Sawbones: Book Club
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Sawbones is a show about medical history, and nothing the hosts say should be taken as medical advice or opinion.
It's for fun.
Can't you just have fun for an hour and not try to diagnose your mystery boil?
We think you've earned it.
Just sit back, relax, and enjoy a moment of distraction from that weird growth.
You're worth it.
All right,
Tom is about to books.
One, two, one, two, three, four.
We came across a pharmacy with its windows blasted out.
Pushed on through the broken glass and had ourselves a luck around.
The medicines, the medicines, the Escalant macabre
Hello, everybody, and welcome to Sawbones, a marital tour of Misguided Medicine.
I'm your co-host, Justin McElroy.
And I'm Sidney McElroy.
Welcome to 2025, the first recording we have done this year.
And you have found this at
quite a challenging moment here at the McElroy Ranch.
Well, I think for all of us in the polar vortex, right?
Because it wasn't just here.
So, West Virginia got hit by the polar vortex, but so did like this sort of horizontal stripe of the country.
Okay.
So, we are not the only ones perhaps trapped in their house.
But we have gone from two weeks of the children being out of school due to the holidays to now two consecutive days of the children being out of school due to
the being encased in ice, basically.
Yeah,
that's what I, the lo I, so we, our local weather people, I love how they've phrased.
I, we know a lot of them, too, and they're very funny people.
The important thing about the storm isn't inches.
Did you see our local weatherman talking about that?
He said, he said, too often we, we measure something's importance in inches.
Oh, my.
Oh, Brandon.
Oh, Brandon.
But the impact of this storm is what we need to think about.
It's the imp and the impact of this storm is intense, even if the inches aren't as impressive.
The impact is that the kids have been here for two more days than they were supposed to be here, which was two weeks.
And that's already so long.
So the kids have been here for seven months, basically.
And there's a layer of snow, and then there's like two inches of ice on the snow.
And now it's snowing more.
Great.
And it's also not going to get above freezing all week.
Yeah, it's good times here.
But what's the, here's the thing.
This has thrown our recording plans, obviously, into disarray.
It's been hard for me to do the research I normally do.
Well, first of all, we're coming off of a lot of holiday.
Yeah.
I hope everybody had a restful, calm, peaceful holiday full of love.
But then we've had a lot of people around.
It's hard to do the research.
And also, I'm spending most of my time
dressing children in many layers of clothing and then undressing them from the clothing and then drying the clothing and then doing that again.
It's hard.
So here is going to be, here's the thing.
Sometimes sawbones think can get heavy.
And we had this thought.
Wouldn't it be fun if maybe once a quarter once every few months not frequently but once every few months we just set up a little justin and sydney book club and it's just a little check-in with some stuff we've been reading and nothing serious here just going to have a little bit of light fun just a breather just a breather just a breather this is a little bit of self-care and we're easing back in that's really tough you know if you've been on a different schedule for a couple weeks you're getting back into the swing of things, that's been stressful here, especially being locked in ice.
It's not helping.
Yes.
And also, I think this is predicated on the fact that Sydney and I, for
waiting, it's been a few months now, have been making an effort to read
more and read the same books at the same time.
We have very different hobbies.
We have very different careers.
And we have very similar children.
But that gets old so
we thought it would be fun to have a new conversational topic so that's this is kind of an offshoot of that if that's been something you've been thinking about the way we're talking about structuring it is uh maybe the first half of the show is going to be a little bit more all ages or you know uh less uh adult content depending i guess did we read anything that doesn't have adult content i did i'm i yeah i'll talk about some less grown-up stuff.
I read a couple things.
Yeah, you read a couple things.
And then
the second half, we'll talk about
more adult reading.
I mean,
we're not going to describe things.
We're not going to.
The show is still the same rating, but we will talk about books that I would not recommend for children to read.
Yes.
They're for when you're older.
Yeah, they're for older people.
But we're not going to describe those things.
I don't want to get it twisted.
