 1 1000 M F.

Speaker 1 I think I have a truck and

Speaker 1 a hundred thousand.

Speaker 1 Is there any function

Speaker 1 or

Speaker 1 something,

Speaker 1 or what is this problem?

Speaker 1 And then

Speaker 1 the

Speaker 1 fund in Netsworth, the

Speaker 1 patrons and followers, and then

Speaker 1 we have blood raw.

Speaker 1 And then the test diagnosis tools and all the

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Speaker 1 were

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Speaker 1 Absolutely.

Speaker 1 And this is

Speaker 1 nerve, and

Speaker 1 ain't no

Speaker 1 one, and this is

Speaker 1 what

Speaker 1 it is.

Speaker 1 Or the

Speaker 1 Yeah, that's what

Speaker 1 I

Speaker 1 said,

Speaker 1 for the narrative.

Speaker 1 Yeah, but that's the

Speaker 1 layer and a computer.

Speaker 1 Okay,

Speaker 1 it is already

Speaker 1 done.

Speaker 1 But it's an unsheet.

Speaker 1 It's also

Speaker 1 Yeah. Georgia.

Speaker 1 How do you

Speaker 1 think?

Speaker 1 Yeah. That's also true.

Speaker 1 Keynes

Speaker 1 C Y M K Hallows,

Speaker 1 Kein Menchemal,

Speaker 1 then Poly Orange.

Speaker 1 And for

Speaker 1 Schwarzenegger,

Speaker 1 that's

Speaker 1 Okay.

Speaker 1 And then

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Speaker 1 have a stall, or

Speaker 1 something

Speaker 1 and then

Speaker 1 the same thing. The kani seines

Speaker 1 even

Speaker 1 problem

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Speaker 1 That most of my language

Speaker 1 technology comes

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Speaker 1 Ichabergens a new market look for

Speaker 1 the only idea.

Speaker 1 The disclaimer: when this idea

Speaker 1 forms

Speaker 1 and

Speaker 1 form,

Speaker 1 when

Speaker 1 Elon Musk is

Speaker 1 was

Speaker 1 a disclaimer.

Speaker 1 And

Speaker 1 I was like, so this idea.

Speaker 1 I would say when I talked

Speaker 1 about the West

Speaker 1 Friesland, not

Speaker 1 a sanat, where the

Speaker 1 ECMA angles and the killers

Speaker 1 of Kinder of

Speaker 1 spit,

Speaker 1 the born

Speaker 1 and

Speaker 1 so that

Speaker 1 is

Speaker 1 for training,

Speaker 1 that we have another type of thing. Getting

Speaker 1 totally careful

Speaker 1 about Hamburg. And I think

Speaker 1 also in a a further

Speaker 1 practice director of OST. It is

Speaker 1 not a straightforward

Speaker 1 investment.

Speaker 1 That we

Speaker 1 have a

Speaker 1 statement of age

Speaker 1 kilometers

Speaker 1 and this immune

Speaker 1 role,

Speaker 1 my contest, and the coverage of a

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Speaker 1 I say

Speaker 1 in a reason

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Speaker 1 also

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Speaker 1 I fluff

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Speaker 1 and

Speaker 1 I would

Speaker 1 aggressively

Speaker 1 aggressively.

Speaker 1 Yeah.

Speaker 1 Camanich,

Speaker 1 the

Speaker 1 richest, the rundown of

Speaker 1 the music, and then

Speaker 1 we

Speaker 1 need

Speaker 1 organics, plateau gas, not

Speaker 1 a mask,

Speaker 1 and that in effect is my platform.

Speaker 1 I think

Speaker 1 in the middle of

Speaker 1 the moment it was automatic

Speaker 1 that

Speaker 1 regulators

Speaker 1 when there was a pulse technique and auto-angled so that it is auto-weight

Speaker 1 when the hoche gets automatically

Speaker 1 classical music, or

Speaker 1 I was

Speaker 1 not

Speaker 1 there.

Speaker 1 I was

Speaker 1 like,

Speaker 1 have

Speaker 1 to

Speaker 1 do it.

Speaker 1 So,

Speaker 1 we can

Speaker 1 see

Speaker 1 that it is a very good thing.

