Assassin's Creed Shadows Delivers on an 18-Year-Old Promise

So Griffin is not here, obviously, but we were talking about Assassin's Creed

beforehand.

And without saying what Griffin thought, because I mean, even though he's not on it, I'm not going to say what he thought of this game, because if he wants to share that, he should be on the episode.

We started talking about, well, Griffin, what's the lessons Assassin's Creed gave you did enjoy?

He's like, I didn't like the lesson very much.

It's like, oh, okay.

What about before that?

What about Odyssey?

Did you like no?

Did you like Origins?

No, no, no.

I didn't like Origins.

Valhalla didn't like Valhalla.

It's like, okay,

Griffin, who claims to be a fan of this series, has not enjoyed one since 2014.

That is what we figured out.

For 11 consecutive years, Griffin has not enjoyed this franchise.

Wow.

Do you think he regrets getting that giant Assassin's Creed back tattoo of Ezio?

Probably.

Well,

it's just a big Assassin's logo, and Griffin is still an assassin.

That's important.

Like, he still sides against the Templars.

You know what this tells me?

This tells me that you've never put the black light on your brother.

Because everybody who knows him well knows it looks like the Assassin's Creed logo, but when you pin him down and hold a black light above it, it reveals the faces of Ezio and Desmond, the

Deuteronomist.

I've been to both Sleep No More and Meow Wolf with my brother.

I've seen him in every possible light.

Trust me.

My name is Justin McElroy, and I know the best game of the week.

My name is Christopher Thomas Plant, and I know the best game of the week.

My name is Russ Fruschik.

I know the best game of the week.

Holy shit, I sound terrible.

Welcome to the Besties, where we talk about the latest and greatest in home interactive entertainment.

It's a video game club.

Just by listening, my friend, you have joined our illustrious ranks.

This week, we are returning to the world of assassination, but not that world of assassination, a different world of assassination.

So many worlds of assassination.

It's the multiverse of assassination.

It's Assassin's Creed Shadows.

Chris Plant, what's that?

Assassin's Creed is approaching 20 years of existence in the video game world.

And that entire time, people have been begging for, asking for, craving a ninja Assassin's Creed, and they got it after many other Assassin's Creed likes made ninja games.

Does it surpass all of that?

Was it worth the wait?

You will find out right after this break.

Chris Plant, I think the way you contextualize this is so...

Perfect because I really think that's the story of Assassin's Creed Shadows is for 20 years there has been this huge lunch in front of Assassin's Creed that is like the ninja one.

And everyone was asking for that.

And then it feels like that lunch has been eaten many times over by many other people.

And now Assassin's Creed has come to its beautiful table.

Are there any crumbs left for Assassin's Creed Shadows?

Yeah, that's a good question.

I think it's so interesting this franchise in particular.

And maybe it's just because it's me, but this franchise almost exactly times with the beginning of my career in covering video games and just thinking it over that span.

It's very, very close.

Yeah, very close for me.

I remember like one of my first E3s seeing that demo and being like, holy fucking shit of that first Assassin's Creed and being like, this is unlike anything I've ever seen before.

So it is interesting to see how it's evolved and how it hasn't evolved.

But I do agree with you.

Like.

It's a lot of pressure to put on this franchise, given the fact that like everyone and their mother has made an open world ninja game.

Let me do a little bit more of a historical run through, and I'll try to make this fast.

Heck yeah, dude.

Why should this be a ninja game and why did it take so long?

The original series, as we all know, it starts out in, I think, 12th century Jerusalem.

Yep.

And you are a ninja.

Like, that's the thing about it.

That's a fair point.

You're basically a ninja there.

And that's why people are like, hey, they're going to make this into a ninja game, right?

Because I don't know why, but you're a ninja in 12th century Jerusalem.

You're doing real time.

I've never thought about this but you have really touched on the big problem here which is yeah the whole foundational premise of Assassin's Creed is you know lots of places could have ninjas Yeah, like lots of different I mean places could do different kinds of ninjas.

Yeah, like that is where

yeah people haven't just said I want a ninja game.

People have said I want a feudal Japan Assassin's Creed game.

Yes, right because because what they're doing is they're playing the game and they're like man sure feels nice playing a ninja.

I wonder what it would feel like to play in a ninja spot.

That would be an interesting idea.

That's just embarrassing though, because if they were thinking, they'd be wanting to play a ninja in a cyber future world because that's more true.

That would be fun.

Should be ninja is better.

But the Ubisoft, and maybe they had that in their head all along.

They're like, no, the appeal of the game is ninja, non-ninja spaces.

So naturally, the next non-ninja space would be Renaissance Italy, of course, right?

And then after that would be

colonial America.

Why not?

But

I also wonder part of it is just like a marketing thing where they're like,

what is the like broad game buying world?

Like, what would engage them?

What history are they into right now?

And the one thing that

history dorks are into at all times is ancient aliens.

So they make sure to throw that in there.

It's always ancient aliens.

And evil popes.

And evil popes.

They're trying to fantasipate the audience and what they're going to be into.

Justin, you're off the podcast forever.

I hate it.

I hate it.

Let me be clear.

I enjoy all these games.

I think all of us enjoyed most of these games until Assassin's Creed 3.

And then a weird thing starts to happen.

Oh, yeah, 3, yeah.

They start to make it into kind of an action game.

And then by the time we get to like the most recent decade of Assassin's Creed games, again, games I like.

They're just action RPGs.

You are straight up, you are not a ninja.

in Assassin's Creed Odyssey.

You are not a ninja if you get god powers and you can fight with a trident.

It's just a rule.

It's not just that.

It's also just the idea of like, can you stand in the center of a circle of guys and take them out

consistently?

Yes, without a bad thing.

You couldn't in the first one.

And you started over time.

You've like gotten more.

Which is, and I think that's kind of inner.

The story of the franchise for me is like, I feel like they did the hyper stealth, and then I think they wanted something that was more mass market, obviously.

And they thought, okay, we're going to tamp down the stealth, heighten the action.

And I think that it took a few games before the action was good enough to sort of like make that feel good again.

But at this point, we've kind of lost that metaphor so much.

Like it's not, they're not ninja stealth games, really.

They're like, like you said, they stand in the middle of a circle and like take on the whole place.

Or at the most, like I would say it's a little bit more dishonored, right?

Where it's like start quiet and then go loud at a certain point.

I think that's a good summary.

And that is actually a really good segue to this game because it provides both of those experiences.

It provides the stand in a circle and be a fucking powerhouse and the be a super sneaky person that can now crawl on their belly, which I don't think we've ever been able to do before.