Like, that's not what this podcast is because right it's 2025 we are taking a a hard turn
this is a very different show no it's not we're just taking a little breather you know what sid uh as a way of opening this this is uh why don't you talk about the appeal because that was one of the first things that you and i read sort of in parallel Yes.
So the book, The Appeal, by...
That is by Janice Hallett.
I love that you're right there with the authors for me by Janice Hallett.
If you haven't read it, and we won't, we shouldn't spoil books.
No, I think we'll endeavor not to do that.
Yes, we won't spoil them.
It's a wonderful mystery, a murder mystery, and it takes place in a community theater setting.
So that was kind of fun for us because we participate in community theater.
And it's written in a non-traditional sort of way in that you are trying to understand the story, the mystery, solve it by reading text messages and letters and all kinds of other forms of communication.
It is an epistolary novel.
Oh.
A novel told through letters, a term that I did just have to look up again, though on some level I know it exists.
But yeah, epistolary, so a novel told through letters.
Interesting.
I didn't know.
Now we've learned a new word.
Now we've all learned something.
But it's really interesting and funny and clever.
I think that if you like, obviously if you like mysteries, it's great.
Also,
I think the community theater setting made it even more appealing to me.
Appealing.
Yeah.
The appeal.
Yeah, that's cute.
No, but it is.
It's a really fascinating way of telling a story.
You do have to, I find it's like, I found it to be less of a casual read than you might assume from what we're describing because sometimes with the emails, you really have to kind of dial in because there's a good amount of the context left out that you kind of have to bring to it with like your own awareness and the things that you'd read previously.
So, um, I kind of like that aspect of it.
Yeah, it's it is hard to solve, I would say, in that way because you're not, there isn't a narrative that's kind of holding your hand and walking you through it, right?
Yeah, it's much more decentralized.
You're getting it, yeah, you're getting the narrative like uh because there isn't like a propulsion, I mean, there is a build, but it's not like in this in the propulsive sense that you would normally think of with a mystery like this because it is told through.
So, if you want to solve it, I would recommend you need to get a big board, some red string.
Do it.
Push pens.
You're worth it.
Try it.
The other book that I
wanted to highlight, well, I've got a few here that I want to talk about, but I did want to talk about major labels.
This is not fiction.
This is a non-fiction book, but it is by Khalifa Sana.
And it is a music history of popular music that is told through these discrete genres.
So it tells the story of pop music through rock and then sort of retells it through the lens of RB and country and punk and seeing how these different styles and these different genres, like, especially genres that I don't really have an interest in, but how they overlap with each other and how they
connect and how one really does feed into the other.
It's also fascinating to see artists who excel in one genre trying to step into others.
And that seems to be a path that everybody everybody doesn't want to just be a genius in one field they want to be a universal genius it's a it's a common thread um it is a a really incredible way of like understanding a lot of what's happened to music in the past 50 70 years um and it's a a a really personal book too it's much more of a personal book than it it sounds but it's really through through his experience as somebody who uh had had parents with a very different musical background from him and then his growth through like punk and becoming a music critic, etc.
It's called major labels.
It's really good.
And then I thought maybe, Sid, you could talk a little bit about Pyranessi because that's one that I roped you into reading.
Yes, you did.
Susannah Clark is the author of that book.
And
I remember because I got you.
an autographed copy for Christmas.
Yeah, it's very sweet.
Yeah, well, it's your favorite book.
It is.
And I read it for the first time.
It is a fantasy book
in the sense that we're in a fantasy world,
except there's just one person there.
And so your understanding of
how and why and where we are and who this person is really evolves as you read the book.
You have to, you kind of walk in without any of those, you're in this person's perspective.
So you have none of those questions answered.
And as they discover those answers, you, the reader, also discover those answers.
Yes.
It's hard, isn't it?
Because it's hard to find the things to say that aren't revealing too much about the book itself.
It's really, I mean, I think it's really lovely.
It's a really beautiful idea of, I kind of went into it with 10 different theories.