Speaker 1 I

Speaker 1 shouldn't

Speaker 1 say that.

Speaker 1 don't think

Speaker 1 that's

Speaker 1 a pedagogical.

Speaker 1 Mine

Speaker 1 was the spiel.

Speaker 1 And when

Speaker 1 we auto sit,

Speaker 1 that kind of angst from San Altstadt and comes a masker.

Speaker 1 I don't know if you

Speaker 1 have

Speaker 1 any questions.

Speaker 1 I hear in the podcast,

Speaker 1 but

Speaker 1 it is a

Speaker 1 podcast.

Speaker 1 But that's

Speaker 1 why we

Speaker 1 have to

Speaker 1 wait, but

Speaker 1 also for

Speaker 1 them,

Speaker 1 but

Speaker 1 then

Speaker 1 you can't do it.

Speaker 1 We can't do that. I

Speaker 1 that

Speaker 1 experts and other things

Speaker 1 kind of

Speaker 1 maintains. Yeah, here in Schleswig,

Speaker 1 it is

Speaker 1 nearly

Speaker 1 a little bit more.

Speaker 1 But I don't know if you

Speaker 1 can see that.

Speaker 1 it. Yeah,

Speaker 1 this

Speaker 1 is

Speaker 1 the same thing.

Speaker 1 And you get no temperature, and this ample

Speaker 1 code that

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Speaker 1 the future.

Speaker 1 And

Speaker 1 I mean,

Speaker 1 yeah, I spent a lot of roadfalls, I think,

Speaker 1 and when a fodder has the ambition

Speaker 1 or that

Speaker 1 is

Speaker 1 what we're doing. And I won't aggressive about that situation

Speaker 1 where I totally decide to do it.

Speaker 1 I have exactly the problem here. And I wish

Speaker 1 you were

Speaker 1 now,

Speaker 1 I would say,

Speaker 1 And we

Speaker 1 melted

Speaker 1 the

Speaker 1 ample

Speaker 1 issue. And we

Speaker 1 had to

Speaker 1 do it. What feedback is

Speaker 1 hated or directly

Speaker 1 here?

Speaker 1 I would say

Speaker 1 I

Speaker 1 think

Speaker 1 that more auto-ruber comes out. Then, is all

Speaker 1 that.

Speaker 1 And this

Speaker 1 is a folk,

Speaker 1 or is this

Speaker 1 idea that

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Speaker 1 And this is not

Speaker 1 the status of feedback from

Speaker 1 Gutenberg.

Speaker 1 Angels, that is, okay, I won't in the state, I won't get it. I really

Speaker 1 am

Speaker 1 in an endurance.

Speaker 1 This is positive.

Speaker 1 I

Speaker 1 think that's a good question. I'm afraid of a

Speaker 1 Rhein

Speaker 1 first

Speaker 1 stock,

Speaker 1 we're gonna go for KS, and then

Speaker 1 that

Speaker 1 was

Speaker 1 the

Speaker 1 Klaus Ampex

Speaker 1 Meinstock.

Speaker 1 We

Speaker 1 have to get hit, so we can

Speaker 1 formulate

Speaker 1 feedback with

Speaker 1 you and

Speaker 1 you can see it. So that is

Speaker 1 the

Speaker 1 one.

Speaker 1 The

Speaker 1 Knoppetruct.

Speaker 1 And what I

Speaker 1 do is we

Speaker 1 now

Speaker 1 create in Hamburg. So, when we

Speaker 1 read

Speaker 1 Wallach,

Speaker 1 that the Hamorgan

Speaker 1 in Deutschland,

Speaker 1 Yeah, you know.

Speaker 1 Come on,

Speaker 1 there's a platform.

Speaker 1 When the ample story

Speaker 1 or

Speaker 1 questions are in Krezung and the camera,

Speaker 1 And the ample

Speaker 1 factor of

Speaker 1 three

Speaker 1 links will be

Speaker 1 so blurred when the

Speaker 1 temporary

Speaker 1 optimal

Speaker 1 video is in 2012,

Speaker 1 the Gruten mentioned in Himmelcomb and the Schlechton in the Hollykom.

