Is Sasha Velour in Danger?

Is Sasha Velour in Danger?

May 30, 2024 27m Episode 74
Sasha Velour won RuPaul's Drag Race with her spectacular rose-petal lip sync. She wrote and illustrated The Big Reveal: An Illustrated Manifesto of Drag, drew a New Yorker cover, and sells out almost every show of her New York revue, NightGowns. So why is she taking her act down to Murfreesboro, Tennessee, and Bartlesville, Oklahoma? We talk to Velour about this season of her HBO reality show, We're Here. At a moment when drag is both beloved and reviled, a powerful cultural force and a target, we ask Velour what exactly she's looking for in those places, and what essential truth about drag is hidden in the show's title. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Not available in all states or situations. This is Radio Atlantic.
I'm Hannah Rosen. I've watched RuPaul's Drag Race since the beginning, when the set looked like cable access TV, and the Queen's costumes were very homespun.
I still watch now, nearly 15 years later, and some of the costumes cost tens of thousands of dollars because they're either made by famous designers or they are covered in Swarovski crystals. The point is, I have this lazy impression that drag has made it not just to the mainstream, but to the cultural center.
But actually, there's this whole other universe in this country where that is definitely not true. Tennessee Governor Bill Lee has just signed a bill that would restrict drag performances.
Drag performances out in the open, like this one at National Pride last year, will now be illegal in Tennessee. It says it is an offense for a person to engage in an adult cabaret performance.
It's the first state where this bill has now been signed and become law. It'll be going into effect the 1st of April.
And it's caused a lot of controversy. That law was eventually struck down by a federal judge.
But dozens of other states are introducing different varieties of laws that effectively ban drag.

So when I saw that Sasha Velour, who happens to be my favorite RuPaul winner,

she won season nine with the most spectacular lip sync.

Anyway, when I saw that Sasha and other former contestants were putting on a drag show for HBO

in Murfreesboro, Tennessee, I thought, what are they doing there?

Thank you. and other former contestants were putting on a drag show for HBO in Murfreesboro, Tennessee.
I thought, what are they doing there? In order to make a difference, it feels like we really have to stay. So one drag show is not enough.
Do you like drag queens? No, not my thing. That's totally fine.
Yeah. Do you know what drag queens are? Yes, I do.
Yeah. Would you come to a drag show? We did one in town.
Aww. I'm already done.
Yeah, I'll work down here. Sasha Velour is an author, a cartoonist, a theater director, a scholar, and she's also one of the co-hosts of We're Here, which is now in its fourth season.
On the show, Sasha and her crew recruit and mentor local residents, who they refer to as their drag daughters, and they put on a drag show for the town. But this season feels very different because of what's happening on the ground in places like murphy sparrow.
The slower you say it, the harder it is to say the name of the town. Murfreesboro.
A town where city officials denied pride permits after they determined that a past drag show constituted illegal sexualization of kids. Yeah, it did not feel fun walking around the streets of Murfreesboro.
It wasn't fun until we connected with other queer people who lived there. But because the sense in the town was very, we do not want any visibility for queer people.
So there we were with our bright outfits in and out of drag waving rainbow flags, which is not something I actually really do in my real life. In Brooklyn, you don't need to wave your rainbow flag.

No, I don't know if I even own a rainbow flag, truth be told.

During the show, there are makeovers, there are tears, there are many things that are fabulous and iconic.

But this season, the reality show is giving a lot more reality.

Yes! Back at you, gal.

Oh!

Did you say fag?

You did say fag.

Thank you, I love that word.

The fact that within 24 hours of being in Tennessee,

we are called faggots feels like a warning, like a reminder to stay in your place. They don't want you there.
They don't want to see you. I know intellectually that you have cameramen there and that you guys are protected, but the situations you're putting yourself in are not, I mean, they seem really fraught, genuinely fraught.

They were genuinely fraught. And there's, of course, a moment when like filming is wrapped that you're like, oh, I'm just here alone in a car by myself now.
And of course, we have many resources. And that was like a privilege came with that, that the people we were talking to, the stories we were hearing, like they don't have a team of 10 people checking in on them.
that would make it easier to be bolder.