Like a reptile.

Is it

maybe one of you guys could tell me, there is a split narrative here, and we start with like a different character, a large sort of samurai gentleman, and then we pivot to our sort of main character who is

not a big samurai guy.

And I haven't returned to him.

So I don't know if it's more of a framing device or what the deal is.

No, he's in there.

They become friends.

Oh, thank goodness.

I was worried they might be enemies or something more romantic.

I don't know.

They're friends.

Wait, tell me they become friends.

That's not Germaine.

No, so the two lead characters,

I actually don't have their names in front of me.

Yasuke and Nawe.

Yasuke and Nawe.

Nawe is like a ninja woman, effectively.

And Yasuke is like a samurai fighter, a black man who was formerly a slave that basically gets

brought to Japan and then

taken on as like a feudal guard, basically.

Yeah, he's like a feudal guard.

Right.

And in addition to like their very differing backgrounds, they play incredibly different as well.

So

Nawe, again, predictably, very sneaky, hide in the shadows, crawl through bushes, assassination, etc.

And Yasuke?

Yasuke, yeah.

Can like fucking powerhouse his way through a base with like giant slashing swords.

And he's got heavy armor.

He moves a bit slower,

but you kind of have that option.

It's interesting, though, because they start with him and they definitely like give you that feel at the very beginning.

That's the first thing you experience.

And then it really pulls it all back for Nawe.

Yeah.

It's interesting because a lot of the game is not super accessible to Yasuke.

A lot of it is.

What do you mean?

In terms of literally,

he's not nearly as mobile.

Like the mobility of Assassin's Creed has always been the thing.

Okay, yeah.

And he's like kind of slower to move through the world.

He's got heavy armor and he's a bigger guy.

And so it is an interesting contrast.

You do get moments where like there's a dead, there are dedicated missions for each character, but there are also missions where like you can pick between the two.

And it did feel like I was a little more limited and

railroaded into playing a certain way when I was Yasuke, whereas with Nawe, I had a few more options.

What did you guys think of?

I always think, I mean,

if Assassin's Creed has to nail anything, I think getting around the world and making that feel fun and pleasurable has to be one of the big things.

How do you guys feel about how do you feel about like as Nawe specifically, because we're talking about that mobility, like getting around the world as her, how did that feel for you guys?

It's wild how far the games come, you know, because you're right.

The series has always been known about that, and you can climb anything.

You climb the tallest tower.

But you go back and play those games, and it is rigid, like where you need to place yourself to climb.

And

yeah, and

the challenge that the series has had since then is we want it to look beautiful.

We want it to be cinematic.

We want you to be able to climb most things.

At the same time, we don't want the kind of Legend of Zelda thing where it looks like you're kind of just like wobbling along the side of everything.

Right.

And I thought they did a good job of solving for it.

One of the biggest fixes is a grappling hook.

So when you are at an angle that would defy physics.

Whip out that grappling hook and grappling hooks we just understand in our soul right physics don't apply to so you can flip it somehow underneath like the hood of the roof and you know, zip up, you know, at some weird, strange angle.

And it looks awesome.

It looks awesome.

It's really good in combat scenarios.

It makes it really easy where you don't have to be looking around for like an up.

If you see L1, it's like, oh, that's my up button.

I'm going to do the Batman button.

Yeah, that's my Batman button.

I'm going to Batman out of here.

See you guys.

I do think there were moments when I was playing this, it reminded me of Assassin's Creed 3

because I'm not sure that like large nature-y spaces

work super great for this format.

There are just, there were moments where I was like looking for like a high perch to do the, you know, the fucking eagle scan shit.

And getting to that perch in the open world, like they clearly had like a specific path in mind.

And trying to like walk in that path.

Like if you think about the original Assassin's Creed games or two or whatever, when you're going through those cities, when you're going through Florence or whatever it is, you can kind of run in a straight line.

And there was an automation to like normal buildings where you would just grab a lot of the windows and the blah, blah, blah, so on and so forth.

And you just don't necessarily have that.

There are, I wouldn't call them invisible walls because if you go at the right angle, it does work.

But there are a lot of weirdly

impassable areas in this map that does, I think, hurt some of the flow.

And I think my favorite moments of this game are like, I'm in a temple.

I'm clearing the temple.

I'm using the grappling hook to like climb up and get above guys and hiding in bushes, et cetera, et cetera.

The second I'm in the open world, it just feels kind of like filler to me.

Like it doesn't assist the experience in any way.

I really like the feeling of getting around bases and like forts and stuff is very good.

And that's part of the set, partially it's the setting, right?

It's like there's a uniformity to the height.

There is like a lot of architecture that like gives you the sort of like good, sticky, like climbing around sort of geometry.

But it, yeah, in the open world, it does feel a little strange.

I think the moment-to-moment in the interiors also feels,

they do a good job of making the enemies pretty stupid in the sense of like, it's not stupid, forgetful, right?

Like, they'll see you the first time, be like, you're not supposed to be here.

But if you hide, almost instantly, you see a little silhouette of yourself.

And they're like, I think it's the game trying to say, like, listen,

one or two, like, if you want to do the stealth thing, it is not keeping that from you like it is very easy to take a beat hide kill a guy and like reset i would say they are senseless in the most literal sense as in they cannot hear or see taste anything

you it is incredible how many times i took pictures in the game where i was just directly underneath someone but there was some shadow going on the the most dangerous time to be a soldier a foot soldier in in this game is when it is night and raining because you can just walk up to somebody within an inch of their face and they're like, oh, I sure hope nobody stabs me in the neck right now.

And you're like,

that's your moments.

You have moments that are a little bit like, you know how the predator, sometimes like

when an animal can only see movement, it's like, just stay still.

He can't see you.

It's like, that doesn't seem right, but he doesn't see me.

Like, I don't, you're right.

He doesn't.

I am very disappointed, by the way, that in this particular take on feudal Japan, I cannot assassinate people through the paper walls.

No, you can.

I did not get that prompt.

Maybe it's like an upgrade ability or something.

It's an upgrade.

The upgrade system is not great.

So I can see how...

Yeah, the upgrade system is a bit of a mess,

but you can.

Explain it to me, Chris, as both a public service and a service to me, because I would love to understand it better.

I'd love to be humiliated.

His knowledge points.

Okay, so we have, listen, I think, let me say this.

Normally, besties, I feel like we do not traffic in this level of knit and or grit.

But with Assassin's Creed or like a Call of Duty or Madden or whatever, I feel like the knit and the grit is the thing.

So how do you level up at this game?

