Selects: The Kitty Genovese Story

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Hey, everybody, it's me, Josh, and for this week's Select, I've chosen our 2016 episode on the murder of Kitty Genovese.

Her story is fairly famous.

She was murdered while an entire apartment block of people watched and did nothing.

But that's not exactly the real story.

Like most things in life, there's more to it, and we explained what actually happened.

We relied a lot on the excellent documentary, The Witness, for this episode, and I highly recommend watching it.

In the meantime, I hope you enjoy this one.

Welcome to Stuff You Should Know, a production of iHeartRadio.

Hey and welcome to the podcast.

I'm Josh Clark and there's Charles W.

Chuck Bryant and there's Jerry.

So this is Stuff You Should Know, the podcast.

True crime edition, actually.

Yeah, but so much more than just a single crime.

Agreed.

Agreed.

A crime that echoed throughout a city, throughout the world, throughout decades.

And it's true, man.

Like, there are very few crimes you can point to that had more of an impact than the murder of Kitty Genovese.

Agreed.

And there are a lot of true crime podcasts out there.

We are not trying to become one.

No, this is just something we do from time to time.

Sure.

As I researched this and as I watched, did you watch The Witness?

Of course.

The documentary recently.

On Netflix right now.

It is, HBO documentary.

And

I was disturbed, and I'm glad it finally covered it in the documentary, but I was disturbed that Kitty Genovese, and we'll get to her murder, but very quickly, she was murdered and became the symbol for

people not helping out.

Right.

What came to be known as bystander apathy or the bystander effect, that the more people who are around, the less likely anyone is to help.

Yeah, so she became such a symbol that

you never hear about Kitty Genovese and who she was as a person.

And that was one great thing about that documentary.

And there are multiple great things about it, but that it really talked about her and showed her and revived her spirit.

Which I was really looking for because even in researching online, it's hard to get a lot of information.

Some things, some even contemporary articles still aren't mentioning that she was gay.

Well, yeah, her own brother who made the documentary didn't know that she was gay.

No, it's true, but it's it's been out since

I'm not sure when actually that came out.

Uh, it was just this year.

Oh, okay, so it was fairly new this year or last year, yeah.

I thought that was in like in the last five years, maybe.

So,

in honoring that, why don't we talk a minute about Catherine Genovese, kitty, yep, born in uh 1935 in Brooklyn

to Vincent Andranel Genovese, Italian-American parents.

And it's weird.

I don't see.

Oh, yeah.

Rachel was her mother's name.

She was Rachel Petroli at first.

So

they lived in Brooklyn, and she was very well loved in school.

Yeah, she was like the leader of her clique.

Yeah, and she was apparently a lot of fun and a good mimic of her teachers.

And she was voted class cut up in her senior year graduating class and she went to an all-girls school in Prospect Heights and was just by all accounts this vivacious fun-loving really sweet sweet lady yeah

or girl at that point her little brother Bill who and ended up making the or being featured in the documentary The Witness yeah was just in love with her she was just amazing to him they had a very special relationship yeah I think she was about 13 years older than him yeah quite a bit maybe 12 years older um I had a sister like that.

Like, there's a very special relationship.

There's none of that sibling rivalry.

Yeah.

They're not old enough to be your mother.

It's just a

unique situation to be a younger sibling and to be able to inherit all that worldly wisdom.

And they're going through all their own things and their own struggles and their own travails, but to that 13-year-old younger brother,

they know everything.

And they're the coolest person walking the planet and they're the kindest person walking the planet because they've lived long enough to like figure out some of the major stuff, you know?

Yeah, even my own sister is only six years older and we very much had and still have that relationship where,

and she and my brother are great now too, but you know, when you're two or three years apart, there can be a little bit of the knocking of heads.

But by the time I came along, I was like, you know, my sister was six.

It was perfect.

I was a little baby doll for her.

So anyway, that was very much the relationship that Kitty had with Bill.

And it seemed like one of the older brothers

always had a little bit of a like, yeah, she always liked him better kind of attitude.

Seemed like everybody kind of knew she liked Bill the most.

Yeah, which I kind of felt bad for, but that's just those family dynamics, man.

You know, the thing is,

whenever you do start to kind of talk about somebody who's died, especially someone who's died violently and young, it's easy to

cannonize them.

You know, really put them up on a pedestal and forget their flaws.

And of course, I'm sure Kitty had tons of flaws, but she didn't seem to have any from what I'm gathering that were

just terrible flaws or that made her like a bad person.