And so that's why we felt we really had to be. Right, right.
Okay. Now, when I watch shows like this, you know, you have fabulous queer people show up at a town and kind of spread fairy dust.
Like, that's a kind of show. That's maybe the structure of the show, but the feeling of it, especially this season, is like watching a documentary.
I think the common argument is that, you know, we just want people to accept us for who we truly are, but I do accept you for who you are. You want me to accept you for your fairy tale fantasy betrayal of yourself.
Do you believe that people are gay? No, I do not believe that people are born gay. Okay.
Born gay? I mean, there's someone who just yells in your face, you're a man dressed as a woman, compares you to Jeffrey Dahmer. What she meant to say is she believes that people can choose to be gay.
But we do not believe that Jeffrey Dahmer was born a murderer. Totally unrelated.
It's known. Reality is a choice.
There's nothing immoral about loving someone. Why court this kind of conflict? I don't know that that particular voice needs to be platformed or shown.
I think there was some hope that maybe in conversation, there would be a give and take of questioning, but it really did just become us asking questions of these people trying to unpack where they get the information for these lies and these myths about queer people, where they got this information for these lies and myths about straight people and cisgender people too, because it was all so narrow. And kind of claiming science defends their point of view when I think it's actually just the opposite in reality.
Yeah. You got to create a man with a penis.
You got to create a woman with a vagina. I don't agree that that's the truth.
That's okay. You don't have to follow the science.
The science says that there's a lot of variety in terms of chromosomal gender and in terms of genitals as well. Well, there's XX and XY.
Now, there are hermaphrodites, but all hermaphrodites are actually dominant male or female. There's nobody that can procreate that can make a woman pregnant and get pregnant.
There's no true male or female. There's a lot of people who are not fertile.
That's true. That's absolutely true.
Are they not men or women? Well, so how would you... That was the reality.
I mean, especially because there was a child there and a father there. And, you know, I thought it was, again, it has a documentary feel.
Like you're walking into a city council meeting and you're kind of in for it, like in all your regalia. And so you kind of knew it was coming.

It was an interesting choice.

Like it did kind of display something that is real.

Maybe I like assume too much good intentions from people,

but I really hoped that some of those fears

that they were expressing came from

not having had the opportunity to speak to queer people

and that us being willing to talk to them was going to, like, move the needle. But we really couldn't buy a common ground.
But, you know, I want us to unify. I think queer people are allies to the straight community as well and that, like, what we stand for should make the world a more free place for everyone, including that man and his daughter.
It's sad to be rejected by people who don't know anything about you. But that is the reality that we're trying to show.
Yeah, that's what, that moment stuck out with me because it was painful. It wasn't necessarily cathartic.
Like in the Queer Eye template, you know, everyone's supposed to be crying at the end of that interaction. And that definitely didn't happen.
Right. I didn't think about that.
I'm sorry. I guess it's a success then to show that not everything has an easy resolution.
Totally. Totally.
We very much found that. Some people, the people who are willing to grow can grow exponentially.
And those who can't, like, you may just have to move on. You know, you are an incredibly multi-talented artist, one of the most successful, you know, just creative drag queens of the RuPaul era.
Why leave Brooklyn? Still hustling to make it happen in my mind. It feels like nothing's a guarantee but i really appreciate that encouragement may you hustle forever because you are a font of you know just constant creativity but why leave brooklyn to put yourself in places where people effectively don't believe in your right to exist don't speak your language like why um i mean you, this stuff does happen in Brooklyn, too.
I was just called a faggot not one week ago outside of my own house by someone passing on a bicycle. And even though there is such a warm reception for queer and trans people for non-binary expression on the streets of the city.
And I feel safe here. I love it here.
I wouldn't be satisfied just staying in one place. I love to travel and to get to spread the joy of drag all over the world.
And this is the funny thing about being a drag artist, is you go from having a thousand people scream your name, stand on their feet, and then like 30 minutes later you're outside and someone is screaming at you for being visibly queer and could beat you up or your life could be at risk. And that dichotomy doesn't always get shown.
Like sometimes it's one or the other, but I think it's the fact that it's kind of both at all times that is also part of why drag is the way it is. Why we have this sense of humor, but also this depth and darkness to what we put out there.
Why we feel like we have to be political because we're being politicized just by existing.

Yeah. Yeah, yeah, yeah.
In addition to being a drag queen, I know you're a historian of drag. So maybe we get into this.
Amateur historian. Amateur historian.
Amateur historian. So, because I feel like what you're describing, this duality is so intense right now that you can create a bubble in which you're fabulous, successful, make a living, and then another bubble where you are hated and rejected.
And both of those are intensifying at the same time. That's really true.
I know. Like five, ten years ago, I mean, this is when magazine covers announced drag has arrived and they have, drag queens have power and cultural influence and they can make a living.
And then there's a spate of drag bands. Do you think of that, looking back at the history of drag as a common thing, like rise, backlash, rise, backlash? Yes, absolutely.
The greater the visibility for drag, but also, but even for trans people. And it's interesting that I think the visibility and acceptance for both our queer made art form and all of our identities that have been kind of suppressed for a while, those have been kind of uplifted at the same time over the past 10 years in a way we've been delighted by that it seems like culture is shifting and making space for us.
And I think the backlash feels like the last gasp of a dying opinion. But unfortunately, they're very organized and extremely well-funded.
It was interesting on We're Here seeing how much money is behind the repression of trans rights and the drag bands.