Is this literal?
Is this metaphorical?
What am I supposed to understand about like the author's view of the world and existence from this?
And I think all of that can be there.
I don't know what was intended.
I don't know what the, you know, I'm not going to put that on the author.
But I think you could take a lot of messages about,
I don't want to say good ways to experience, to go through life, or,
but helpful ways to interact with the world around you and moment to moment and how to experience the situation you're in and accept and live
where you are at this time.
I think there's, I don't know.
I know that's vague, but I don't want to say too much about.
I will say this.
It is a book that having read it a few times now, it's one where
it really feels transportative in a way that a lot of books don't.
Like literally, like it's so the place that the book is set, which is, it's called the house.
And as far as we know, Piranesi is the only resident of this house.
So it's his description of this house, which is full of statues and things that we don't think of houses having, like infinite rooms or their own tides or things like that.
but the the world that's created in the book is uh it's so sort of like completely realized that it really does feel like a kind of magic to me reading it it feels transportative in a sense
uh but it's called pyranese and it's great I think it's a really beautiful book.
It's a great book to read if you do have a friend or a partner or a book club or a group of other people to read it and then talk about your experiences of it, I think is really interesting because I think you can can interpret it, like what the
point is in a lot of different ways, if there is a point.
It feels like a fable in that sense, a little bit, or like a, there's, there's like a lot of different truths you could extract from it, I think.
And that's kind of fascinating too.
Yes.
I lastly wanted to touch on one that I have been reading.
The Thursday Murder Club, which is, was such a big book that it doesn't really bear, like probably most people have heard of it, but in case you missed it, I did want to mention the Thursday Murder Club by Richard Osman, who I am more aware of from, he was on Taskmaster, and he's also the host of a great podcast called The Rest is Entertainment,
which is, as you might have guessed, an entertainment podcast.
But the Thursday Murder Club is about a group of
older
British people living together in a sort of retirement community, and they have bonded in a weekly club over their enthusiasm uh for like cold cases and murders and things like that um and each of the people in the club is coming from a different perspective but it brings their own uh expertise there's one that was uh a psychiatrist for many years and is still kind of practicing um there's uh a man who was a uh like a rabble-rouser for for labor and like a labor leader uh and he's still very much like someone who's on the lookout for people being cheated or people being ripped off or whatever.
And basically, it's about these four people who are
each sort of experts and each sort of looking for something to do and are sort of chronically underestimated and are thrust into an actual murder investigation where they have to kind of work together and work with a
the local police to help like solve this murder.
And it's just incredibly, it's like an incredibly pleasant read.
It's very well observed.
The characters are all very, like, he writes characters in a way that you can't help but be endeared to them.
And it's a, it's just a very lovely read.
It's very pleasant.
And if you, you want something that is a lovely sort of humanist read, then high, highly recommended.
It's called the Thursday Murder Club.
There are others in the series, but they're they're great.
I think your mom read them too.
Many people's moms and dads have probably read them.
I also enjoy listening to when you're listening to that one.
It's pleasant to listen to.
You're just giving an endorsement for the audible aesthetics.
Yeah, it's a good one.
So, Justin tends to listen to books.
Yeah.
And I refuse to listen to books.
Pure and essay is read by Judel at G4 and it is incredible.
That is an incredible audiobook.
I'm not doubting that.
No, I know.
I'm just saying.
I just, I prefer, I prefer to read, and I prefer to read the physical book yeah
um primarily I don't like to read electronics yeah
so yeah those are some great great recommendations well and I will just say Justin I know we were we had talked about we wanted to keep this one light and so but I it makes it sound like you're reading a bunch of books and I'm not yeah that's because you tend to read a lot Well, you do read a lot.
You read more than me.
That's fair.
But that's because you listen to books and i don't like to listen to books and it i will i will say that i would never try to read a book while i'm also providing patient care but if i did i think the patients would be very offended yeah she does uh she will read a book while folding laundry somehow i don't know how she does it while cooking soup you spent a good chunk of yesterday making soup while reading it seems impossible i read books while doing every i read books while i get ready in the morning i read like i can i do too but i listen to them well i like to, I like to carry around the physical object.