She seemed like she was

overall above average great person.

Yeah, agreed.

So

New York was getting too dangerous for her family, they thought, to have all these kids.

So they moved when she graduated high school to New Canaan, Connecticut.

And she said, you know what?

I'm staying here in New York.

I'm 18 now.

I love it here.

She got married for a brief time to a guy.

What's his name, Rocco?

I don't remember his name.

It's either Rocky or Rocco.

And

in the documentary, Bill tries to get in touch with him.

He's like, I really, because he found out she was gay and was like, you know, we didn't even know this.

I think Rocco can help shed some light.

And he very respectfully asked for his own privacy.

He said, my relationship with Kitty will remain forever a mystery.

Yeah.

It's like, that's an odd response.

It was.

I think he just didn't want to.

I mean, if she was gay and they were married for a short time, he either didn't know and maybe felt the fool, or he did know and was maybe trying to do right by her in some way.

Sure.

Either way, he didn't want to talk about it.

Right.

But

she worked as a secretary for a little while.

She was a waitress for a little while.

Eventually, she was a bar maid, bartender, and then became bar manager at a place in Hollis, Queens called Ev's 11th Hour.

That is a great bar name.

Well, and from all accounts, it was one of those wonderful neighborhood bars.

Opened at 8 a.m.

Yeah, where the people were in there getting sauced pretty early in the day.

And everyone knew everyone, and everyone loved Kitty, and she helped take care of everybody, but was very much an independent

kind of firecracker of a woman.

Sure.

Drove a red fiat.

Her dad used to tease her about when are you going to find the right guy?

She was like, I make more money than any guy I would go out with.

I don't need that.

Which is, I guess, 1960s for dad.

I'm gay.

I'm gay.

Yeah.

And I can't say it.

But she did make pretty good dough as the bar manager.

And then in March 1963, she met a woman named Marianne Zalonko at Swing Rendezvous.

It was an underground lesbian bar in the village.

And they moved in together shortly thereafter.

Yeah.

And Kitty actually used to bring

Mary Ann home with her to visit, but her family was all like, well, they're just good friends and roommates.

Right.

It's the 60s.

Right.

The early 60s.

Yeah, and there's an audio interview with her in that documentary that's really touching.

She didn't want to be be on camera, but Bill was able to speak to her.

And

I think what was so compelling about this documentary was that he was, it was a search of a man looking for closure.

It's a harrowing, sometimes almost unbearable to watch

search.

It was tough.

I mean, like, he's at odds with his family here or there.

Yeah.

He's just doing things where if you watch it in the context of the documentary and you just follow along the documentary it all makes utter and complete sense right but then if you stop and remove yourself long enough to be like this is a documentary which means this guy really did this stuff yeah and there was a camera following him along while he was doing it i i was like i i i couldn't have done half of it oh i know you know he really

he just at one point he calls it an obsession but it's it's not he doesn't come off as obsessed right agreed you know all right so let's detail the crime and then we will uh take a break after that how does that sound yeah

all right so flash forward to march 13th 1964 it's uh 3 15 in the morning and kitty genovese is as she often did was making her way home from work late at night as a bar manager yeah

and was being trailed uh by a man a man by the name of Winston Mosley.

Yes.

Who is definitely the villain of this story, but is not the only one that will turn out.

Right.

So

Kitty was 28 at the time she was killed.

And Winston, her killer, was 29, just turned 29, I think like a week or so before.

And I think you said this is March 13th,

1964.

Yeah, he was married with a couple of kids.

Yeah, his wife, Elizabeth, worked the night shift.

She was a hospital nurse.

And Winston's mother stayed at home home with the kids.

So he basically said, You know, I own my own house.

I've got a great job operating computers.

No one even knows what I'm supposed to be doing with them yet, but I'm making money doing it.

Yeah, he's a smart guy.

So I'm going to indulge myself.

I'm going to go out and stalk women and murder them in my spare time.

That's what I'm going to do.

So that's what he was doing on this night.

He was cruising around looking for a woman to

kill, basically.

Yeah, that was his direct quote in questioning.

Yeah.

I was looking for a woman to kill.

Yeah.

So he saw at a, I believe, a red light, this little red fiat convertible caught his eye, and there was Kitty driving.

So he started to follow her, and she parked.

And she parked in the parking lot for the Long Island Railway, which the parking lot went backed up to the side of her apartment building, which is a two-story tutor job that had shops in the bottom and apartments in the the top, right?

Yeah, this was in Kew Gardens and Queens.

So he followed her on foot at this point.

