Lucy

Radio Lab is brought to you by Progressive Insurance.

Do you ever find yourself playing the budgeting game? Well, with the Name Your Price tool from Progressive, you can find options that fit your budget and potentially lower your bills. Try it at Progressive.com.
Progressive Casualty Insurance Company and Affiliates. Price and coverage match limited by state law.
Not available in all states. Hey, Lulu here.
So a few months back, our illustrator, Jared Bartman, got a difficult prompt. We asked him to design a cute tote bag based on our incredibly morbid episode, Cheating Death.
And Jared was stumped. How do you create something plucky and cheerful and design forward about the inevitability of dying? So he brooded and he doodled and then one day it hit him.
It is easily my favorite design ever. And because it's sort of this secret code about death, it's kind of like carrying Carpe Diem around on your shoulder.
And you can get that tote bag right now if you become

a member of the lab. You knew it was coming.
The lab is the way we have designed to support the show. It's super easy.
Just a couple clicks. You send a few bucks our way a month in exchange for, you know, public radio currency tote bags and other perks.
Whether you support us or not, we are so grateful for you. But if you've ever been on the fence, I would say that now is a really good time because not only does the tote bag have a very cool surrealist design, it also has a zipper.
So go take a peek at radiolab.org slash join. That's radiolab.org slash join.
And that's all. Thank you.
On with the show. Hey, it's Lulu.
This is Radiolab. We have a story with feelings today.
We've got an emotional one, a good one, a great one from the archives that explores the line between humans and chimps and then blurs it right out. It's sort of a trio of stories.
And it actually starts with a tiny little story I did when I was a baby producer. You will hear my voice at the tippy top.
It involves a researcher who was working with the great Jane Goodall and did something she wasn't supposed to do and kept it a secret for a long time, but finally spills it on the air. So anyway, without further ado, here comes the episode, which is called Lucy.

From our archives, kicking it off to Jad and Robert.

Wait, you're listening.

Okay.

All right.

Okay.

All right.

You're listening to Radiolab.

Radiolab.

From WNYC. Rewind.
All right. Let's start with an encounter.
Yes. Hello? Hello? Okay.
Can you hear me okay? I can barely hear you. Okay, so this is, well, our producer Lulu Miller was calling around trying to find some stories for this hour.
Let's see. And she ended up on the phone with a woman named Barbara Smuts.
Is that any better? Yeah. Barbara Smuts is now at the University of Michigan, but years ago she was a field researcher in Tanzania working with the great Jane Goodall.
You know, following chimps at a distance and writing down everything they do and that kind of thing. Right.
Okay. And when she was in Tanzania, she ran into, in Gombe National Park, a particularly young male chimp named Goblin.
Will you tell me the story of Goblin? Oh, sure. First of all, what does he look like? Well, he's an adolescent male.
If he stood up, he would come up to quite a bit above my waist. And almost immediately, he started picking on me in the sense that, you know, he would walk past me and just kind of jab me casually as he went by.
And sometimes he would punch me with the fist. Sometimes he would just kind of whack me with an open hand or just kind of use his body to just kind of shove at me as he went past.
You know, he'd look at me as he approached, and I'd be going, oh, no. And is that something they would often do with humans, or was this rare? No, no.
He was in a phase of life. When a male, as a male matures, he rises in rank, and before he challenges any other adult male, he rises kind of step-by-step through the female hierarchy.
He basically intimidates female after female until they give in and acknowledge that he's superior, and then he'll pretty much leave them alone. So he was at the point where he dominated

all but probably two of the adult females. And you.
And me. So that's part of it is where Goblin was.
And the other part of it is that I'm really small. So as you're out there doing your research, what do you think is going on? Did you think he just...
Well, I just felt like he was a bully. and I was an easy target.

And in the evening, I would say like he was a bully. Yeah.
And I was an easy target.

Yeah.

And in the evening, I would say that Jane could all, you know, tell her what happened.

Yeah.

Ask her what to do.

And she would say, just ignore him.

You know, eventually he'll get bored and he'll stop doing it.

Which was, you know, this kind of standard advice, this sort of myth of total scientific objectivity.

Just ignore it and it'll go away.

Yeah.

But instead he escalated.

Thank you. know, this kind of standard advice, this sort of myth of total scientific objectivity, just ignore it and it'll go away.
Yeah. But instead he escalated.
I remember one time I was sitting at the top of a hill and he came up behind me and jumped on my back, which forced me to roll down the hill. And he kind of rolled down with me, you know, we were like this ball rolling down a hill.
Again, I would tell Jane and ask her what to do, and she would always say the same thing, ignore it. But one day, it was the rainy season, so we all carried raincoats with us.
And when it wasn't raining, we would carry them on our backs so that it wasn't in the way. And Goblin walked up to me one day and yanked on my raincoat.
And these raincoats, they were like our most valuable possession, the raincoat. So he grabbed it and he was going to run away with it.
And so we had this tug of war, and so the two of us were standing, facing each other, tugging on this raincoat. And then I did something that was not premeditated at all.
I just leaned forward, and I punched him as hard as I could in the face.

Oh, my God.

What did you think, like, right after you'd done it?

Were you shocked at yourself that you just... Yeah, I'd never punched any, but it's before, you know,

much less a chimp who I was supposed to be studying from a distance.

So I was shaking.

What did he do?

He just collapsed.