I

do not fully understand it.

There are levels.

Well, no,

okay.

So

you're playing through the game and every time you like stab somebody in the neck, you get a little thing that's like 10xp.

And then you like stab an important person in the neck and you're like 110xp.

And it sucks, by the way, that you can stab super, super unimportant people and get like 5 xp.

It's like that doesn't feel right, yeah.

Yeah, there's basically snitches everywhere that they want you to kill, unarmed snitches, just maids, just like kill a maid with 5 xp.

In this game,

we'll come back to the gore, we'll come back to it, but first, the xp.

So, you do all this, and then every once in a while, little numbers pop up, and you're like, great, I got like a point, right?

And then you go into the menu, and there are like, I don't know, five trees but they're locked by tier so you would think oh i spend some points a lot in this like one and the assassin tree and then that'll unlock my next tier false you could you fill it all up and it doesn't unlock wait why why what's happening there are also as frostic said knowledge points that you unlock and you do this by like

quests I think I think

I found some scrolls and that gave me a knowledge point yes so you have to unlock those to unlock the future stuff.

So what you get in a scenario like me where I did not prioritize that and I'm just like rife with ability points right now.

I'm just, I'm a bank of ability points.

I'm sitting here wondering, have I ever spilled one?

I don't know.

Have I ever spent

on a big pile of them?

And when you go in, it does that classic thing where like the first thing you see is, oh, it increases blank.

5%.

And you're like, oh, okay.

I'm not going to sift through all five of these trees.

But if you do, you will find that you can stab people through a wall, which gets us to the thing that I wanted to ask y'all about.

The violence of this game,

how did it hit y'all?

Not in the, in like a puritanical way.

I enjoyed the game, but I was kind of surprised where it

for me, I would say this.

It looks...

I could still use more animations because the animations are pretty gory, but you do notice them being repeated fairly quickly.

Like almost every time you kill somebody, you got to stunt on them and i sometimes i wish it was a little bit more like

you know that sometimes it's that really funny assassin's creed animation every game every assassin's creed has one that like casual kill like the yeah just like a little

i would like more of that that anton shigurin just like a quick

but uh so they do have that it just feels i got i didn't get offended or i got a kick out of it but it is like

For Nawe as a character, it does color for me her like conversations because like, she is having conversations with people where she seems reasonable and candy, but I know the truth.

She is a fucking lunatic.

I mean, if you get her in a room with 100 people, she will level it.

She will murder everyone in there.

She's a maniac.

I think visually the violence came off as like I had just, you know, I finished Shogun a couple months ago, like

in the same ballpark as that amount of violence.

Yes, I think they're going for a

um lone wolf and cub type of like 70.

They do the paint stuff.

Japanese, yes.

But it's like when you slash someone, blood sprays across the room.

But there's not a lot of like dismemberment.

I think you can, but it's not

common, yes.

If you count that.

Yeah.

It's gory.

It's gory.

Demographic.

But to Hoops' point, there are scenarios where you go into a room and they have the,

I can't remember what it's called.

It was a way of making the floor sound like a bird

crying, basically, when you step in it.

It was a security measure in old temples and forts and castles.

And you'll step on it and like three maids look up like you just, you know, they're the gazelle and you're the lion.

And you're like, oh, I know how this one's going to end.

And

I mean, the room is covered in viscera.

Most of the time you're done.

Yeah, I went into a table.

Who's going to clean that up?

Just earlier.

Yeah, right.

Who's going to clean this?

I got

Harvey Keitel.

Get the wolf down here.

Listen, I watched, I did one right before this where there was a guy, just a guy, and he was in front of a chest.

And like, I use my Eagle Vision or whatever.

It's like, whoa, chest.

Gotta get it.

It's like, are you sure?

Because he's right there.

It's like, nah.

Unfortunately, he's chosen an extremely bad place to post up because he's right next to the chest.

And I do need that chest.

I think that they,

the moment to moment things i would say uh

i have not found a lot of them to be super enjoyable and i would like to talk to you guys about how this game handles uh getting around the world and finding your objectives because i'm curious it that feels very different to me and i'm curious how it resonated with you guys and if you left it like as designed or if you switched switched to like a more guided experience i i don't know which is the design version because they do offer as you sort of alluded to a pathfinder mode that literally gives you like a gps

ghost to follow to a to an objective so right so that's like yes and you can it's confusing again right because it can give you that pathfinder mode can still work in the whatever they call it like guided whatever

but the alternative mode is like it will give you waypoints to go to that you're like literally

I started with that and then there were moments where I was like I have no fucking idea how to get to this waypoint and then would oftentimes you can use the wayfinder to plot a point on the map manually and you can go to the way you know what I'm saying like the pathfinding works regardless of whether or not you know where the objective is.

Yes.

I'll talk through this this like find your own way mode a little bit more.

So if you picture like a traditional Assassin's Creed or open world game, you like get your quest and then you open the map and then the thing that you need to go do is just plotted there, and you go from point to point to point until you finish the game, right?

And then eventually there are like 500 things on the map for all the different stuff you can do.

In this game, and I think that they had done a version of this in a couple of the previous Assassin's Creeds, there is a fog of war, and you clear the fog of war as you travel the map.

One of the most important things about clearing the fog of war is you see the regions and cities and names of things added to the map.

That's important because you're kind of on a killbill-esque mission for the game to like knock out all these different heads of

gang, I guess, basically.

Secret organization.

Secret organization.

And to do that, you will say, okay, I'm going to pick this one person and I, to find them, I need to knock out three other sub kind of goals.

And when you pick any of those sub-goals, it still doesn't give you the location to go to.

A thing comes up on the map and it's like, like, hey, it's south of Kyoto,

wedged into the mountainside, you know, near a bunch of trees or something.

And if you have found a person, it'll be like they're in the firearms district west of Sakai, near this guy.

And you can open your map and you can be like, dang, well, I know where Sakai is, but I haven't cleared the fog of war out in that entire area yet.

And I'm busy doing other things.

You can use a recon soldier effectively in the map and point them at that area and that character will clear out the fog of war in that and discover, quote, any of the things that are in that area.

And you can do this, I guess, like twice a day.

This is where it just gets endlessly complicated to me because

you also use these soldiers to

claim special treasures in certain forts.

And if you've used them in one spot, you can't use them in another.

But you refill when the seasons change, or you can refill them when you go back to your home base.

But I'm not sure if there's a punishment for changing seasons.

And yeah, there's like so many systems at play.

That's kind of the big challenge I had with the game:

there are so many systems that I would end up kind of getting lost in one thing and then forget what game I was even playing.