And often those people aren't from the places

that they're showing up,

but they're putting on a performance of like,

this town doesn't stand for that.

Which strikes me as a kind of,

it's a kind of hideous mirror to drag

where they're trying to shut down on people's freedom.

They're performing the most tired, basic lies. They're insisting on a return to normal that they actually are inventing through erasing the real truth of our existence throughout time.
How do you know that? Like, how do you know that people weren't from the town or that there is money in it? Like, how did that come up? Because it's not, I don't remember it coming up in the show as a conversation. How did you come to learn that? We went to the website of Jesus Warriors, I believe, or God Warriors.
There's a couple that have similar names. And you can see like how they take in donations.
I guess I don't know how much they really are able to take in, but it's clear that it's an organized effort. When the biggest attention comes to places like my drag daughter, Veronica, in Murfreesboro, Tennessee, a clip of her literally just talking about her fake breast that she was wearing at a Pride show, which fell to the ground, which is something many of us have experienced, and it's hard not to comment on it when it happens.
A glitch. But a clip of that went viral and got circulated on Facebook.
So I want you to watch this and tell me if you think this is appropriate for kids. I know.
They're playing with my kids. Give them here.
Oh, making me uncomfortable talking about the weight of my boobs. Not even mine.
That two seconds was blown up to be this horrible example of indecency and inappropriateness. So that basically shut it down, right? There's no pride this year.
It it's not going to happen and that kind of worked up people who don't live in tennessee to barrage the city council with with kind of requests to ban drag which is why it ended up happening and so it's interesting seeing how these things are organized and then in various places that have protesters the people in the town say, we don't know those people. I think a couple of them found out where they came from, and it was like two or three hours away.
Interesting, right, because Veronica talks about that and feels guilty about that. Like it was her fault somehow that drag got banned from town because this thing happened to her.
And it was something that I think they were looking for anything. And it's just, it's heartbreaking if someone feels responsible when they've done nothing wrong.
Yeah. There's guilt from that.
Do you feel responsible? Oh, yeah. No, it's not you.
It is. If I had not run for mayor and been so loud, if I had not screamed about my titties from stage in front of children.
It would have been something else. Would it? Because that's when it all started.
And the logic is, oh, you should have been quiet and censored yourself and then we could exist. But we can't exist if we have to live on those terms with all those conditions.
We'll never thrive. Right.
And the we exist, I mean, speaking of Veronica, the title We're Here of the show, you know, the we could be like, we, the fabulous queens, have arrived. We're here.
But watching the last season, I was thinking the we is actually the locals. Like, we've always been here.
We live here. We're

everywhere. Like, we haven't just arrived yesterday with some sort of like wave of wokeness.
Like, is that some of the meaning? Is that why you, because it seems to raise up kind of local queer people almost more than you guys, in a way. That was my intention, at least, is I never wanted it to be this sense of the superheroes have arrived.
That is not how I view drag. Yeah.
I think drag changes lives when it affects how you see yourself. And it's not us changing the lives by showing up.
It's we bring a stage that allows all these local heroes

to activate their own powers, to feel supported,

which they so desperately need, to really be bold.

And to remind them to say exactly that.

To remind them to say we're here and stand up for themselves

and for their community.

More with Sasha Velour after the break. Can I run? Are these worries? I don't know if I should call them worries about the show, but I'm going to run them by me.
Like little things that come into my head when I watch. I love to worry, so this is right up my alley.
Okay, excellent. We can worry together.
So there's a small part of me that resists this idea that the drag queens have to come to a town and put on a show. Like that's the only path to acceptance.
Like I felt that in Oklahoma, like, okay, we're just going to go on the street corner and essentially busk and put on a show. Like that's the only path to acceptance.
Like I felt that in Oklahoma, like, okay,