He, like, turned into a little baby. You know, he What did he do? He just collapsed.
He like turned into a little

baby. You know, he collapsed on the ground and started whimpering.
And then he looked to Figgin, who was the alpha male at the time, who was sitting nearby. And he was like Figgin's little sidekick, you know, always kind of hanging out with Figgin and playing up to him.
He ran over to Figgin screaming like this being just beat up on me.

Come on, let's get her.

And for... with Figgin and playing up to him.
He ran over to Figgin screaming like,

this being just beat up on me.

Come on, let's get her.

And fortunately, Figgin did not take it seriously.

I remember he just reached over with this great big hand and without even looking at Goblin,

he patted him on the head a few times

and then went back to whatever he was doing because it could have been really bad if he had taken it seriously. I did not go back and tell Jane Goodall I had punched Goblin in the nose, and I didn't tell the story for a long time.
Why not? Well, I think I would have gotten a lot of disapproval.

Anyway, Goblin never bothered me again.

So here's the reason we played that story.

Because here you've got this moment where you've got a scientist, Barbara Smuts,

who's a trained scientist, got scientific rules of objectivity and all that.

She totally loses it. Yeah, she slips.
And for just that moment, she's not really a human. He's not really a chimp.
The raincoat is the only important thing. The borders have dropped is really what's happened.
Yeah. Now, we're used to thinking of borders, you know, between us and the animals, as being fixed.
And most people would say, this is good. Keep them there, keep us here, keep us separate.
But not in this hour. We are going to meet people who decided to go the other way.
People who are trying to live intimately, and I mean really intimately, with big wild animals. Something you could either call incredibly stupid, or our last great hope.
Because there are so many of us on the planet. So coming up, we've got two stories of radical experiments in sharing.
I'm Jad Abumrad. I'm Robert Krulwich.
This is Radiolab. Okay, story one.
This whole show in a way began with a conversation with this fellow, Charles Siebert. I am an author and a journalist.
And he wrote a book called The Washula Woods Accord, which is a great book, in which he tells a story, which he told us in the studio as well, about a chimpanzee named Lucy. So let's just start at the beginning.
Who is Lucy? Lucy is a chimpanzee that actually, this was found out later, born to a circus entertainer born in their camp. What country are we in? In the U.S.
They traveled up and down the East Coast, the May Knoll Chimp Arc Show, something like that. They were very popular in the 40s and 50s.
They were wildly popular, apparently. Oh, so this was a mom and pop entertainment operation that would go from town to town in the middle Atlantic states.
And so Lucy was born to two of the chimps that performed in this thing? Yeah. And they used to do things like, they used to stage wrestling matches with human beings.
The he-man of the town would come in and challenge the chimp to a wrestling match. Really? What would happen? You know, a chimpanzee, an adult chimpanzee is about five times the strength of a human.
And this guy would walk in thinking, you know, I'm going to give this chimp a run of my money. And like one swipe of this chimp's forearm, the guy would be carried out.
It would end so quickly. And then the house band would go, he's out of there.
Okay, so getting back to our story about Lucy.

This is a story that begins in 1964, and it's one that Charles would have never heard about had he not bumped into this obscure old memoir. Long out of print.
Yeah, what's the name of the book? Do you actually have it with you? Yeah, hold on.

It's called Lucy Growing Up Human,

a chimpanzee daughter in a psychotherapist family by Maurice K. Tamerlan.

Maurice K. Tamerlan, he is the psychotherapist.

He's a psychotherapist.

And he's also the dad in this story.

And his wife, Jane, who's a social worker, she's the mom.

Now, the thing to know was that, especially for Maurice Tammerlin, this was more than just adopting a baby chimp. This was an experiment.
He wanted to know, given the right upbringing, how human could Lucy become? You know, what he says early on in this book, would she learn to love us and perhaps have other human emotions as well? Would she be well-behaved, rebellious, intelligent, or stupid? What about sex? Maurice Timmerlin actually died in 1989, but these are his words, read by radio host David Garland. Would she mother her offspring? Could she learn to talk? How intelligent might she be? And so how did they get her? He says that he and his wife Jane made all the arrangements, went and got the chimp from the day the infant was born.
The mother was anesthetized. In the early morning of her second day, Jane fed the mother a Coca-Cola which had been spiked with fencyclidine, a drug which puts chimpanzees into a deep, pleasant sleep.
And the baby was taken away. Jane named her Lucy and brought her home on a commercial airline, carried in a bassinet, her face covered with a lacy blanket.
We were blissfully unaware of the complexities we were creating on the day Lucy came home.

So the baby was a day or two old?

Just two days old.

So it wasn't weaned?

No.

And that was part of the experiment.

They bottle feed her?

Yeah.

She quickly learned to hold her own bottle.

At two months, her eyes would focus.

At three months, she was trying to climb out of her crib to go to people.

And at six months, she was pretty mobile on all four limbs.

Memoir goes on. By the time she was about a year old...
She was pretty mobile on all four limbs. Memoir goes on.