As in, there's a fort that I did last night that was

probably in total an hour and a half.

I spent an hour of it looking for six different sub-bosses so that I could open a special crate.

And then I got like a relatively novel piece of gear.

Right.

But then that's all good stuff.

In doing that, this fort is so huge.

And finding these enemies was so big or took so long.

And then at the...

end I got that gear but then there was these other treasures that I just couldn't claim and I didn't fully understand why.

I kind of did because it was tied to these like helper characters, but I was like, I guess you have to like send helpers into.

Yes.

And I was like, I guess I should have spent more time getting helpers.

But then I realized, oh, wow, I haven't finished the main mission yet.

I want to do that before we talk about it.

And as I kind of pulled back, I realized I was like eight layers deep of not knowing what I was supposed to do.

And I like, you can build up your base, but I'm not sure why I should build up my base.

Again, I had already mentioned that I didn't have the knowledge points to use my ability points.

So all of these things on their own are cool.

I think when you really understand the game and you know the system, they probably work well, but

it requires one, that you spend the time to like learn every individual part of the system.

And then two, that you bring your own self-control to not getting pulled down any one avenue for too long.

It's hard not to feel like Assassin's Creed games in particular are maybe the worst current AAA franchise for the Best Ease podcast.

No, no, no.

Jeez, Russia.

Just let me finish.

For the Besties podcast specifically, because I think these games are designed to be play in the way that, like, I just buy Madden every year.

I think people that are Assassin's Creed fans buy, like, maybe they buy one game and they play it over the course of six to ten months.

And that's what this game feels so dense of all of those systems at play that I think I enjoyed my time with it.

But like I think it is not designed for a

just story.

You know, I enjoy,

I don't know if I enjoyed my time with it, but I did spend a lot of time with it and wanted to keep spending more time on it.

And I think that it would be.

It's always that thing with the size of screen games that bothers me like there's reward.

There's super rewarding stuff, right?

Like there's a narrative there's story that people have worked really hard on and it's like it looks incredible i just wish like the the time it didn't require so much time of me to like manage systems and stuff yeah to get at the stuff that's really interrupt like i like all the content it's just like yeah this it's not hard to make compelling systems like there's lots of big games where the systems are understandable, right?

Like, and the leveling is understandable.

And, like, you can understand systems.

Like, the including Assassin's Creed games.

I mean,

for me, I know what you mean, Fresh, and I think that's right.

I think people who listen to the show who really just like

are cool spending as much time as possible in a world and are fine with some of that being like, hey, that's like real six out of 10 energy in exchange for the 10 out of 10.

This is for you.

That said, Odyssey is an amazing game.

And what Odyssey does is it traps you on an island at the beginning.

And you leave that island once you you understand how the game works?

Yeah.

And I think that's a problem here.

I mean, Breath of the Wild does the same thing.

Yeah, and it's a great solution.

And here I am, you know, I don't know.

I'm probably like somewhere between 15 to 20 hours into this game, and I'm still bashing my head against some of the systems.

That's just kind of weird.

I had

another question for you.

You know, while I was playing this, I think it's fair to say that I was thinking of some other games in this milieu, and Ghosts of Tsushima kept coming to mind.

And the thing specifically that came to mind was there was like a lot of like visual design stuff in Ghosts of Tsushima, which I wouldn't describe as realistic, but I would describe as striking.

And I wasn't getting that same striking, like picturesque aspect from this game.

What?

You don't think so?

Well, I think this is just taste.

I'm not.

Are you talking about picturesque or are you talking about like artistic flair?

Because this game is obviously like super picturesque.

It loves how picturesque.

Yeah, sorry.

Flair is a better word.

It makes you look at it and will not let you skip the synchronization sequences, even if you're somebody that gets really easily bored watching a camera spin around an environment for 30 seconds.

I got the zoomies, guys.

Let me go kill someone.

Thank you.

I think it's Flare.

I guess that's the answer.

It's like you don't have that golden sundown moment that you get from a ghost of Shishima or the like poppy fields that are just like, oh, I could, this is my fucking wallpaper.

This feels like more like, I guess guess the analog would be like Death Stranding, which is like, at a glance, not necessarily like a

flairy environment, but it is like picturesque or like a spot you would want to take a vacation to.

I would like to touch on something that I felt while playing this game, and I think it's so close to ephemeral, but I wanted to touch on it, is that

I understand, I think you're totally dead on about getting around in the open world feeling weird.

I will say that I felt like stealthing through the natural world was actually pretty pleasant.

I think that they do a good job of like integrating the landscape in a way where it doesn't feel like you're fighting it as much as it is like you're kind of using it to your advantage.

I think that feels pretty good.

A lot of shrubs.

A lot of shrubs.

The forest actually look and feel like forests, as in they're hard to get around.

And when you're up high, they look like a forest in a way they just don't in video games.

Yeah.

And there is this amazing feeling in the game where you come out of a forest, you're like, Was I even really supposed to walk through that area?

And suddenly you're in a field, dawn is breaking over this little village, and you know that you're just about to wreck shit in it.

And that feels incredible.

Um, that to me is when it again, it's the

going through the forest, six out of ten,

approaching a village at dawn, uh, ready to kick some ass, 10 out of 10.

And if you can make that exchange, you're in a pretty good spot.

I don't know if, for me, if you're someone, if you're an Assassin's Creed fan, like we've said on this, I feel like we're pretty, we feel pretty confident that like it's a pretty good one of those.

Unless you're deep in the lore, I have no idea how the broader Assassin's Creed lore is being.

I don't think I can talk to you if you're deep in the lore of Assassin's Creed.

If you're deep in the lore, actually, you should listen to another podcast.

You're not welcome here.

But

I know we're running long on this segment, but that's the strangest part is you're right.

Once you start the game,

good luck.

It's going to be a long time until you start to tie yourself up.

You get a little nibble at the beginning.

But every time you load the game, it's like, it assumes you must be the biggest Assassin's Creed lore fan on the planet because you can actually cycle through the other...

characters that you're going to be playing with.

They're like trying to make an animus-like freaking character.

Yes, they're trying to make

this like giant mega Assassin's Creed game where it looks like at any moment you could switch to any of the other AC games.

So yeah, it's very ambitious.

There's no reason to think that they, it is weird.

They've set up a UI that looks like something that they cannot do.

But you're right, Flayton.

That's what it looks like.

Who do you want to explore as today?

It's like, that's a different video game.

I do not own that.

Yeah.

Yeah, they've talked about working on this for many years of like having the equivalent of the Call of Duty app for Assassin's Creed.