She sees him and knows that something is going on.

He has a knife in his hand, so she starts running.

He catches up to her outside of a bookstore and stabs her twice in the back right off the bat with his knife.

Right.

And she had been running toward a bar that she thought would be open, but it turned out apparently there was a new manager, and the new manager had closed down early.

So when she's stabbed twice in the back, it's on this darkened street.

But right across the street, Austin Street, is a 10-story apartment building with dozens of windows looking out onto Austin Street, where she's being stabbed in the back.

And she screams, she cries out.

I think she said something like, oh, God, he stabbed me.

Help me, help me, is what

they said basically definitively is what she screamed and people

who were witnesses to this recounted that

one guy said that he was uh I think a 10 or 11 year old kid who was inside one of the apartments in the Mowbray apartment building and that he was awoken awakened from a deep sleep the scream was so loud he said it was the loudest thing he's ever heard yeah

so she screams

And a man living in the Mowbray apartment buildings opens his window.

What's his name?

Yeah, Robert Moser opened his window and screamed out, hey, get out of there.

What are you doing?

And

Mosley took off.

Yeah.

Took off running away.

He's very frequently misquoted as having said, like, let that girl alone.

But even by his own words, in his own testimony, he said,

hey, get out of there.

Yeah, at any rate, he scared him away.

Right.

So

in between that time,

about 30 minutes passes, Kitty

makes her way around to the vestibule of her own building, right?

Yeah.

And

goes inside the vestibule and

like you think the horror is over for her.

She could probably survive these wounds.

Right.

Is

in shock, I would imagine.

And then Mosley went to his car, kind of checked out the building, saw that some lights had gone on, and reasoned to himself, no one's going to do anything, puts on a different hat and goes back, finds her in the vestibule, and finishes the job in the most horrific ways you can imagine.

Yeah,

he stabbed her at least 12 more times.

They think at least she was stabbed at least 14 times.

He said he doesn't remember how many times he stabbed her, but he basically kept stabbing her until she stopped screaming.

She was still alive.

I saw that he attempted to rape her.

I've also seen that he raped her.

Yeah.

I'm not sure which one's correct.

But at one point, and this is really important here,

as he's stabbing her and she's screaming, in the vestibule, there's a staircase that leads directly up to a door.

And behind that door lived a man named Carl Ross.

And Carl Ross opened his door and looked down one single flight of stairs at Winston Mosley stabbing

Kitty Genovese, who was bloody.

There was no confusing what was going on.

And he closed the door and he called his girlfriend.

And his girlfriend said,

Don't get involved.

Yeah.

I'm worried for you.

Just leave it alone.

It's none of your business.

And he did.

He didn't do anything, at least for a little while.

All right.

So that's a good place to break here.

And we're going to come back and talk about who saw and heard what and what they did about it right after this.

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All right, so at this point,

Kitty Genovese is

not dead yet, but dying in the vestibule.

A woman did come down

and

was with her.

Her name is Sophia Farrar.

She's still with us.

And she was a neighbor and friend of Kitty's.

And so she went down there and

apparently was with her as she passed away, tried to calm her down, evidently did calm her down,

and

likes to think that she at least saw a friendly face and that she was being cared for as she passed.

The weird thing is, is that is not mentioned.

I guess we got to get into the New York Times now.

Yeah, so after the murder,

like the next day, the Times ran four paragraphs on the Kitty Genovese murder.

It was not.

incredibly newsworthy at first because that year there were 636 murders in New York City.

Yeah, and that was just one of them.

Just one.

But a couple weeks later,

the head, the city editor of the New York Times, a guy named Abe Rosenthal, who's a legendary journalist, was having lunch with, I believe, the police commissioner of the NYPD.

And the commissioner said, Did you hear about that Genovese murder?

That's one for the books.

38 people standing around watched the whole thing.

Nobody did a thing about it.

Yeah, now you've got a story.

Abe Rosenthal, legendary journalist, is like,

thank you for that.

Here's my Diners Club card.

I have to go now and get the story done.

So he did.

He assigned it out to a guy.

What was the original reporter's name?

His name was Martin Gansberg.

And they wrote on the front page.

I shouldn't say they wrote.

It was definitely all Gansberg, but he was assigned and definitely under the direction of Abe Rosenthal, like, this is the story.

38 people stood around and did nothing.

Yeah, the the title of the article was 37, it was 37 at the time, 37 who saw murder, didn't call the police.

And basically the entire article and the entire narrative from that moment forward for decades was

A, not about this woman at all, hardly.