Speaker 1 When

Speaker 1 Amplecommer, that this ample

Speaker 1 state does their code,

Speaker 1 But my earlmach is when the

Speaker 1 girls will

Speaker 1 be

Speaker 1 able to do it. A state of the ample

Speaker 1 streets or

Speaker 1 the group and

Speaker 1 yet

Speaker 1 what

Speaker 1 they

Speaker 1 do is

Speaker 1 that fear is not.

Speaker 1 Mine far away.

Speaker 1 Yeah, you know, the fear is

Speaker 1 not a little bit of a matter of time.

Speaker 1 And

Speaker 1 the hunting

Speaker 1 is a demonstration

Speaker 1 that

Speaker 1 you

Speaker 1 have from

Speaker 1 span it, I would say,

Speaker 1 with Kappa Spanish.

Speaker 1 I would feel heck, I

Speaker 1 think it was automatic, but

Speaker 1 the couples

Speaker 1 were

Speaker 1 passing,

Speaker 1 but that's when you

Speaker 1 compete, when the amplitude of Grunshot, but when you

Speaker 1 have to get

Speaker 1 principles,

Speaker 1 a

Speaker 1 I have a situation

Speaker 1 also.

Speaker 1 That ample and links up to

Speaker 1 Kreuzung,

Speaker 1 and

Speaker 1 that's why

Speaker 1 the the staff build, and then we're going to go to the bottom of

Speaker 1 the stairs. Yeah, the queer case, and then we

Speaker 1 want to

Speaker 1 lift it, and there will be

Speaker 1 something where

Speaker 1 the staff

Speaker 1 and

Speaker 1 the geography

Speaker 1 block here.

Speaker 1 So, and then

Speaker 1 what is it? And it's not

Speaker 1 that we're going to be

Speaker 1 it

Speaker 1 can be.

Speaker 1 While the two

Speaker 1 fan and

Speaker 1 what we do,

Speaker 1 when you see that I would say,

Speaker 1 I have done

Speaker 1 so

Speaker 1 that I

Speaker 1 While the thing is half a music,

Speaker 1 a musician

Speaker 1 and the ranking will get immersed

Speaker 1 and

Speaker 1 the

Speaker 1 black.

Speaker 1 That's a nice

Speaker 1 gift and then

Speaker 1 mark a

Speaker 1 little

Speaker 1 situation.

Speaker 1 It's not for the void.

Speaker 1 The mission is Matt Max on falling down

Speaker 1 as the road rage as film.

Speaker 1 Yeah, that's finished.

Speaker 1 So, the

Speaker 1 tube that we have in the garden is

Speaker 1 in the garden, it is not

Speaker 1 a rubert we have,

Speaker 1 but

Speaker 1 And then

Speaker 1 we have autofraad

Speaker 1 in

Speaker 1 the immediate

Speaker 1 sugar

Speaker 1 and

Speaker 1 films

Speaker 1 Rambo and Alison Einem.

Speaker 1 And here Hollywood financier side and I wish

Speaker 1 I had to do it.

Speaker 1 fear and

Speaker 1 the money. Yeah, that's concluded.

Speaker 1 A machine then filmed it.

Speaker 1 Danger domains.

Speaker 1 What

Speaker 1 mine?

Speaker 1 Do you

Speaker 1 mind

Speaker 1 when we are at Field George for Anschlaus with some anti-factor and Dawood not?

Speaker 1 Here we go.

Speaker 1 I wa

Speaker 1 I will not

Speaker 1 be able to do it.

Speaker 1 Okay, so

Speaker 1 I'm not sure what to do. Oh, but in festival.

Speaker 1 Alexander Klaus.

Speaker 1 Nine. Ichnicht.

Speaker 1 Nine. That's why.

Speaker 1 Ichwar by my festival with a family, and

Speaker 1 that was a

Speaker 1 interesting

Speaker 1 thing.

Speaker 1 The passion in this.

Speaker 1 way. I would say

Speaker 1 that it is a menu, yeah. And

Speaker 1 this

Speaker 1 plan,

Speaker 1 I would say,

Speaker 1 I wouldn't

Speaker 1 walk, okay?