It does not work in this context because, as we've all talked about, like not all, most of these games are not even supported on the platform you're playing it on.

So,

I do think, though, if you wanted to at some point get me,

I think that they could do, I would do Animus as a subscription service that isn't just like Assassin's Creed games, but like some of these like more historical environments that you could go explore at will, right?

For a monthly fee.

You can go look around Egypt whenever you want, go explore these other places.

Why are you turning this into a monthly fee, fee, Justin?

Because

I want it to actually happen.

And I'm trying to.

They had that for free, though.

I think, or they sold it for $5 where you like explore a fucking thing.

I like that.

Yeah, I'm saying that's a unified thing, right?

Unified.

Give you a unified app.

It's the history book of Assassin's Creed.

Yeah, and you can go explore.

Yeah, as any other thing.

That's sure to bring Ubisoft from the brink of.

That's going to save everybody.

I don't know.

What I was going to say, I think if you like Assassin's Creed, you're going to like this.

I don't know if it does enough to differentiate itself from, like, to go back to what we talked about i don't know if it does enough to differentiate itself from the other games that are very very very similar to this i mean we are we are getting into like nitty-gritty again but like

this ghost of shushima um sekiro like there was a way of the samurai what was that one the sony one that we played like two years ago with the glider rise of the ronin rise of the ronin very similar like that very it's very similar i don't know that it does enough and i don't know that it

you know it's funny we there is a meditation mini-game in this, and it is a mini-game where you try, they try to give you the approximate feel of meditating, and it is a mini-game where you can meditate and mess up at meditating, and there's like a little bong, you messed up meditating.

It's like, okay, guys,

with all due respect, we don't need to bring

every element.

I mentioned that to Griffin.

He's like, compare that to Wanderstop for a second.

Like, how are these two things approaching the same idea?

I don't know that it does enough to separate those.

Where if you play a lot of games or if you played other games in this genre,

I don't know that there's enough here to separate it.

Because even during this conversation, we've been trying to figure out which mechanics are which game, right?

Like, trying to remember, like, wait, was this this you could do this in?

Like, I don't know that it feels different enough.

I, I, personally, I liked Rise of the Ruin and more, and I know that game got kind of buried, but I just like the freedom of it.

I, I mean, realistically, what I want is not something that's narrative driven, and this is incredibly narrative-driven.

Yeah.

And I don't think the narrative in this is particularly noteworthy.

Did you guys do English or Japanese?

English or Japanese?

What's going on?

I did do English voiceover, yes.

I did Japanese, but I think it might be more of a historical Japanese because I was like really like...

Some of these games, listen, I do not understand Japanese when I play these games, but I can pick through it.

And I was like really overwhelmed by it.

I did a plant.

Okay, for whatever it's worth, you're you know more Japanese than me, but I had a very similar experience where I can like listen to Japanese with text on the screen.

Yeah, and like connect a couple of things, but like I, I, it is, it, and that's not weird.

There's whole tenses of the language now that I don't know.

There's formal tenses of the Japanese that I don't understand, right?

There's like, I understand uh, very little, but it was like, Yeah, uh, it was really hard to grop.

Yeah, I, I, I,

one last thing of the ubisoft of it all

it feels like they knew this was the last great bet that they were going to make and they went all in and for us you mentioned rise their own and a challenge that i have with this game and where the series has been trending anyway is they want it to be everything for everyone yeah and they want to make sure they're they're offering something in there that will make sure that somebody buys it and

that

in my experience, often got in the way of me finding the thing I probably would enjoy doing the most.

Yeah.

Yeah.

And I was having trouble finding my way through the sheer density of stuff.

Yeah.

It's,

it's not, yeah, I don't know.

I'm very curious how this game does.

I'm very

think people that like will spend 80 hours will, if, look, you come home from a long day at work, you have an hour, you play through it, you have an experience, and then you have, you know, you have that for the next six months of your life.

I think there are people that want that.

Yeah.

I don't.

I just, I, again, I, Russ, I, I do want to push back against that because we do long games a lot here.

This isn't that.

It's like, how rewarding is the time?

And that's the issue that I have is like, you spend, if that time is valuable, you don't want to spend it fucking around with systems.

You want to spend it playing.

Yeah, I agree.

And I feel like that is the, what is it?

I mean, part of the other issue is like the experience experience that we had.

I mean, Plant played longer than we do, but in the first five, 10 hours, it's all fucking system.

You're buried in systems.

And some of that is like a mistake.

They should spread that stuff out or figure out a way to better tutorialize it.

Obviously, once you understand what's going on and you know, oh, I need to recruit these guys to do this, et cetera, et cetera, there's less of that.

But I agree with you.

It's very front-loaded.

And it just...

It's just piece of advice for that.

Don't make my mistake.

Follow the main quest, I suspect, for the beginning, because I just started exploring every corner of the map I could.

And I think that was an issue where I, again, am not getting into some pretty basic functionality.

Yeah, you'll hit walls where it's like, you don't have this thing to do this thing.

And that sucks.

That's not the scale.

Yeah.

And that sucks to find out, but it's like, it's like the cost of letting you have as much freedom as you do and letting them put as much stuff in.

You don't feel that editorial hand.

It reminds me of that plant we were saying earlier.

It reminded me of that Mark Twain quote.

I didn't have time to send a short letter, so I sent a long one.

If this feels like that, right?

This feels like a lot of competent teams making really competent stuff, and no one at the top saying like this, but not this.

Yeah, cut this, cut this, cut this.

Yeah.

Great.

Let's take a quick break.

And then when we come back, we're going to check in on the game developers conference with our man on the street, Chris Plant.

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Chris, tell us about...

Man, when you say it out loud, it sounds like the most boring fucking shit imaginable.

The Game Developers Conference.

Obviously, we love game developers here, but...

That was one of your better ones.

Saying Game Developers Conference out loud sounds so boring.

He says from the hosting seat of a video game podcast.

Like, what are you talking about?

It's also a conference.

Learning about how games are developed, meeting and greeting, networking, snore.

That's what it is.

I love that conference.

I love attending that conference.

It is.

It's great.

But I don't know.

It sounds great.

You know what?

I think there's a little bit of a thing that I think a lot of journalists.

I don't know.

This was always my experience at GDC.

It's such a cool thing.

And you are an outsider and you you feel that more at Game Developers Conference than anywhere else because it is a conference for game developers.

And you want to feel like more on the inside of that, but it is a little bit like looking outside, looking in, you know?

That's how I felt when I traveled to Japan.