Right.

She became a symbol.

B, not necessarily even about the crime, but about the crime of

these people who didn't, the crime of apathy for these 37 or 38 people.

But it was very much misconstrued in the New York Times to the point where in 2004, they all but wrote a retraction with new information

because the original article, they said like these people witnessed it.

That is not true.

Maybe only a couple of people might have actually seen anything with their eyeballs.

The other 35 or 36

may have heard heard someone screaming.

They might have thought it was a drunken couple in their neighborhood coming home from a bar.

There might have been some apathy involved, for sure, for some of them.

But to characterize this as 37 or 38 people witnessed this horrific crime and literally shut their doors and windows to it was not accurate at all.

Right.

They said specifically,

well, the way that they put it was that there were

the way the story read was that 38 people had watched this murder, which took place.

They misreported that there were three attacks and that the man had been chased off twice and came back two more times.

But that this whole thing had taken place over 30 minutes, this long, prolonged attack, and that 38 people had just been sitting there watching it, doing nothing.

And that is definitely a mischaracterization of what had happened.

Like you're saying, for the most part, people were ear witnesses, not eyewitnesses.

There were certainly not 38 eyewitnesses to this.

And most people weren't in a position to do much, if anything, about it, certainly physically.

But

I don't know if you could call it like a retraction because the point that Abe Rosenthal, he never apologized for it ever.

Even in the documentary he's interviewed.

Yeah.

And he's like,

this is great.

I'm glad that it did what it did.

Yeah, sure.

The point is still there, that there was apathy

in that

there were two people who could have done something and they didn't.

But then

from what the other witnesses said, the scream was pretty clearly not a purse snatching and not a couple fighting drunkenly.

Right.

That it was a violent crime being committed on this woman and people still didn't do anything.

Yeah, they misreported

possibly that no one called police.

Apparently, perhaps up to three people called the police, although police logs showed only one call came in.

And it may be a case of these people now telling themselves, like, I called the cops, I did something when they may not have.

They did not report at all that Ms.

Farrar had gone down to be with her.

She was not mentioned ever.

So I kind of went from feeling like, yeah, you know, this bystander effect, it had good.

It led to the 911 being created, apparently, in some ways and people studied this in class and it raised awareness so you know if they stretched it a little bit then it had a good effect that's what Abe basically that was his position that still is his position but well he's dead now oh did he finally pass away yeah

and then I finally came around and be like no you know the truth is what you should print.

And if you're a reporter and you run a story, you should print the truth and not some sensationalized version of it to sell newspapers.

No, no, absolutely.

I agree with you.

And I think the one thing that you can hang on, Abe Rosenthal, is that

that story was definitely fashioned in a manner to be as sensational as possible, to shock and outrage the public as much as possible.

But I still think it's rooted in the basic fact that there was apathy involved and that it possibly allowed Winston Mosley to finish the job, that Kitty Genovese might have survived had somebody done more than just sit up, look out their window, and go back to bed.

Yeah.

Or not even bother to look out the window.

And like you said, Chuck, like this had a lot of impact because this story comes out in 1964.

And for 40 years, it wasn't until 2004 that the Times saw fit to go back and really reinvestigate.

And they did.

There was a great, great article called Kitty 40 Years Later, I think.

And the author goes through and reinvestigates the case and really sets a lot of facts straight.

But within that 40-year period,

the effects that this murder had were just sweeping.

It led to the establishment of 911.

Yeah.

It's a big one.

Sure.

And it created this whole field of psychology that looks into the psychology of crowds, you know, and why we would just stand around it.

What is this diffusion of responsibility?

None of that understanding existed until the kitty Genevieve's murder.

Yeah, and weirdly, why is someone,

why is a solo witness more apt to act than a group of people?

One thing I saw is that it's called social influence and that we take our cues from others.

So if inaction is basically what is on the table right then, we're going to be inactive as well.

If people are starting to move toward it, toward the problem, we'll probably join in too.

I could see that or

thinking, like,

either I'm not, someone else is better equipped to deal with this than me, or I feel like someone else will do this, right?

So I don't have to.

Yeah.

A lot goes into play.

It's pretty interesting.

One of the less productive things that came out of it, though, is this idea that when you live in a city, in a big city, you put enough people together, everybody stops caring about anybody else.

They're all out for number one.

And Kew Gardens became

the center of this, or just such a

symbolic example of

urban care, uncaring, I guess.

And Kitty Jonavise became a symbol of that as well, and the need to do something, to act out

to help other people when you see them need help.