By the time she was about a year old. She was eating at the table with us.
Forks, spoons, knives. She would see us using silverware and immediately do so herself.
She began to dress herself in skirts. She would often grab my hand, pull me to my feet, and beg me to chase her.
Always looking back to see that Daddy was not too far behind. You know, he really went at this with this sort of full bore earnestness.
You know, when he calls her his darling daughter. I took great pride in my daughter's achievement.
He does feel like a real parent to Lucy. She was so responsive to being looked at, held, and stroked.
But he's also, make no mistake, treating this as a very intense, cutting-edge experiment. The next phase of the experiment, which occupies a good deal of the book, involves one of those talents that we thought used to only be limited to us.
Language. Okay.
Can you introduce yourself, please? Okay. My name is Roger Fouts.
I'm a professor of psychology and have worked with chimpanzees since 1967. Roger Fouts was called in by Maurice Temerlin to address one of the crucial questions of the experiment.
Could she learn to talk? Right. And at the time, he was the guy.
He'd just been part of a team that had proven for the first time that chimps could use sign language to communicate. So his job with Lucy was to teach her how to sign.
And I think I came into her life when she was, as I remember, it was 1970. I think it was four or five.
She was four or five years old. Roger taught her signs for airplane, baby doll, ball, banana, barrette.
Right. Berry.
Yeah. Yeah.
So I was sortet. The tutor friend babysitter that would come over for a few hours.
Bow tie. He'd stay and spend some time just, you know, just playing with Lucy.
Candy. I would work on signs.
Can't. We'd read books together or we'd go for walks and I would chat with her basically.
Cry. Dirty.
And he says that Lucy... Enough.
Just sort of picked it up picked it all up it was like a game she learned some 250 signs and the big question is okay so is it mere mimicry or are they able to spontaneously create words yeah and put them together in a new original way. And there's been a lot of anecdotal evidence that, in fact, Lucy did spontaneously create words.
In a later session, when shown a piece of watermelon, Lucy tasted it. And she called it candy drink.
Huh. And a radish had gotten quite old.
And one day, you know, she was calling it food and food for,, I think, several days of the study, and then she decided to eat this old radish, and she took a bite and spit it out. I said, well, what is that? She called it cry-hurt food.
Wow. She would also lie to me.
Really? Yes, yeah, yeah. And lying, we should also say, is another one of those things that people used to think only we do.
During one of my sessions, I came in and she had a potty accent and that she had been potty trained, but sometimes she didn't always make it. And I was upset because I was now faced with having to clean it up.
And so I said, whose is that? And she said, Sue. Who's Sue? Sue was one of my students that would come in and spend time with Lucy too.
I said, no, Sue's not here. And finally she bested up and said Lucy and sorry.
Sue? Yes. This is Sue.
Sue's happy drum ball. The grad student of yours who says she didn't actually see that lie take place.
Yes, well, I wasn't there. But she told us that when she met Lucy, she was blown away by the incongruity of it all.
Like, for instance, every time she would walk in the house, Lucy would just walk casually into the kitchen and search through the cupboard for the kind of tea she wanted that day and put some water in a kettle and put it on the stove and make us tea. Yeah, it became a routine.
I'd come in and she would start the tea. It was the casualness with which she did it.

The kind of air about it that, yes, I'm making tea, and I would like you to have some too because tea is what we did. And so the thing to do was to sit down and to casually sip the tea with Lucy and casually look through the magazines, listen to the radio.
What magazines would she look at? Well, she looked at, I think, House and Garden and some magazines that had pictures of women and children in them, whatever the Timerlands had out. Wow.
Lucy had developed an awareness of our emotions. If Jane is distressed, Timerland's wife, Lucy notices it immediately and attempts to comfort her by putting her arm about her, grooming her, or kissing her.
If Jane is sick, Lucy would exhibit tender protectiveness toward her, bringing her food, sharing her own food. As we get to this next part, this is sort of the midpoint of the memoir, it's useful to sort of remember a basic fact of biology.
Speciation happens when you've got one group of creatures that gets divided into two.

And then these two groups evolve away from one another.

And eventually they get so far away from each other that they can't have babies.

And nature makes sure that they can't have babies by making one species basically undesirable to the other.

You look across, you're a baboon, you look across at a chimp and you go, eh.

Yeah, you're only sexually attracted to your own kind. That is essentially what a species is.
Now, this isn't something you're supposed to be able to learn or unlearn. This is just the way it is.
Yeah. Which brings us to some troubling passages in the book, beginning really on page 105.
Can you read it? Yeah. And we should warn that this next minute and a half contains a sexual reference.
One afternoon around five o'clock, Jane and I were sitting in the living room when we observed this sequence of behavior. Lucy left the living room and went to the kitchen, opened a cabinet and took from it a glass, opened a different cabinet and brought out a bottle of gin.
Gin? Yeah, yeah. she loved gin and tonics.
That's actually not the important part.

It's what happens next.

She takes her gin, goes back to the living room, sits on the couch,

and there's really no other way to say this.

She starts to masturbate.

But even that's not the important part.

It's actually in the very next moment that a boundary

that took approximately six million years to establish dissolves. Mr.
Timmerlin sees Lucy doing this and he thinks, hmm. This? This is a perfect experimental moment.
So he runs off to the mall, buys a copy copy of Playgirl magazine and brings it back to her. This is full of naked guys.
Yeah. And Lucy would masturbate to these centerfolds.
I was not a part of that. I was never there when Lucy looked at the porno magazine.
But Sue says that she was there for what happened next. Yes.

I was there when she was introduced to her first adult male chimpanzee. Had Lucy ever seen another chimpanzee before? Never seen another chimpanzee from the moment of birth.
Wow. She says they brought this male chimp in.
To see if Lucy was attracted to chimpanzee males. And was she? I, well, the male chimpanzee would sit there with his hand held out toward her,

and she was very frightened.

And she tried to move away.

It was then, says Sue, that she realized

that in every way that mattered,

Lucy was no longer a chimp.

She was stranded.

Right in between this great divide

that I knew was there between humans and non-humans,

and I did not know how to negotiate this.