It was a similar vibe.

It was like, I just want to absorb all this thing, all the things around me, but it's very different from my day-to-day life.

So it was cool.

So true.

They're identical.

Japan

and San Francisco's game.

It's a personal analogy.

Jesus.

Wow.

They're being hard on you today, Russ.

I'm sorry, man.

They're not really like this.

So

we talked about it on Arestes that folks can hear and maybe you already have heard on the Patreon.

I'll spare people the nitty-gritty of the GDC thing itself.

But I will talk about what the mood was at GDC, which was weird.

The great thing about going to GDC is it's kind of a taste of the state of the industry.

They have these sub-summits where it's like, AI, here's 30 panels on AI.

And you go and you get a sense of who's feeling confident and who's not.

And the answer is nobody is feeling confident.

It's not like you go to the AI panels and everybody's like, it's going to be great, but like, this is where the money is.

No,

there's a general sense of fear and malaise that I would say

bounced off the walls.

The weird thing though is there were a number of people that I spoke with who were doing well.

And the sense there is I don't really want to talk about it.

I don't want to make a big thing of it because there's also an anxiety of things are so bad.

I don't want to be the person over here who's like, well, actually,

my studio is thriving and I'm feeling great.

So it was this kind of weird vibe of a lot of people feeling bad and the people who are doing well really not wanting to be seen as like the assholes who are, you know, taking a victory lap at an awkward time.

Well, yeah, it does seem like the number of people doing well is probably

very small compared to the number of people that are like kind of struggling right now.

Yeah,

I think that is almost certainly right.

It's also strange because

GDC is, as Hoobs mentioned, a great place for networking.

It's where a lot of students go to learn from, you know, kind of industry veterans, and it is where more junior employees could go to get new jobs.

But it cost a lot to go.

Yeah, I can go and get a press pass, but it costs a small fortune to go if you are a normal person.

And

money is tight right now.

Money is tight for individuals, but it's also tight for companies who are not just going to drop a ton of cash to send 30 employees like they may have done in the past.

Maybe they send just a couple now.

So it felt smaller in a way

than it used to.

So yeah, it's certainly not dying by any means in the same way that the video game industry itself is not dying, but both of them are going through pretty clear change.

And you can tell that people are uncomfortable with the growing pains.

Did you get to like, I know they have the section of one of the halls dedicated to like very bizarre input devices?

No,

I didn't get to do it.

So it's called Alt GDC, and people should Google this and you can see whatever was there this year.

But this is usually when Fresh and Dad would go together, our favorite spot.

Like, can you give an example of the type of thing that you would see there?

I feel like I played a game where I was drumming on a butt.

I might be imagining that.

Probably.

That sounds like.

That seems like something I did.

I did see a video of someone.

There was a game.

Maybe it was Patches played this, Matt Patches at Polygon, where you have to pet a dog, like a furry dog, and that was the input device, but it was like a stuffed animal dog.

So there's like all sorts of stuff.

There's like one where it's like you're eating noodles and that's like the way you interact with the game.

I always love that.

That's always like my favorite part of the show.

Yeah, there was one that I remember that was a single line of LED strip light and they had coded a game using that single line of light.

And it was fantastic.

But yeah, it's all these kind of like challenges like that.

It does seem weird, though, because like the my like days of yore when I would cover GDC,

it always had the like the indie part of it was always so scrappy.

And we're talking about like 15 years ago where people would just like show up with a laptop and just like do their best.

And I'm sure that's still happening.

But like then you look at like the indie game awards and it's like basically a lot of games that you already know and were already like super successful.

And it just, it's just like the industry has changed in that way.

And it kind of bums me out that there doesn't seem to be as much of a megaphone for those micro devs.

You say that, but so the IGF, the Independent Games Festival, is the award show that happens during

this each year.

And the winner was a game by a team of, I think, four or five people.

A game called, I think, Consume Me.

But

you could actually.

Huh?

Huh?

It's pronounced Consume.

The level of pride.

I wish people could see your face right now, just beaming.

Yeah, it's it's it's it's a weird, it's a weird time for the industry, and it's a weird time to be young people in it.

I think that was, you're right, the scrappiness that you're talking about, Fresh.

There would be, there's a park right in the center of the convention center called Yerba Buena Gardens, and it was

something different kind of every year.

Like some years it felt like all the college kids had really taken it over and made it their own.

Or kind of an anti-GDC movement had taken it over and made it this like, hey, if that's the expensive thing, we're going to give free courses out here.

And it could always be something.

And this year, there was no kind of main gimmick.

Nobody had taken the

throne of like what you're going to use that space for and i think that is where again you kind of feel this like sapping of energy where oh you know there's not

you can almost tell something's like its significance by its counter movement yeah and there not being one is

is kind of like a bummer in a weird way uh but

there's always next year you know

do you have the sense that uh

there used to be, I feel like a GDC thing where it was a place where game developers would often say things that would make headlines because we didn't let game developers talk a lot back then?

And so sometimes I'm speaking specifically in this instance of when Chris Hecker said that the Wii was basically two GameCubes duct taped together.

If you guys remember that maelstroke.

That was also the Phil Fish quote about JRPGs was from GDC.

Right, exactly.

That used to be a thing.

Is that still, do you still, do you get the sense that you have a lot of people like listening?

Like you can still like change the conversation at gdc i think i think it's less in that

hmm it's less in that people are just more cautious i think post gamergate post all social media brouhahas i mean that's just such a different time it's also a different time where people would say that stuff and

A few years earlier, the people who would report on it worked at like EGM and they only had so much space in the magazine.

And by the time it was for published, they would forget that they even wanted to include it.

Where suddenly you had the joysticks, the kotakus, the destructoids of the world, where if you said anything like that, they were that poster was up within five minutes.

I mean,

I'm sure you remember that period, hoops, where somebody said something like that, and you're like, My bills are paid.

I've got my laptop on here.

I've got this crappy little Wi-Fi hotspot extender.

Yeah, yeah, yeah.

And I think everybody's gotten a bit more shrewd about all all of it,

for better or for worse.

Let's see.

You want to talk about reader mail?

We'll see what people are.

Yeah, we have a few quick reader mail things.

These are actually from a couple weeks ago, but obviously you guys weren't here last week, so I wanted to save them.

This is from Sleck.

The way you describe Wanderstop reminds me of Monk the Robot books by Becky Chambers.

The first one is named A Psalm for the Wild Built, and they're pretty short novellas.

They're about a T-Monk and their wild robot friend with motivations similar to Wanderstop's MC.

The books are relaxing, refreshing to read.