All right, so let's take another quick break here, and we're going to get back into what happened to Mr.

Mosley and the further effects of this crime after this.

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That's right, and in the latest season of Untold Stories, Life with a Severe Autoimmune Condition, a Ruby studio production in partnership with Arginix, host Martine Hackett explores what it means to reclaim your identity, discover resilience, and cultivate self-advocacy.

From the frustration of misdiagnosis to the small victories that fuel hope, every story told is meant to unite, uplift, and empower.

And that inspires us all to take one step closer to being a better advocate and seeing life from a different point of view.

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Listen to Untold Stories, Life with a Severe Autoimmune Condition on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

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So, a week after this murder,

Mosley was breaking into a house.

He's not a good guy.

No, he was a terrible guy.

He was,

beyond being a sociopath and a psychotic, was

just a burglar.

And he was just straight up robbing a house one day of a television.

And one of the neighbors saw this, called the cops.

Cops Cops came and arrested him.

No, no, no, no, that's not true.

What?

The neighbor, here's the thing: this is the great ironic twist of the kitty Genevieve story.

He went to a different neighborhood, he was robbing a house, and the neighbor said, Hey, what are you doing?

And he started to run from the house.

The neighbor chased him and tackled him and held him until the cops came.

Oh, well, yeah, he called.

That's how he went down.

Intervention.

Yeah, yeah, yeah.

Not apathy, intervention.

Right.

A week later.

Yes.

Okay.

So at any rate, he calls the cops.

He gets arrested and very like

matter of factly says that he killed Kitty Genovese.

And not only that, but he killed supposedly two other women.

A woman named Barbara Kralick.

Well, actually, she was a girl.

She's only 15.

And then a woman named Annie Mae Johnson.

And apparently both of them had been sexually assaulted.

And he was never tried for those, but

he did plead not guilty by reason of insanity, which did not work.

Was sentenced to death, and by luck of timing, was able to appeal.

And the death penalty had gone away for most crimes in that time period.

And he was re-sentenced to life in prison.

Yeah, supposedly the prosecution had withheld some evidence about his mental state during his sentencing, so he was able to get it reduced.

So he was hanging out, doing his time.

And he was in Attica, I believe, and he had injured himself and was being taken to the hospital.

And on the way there, he got the gun away from the guard who was escorting him and took off.

And for, I think, five days, he basically

just the city of Buffalo was in mortal fear of the fact that the guy who murdered Kitty Genovese was now on the loose in their town.

And they were afraid, rightfully so.

He raped one woman.

When the cops closed in on him, he got a hold of five people and held them hostage in a standoff that lasted for a little while with the FBI before they finally got to him.

He was a bad dude.

So they sent him back to prison and they said, you're not getting out of here ever.

Yeah, he was later a part of the Attica prison riots as well.

And

the one lady that he killed, he

burned her alive.

Like the family was upstairs.

Yeah.

And he broke into her house, raped her, killed her, and burned her alive in the home.

And the house went up in flames.

So it sounded like he had no,

he sounded like a true sociopath.

Like he had no, not that there was ever a reason for killing someone, but it was always just at random because he wanted to do that.

That's a lot what it sounds like.

It was a self-indulgence.

So in the documentary,

Very powerful scene where the son of, I'm sorry, the little brother of Kitty, who it's told through his eyes interviews and sits down with one of the sons of Mosley and it's just like

I mean you cut the tension with a knife obviously it's just so like fraught with tension and

he had told his son that she was yelling racial slurs at him he also said that he was just a getaway driver um for some mobster and the Genovese family was related to the crime mob family, the Genovese family.

And none of this stuff is true.

And the brother was just like, A, no, we're not related to that family at all.

We have nothing to do with that.

And he just gives them a look when he talks about the racial slurs like,

come on, man, that's not what happened.

So it was a really, really powerful scene of

these two guys kind of working it out in a way.

I didn't see them working anything out.

Oh, see, I did.

Which made it even worse for me.

I thought there was some between them, they kind of came to a nicer place

than where they'd started.

I did not catch that at all.

Oh, maybe you skip forward or something.

Maybe.

I was like, I can't take this.

Got to fast-forward.

Well, the son was saying, like, you know, I think, you know,

we need to move.

No, the son of Winston Mosley was saying that they needed to move on from all this.

And then the brother was saying, I definitely don't, you know, the sins of the father aren't the sins of the sons.

Yeah, he said that.