There is no category in our language

except a mythical one

for something that's not human and not animal. Radiolab is supported by Capital One.
Banking with Capital One helps you keep more money in your wallet with no fees or minimums on checking accounts and no overdraft fees. Just ask the Capital One bank guy.
It's pretty much all he talks about in a good way. He'd also tell you that Radiolab is his favorite podcast too.
Oh, really? Thanks, Capital One bank guy. What's in your wallet? Terms apply.
See CapitalOne.com slash bank. Capital One N-A member FDIC.
Radio Lab is sponsored by Intuit TurboTax.

Taxes meant waiting and worrying and wondering if you were going to get any money back. Then waiting and wondering and worrying some more.
Now, doing your taxes is matching with a TurboTax expert who can do your taxes as soon as today. An expert who gives your taxes their undivided attention as they work on your return while you get real-time updates on their progress while you focus on your day.
And an expert who will find you every deduction and file every form, every investment, every everything with accuracy. All so you can get the most money back guaranteed.
No waiting, no wondering, no worries. Now this is taxes.
Get an expert now on TurboTax.com, only available with TurboTax Live full service, real-time updates only in iOS mobile app. See guaranteed details at TurboTax.com slash guaranteed.
And now a word from our sponsors at Betterment. When investing your money starts to feel like a second job, Betterment steps in with a little work-life balance.
They're an automated investing and savings app, which means they do the work. While they build and manage your portfolio, you build and manage your weekend plans.
While they make it easy to invest for what matters, you just get to enjoy what matters. Their automated tools simplify the complex and put your money to work, optimizing day after day and again and again.
So go ahead, take your time to rest and recharge, because while your money doesn't need a work-life balance, you do. Make your money hustle with Betterment.
Get started at betterment.com. That's B-E-T-T-E-R-M-E-N-T dot com.
Investing involves risk. Performance not guaranteed.
Fox News tries to diffuse the scandal over a journalist invited on a group chat where top White House officials were high-fiving about real-time bombing plans. Don't you hate when that happens? We're trying to start a group text.
You're adding people and you accidentally add the wrong person. All of a sudden your Aunt Mary knows all your raunchy plans for the bachelor party.
On this week's On the Media from WNYC. Find On the Media wherever you get your podcasts.
Hey, I'm Jan Abumrad. And I'm Robert Krulwich.
This is Radiolab. Today we're listening to a story about Lucy.
Lucy.

The confused chimp.

Confused chimp.

This is the chimp that's raised as a human.

Who dressed like a human.

Talks like a human.

Even.

Well, a little bit anyway.

It's actually attracted to humans.

So the thing to understand before we go on in the story, says Charles Siebert, is you

can do this and you can do it heartily and you can get one confused chimp.

But at some point, nature reasserts itself, at least in this way. As a chimpanzee grows, it becomes very strong.
Very strong. And that, says Charles, is usually the point where the human owner throws in the towel.
And, you know, there are people who really, who can't have children who have chimps as their substitute children. And they all have to go through that moment where the chimp gets too big, too strong, too willful, too sexually mature, and they invariably relinquish the chimp.
But in Lucy's case, what happened? So in Lucy's case, the Timberlands really hung on way longer than most. Lucy was 10, going on 11.
They had by by this time, rigged up an entire portion of the house for this very strong, willful animal. You know, behind bars, padded rooms so you can bounce.
Behind bars? Bars? They built a cage inside the house? In their house. Which defeats the entire purpose of the whole thing.
That's right. Was she destroying things? Oh, God, she was tearing the house to shreds.
Lucy was into everything. She could take a normal living room and turn it into pure chaos in less than five minutes.
Just, and with company, she would just jump on a guest and start bouncing up and down. Our friends and relatives began to visit us less frequently.
Now that she's grown and is five to seven times stronger than I am,

she could tear us apart, literally. It was more and more challenging and time-consuming and

upsetting to the extent that he and his wife finally said, all right, we can't do this anymore.

This is too much. Experiment over.

The memoir ends with a big, fat question.

What will happen to Lucy?

On the final page, Maurice Timberland says,

well, we know we can't keep her, but we don't know what to do.

The end.

I was raised in the romantic tradition, and I like books to have happy endings.

If they don't have happy endings, they should have tragic endings. I hate books which have no ending, like this one.
Hi. Hi, is this Janice? Yes, it is.
This is Janice Carter. Not only does she know the ending of the story, she's actually the key player in it.
Well, I hope we have a decent conversation because the lines are really terrible. It took us a really long time to find Janice Carter.
She lives in a remote part of Gambia in Western Africa, and that'll become relevant in a second. How did you meet Lucy? I met her.
One of my part-time jobs that I had to put myself through grad school was to clean Lucy's cage. That's how I met her.
I cleaned up after her. In fact, Janice says she was one of the few people who could actually handle Lucy when she was out of her cage.
Which surprised the Timberlands because she had been quite difficult with previous caretakers. Was that because you were stronger than the predecessor caretakers or you were cleverer? Well, I think it was probably more timing.
I think that the time that I entered Lucy's place, she was looking for something outside of that sphere of mom and dad. And I was a friend.
In any case, Janice ended up being in Lucy's life at the exact moment when the Timberlands finally decided what they were going to do with Lucy. They visited a number of...
It's 1977. They had just spent a year traveling around the world looking at different options.