It feels nice.
I get it.
I 100% get it.
I just know that it would limit my own personal consumption because I would always, it would always be a thing of like, it's in the other room.
No way.
I'm not going to do it.
Well, but I will say, and I won't get into these books, but there are some of us out there.
who I had this thought who the way that we unwind is maybe by reading stuff that's a little heavier or that's non-fiction like I want to learn more more about this.
For some of us, and I know you always think I'm kind of a Debbie Downer, but reading about that stuff can be
relaxing.
So I will say, and I won't get into the particulars, but if you are one of those people, and especially if you're somebody like myself who's concerned with issues related to economic inequality and social justice and housing and security, I read Poverty by America.
That's a really excellent.
If you want,
we all know the system is bad and rigged.
And if you want a good sociological, like scientific, like evidence-based, how did we get here and why?
And what can we do?
I think that's a good.
So you have the language for it.
So you don't just constantly have to say, like I do, like the system's rigged.
Like now you can use.
You can show.
Yeah.
Now you can show off.
And then I just received a copy of Takeover, a human rights approach to housing, which I'm really excited to read about
from the Poor People's Army
to
learn more about how do we approach housing inequality.
So if you are someone like myself who likes to read more Serious Fair and finds that relaxing and edifying, there.
There's a couple recommendations.
I'll have you know I read Killers of the Flower Moon.
That's a serious one, right?
I know.
It was very serious to read.
And everyone was proud of me.
I was very proud and impressed by it.
Everyone was impressed by the seriousness of my book that I told everyone about.
Okay, let's take a break.
Okay.
Yeah.
And then after this, we'll talk about
more grown-up fare.
Yes.
So, okay, you've been warned.
Sounded worse than it.
Meant to.
Let's go to the building park.
Let's go.
The medicines, the medicines that escalate my cows before the mouth.
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And
maybe you stopped listening for a while.
Maybe you never listened.
And you're probably assuming three white guys talking for 15 years, I know where this has ended up.
But no, no, you would be wrong.
We're as shocked as you are that we have not fallen into some sort of horrific scandal or just turned into a big crypto thing.
Yeah, you don't even really know how crypto works.
The only NFTs I'm into are naughty, funny things, which is what we talk about on My Brother, My Brother, and me.
We serve it up every Monday for you if you're listening.
And if not, we just leave it out back and goes rotten.
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Let's learn everything.
So let's do a quick progress check.
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So I don't know why I thought it would be fun for us to read a court of thorn and roses together i didn't i don't know why maybe you remember why that idea occurred to me
because okay so i'm assuming that you were getting a lot of
for me it was tick tocks referencing it no not at all no no okay i somehow like slid into book talk okay and i I don't know how because at the time I wasn't, I used to read constantly when I was younger right and then you know life job kids right busy wasn't reading really much at all so I don't know how in that state I accidentally fell into book talk because I wasn't reading yeah and I kept seeing the hashtag akatar right And I didn't know what that meant, but I knew it had something to do with fairies.
And that also it sounded spicy because people would sort of like wink wink when they talked about it.
And then in that milieu, you said, I bought us copies of this book and I think we should read it together.
And I don't know why.
I don't know why either.
It just seemed like a good, it seemed like something that would be fun.
You know, it seemed like a series that a lot of people were into that I knew nothing about.
So I thought that if we experienced it at the same time together, that we might have interesting insight.
Sometimes folks, you got to take a flyer in life.
Honestly, sometimes don't overthink an idea.
Just do it.
And then, you know, if it doesn't doesn't work out, great.
But you got to mix things up if you want things to change.
What are you supposed to get 30 pages into a book?
Is that what they tell you?
I don't know.
I remember
somebody probably made that up.
That's probably not a thing.
I remember somebody said you should give a book 30 pages before you decide if you like it or not.