Highly recommended.

That's cool.

And I also wanted to call out this Luke

mail.

Griffin mentioned that the Wanderstop soundtrack is going immediately into his listened at work

list.

I'm always looking for good ambient video game music to throw in at work.

What are the besties top tracks?

Anything jumped to mind?

Juice?

I was just kidding at my...

I don't listen to a lot of video game soundtracks in my, in my...

I'll shout out one that I've listened to from time to time, apart from the obvious, like the Stardew Valleys of the world.

Stardew Valley is like a staple.

Packing, that game packing?

Was that what it was called?

Or unpacking?

Now I'm forgetting.

Unpacking?

Unpacking, I think?

The game was called Unpacking.

Sorry.

Unpacking had a great soundtrack,

and I've definitely turned to that as just like a productivity soundtrack option.

It's not super long, but it is quite good.

Plant, do you have any ambient video game soundtracks you listen to for vibes?

Not a big video game soundtrack person because

I find it a bit repetitive because I think it's supposed to be when you listen to the game.

What about the near game?

I mean, yeah, I'll listen to a near now and then.

I'll go to a near concert now and then.

I'll go to a near concert in Japan and then in Los Angeles.

No big deal.

It's not a big thing.

I have two.

that I actually am looking through my writing playlist now that I listen to a lot.

The Bastion soundtrack.

Oh, yeah.

I do listen to a lot.

That's great.

I love the way that thing is orchestrated.

That's part of my thing with video game music.

I like that sort of more folk sound where you can hear more of the instrumentation stuff.

That's really, really good for that.

You know, the other one, this is like, you guys, I guarantee you have not even thought about this game for 100 years because I definitely haven't.

But if you remember, Remember Me.

Oh, yeah.

That was

a soundtrack that the,

let's see.

It was by Oliver

Derivier.

I don't know.

Listen to that one.

It's very cool because that was a game about like time manipulation.

And the soundtrack does cool stuff with like the sound warping back in on itself and stuff.

But that's a really cool game soundtrack that I still listen to regularly.

Those are the only two.

Cool.

And oh, Elder Scrolls.

And Elder.

Do you actually listen to the Elder Scrolls soundtrack?

When I need to get there, you know, I need to get pumped.

Remind myself that I am the Dova King.

You know?

That's a different thing.

She needs some honorable mentions.

Fusru don't rain on my bread.

Thank you.

I have an honorable mention.

I wanted to talk about Noita, which is a game that I just recently

learned how to pronounce because I've been saying Noita for about four years.

I talked a little bit about it last week with Griffin, and I've played more since.

And man, this game is so fucking up my alley.

It is basically Spelunky and Binding of Isaac mashed together in like,

but, but I would say I think it is difficult to a detriment of the game.

And so I would echo what I said last week, which is please install some like quality of life mods.

Is that the game changer for you?

Because

you've played this before.

Like you've played it years ago before, I know.

I know.

I played it before and the game changed.

The game is so genius in its systems, but like the big chunk of the systems doesn't even reveal itself until you get past the first level.

And most people, I think, just die constantly in the first level.

Okay.

And I don't think in this case, it necessarily helps the game to keep a lot of that stuff secret.

There are tons of secrets in the game and like weird, esoteric, like alchemy shit.

That's fine.

You want to keep that a secret.

That's fine.

But like, the game does not tutorialize the fact that you can build these very uh intricate wands that have like

infinite combinations of like interactions with the world.

Um, and there's just like so much of it that I think is just obscured by the fact that it's a very difficult game to get one shot like immediately.

Um, so this is less of a recommendation, more of a criticism for the people that made it and how they should like change it, right?

Like, I'm not, I'm not asking them to change it, I think they should change it because I'd like to play it.

So, fix the things that Russ is saying, and then I'll play it.

Well, good news, Justin, because they do support Steam Workshop, which makes it incredibly easy to.

Allowing other people to fix it is not the same as fixing it, Russ.

I'm not a fan of this gig economy.

I already provided some mods that I'd recommend.

There's a great health container mod.

There's a mini-map mod that I think was just really good.

And all that stuff has just allowed me to appreciate the game in ways that I couldn't before in the same way that like Binding of Isaac gets infinitely more approachable and enjoyable when you have the item description mod installed that lets you know what you're picking up.

So do you think, Russ, can I ask you something?

Do you feel like that is, we've never really talked about this, but I think it's interesting.

As a mental thing, do you think that is a legitimate game design path?

Is to say, like,

if I put it in the game, then that's part of the game.

So the pure experience is without these.

But I do understand,

like, is it a mental trick?

Like, putting it outside the bounds of the video game itself makes it so that you're, you're not necessarily approaching it with those things in mind.

Like, are you talking about me or are you talking about the developers?

I'm talking about how you feel about that as a design thing.

How do you feel?

When you say that, you mean adding stuff together?

Yeah,

of recommending a game, but the game is designed to let people mod it to make it different than it is, like to make it easier or more accessible.

Like, because I always get in my head about, like, well, then is this like cheats?

Like, what am I, I don't know what experience you want me to be having, I guess, is my question.

Uh, I, I mean, here's what I did: I played a lot of the game without mods and experienced like the game as intended and found that I wasn't able to see as much of the game as I wanted to.

So the way I was able to get around that was by using mods.

And they

this is the thing I'm interested in.

Obviously, that's valid.

Do you, would you prefer that be part of the game?

Or is it better for you to be outside the bounds of that mentally?

It's, is it different?

Is it different?

No, I would rather it be part of the game because I think it opens, it makes it much easier for me to recommend this than saying, in addition to downloading the game, install these mods.

I'd rather just be like, pop into settings, turn this on, turn this on, turn this on.

I'd rather it be built in.

I understand it can't always be built in.

And honestly, like a lot of these things are like pretty intricate additions on top of a game that is already very intricate.

So it's possible like it creates more instability by having some of these on.

But

yeah, no, I

mean, it's tough because like the way the ones you recommended for Pining of Isaac like really unlocked it for me.

Like I really, I mean, I spent dozens of hours in that after those little tweaks.

Yeah.

And I think that's, it's a similar situation with Noita.

You know, there's also a really strong YouTube community of people making content around the game, explaining it and like how wand crafting works, things like that.

It's been great.

I'm playing on Steam Deck.

I think it's probably easier to play with the mouse and keyboard, but it is playable on Steam Deck.

It's just a little more challenging.

It sounds like it does not need that.

It sounds like it does not need any more challenge than it is.

There is a mentality that I have about when I'm adding mods.