Zoos, research labs, chimp retirement homes, which were these facilities that were springing up to house chimps like Lucy, you know, who'd been raised by humans or were in the circus. But every place they visited, she says, was just too depressing for them, too cage-like for this being that they essentially considered their daughter.
And so, the decision they came to was that the best way to honor Lucy, the best way to really make her happy, was to simply let her go. In the wild.
And they asked Janice to help them do it. Did you have any idea or any experience of what you were getting yourself into? Zero.
I didn't have a clue. So after a 22-hour flight, Janice, the Timberlands, and Lucy arrive in Dakar, Senegal.
I remember arriving really early in the morning and how hot it was. Even early in the morning.
Compared to Oklahoma, this was just different. Lots of insects, mosquitoes, and high, high, high humidity.
It was the rainy season. After they landed, she says, they piled into a car and then made their way to a nature reserve, which was basically just a bunch of big cages sitting right outside in the jungle.

So they get there, coax Lucy into one of these cages, say their goodbyes for the night,

and they leave her to spend her very first night alone, outdoors. After a few weeks, Maurice and Jane Timberland decided to leave.
And the plan was that Janice, for just a little while, would stay behind. You know, to help Lucy with the transition.
She started to lose her hair and get skin infections. And no, I wasn't happy being there either.
I hated it. How long did you think you would be staying there? Three weeks.
Three weeks. Wow.
It's worth saying that Janice Carter has actually never left. At the end of those three weeks, there was just no way that I could leave Lucy.
The weeks turned into months, and then into a year, and still, Lucy's stressed out. She's not eating, her hair is falling out.
By this point, a whole other group of chimps shows up at this nature reserve. These are former captives like Lucy.
And they start to deteriorate as well. So Janice decides what she needs to do is change locations.
So she takes Lucy and all these other chimps to this abandoned island that she'd found. It's a long, narrow island.
This is in the Gambia River. A mile idea here was that you would release them and they would be able to do whatever in the island and learn how to climb trees and learn how to forage and learn how to establish relationships with each other.
Was that the notion? Yeah, in a nutshell. And you would think that if you gave them freedom, they would just jump for joy, and that's the last chapter of the book.
But that's not what happened. She says that when Lucy and the other chimps got to the island and she let them loose, they clung to her.
During the day, she'd walk them around the island and point out to them, here are the fruits you should be eating, these are the leaves you should be eating. But they weren't interested in any of that stuff.
They were actually more interested in her stuff. Which is what they were used to.
I had human objects and tools that I needed for my own survival, and they wanted to use them. Like when I would cook or brush my teeth or take a bath or anything that I wanted to do, they wanted to be doing it with me.
Janice figured the only way this was going to work is if she could somehow keep the chimps away from her and her tools. And so here's where she does something really radical.

She had run into a couple of British army officers who were passing through the Gambia on some kind of wilderness training thing. And she somehow convinced them to build her a cage, a giant metal industrial cage, then to fly it over to her island and drop it thunk right in the center.
And the thing about this cage is that it wasn't for the chimps.

It was for her. Yes.
You lived in a cage? I lived in a cage, yes. Wow.
And in the beginning, she says, her cage didn't even have a roof. No, in the rainy season, it rained on me.
The only thing above her head was this fine wire mesh to keep the chimps out. And then the chimps all wanted to be inside with me.
When I said no, then they would climb on top of the cage and sleep out in the open on the wire on top right above me. Every time there was any sound in the night of a hyena or anything, they would immediately squeal and defecate and urinate right on top of me.
Oh, God. Then I put corrugates on the roof, but then they started dancing on the corrugates.

They really liked the sound that it made, so they were all day long dizzy dancing.

It sounds funny, and it was at times, but it distracted them from being chimps. after about a year says janice, most of the chimps lost interest in her.
You know, because they couldn't get her tools, she was stuck in a cage. They gave up.
They stopped hanging around her and they just wandered off into the forest and foraged for themselves. But Lucy would stay behind.
She, for obvious reasons, thought that she was different than all the rest of the chimps. And so Janice and Lucy entered into a kind of sign language battle of wills.
If I came out of the tent to look to see if they were all gone, there she was, right there, looking really forlorn at me, and using sign language to tell me to come out to be with her. But Janice would sign to Lucy, no, Lucy, go.
Go. Lucy would then sign back, no, Janice, come.
No, Lucy, go. No, Janice, come.
Lucy, go. And this went on and on.
I tried and I tried and I tried and I tried. But Lucy wouldn't move.
She would just stand there waiting for Janice to help help her. Meanwhile, she wasn't foraging for herself.
She was getting thinner. And I tried everything and really, really knocked myself out trying to do things for her.
And I just started to think maybe she never was going to do it. And we would argue about it.
I ate everything. I was eating ants.

I was eating sticky latex from figs. I was doing everything that I was finding really nauseating to do just so that she would watch me do it and think, wow, if she's doing it, then I'm going to do it too.
And she wouldn't do it. She'd just turn her head away.
and I honestly thought at one point that she would rather

stop wouldn't do it. She'd just turn her head away.
And I honestly thought at one point that she

would rather starve to death than have to work for her food. I was losing hope.

But incredibly, Janice kept at this for years. She'd have to toss Lucy some food, some of

hers, just to keep Lucy from starving.

But she kept at it.

And then one evening, after a really, really long day. Oh, what a drag of a day.
Janice and Lucy are walking through the forest, and they both stop because they're so beat. And crash.
And we just, we fell asleep. On the ground together.
When I woke up, Lucy was actually holding my hand, and she had a leaf. She's holding out a leaf? Yes.
She reached out, and she offered it to me, and then I offered it to her. And she ate it.
It was a miracle. It was an absolute miracle.
And after that,

says Janice, things turned. And actually, from that moment on, Lucy did start to make the effort and go off.
And be a chimp. And be a chimp.
That's Charles Siebert again.