I mean, more broadly, just like if you get an idea, sometimes just go for it.
Try something different.
So we try something different.
We both read this series.
And I know I've actually gotten a couple emails on this show about it that I have sort of peripherally referenced sexy fairy books.
yes that's what i'm talking about the accord of thorn of accord of thorn and roses series which i'm now going to talk about i yes there so there are if we're going to speak generally about these books um because if you want to read them that's great it's i will also say you know i don't know we don't research these authors i don't know anything about any of the authors of these books i hope everybody's great i don't know the conversation behind these books but i'm just gonna talk about the things that happen in them.
Yeah, we're just talking about the books.
I don't, I'm, I'm going to assume that everybody's not great because this is what recent history is.
I hope they are, but I won't assume anything.
So, Sydney, you are better, I think, at describing the events of novels.
So, I think you could broadly talk about, because you had to often explain to me what was happening in the books we were reading.
So, I will say this: A Court of Thorn Roses, the best way I can describe it to you is it is kind of like a reimagined version of Beauty and the Beast.
Yes.
And that's intentional, right?
Yes.
I mean, my understanding is I haven't read the other series, Thrown a Glass.
But I understand that.
But that's a Cinderella.
A Cinderella story, if you will.
So this, I mean, this is intentionally, and it's funny because I didn't know it was intentional.
And I made it like halfway through the book where I was like.
This is so much like Beauty and the Beast.
And that's, it's supposed to be.
The general idea of this series, and there's five books in this series at this point,
at this point, is that we live in a world, which if you look at the map of the world, it just looks like the UK and Ireland.
Yeah.
Like that's, that's what the map looks like, where
there are fae.
They're fairies.
And like, if you are not familiar with this,
right.
If you're not familiar with this at all, you need to understand this about the fae.
They are not like Tinkerbell.
No.
These are not little fairies.
No.
They don't like,
they're not little ringy, flyy, jingly things.
They are
gorgeous, humanoid, super sexy
creatures.
They got the wings.
Some of them have the wings and what all.
Not all of them have the wings.
Most of them don't.
Many of them have the wings.
No.
None of them have the wings.
No, most of them don't.
Those are Illyrians.
Sorry, go on.
They're not Fae.
Yeah, right.
Okay.
They're something else.
Anyway,
they're,
they don't, they, they do have magic.
And as far as you can tell from the book and the many, many fan arts that are out there, they look like people, basically, except their ears are pointy.
Right.
And they're gorgeous.
Every character in the book.
is more gorgeous than the last character.
It becomes hard to visualize all the people in it because
I tend to cast from like people I know and celebrities.
And even dipping into that pool, I run out of physically perfect people to draw on.
You know what I mean?
Because they are all physically perfect.
There are humans that we meet in the first Akatar book, but I feel like we abandon humans at some point.
I very quickly stop hearing about humans.
The one human family that's sort of at the center of the first book, A Court of Thorn and Roses.
The Three Sisters.
Yes.
And one of them is swept up into the world of the Fae and learning about their,
very much a fish out of water thing where she's learning about the ways of the Fae and like that classic thing like she's learning their traditions while also maybe challenging them you know that kind of deal but uh it is very much an exploration of that fae world and how it interacts with the human world and how those those old cultures interact with each other um and it's a book about choice and perception i think is a good way of looking at it how villains see themselves and how heroes see themselves.
And
there is a very traditional three-book sort of like traditional in the fantasy sense, a three-book cycle in the first three.
And then there's a fourth book that is unlike any book I've ever read in my entire life.
It is a holiday special in the middle of a series.
It is a holiday novella where nothing much happens and everybody just kicks it for Christmas.
I'm sorry.
That's solstice, but yeah.
You know, it's like a holiday book, which is wild.
Maybe this is a thing in this, in the romantic genre, but it's just like one chill one where everything is like pretty chill.
I don't know because
it's not real long and everything's pretty happy.
Well, I don't know what's going to happen next with all the books, but there's a sexy snowball fight.