So,

you know, I felt like they were better off than when they started for having that conversation i honestly did not catch that yeah well regardless um

winston mosley after

i guess after his

second his first escape his second little crime spree in buffalo um he uh when he was captured he he apparently reformed himself or he claimed to be reformed he got a a degree in prison um he wrote an editorial that the new york times published where he basically said, I'm a changed man.

And everybody said, oh, look at that.

It's just about the time your first parole hearing's coming up.

This is great timing.

He went up before the parole board and they said no.

He went up before the parole board again.

They said no.

He went up 18 times.

18 times the parole board said no.

I think the last one was just a couple of years before he died, but he died in 2016 at age 81 in prison.

Yeah, and the brother tried to get an interview with him and he said uh no that he didn't want to be exploited anymore

and you could just feel this brother's pain of like really wanting to try and talk him into it again um

and the basically the people that that were the go-between

were like yeah you know you can try we can't keep you but uh he's not going to change his mind right so he never got that interview uh

But I feel like he got, I don't think he was looking for answers.

I mean, in the documentary, he went back to many of these apartment windows just to look at what their vantage point might have been he got an actress to uh recreate um what the screaming would have sounded like uh from down there on the street which was very chilling uh scene and i don't know that he was looking for like you said he was at odds with his family at times you could tell the one little brother was like man this is hard on all of us like you need to stop right um

but i don't think he was necessarily looking for the closure in that i want to find out for sure if these people could have stopped it.

I think the closure comes more in the journey of learning about his sister and learning as much as he can about this case.

Right.

It's really interesting.

It was very interesting.

Um,

that 2004 Times article, and then now this, this documentary has definitely exonerated Kew Gardens as a whole.

They've said, no, there's, there's way more nuance to this.

There's way more.

Yeah.

But two things, two people that that have

not been exonerated are a guy named Joseph Fink and a guy named Carl Ross.

Carl Ross was the guy who lived at the top of the vestibule, who opened his door.

The ironic thing about Carl Ross is, if you notice, it says 38 witnesses, 37 did nothing.

The 30,

that last 38th witness that the Times is referring to was Carl Ross.

They said he's the one who called the police.

Well, he called the police like long after Kitty Genovese was dead.

Oh, yeah.

Yeah.

So he was actually,

I don't want to say celebrated or whatever, but he was exonerated initially by this Times article when it turns out that he was one of the two people who could have done something and didn't.

The other one was Joseph Fink, who saw the initial attack from his vantage point in the elevator.

He ran the elevator in the Mowbray apartments across the street, and he

apparently saw what was happening and left his elevator and went to bed.

Yeah.

And that was that.

But again, it seems like like the overall feeling is, okay,

other than those two guys, everybody else is fine.

I just disagree with that.

I think that there's a lot more that people could have done that didn't.

And I don't think it's,

I just don't think that everybody's off the hook for that.

Yeah.

Yep.

You got anything else?

No, man.

If you want to know more about Kitty Genovese, just search the internet.

There's a lot about her.

But be careful what you read because it's all over the place, frankly.

And since I said internet, it's time for listener mail.

Fish fraud follow-up.

Hey guys, I recently

began a job as a marine fisheries observer for the Department of Fish and Game in the Bering Sea.

And just listened to your fish fraud episode.

Each season, a percentage of vessels

fishing here at least are randomly selected.

They have an observer on board to monitor the operations and buy bycatch that come up in their pots or nets.

The presence of an observer is admittedly a bit of a drag for this fisherman who have to put up with us skinny nerds.

L-O-L.

He type that.

We are generally a great deterrent of any mischief at sea, but from what I have seen, most of the fishermen are real sharp, honest folks who know what they're doing.

Of course, this is only a small portion of all the vessels on the water, and it isn't going to solve that problem by any means, but I thought you'd like to know that there is some coverage on fishing vessels and processors.

Thanks for all the laughs, my dudes.

And that is from Kevin

Alexandrowitz in Olympia, Washington.

Thanks a lot, Kevin.

Had no idea, did you?

That these people did that?

That there's basically like a Sky Marshal program fighting fish fraud on the high seas.

Yeah, we talked about that.

We did.

Yeah.

I don't remember that.

Yeah, we were just like, it's just so infrequent and random that, you know,

what good is it doing?

And sounds like he agrees in some ways.

I guess so.

But still, have fun out there on the high seas.

Don't get seasick.

If you want to get in touch with us, like Kevin did, you can send us an email, the stuffpodcast at housestuffworks.com.

And as always, join us at our home on the web, stuffyushouldknow.com.

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