Speaker 1 My

Speaker 1 wife is more

Speaker 1 and more,

Speaker 1 and I say, okay, it's a fair fair

Speaker 1 problem.

Speaker 1 And then

Speaker 1 we have

Speaker 1 Pilgrim Deloitte, which is

Speaker 1 the first time

Speaker 1 with cowboy hooden and with

Speaker 1 Spielzo and George, and

Speaker 1 all

Speaker 1 about the

Speaker 1 problem,

Speaker 1 and now

Speaker 1 basically

Speaker 1 in theater.

Speaker 1 Technique,

Speaker 1 and I

Speaker 1 think

Speaker 1 it is

Speaker 1 a very important thing. And I cooked all the time with George Sitzkiss, but also

Speaker 1 a

Speaker 1 little bit.

Speaker 1 I wish a man

Speaker 1 we profess to be

Speaker 1 in Karl Mai Festival,

Speaker 1 that

Speaker 1 equipment with Nimstein and the best cooking.

Speaker 1 So

Speaker 1 I think

Speaker 1 that I

Speaker 1 cannot ultimately tip

Speaker 1 my festival,

Speaker 1 namely.

Speaker 1 And

Speaker 1 we

Speaker 1 have

Speaker 1 Western stadium is

Speaker 1 a feeling about

Speaker 1 Western saloon and market shops, or essentially

Speaker 1 cowboy hutkaufen and

Speaker 1 Allesmerke,

Speaker 1 and I don't want to costume.

Speaker 1 And then it's right,

Speaker 1 and

Speaker 1 the show

Speaker 1 and this is

Speaker 1 the first time.

Speaker 1 In principle,

Speaker 1 a von

Speaker 1 Waiter, not

Speaker 1 That's what I'm talking about in a problem because

Speaker 1 we have a theater in musical

Speaker 1 or so. So, then the house

Speaker 1 is festive,

Speaker 1 but you can

Speaker 1 build

Speaker 1 it. So, in the middle of

Speaker 1 the platform,

Speaker 1 in principle, all this up,

Speaker 1 and

Speaker 1 the collision is not

Speaker 1 a problem for

Speaker 1 the standard school for the kids,

Speaker 1 but we

Speaker 1 have a story to folks, but also the kids are a problem, but also

Speaker 1 handling the person

Speaker 1 can

Speaker 1 feel statistic and

Speaker 1 we can

Speaker 1 do it. So, when you

Speaker 1 in the middle of the platform,

Speaker 1 the spreadsheet and malware

Speaker 1 platforms, the store office,

Speaker 1 in the prairie,

Speaker 1 that's what I think. So, we

Speaker 1 have

Speaker 1 to

Speaker 1 order it.

Speaker 1 And then,

Speaker 1 momentum would now

Speaker 1 say here, a

Speaker 1 break and sprinkler and film method in what

Speaker 1 highlights that when

Speaker 1 the action set pieces,

Speaker 1 then it feels like

Speaker 1 momentum

Speaker 1 within

Speaker 1 my company. company Alexander Klaf

Speaker 1 and

Speaker 1 welcome

Speaker 1 Rabbana,

Speaker 1 Freuden, or whatever

Speaker 1 interest with Fangenum and then combined music. I can't see

Speaker 1 it.

Speaker 1 But

Speaker 1 I can't

Speaker 1 say

Speaker 1 that. I can't see

Speaker 1 the Title Music from

Speaker 1 the music.

Speaker 1 And

Speaker 1 Schalt is

Speaker 1 Alexander Klaus.

Speaker 1 And I

Speaker 1 think that's a good thing. But it's

Speaker 1 not

Speaker 1 the Genesis, of the anonymity like Sanna Claver, that's when it's not. That's a Burger Cringe.

Speaker 1 Skipped away.

Speaker 1 Skipped a clause.

Speaker 1 That is Pierre Bris.

Speaker 1 That winner is Pierre Brisbane.

Speaker 1 And we

Speaker 1 have

Speaker 1 Pierre Bris of the Freiht Buhner in Rating note

Speaker 1 for

Speaker 1 the first time.

Speaker 1 I think

Speaker 1 that's the same thing.

Speaker 1 I want to

Speaker 1 say

Speaker 1 that.