And it was not too long after that that Janice went away. Left the island? Mm-hmm.
Janice says she'd, you know, periodically circle in a boat just to keep an eye on Lucy. But she says she never, not once, set foot on that island.
At least not for a year. And then one day, she decided to go back.
This day is the first day that I went actually on the island. She pulled her boat up to the tip of the island, where there was this little clearing.
And she parked. And as she did, Lucy and the other chimps, who'd heard the boat, came out of the forest and into the clearing.
And Lucy and her walked toward each other. And I took with me some of Lucy's possessions that had been important to her, like her mirror.
And she used to like to draw and book, just to see how she responded to it. And what did she do? And she sort of held me really, really tight.

It just really made me breathless, and I started crying.

She started to give these soft little pants,

and I feel pretty certain what she was saying to me was,

it's OK, you know, it's all okay now. At that moment, somebody in Janice's boat snapped a picture of her and Lucy hugging.
It's a picture that Charles Sieber printed in his book. And it's one of those images that when you see it, I don't know why, it just haunts you.
Lucy has her head against Janice's chest and Janice has her arms around Lucy. It's one of the more fraught moments.
You have to just look at the picture. I mean, it sort of made me want to write the book.
Something about the complexity and the invertedness of that picture.

After that, the other chimps had started to go, and she wanted to go with them, and she got up, and she didn't turn back to look at me. She just kept walking.
She wanted to go with the other chimps, and she did. A year later, Janice went back to visit Lucy again.
But when she got there, this time, Lucy was gone. And I went to all the different places looking to see if we could find anything.
And we did. We found her, the body.
She was lying right near the place where Janice's cage had been. Just a skeleton.
Her skull and her hands and her feet were separated from the rest of the skeleton. So how did you know that that was her body? She had a slit between her front teeth and and she was very long, and there was nobody else missing.
And maybe the saddest, strangest thing was that... We didn't find any signs of her skin or hair.
It appeared that Lucy had been skinned. And no one knows actually what happened, but because the hands were taken, which poachers do, they thought one of the conjectures which makes it really unbelievably tragic is that they think that Lucy, always the first to approach humans, just sort of guilelessly approached poachers not knowing that they were that and that they just took advantage of their unwitting and overeager prey.
But that was Lucy's end. The scenario that I have developed to cope with her death is that a fisherman or someone who, some local person that just happened to pull up next to the land and was going to take a break or put a raffia palm down or do something and because she always felt confidence around humans she probably approached

the person perhaps she surprised the person and just on reflexive descent she was probably shot

i've got no other explanation. Janice Carter still lives in Gambia where she now works

not just with the chimps

but with the local population

to protect the habitat for the chimps

and Charles Siebert's latest book

which is a really tremendous book

is the Washula Woods Accord

our sincere thanks to him

for turning us on to the Lucy story. Also, if you go to our website, radiolab.org, you can see pictures of Lucy and Janice, and also that particular picture that I describe of the hug.
It's just one of those pictures you really just have to see It's at radiolab.org Three, a two, a one Hey, I'm Jad Abumrad Wow, that was a big head Sorry, I was feeling it I'm Robert Krolwitz This is Radiolab We shouldn't be laughing because we've been listening to a really, really sad story About a chimp named Lucy who Was born as a chimp, raised as a human and died in, well, under, because she ran into a human that she trusted and probably shouldn't have. Yeah.
And so the question that we want to ask now, and we asked this question to Charles Siebert, you know, guy who wrote a lot about chimps is, what's the lesson that we should draw from this? It's a good question. I think what it says, it points back to something

I said earlier, that the only option now and the best way to dignify and honor what they are,

who they are, they're more than what, is to fence them, ourselves off from them

in little pockets of their home that we leave alone. That would be coexistence.
Or, if you can't do it that way, and there's a very good reason why you couldn't do it that way, because there are, what, six, now 6.8 billion people in the world, soon to go up to 9 billion. Too many of us.
Too many of us. So what do you do? Well, one thing you might try, I mean, it's kind of a far-out notion, but you could go back to the Lucy experiment, the one we just described.
It ended very badly. Yeah, but this time you do it, how shall I put this? You do it differently.
Test, test, test. There's a place in Iowa where this is kind of happening.
Kind of. We sent our producer to go visit Sue Savage Rumbaugh.
So to set things up, what was the name of this place? The Great Ape Trust, although I think the name is kind of in flux. But anyway, the Great Ape Trust, which is this place in Des Moines, Iowa, where it's kind of like a compound where they keep a very special group of bonobos.
Is it bonobos or bonobos? How do they say it? I think they say bonobos. Hey, it's going to start working again.
So when I got there, Bill Fields, who's the director of the place. Director of Scientific Research.
That's him right there. Hi, I'm Bonobo Studies.
Bill took me inside and then there's this

place where they keep the Bonobos

but Bill had to kind of go

in there ahead of me and ask

if they are ready

to see me. Do you want the visitor to come see you?

That's Kansi.

Okay.

Alright.

We're going to bring the visitor to see you. And I walk into this, which is this kind of big concrete room.
Here comes Kanzi, he'll be coming right through here. The rules are when there are visitors that the bonobos are kind of kept behind this fence.
Oh, there's a fence in the room? Yeah, and just on the other side of the fence is... Kanzi.
Whoa. What does he look like? Is he big? He's pretty big.
Maybe if he stood completely upright, he'd be a little bit shorter than I am, but he's built. And more than that, he's just got this kind of presence.
I mean, he looks at you, like directly in the eye. He was standing there with his arms

just kind of swinging. His fingers are amazing.
It's not like going to a zoo. It's a little bit

more like there's another person on the other side of that wire.