I'm like, well, if I was playing on mouse and keyboard, it would be harder.

So let me see if I could balance things out.

You know, it would be easier.

So let me see if I could balance things out.

So, Noit is great.

It means which in Finnish.

Interesting.

I am playing Blue Prince.

Still under embargo.

But I'm talking about the demo.

I don't, yeah.

I don't even want you to talk about the demo.

Okay, well, I'm going to let people know that I'm having a nice time playing the demo.

Yes.

Blue Prince.

Okay.

It's a great game.

Don't tell me the secrets.

Did you guys figure out the secret of the title?

I figured this out.

I did yesterday.

Yeah.

I told Griffin live on the show, I told Griffin.

Yeah, and I experienced it too.

You see, Prince is normally known for being purple, but now he's blue.

Yeah, yeah, yeah.

Okay.

Sorry for being obnoxious on this episode, y'all.

Wait, sorry, that was pre-recorded.

I just have that saved as a bumper.

Let me play it again.

Hold on.

Sorry for being obnoxious on this episode, y'all.

Who was what you got?

Well, it was going to be Blueprints, honestly, so I don't know.

Nothing.

Nada.

Jack shit.

What did I?

Oh, okay.

I played the entirety of a game about digging a hole.

Oh, yeah.

I had a lot of flights.

So I played all of a game about digging digging a hole.

What is the game called?

A game about digging a hole.

No, no, no.

But what's the actual game?

So, you're right.

So that's fun.

You start with a

you guys already give the pitch on this.

I don't want to get it.

No, we haven't done this game.

You haven't done that?

Yeah, Griffin mentioned it.

I think maybe on a different episode, but he said it in passing.

It's a game about digging a hole.

You show up at, it is a 3D thing.

It is a three-dimensional first-person game where you show up at a house that you've purchased and you are told that there is treasure in the backyard

at the bottom of this

at the at the bottom somewhere in the backyard there's treasure and you get a very bad shovel and you're encouraged to start digging and when you god i hope you can upgrade that shovel oh good news man

you can upgrade the shovel you can start digging and you find minerals you take the minerals back with you to your shed and at the shed you sell the minerals and you can upgrade your digging you can buy a lamp to make the digging go better.

You can power up your jetpack to make getting out of your gigantic hole better.

And as you start digging deeper, you start finding

like

other dirt and more dirt that you can't break through right away.

So you got to get a better shovel to keep digging down.

And

it is very pleasurable.

Do you think it's like a clicker?

Is this a clicker?

It's not.

It's not.

It's really, it's more about the exploration, right?

Do you know what it reminded me of?

Okay.

I watched a lot of Curse of Oak Island, okay?

And on Curse of Oak Island, if you don't know, it's this show about these aging brothers.

Everybody's aging, middle-aged brothers, old men, that go out to this island in Canada where there is supposed to be treasure.

Everyone knows there's not treasure, but we all have to pretend there's treasure for the TV show.

And as they dig down,

Every once in a while, they'll be like, hey, we found wood fibers that date back 600 years.

We've got to keep digging here.

What's fun about this game is that you'll be digging and then you'll hit like something weird it's like i don't know what this is so i'm gonna i'm gonna excavate this thing to figure out what i'm looking at here that's fun and that's the whole thing that's it it's just about digging around the yard excavating there's obviously a it is obviously doing the video game loop of like

a very concentrated version of you get the thing you get the more powerful thing but it is you're not gated with any of that right so you could dig through the whole yard with just the basic shovel uh if you wanted to but why would you imagine telling

your let's say 10 year old self that you played two games this week for one of them it's like 200 hours long it is a one-to-one recreation of feudal japan you get to play his two awesome characters amazing story it looks real like it looks like it's real it's like a movie like it's like a movie and like

you can ride a horse you can climb up mountains the other one, you can dig a hole in the backyard.

It doesn't really look like a, it doesn't look like much of anything.

And there are different types of dirt.

I don't know.

It's like maybe like an hour long.

No guns.

And they're like, oh, great.

So, like, good thing you didn't have to play that dirt one very long.

No, no, no, no.

I'm sorry.

No, no, no, no, no.

I played all that and then went back and there was an achievement mode and I played some more of it.

So yeah, that's the one that I was really.

Yeah.

That sounds fucking sick.

I got it.

I'm like, legit, that sounds sick.

It's great.

Well, here's what I will say.

I've made more space in my heart for things that just bring me pleasure and calm.

And it was, I turned on a book and I dug around in this yard and I made a

like a nine-hour flight just disappear.

Yeah.

And it was amazing.

Oh, very quick, very quick.

I have a book for you specifically, Hoops.

I think you will love.

This will be my thing since I can't talk about blueprints.

Everything Must Go.

It's a non-fiction

critical history of apocalypse fiction, starting with the Torah and the Bible all the way up to like Last of Us.

And it is fantastic.

And it is that sweet spot where you can listen to it like you would a podcast and still be able to get your chores done and drive.

There's some nonfiction that I listen to where I'm like, it's too dense.

Can't can't listen to it while driving will run off the road.

This is right in that sweet spot.

And it is so good and has also just recommended so many books that I want to read now

along kind of the journey of the book.

It is awesome.

All right.

Cool.

We talked for so long even without Griffin.

Yeah.

Crazy.

Griffin and I did a long one too, just us too.

It's like we're not as anxious to get off when there's not four people screaming at each other.

I mean, that's it.

It's just more pleasant to conduct.

It's such a better show with three people.

I wanted to thank some folks over at the Patreon, patreon.com slash the besties,

some new members that have joined us, James, Sarah, Ashland, and the Eagle.

Thank you for joining us over there.

You can gift subscriptions to the besties at patreon.com slash besties slash gift if you want to get that for someone.

We also have a bunch of merch.

for besties specifically.

We have a nice bestie shirt.

There's like a challenge coin that has New York giraffe on it.

There's like cool shit in the merch store.

It's the McElroy merch store.

I don't know how to get there, but I'm sure you could Google it.

And search Bestie's stuff and it'll pop up.

I think we have a good sale going on right now for that stuff.

So keep an eye out.

Next week.

Next week's a big week.

The Switch 2 is being announced next week.

I imagine we'll probably do something on that.

And

maybe other games?

Yes.

Atom Fall?

One other note.

we have a new episode of the resties up but the ending got cut off a little bit short oh no and we will we were going to do a re-upload of that so people sorry about that fix i don't know how that happened all right i'll take the re-upon well that's going to do it for us for this week on the besties uh be sure to join us again next week for the besties because shouldn't the world's best friends pick the world's best games

Besties