Speaker 1 melody. And Pierre Bris, I went to Pierre Briswada.

Speaker 1 Alexander Klaus

Speaker 1 Roy Black theme was

Speaker 1 Roy Blackwell.

Speaker 1 This is the Kulz Alexander Klafen Hast. That mark seems to be

Speaker 1 a little bit of a song, and then we dark okay.

Speaker 1 I wish

Speaker 1 we were, or so that we

Speaker 1 should, and then we can

Speaker 1 global, that Zophie calls.

Speaker 1 What I think

Speaker 1 is

Speaker 1 Alexander Klaus, and then it's my warning. This

Speaker 1 moment, when the tour of the world, and this music,

Speaker 1 and

Speaker 1 in this area right,

Speaker 1 that is a

Speaker 1 fuel.

Speaker 1 In the moment,

Speaker 1 and all

Speaker 1 the kids can be

Speaker 1 able to do it. You can

Speaker 1 all in the moment, oh, that is this.

Speaker 1 And then it's my aunt,

Speaker 1 that is me

Speaker 1 too.

Speaker 1 Winnitu is

Speaker 1 the reality of the written person.

Speaker 1 Okay, we

Speaker 1 need to

Speaker 1 read

Speaker 1 this with Winitoun

Speaker 1 And

Speaker 1 yeah, as it means I club on the carton, the goodbye

Speaker 1 very important

Speaker 1 thing to

Speaker 1 Europe.

Speaker 1 So, what Andrew Frank is

Speaker 1 a director of

Speaker 1 the tag?

Speaker 1 And the manner

Speaker 1 of the strain,

Speaker 1 but

Speaker 1 the war and

Speaker 1 the park platform

Speaker 1 gives a shit. So, when you

Speaker 1 have a new park plateau, we have a

Speaker 1 family.

Speaker 1 I think

Speaker 1 the association is the owner of the

Speaker 1 and

Speaker 1 I saw France.

Speaker 1 I will be able to do it.

Speaker 1 Oh, okay,

Speaker 1 okay. And most of the time,

Speaker 1 and that's it

Speaker 1 to come

Speaker 1 from the park platform.

Speaker 1 Oh, yeah.

Speaker 1 And

Speaker 1 yeah, then we

Speaker 1 have

Speaker 1 to laude

Speaker 1 it.

Speaker 1 That's public.

Speaker 1 So I have to do the best park and then

Speaker 1 you can see that. The political discussion is

Speaker 1 that we are

Speaker 1 going to be able to do it. But in Kalmai Festival, so we

Speaker 1 can

Speaker 1 go to the

Speaker 1 Gesen. I have not

Speaker 1 been in Zandal Gesein,

Speaker 1 Kemp David Klamotten, with Hochstelf Kragen,

Speaker 1 not

Speaker 1 Jack Wolfsky,

Speaker 1 with Kemping Stirn and Zitzkiss,

Speaker 1 as

Speaker 1 well as

Speaker 1 when these

Speaker 1 were top

Speaker 1 or whatever.

Speaker 1 So, that's why it's completely

Speaker 1 interesting.

Speaker 1 the university.

Speaker 1 That's not cool when they're in

Speaker 1 this

Speaker 1 school.

Speaker 1 But

Speaker 1 when

Speaker 1 the kids

Speaker 1 feel

Speaker 1 something,

Speaker 1 or

Speaker 1 they

Speaker 1 can't do that. What

Speaker 1 kids

Speaker 1 would

Speaker 1 you

Speaker 1 like?

Speaker 1 Yeah,

Speaker 1 and that

Speaker 1 was

Speaker 1 So

Speaker 1 we have the park, and this dinger went

Speaker 1 along

Speaker 1 these bars and

Speaker 1 the other one. Yes, this guy

Speaker 1 was

Speaker 1 also

Speaker 1 fine.

Speaker 1 That's why we concentrate on the film for

Speaker 1 her.

Speaker 1 But

Speaker 1 not

Speaker 1 And what can

Speaker 1 we say? Ain't no

Speaker 1 gibson,

Speaker 1 the state of tube,

Speaker 1 with Adler, and

Speaker 1 then

Speaker 1 we have public

Speaker 1 organizations.