So here's one of the first things that Kanzi does when I come in. Like there's

these two, you know like a big plastic salad bowl? He would take these two big

plastic salad bowls face down on the concrete and put his hands on them and

run them around the room.

Around and around circle and then he just

slams himself up against the wire.

Wow. Why? What do you think he was doing?

I didn't know what to think. You like him? You do? I like him, too.
I like him. He likes you.
Okay, what's listening? You see the microphone? So here's, here's Conzie's story. Sue, you remember Sue from the last story? Sue Savvy Drumbob.
Oh, yeah. After she worked with Lucy, this is about 30 years ago, she got Conzie and she raised him.
I mean, she... From a little bitty...
Big bonobo. She would, you know, carry Conzie around with her all the time.
Loving him as much as I love my son. She becomes like...
We'd watch movies when we went to bed at night and they had... A mother to Kanzi.
This sounds a little bit like the Lucy thing, but the difference here is that... With Kanzi, we never wanted to take him away from his mother, Matata.
Kanzi also has a bonobo mother. Matata was born in the Congo, so she carried the knowledge of the bonobos' culture as best she could across the Kansi.
I was a member of a different species. I had a different kind of language, a human kind of language.
Sue says that the whole idea of the experiment was to create kind of an emotional bond between her and Kansi that would fill Kansi with an innate desire to understand what I was going to say, to understand how I felt, to want to communicate with me. And so pretty soon, Kanzi is using this, they have a kind of a special keyboard with these symbols, and you can touch the symbol and it makes a computer voice as a word.
Egg. Good.
Can you find milk? Milk. Good.
He's using this symbol keyboard to communicate with Sue. How about Sue? Sue.
Very good. This is the two of them sitting in front of the keyboard practicing.
Peanut. And how many words can he do? How about chow? Over 600.
Really? Yeah. Chow.
Wow. And then, this is where, to me, it just gets, uh, Kanzi, as he got older, started being able to communicate without the keyboard.
She would talk to him, and he would talk back. I'll give you an example.
When I was there, there was one point where we were outside. We're here, Kanzi.
Where are you? Kanzi has this outside space, and we're outside too, but he's still fenced in like before. And Bill and Kanzi are having this kind of back and forth.
What's out there? Do you see something? Konzi seems to be saying, there's something I want to show you or there's something you need to see. It's not quite clear what's going on.
I don't see it yet. And Bill can't quite figure it out either.
So Konzi takes us then from the tool site over to this other place where out in yard, there's this big pit that we can't see into because we're behind this fence. But Kanzi is basically pointing down in the pit.
There's something down in the hole. There's something down in the hole.
You have to go in to look at that, Bill. And according to Bill and Sue saying, there's something there.
There's water. How is Kanzi saying this? I mean, well, I mean, to you and me it would sound like...
I mean, like, I could tell that Kansi was gesturing at something. You got it, you got it.
In here, come in here. But...
Is it dangerous? What is it? Bill and Sue are hearing... Does it live under the mud? Words.
Has it got teeth? It's got teeth. It's got big teeth.
And you want us to get rid of it? Are you scared of it? Not too much. You can handle it.
Well, I can't come in there right now, but I can in a little bit, and we'll check it out.

We were so interested in this situation that you're hearing right here.

It's too cold out here.

I'll come and look. I'll come and look.

Like, what is, like, are they really talking?

So we decided to call up Bill Fields.

Hello?

Hello, hello, hello.

This is Bill.

Hey, Bill, so we heard a bit of tape that Soren recorded where you guys were outside and Conzie was pointing in a hole or something,

and it just sounded like you guys are having

some kind of real bilingual exchange.

I mean, is that really what was happening?

Yes, that's what was happening.

We have begun to be able to decode his speech.

If you say, Kanzi, what do you want for breakfast?

He'll point on the lexagram keyboard he wanted.

Grapes, onions, tofu.