Yeah,
there is.
There is a sexy snowball fight.
So So there's the fourth book, which is very short and kind of a bridge to the fifth book,
which I think is setting up another trilogy.
Right.
At least that would be my assumption.
But I don't know that.
I don't know that.
But I would assume that's why is that we're trying to connect the story that ended after the first three with the story that started with the fifth.
But I don't know.
So that's by the same author, Sarah Jane Moss.
There is another series that we actually just finished.
I just finished yesterday,
Crescent City, which is in, I would say, in conversation with A Court of Thorn and Roses.
I don't think
she's hiding that.
There's still an idea of Fae and veneer in this world of Crescent City.
There are no veneer in Akatar.
That's a term.
So Crescent City introduces the idea that there's lots of magical beings,
not just Fae.
No, there's Fae and there's Shifters and there's
vampires.
Vampires.
There's angels.
Angels are a big feature in this one.
Crescent City is wild.
There's DNA.
I still don't know if I can sit here with a clear conscience and say you should read Crescent City because it is really wild.
It's a similar structure, I would say, to
Akatar.
Is this a known?
You say that this is true for a lot of fantasy, and I don't, until this, I really didn't read fantasy.
I mean, I don't know.
Do you consider the Princess Bride fantasy?
Is that fantasy?
I do, yeah.
Okay.
Well, then I'd read that, but I really didn't read a lot of fantasy before these books.
And it, it made me start to wander because it, I kept thinking in my head, it's the Star Wars structure.
Yes.
It's, I mean, yeah.
So is that sci-fi too?
It's like sci-fi fantasy, they all have this sort of, you get the first episode or book or whatever, which is
kind of its own story and finishes things in a satisfying way.
But leaves it open, right?
But it's not got a cliffhanger, but it does definitely tell you this is only the beginning of the world.
And then a second story, which very like kind of blows everything up
and leaves you with questions
very clearly, like there's got to be more.
And then a third one that sort of sums it all up in a triumphant kind of way.
So here's that a standard.
This is my, this is my take on it.
And people who read a lot more than me could probably tell you better than me.
But here is my, this is my take.
I think that you're seeing more authors after
like
you had authors hit it big with these very long cycles of books.
Like you think about what George R.
Martin did, where Game of Thrones is huge, right?
But he's not even done with it.
So
you're maybe seeing, if you're like someone who is,
my theory is, or my feeling is that books have adapted to try to be shorter arcs and more consumable arcs that are maybe easier to adapt for a TV audience, right?
Like, I think it's easier to maybe net a three-movie deal than it is to net a seven-movie deal.
And it's easier to maybe sell your series if it's done rather than saying, you know, it'll be done in 15 years and no one really knows what they're buying.
This is my theory that these cycles have shortened to now there's a,
I think, a fairly like predictable like three novel sort of structure of you introduce a new character into a new world.
The first book is about them finding their place.
Their second book is about rallying their forces.
And the third book is about upending the power structure.
And I think that that's,
I think Red Rising is a similar one, which is a sci-fi where it's like a similar arc of like,
well, it doesn't matter because I read that a long time ago.
Those are still going on.
But still, yeah, I think it's a, you know, it's the hero's journey, but I think this the pace at which it's being written is based.
Like, I think it is a bit of a tale wagging the dog where like the success of movies and trilogies like that lead to these.
I gotcha.
Anyway.
Well, and I definitely think Crescent City is structured similarly.
You get that same sort of
thing.
But it is hard because,
so what intimidated me and what I wasn't...
what I was nervous about with Akatar, and I would not say it's true, is the world building that sometimes is involved in fantasy and sci-fi and things like that isn't always something I enjoy.
A little bit of it is okay, but if we if we're spending a lot of time trying to to get me to understand that,
I get a little...
Akatar does a good job of walking you into a much more human story that is not necessarily about the wider world at first.
It's mainly about the relationships between the characters,
which are pretty human.