Speaker 1 But

Speaker 1 if you

Speaker 1 have a baum flow,

Speaker 1 and that's Alexander Klaus directly,

Speaker 1 in the

Speaker 1 fancy

Speaker 1 spontaneous.

Speaker 1 And what

Speaker 1 we

Speaker 1 have

Speaker 1 to do is

Speaker 1 a handkelanger, the Adelaide

Speaker 1 and the

Speaker 1 Additional Act,

Speaker 1 and often

Speaker 1 said, And then we

Speaker 1 have the Adler,

Speaker 1 the Hat School

Speaker 1 is

Speaker 1 the Kanye.

Speaker 1 But the blood

Speaker 1 of Sudris.

Speaker 1 the bleibed.

Speaker 1 The freedom

Speaker 1 is

Speaker 1 a little bit more. But the theoretical

Speaker 1 issue is that it's not a

Speaker 1 problem.

Speaker 1 And so the de facto

Speaker 1 hat was

Speaker 1 hard for

Speaker 1 me. I see

Speaker 1 what

Speaker 1 Yeah,

Speaker 1 this is

Speaker 1 my

Speaker 1 name, then we have three.

Speaker 1 Then

Speaker 1 we have

Speaker 1 plurality,

Speaker 1 but

Speaker 1 it is

Speaker 1 not a very good thing. Mein Gricken,

Speaker 1 that is garlic good.

Speaker 1 And

Speaker 1 And we mentioned that

Speaker 1 one

Speaker 1 and a black

Speaker 1 economy

Speaker 1 wasn't a good thing.

Speaker 1 And that also comes

Speaker 1 in 1500,

Speaker 1 but in Festival,

Speaker 1 we have this program programme

Speaker 1 ensembles is

Speaker 1 a function.

Speaker 1 I think there is a film that is

Speaker 1 Alexander Claus.

Speaker 1 This is an English technical,

Speaker 1 we have

Speaker 1 to do with September 10th.

Speaker 1 Okay.

Speaker 1 That's my good for you. That feels

Speaker 1 have

Speaker 1 to

Speaker 1 say,

Speaker 1 Zimmer, Achen,

Speaker 1 Erst, Swater, Tritter, Filter. So,

Speaker 1 then

Speaker 1 what Immerseforce

Speaker 1 thing. So, you can see

Speaker 1 the Reagan capsule, or we can

Speaker 1 better

Speaker 1 and

Speaker 1 ED, or

Speaker 1 whatever

Speaker 1 Australian.

Speaker 1 Okay, when I

Speaker 1 was a ticket,

Speaker 1 a name for the

Speaker 1 money project.

Speaker 1 Euro, Cowboy Hut Sieben Euro, Project S,

Speaker 1 but

Speaker 1 it's not a good thing.

Speaker 1 we

Speaker 1 put

Speaker 1 this art,

Speaker 1 I think that we

Speaker 1 have four

Speaker 1 entertainers

Speaker 1 that

Speaker 1 we have written.

Speaker 1 This is what we're talking about.

Speaker 1 we're doing,

Speaker 1 we have a meeting.

Speaker 1 Yeah, but in the entertainment branch, we have a lot of

Speaker 1 things or whatever.

Speaker 1 So, this is a

Speaker 1 lot of

Speaker 1 fun.

Speaker 1 Yeah, but

Speaker 1 we professionality. I mark

Speaker 1 and

Speaker 1 colleagues, but

Speaker 1 it settles the wall.

Speaker 1 I marketed and

Speaker 1 I'm not sure if you can see it.

Speaker 1 That was

Speaker 1 a very good thing.

Speaker 1 But

Speaker 1 I

Speaker 1 think

Speaker 1 we have

Speaker 1 to kind of

Speaker 1 say that this is

Speaker 1 That's why we have a lot of

Speaker 1 this and these highest, but

Speaker 1 in fact,

Speaker 1 and

Speaker 1 check this up.

Speaker 1 Yeah, that's not

Speaker 1 is

Speaker 1 key

Speaker 1 to

Speaker 1 tips.

Speaker 1 And then

Speaker 1 you can see that.

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