Say, okay, I'm going to go tell everybody we're going to have grapes, onions, and tofu. And he will just respond with, right now.
Like vocally? Yes. What does that sound like? I'm going to see if I can do.
Right now. So it's in English.
Yes. Oh, man.
Yes. When he speaks to me and I understand it, it's in English.
The first time it happened, says Bill, he was a grad student and he and Kanzi were outside. I was sitting on a stump.
And Kanzi was sort of in a field nearby. But at a certain point, he says Kanzi stopped what he was doing, turned right to Bill.
And I'll do my best to reproduce it for you. He said to me, Chase.
Like that. He said what? He said Chase, but it was very hard for him to say it.
Don't you just ask yourself, like, really? Am I sure that's what I heard? Not anymore. I used to.
It is such a common occurrence in our lab, and it's not just my experience. It's my staff's experience.
It's Sue's experience. And Soren, what about you? I mean, you were there.
Do you buy what he's saying kanji speaks words uh yeah i still don't know yeah i mean the science isn't there but what i do buy is that there's there's real communication going on and i think it may be like a new kind of communication like something this is something i don't think has happened anywhere else. Bill and Sue have literally created a third culture, a culture that is neither just bonobo or just human.
It's something in between. And I think that that culture and those relationships are real.
Now, the weird thing about that is that with all the great things that come out of that, there are also moments of real confusion. Like what? Well, one time we had a principal investigator who was visiting the lab at that time, and she was having a very strong disagreement with Dr.
Savage-Rumbaugh about method. And this really upset Conzi.
Why? Was the investigator screaming at Sue, or what was she doing? Why do you call him an investigator? Is this some kind of academic visitor? Is that what we mean? That's how scientists are referred to. You have the principal investigator, the co-investigator.
It's not Colombo with a gun, packing a gun. This is like just some guy from some college somewhere.
It's a scientific investigator. Okay.
So just to fill out the scene, you've got Sue, Bill, and this investigator in one room and Conzie in a different room behind some glass. So Conzie can actually see what's happening in their room.
He can see that this investigator is getting angry with Sue, his human mom, getting more and more animated. It was professionally aggressive and loud.
And what was the argument about? Do you remember? Oh, yes. It was about the format that we were going to use for archive video.
That's it? Well, you know, wars have been fought over stupider things. And as Sue and this lady are arguing, what was Conzi doing? He was banging on the window.
So I went to speak to him. He walked into Conzie's room.
Conzie then went to the keyboard and told him, you have to punish that investigator for screaming at Sue. He wanted me to go in there and stop her from doing this.
It was my responsibility to take care of things, and that if I didn't do it, he was going to bite me. So were you being told, man up, this woman is being attacked and you're supposed to pound or bite that investigator.
And if you don't bite her, I will bite you. Is that essentially? Yes.
And I defaulted to human culture. I said, Kanzi, I really can't go argue.
I can't interfere. I just defaulted to the way things would happen in the human world.
And so later, I told Sue that Kanzi told me he was going to bite me. And Sue said, Kanzi's not going to bite you.
And 24 hours later, after he threatened to bite me... He says that Sue was putting Kanzi back in his, but Conzie pushed past her, ran down the hall, found Bill in his office...
He came and found me, and he bit me. He bit you? Mm-hmm.
Where did he bite you? On the hand. It was really serious.
I lost a finger. Jeez.
What happened was the hand was bitten, and they had to reattach all of the ligaments so that the rest of my hand would work. I had three surgeries that week.
The first one was 14 hours. The next one was about eight hours.
And the third one was about three hours. But the problem was I apparently had sensitivities to drugs we didn't know about, and they had given me morphine.
And I arrested. It stopped my breathing and my heart.
You almost died? Yes. Wow.
But do you think if you'd bitten, then he wouldn't have bitten you? I'm certain of it. You're so...
Yeah. So what did you do then? I mean, did you just come back to the lab and did nothing happen, or...? I came back to the lab about 14 days after the event.
I was not ready to, but I didn't know what else to do. But for eight months, I didn't speak to Gansi.
And he kept trying to make up with me. And how would he do that? Would he type in his keyboard, sorry? He never, he refused to tell me he was sorry.
But he would keep calling me. Bill says he'd use the keyboard to ask the other researchers to get Bill.
Get Bill. And what he wanted me to do is just come down and renew my friendship with him and just act like nothing had happened.
And I simply wouldn't go and see him. And Sue came to me and tried to talk me into going to see him, and I said, when Conzie's ready to apologize, but she'd come back and say no, Kanzi's not going to apologize.
He doesn't think he should. And I just stood on my ground, you know, Kanzi's going to apologize to me.
Finally, one afternoon, eight months later, one of his colleagues came up to him and told him. Kanzi wants to tell you he's sorry.
And as soon as I got down there, he threw his body up against the wire, pressing up against me, and he just screamed and screamed in my mouth, which was this very submissive scream. It was very clear he was sorry, and he was trying to make up with me.
And I asked him on the keyboard, are you sorry, and he told me yes. And when you say he threw himself against the wire, that means against the separating device between you and him? Yes.
He just pressed his body up against that wire, and so I put my body up against him, and we just pressed up against each other. Do you see what's happening here? You're telling us a story which reads more and more and more like a soap opera between a community of beings.
The fact that one of them is a little bonobo and the other one is a guy is almost incidental to the story. It's like, I could put this on Channel 5 if I wanted.
It's just primates. We are all the same, really.
Just primates. I am all alone now Plain old human me Currently the Great Ape Trust is not just Kanzi.
There's about seven different bonobos there and a dozen or so kind of staff and researchers. And while they're certainly not the same, they have created, at the very least, some middle ground.
And for Sue, that's not about a solution to any conservation problem or some scientific breakthrough. It's something deeper and more personal.
When I am with bonobos, I feel like I have something that I shared with them long ago, but I forgot. As we've clothed ourselves and separated ourselves, we've gained a wonderful society, but we've lost a kind of soul-to-soul connection that they maintain.
And it sometimes seems to me as though we're both a kind of a disadvantaged species. They have things that I've lost, I have things that they don't have.
I feel like if I could have their abilities and keep mine, I would be whole. You can find more information about anything that you heard in this hour at our website, radiolab.org.
We've also got Lucy pictures and Janice and Conzi pictures there. And you can subscribe to our podcast.
That's at radiolab.org. I'm Jad Abumrad.
I'm Robert Krolwich. Thanks for listening.
Erika Bressler, Echetti Foster-Keys, W. Harry Fortuna, David Gable, Maria Paz-Guterres, Sindhu Na Nisambadan, Matt Keelty, Annie McEwen, Alex Neeson, Saru Kari, Valentina Powers, Sarah Sambak, Ariane Wack, Pat Walters, and Molly Webster.
Our fact checkers are Diane Kelly, Emily Krueger, and Natalie Middleton. Hi, I'm Erika in Yonkers.
Leadership support for Radiolab science

programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox,

a Simons Foundation initiative, and the John Templeton Foundation.

Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.