we're just going to go on the street corner and essentially busk and put on a show. Do you ever feel like that? I mean, I love putting on a show and it is my favorite thing in the world.
So I never feel like I have to do that. I often am like trying to get to perform just because there's something we look for ways to disarm people who object to us.
And entertaining is a classic way to do that. I resisted vehemently, but I've learned about the importance of comedy in softening people's resistances.
And I think ultimately, like a show is not is definitely not enough to change minds like a conversation and the human stories that I hope the show that I hope we're here like really tease us out alongside the performance is that's the whole picture yeah yeah sometimes a show is a good excuse to for people to let down their walls and try something okay all right. We settled that one.
Another one. So you're often going into these towns and the push or the line is to be out and proud.
I remember reading in your book that when you did your Fulbright in Russia, you talked about two camps. There was sort of the out and proud camp and they were protected and a little more privileged.
And then you had understanding for people who didn't want to be out and proud or that wasn't the right path for them. And I wonder if you've thought about that in these towns.
Because you can see that the local queer people are struggling with that very concept. Like, is it safe to be out and proud? Should I be out and proud? Can I be out and proud? Can I just live my life? And I wonder how that plays out in those relationships.
Yeah, there's some people for whom being out is not the best option based on where they live. And in my experience in Russia, that group of activists were mainly more working class and risked losing their jobs and their houses if they were out.
And framed that way, I did begin to see exactly what they meant. And they were still finding ways to have community and to be out with themselves.
But they just like, they couldn't safely be out on the streets protesting, be waving a rainbow flag. So it would be interesting if we're here kind of explored a story like that.
But fundamentally, you know, we want people to live. Right.
And whatever you need to do to do that is correct. maybe this is the big question what does it matter if there's drag in murfreesboro like i feel like america is dividing in so so so so so many ways you know that why can't i just say oh go to nashville and do your drag there do you know what i mean like what does it matter that we have it everywhere? I mean, at its heart, it is everywhere already.
Like, they have drag shows happening. People who don't have the resources to travel to Nashville for various reasons want to be able to do the drag they've been doing for decades.
And these bars are getting shut down. People are yielding to pressure.
It's like as people are finding out how much queerness exists around them, they're suddenly shutting it down. And that is a cycle that's happened before.
But in those moments, people were dressing up in their homes and wishing the world was different. So it's kind of like there is, it's always going to be there.
So why can't we make a space for it? You know, there was an era, I feel like, when I believed more strongly, like if we all just knew each other, we all just talked to each other. I have to fight much harder now to find that space in people.
I really, really do. And to pass through a thing that makes them uncomfortable.
And I don't know. So when I watched your season, I guess I was trying to decide, is this confirming my pessimism? Or is this like a small ray of hope? And I wonder if you, and I haven't decided, and I wonder if you have that, like if you're on that balance when you film it, or you're just like a happy, hopeful person.
So you go with the hope. I have my moments of being very optimistic.
It's definitely a cliche that, you know, like, oh, human stories change everything. I want that to be true.
We encounter a lot of people who did not want to hear stories that did not confirm what they already believed. And I've noticed increasingly, it feels like people aren't comfortable admitting that they could currently be wrong about something, that they, being genuinely curious to learn new things.
So will anyone who doesn't want to see drag queens in the world watch this show? I sure hope so. Right.
But I don't know what it's going to take. I think the examples are like stories about how it happens within families.
Yeah. And when someone like Veronica's mother who threw her child out because of what her church was saying and what her community was saying about queer people.
And then realized that didn't make sense to her and kind of like they've slowly built their relationship back. And she's grown to accept gay people and accept queer people on some level and certainly accept her child's love of drag.
So that gives me a lot of hope. That's someone who's changed their mind.
And I think that if it could be possible for anyone. You know, watching your show with a friend, I'm so used to like RuPaul World and watching so much RuPaul, you can easily forget that there are lots of places in this country and many countries around the world where it's not like that.
Like there is a cultural renaissance of drag queens. And I did have the thought, wow, like RuPaul has maybe saved hundreds of lives.
Like I forget that. This element of visibility, the out and proud, it does have a safety element to it.
Yeah, it does. And the show, Drag Race, has reached so many people and just kind of like normalizes the existence.
And the fact that there's been so many seasons, so many drag artists, all with different styles, that's probably been the biggest shift in drag of all time. Yeah.
And for people, I was thinking about like my, my drag daughter, Jess, in Oklahoma, who said, like, it was the first time I had thought queer people are beautiful. And seeing that on television, like, really did something profound for her.
Yeah. And I was like, wow, I don't know that that's everyone's take watching Drag Race, but maybe that is something.
That is a new idea that we are helping to share. This episode of Radio Atlantic was produced by Janae West.
It was edited by Claudine Abade, fact-checked by Sam Fentress, and engineered by Rob Smersiak.

Claudina Bade is the executive producer of Atlantic Audio, and Andrea Valdez is our managing editor.

If you want more Sasha Velour, you can see her new play this summer.

It's called Velour, a drag spectacular.

I'm Hannah Rosen. Thank you for listening.