I mean, they're pretty straightforward and easy to understand because even though the Fae are not human and there are things about them that are very clearly not human, it's generally, it's human stuff.
It's love and betrayal and revenge and stuff that you understand.
Crescent City is a lot more world-building, you have a lot more kinds of magical people to understand, a lot more hierarchies of power.
Oh my gosh, there's houses and there's structures within the houses, and then everybody belongs to a house, but then sometimes they defect and belong to other houses.
Also, a lot of like powers, like people get a lot of powerful spheres and items, and totems, and spells.
And like
they talk about like leveling up their powers a lot.
It's it's rough.
There's also there's there's also a structure within the world, not just within each
like species, but there's like the angels are over things because they answer to the astiri who are over everything.
I mean, it's it's very complex.
I will say that underneath that, you have a pretty traditional like sort of murder mystery in the first one.
And then you have the grander theme of
oppressive regimes that are lying to you and need to be toppled.
Yes.
You know, and that sort of, you know, will the heroes succeed kind of thing.
I would say that generally characters are taken care of in these books.
If that's something that worries you, I don't like...
That's a good way of putting it.
Yeah.
I don't like books with
like where I have to see.
the sacrifice that was made in losing a lot of characters I care about.
That's really not my thing.
I'm not saying that's not good stories.
She's not usually trying, as an author, she's not trying to twist the knife
too bad.
It's not as much about like who, you know, it's not about like destroying vulnerable characters or like making people miserable for no real reason.
I mean, it's, it's, it's not really the.
And again, this is not me saying that that can't be good storytelling.
I understand there's lots of that out there that is very well done.
I don't tend to engage with that media myself.
I don't really need that.
And there's not a lot of that.
I would say I would heavily endorse Akatar as something you could read read and enjoy.
It is, we should say, in all these books, there's spicy stuff.
If that's not your cup of tea.
No, but I think that that's been good for, I mean, I don't know.
We're a married couple.
We don't need to share any of that.
No, I don't.
I will say this.
I think you could pass on Crescent City unless you really, really love the Akatar books, in which case, there is some overlap that you should.
And there's more coming which I don't know what it's which one it's following or if there will be overlap I don't know yeah so also Sid because we'd be remiss if I didn't
I did force you into a fourth wing as a result of your enjoyment of these and you really
really really dragged your heels on it really did and I was saying to you it is not great Sid but you're gonna rip through it in like a day and I will say and you and sorry i missed and i did and i did and you and riley were both all over me to read it and you were right i again i i really fantasy was never something that i loved which is why like akatar was really accessible i think if you're somebody who doesn't read a lot of that it's really accessible crescent city less so when you told me this is a book about people who ride dragons I was not exactly thrilled because
you don't like dragons.
Well, you don't
like dragons.
I feel like as you're, as you're, as you're going deeper into fantasy, like dragons is pretty far in there.
Right.
Like you're in there.
Yes.
It is a whole fantastical world if dragons are around.
And so I think what I said was, just tell me dragons aren't like
a big part of it.
And you said they are.
And I said, well, please at least tell me they don't like talk.
And I said, they all do.
Yeah.
I will say this.
But you were right.
And I was wrong.
And I really enjoyed it.
There is a very wide gulf between like fantasy as a genre.
There is such a huge gulf between a lot of the fantasy that I think you're talking about, which is, I'll be honest, I've read my own fair share of.
There's a lot of fantasy that is much more about this sort of like power fantasy and like
factions warring against each other, more of that Game of Thrones style thing.
That
I think these books that we're talking about are much more about like fantasy as a setting, but what they're about is like human stories.
And I think there's like,
and then there's a series that like walk the line between.
I read the
Shadow and Bone books and the
two Six of Crows books.
I forget the other Crooked Kingdom, I think it's called, that by Lee Bard Hugo, which is like a good balance, I think, of like that power fantasy stuff and also like the human stories, but they're much less about how the characters interact with each other and much more about, you know, getting a magic sword to kill a wizard or whatever right right no these are a lot more character focused and i i will say fourth wing
i did i devoured it and i've already started and i hadn't read the second one so i've started into that one i'm doing something different with the second one i'm listening to a fully staged with like different character actors and like soundtrack and sound effects it's very okay but can i tell i will i will share this though so justin and i embarked on the second book together since we, I caught up to him, finished the first book.
And
the,
what you are listening to, the abridged, I would say, version,
uh, does not, obviously, it leaves things out.
And so I was following along in my book while listening so that we could be in the same room doing it together.
And I was, there were whole big chunks of things being left out.
Yeah.
And I don't, that's not okay with me.
Yeah, but also it is the sequel to Fourth Wing, right?
It's not exactly, you know, 100 years of solitude or whatever.
Like, you know, you can skip around.
I don't want all the context.
I don't want the, there's only one book that's acceptable to have good parts version.
Yeah.
The Princess Bride, and that's because there is no S.
Morgenstern who wrote the real one.
Man, I hope I didn't ruin anybody's life out there when I just said that.
I thought it really was the good parts version for a long time.
It was many years before I thought, before I knew that was all fictional.
Oh.
Anyway, I would, I, Fourth Wing was fun.
And I, and it's affecting.
I mean, I cried at parts in Akatar.
I cried at parts in Fourth Wing.
They got me.
They, I mean, they, it pulled me in.
I listened when you told me.
Listen, no.
Even Crescent City got me at one point.
I think I cried at one point in Crescent City.
Yeah.
I will say that I'm, listen, I don't, I don't need any of the judgment on this.
When you heard that this book was actually 908 actual human pages long, you were probably a little bit jealous of me for my adaptation and my abridgement.
No, that means it won't end.
Oh,
you're one of those.
I would prefer books just keep going on forever and never end.
Once I'm in it and I like it and I'm comfortable with the characters and what's happening, all I want is more of it forever.
Yeah.
I don't want new or different and I don't want things to change.
And if we could get to a point where they're all happy and just living their lives and I could just read that every day about like how they're all enjoying things.
Yeah.
I'll read that too yeah um there's my final endorsement read archie comics if that's what you're looking for nothing happens and everybody's fine yeah archie comics we'll do we'll do another one of these in the in the spring we'll check back in and see what we've been what we've been reading both together and and separately and of course if you have a great recommendation you know please don't send just single titles of books because we probably won't go looking for the uh context but hey if you want to try to tell us about a book series that you think we dig, you think other people in the in the sawboners would dig, I'm still trying to get that going, but it hasn't really caught on yet.
Yeah, and I um I like I said, I love these fantasy books, the lighter stuff like that now, these that we're reading at this point, but um, I do read, like, I like, if you have recommendations for
oh, baby, they know you're smart too.
You don't have to, you don't have to be self-conscious that you're not reading smart people books like all the time.
Well, I don't.
Do you know how many books I read about fast food and TV shows that I didn't mention.
It's a lot.
Our list of things.
I've read books about TV shows I didn't watch.
Lots of wonderful medical history books and books about stories specifically of different ailments or fictional accounts of things.
And I really appreciate and read all those things.
Oh, listen, folks, she's reading smart stuff all the time.
You wouldn't even believe it.
She's very often going, huh?
Or like, hmm, or like, I agree.
Like, smart stuff, like, really smart stuff.
It's not all dragon sex.
No, I read my friend Bella just sent me The Butchering Art.
That's.
Oh, yeah, no, no.
List all the grown-up adult work that you've been enjoying, too.
Yeah.
What, like, literally, folks, 36 hours to read that dragon book.
Well, sometimes you need, right?
We need both.
Life's about balance.
Life is about balance, and so is Sawbones.
Thank you to the taxpayers for using their song Medicines as the intro and outro of our program.
And thanks to you for listening.
That's going to do it for us.
Until next time, my name is Justin McElroy.
I'm Sidney McElroy.
As always, don't drill a hole in your head.
All right.
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