Folge 120: Zirkuskinder, Liebe, Prügelei

1h 7m

Familienzusammenhalt, Traditionen, Liebe, Vorurteile, Tratsch und Körperkraft. Da kommt viel Schönes zusammen für diese Geschichte, die mit einem Unfall beginnt. Es wäre so schön, wenn die unfallfolgende Liebe zweier Zirkuskinder in Ruhe und einfach so stattfinden könnte. Aber: Da sind ja noch die Meinungen. Die Gerüchte. Die Ängste. Die Wut. Und ein amtliches Waffenlager. Was passieren kann, wenn sich die Familien ganz, ganz, ganz schlecht raushalten können aus den Angelegenheiten ihrer Kinder: Wir haben es Euch mitgebracht. Manege frei!



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Runtime: 1h 7m

Transcript

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Speaker 2 free and

Speaker 2 we have to do it. For example, there is a powerful

Speaker 2 arch for zimofium.

Speaker 2 The fruit for schnaidens,

Speaker 2 is tortured.

Speaker 2 I have a fruit,

Speaker 2 but

Speaker 2 the human torture

Speaker 2 and that is good for me. I market

Speaker 2 him with it.

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Speaker 4 can't say that

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Speaker 4 Prozeko, and the

Speaker 4 router,

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Speaker 2 a

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Speaker 2 the Let's

Speaker 2 George

Speaker 2 and

Speaker 2 the Great Britain, and then Hamilton

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Speaker 4 management,

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Speaker 4 have a project that is all stressed by

Speaker 4 you have a lot of people. That is

Speaker 2 why

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Speaker 2 English,

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Speaker 2 the Sarah, but

Speaker 2 and then we have

Speaker 2 to do

Speaker 2 so for

Speaker 2 a dimension, we can and say, okay, how do you see the audience

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Speaker 4 steady punk page slash DE slash foreign unter stutt.

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Speaker 2 and

Speaker 2 the photos of Alice, DC Reinhardt, or

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Speaker 4 information, so links to the inhalt

Speaker 4 article,

Speaker 4 or the publication,

Speaker 4 so build material,

Speaker 4 but also

Speaker 2 And it would also

Speaker 2 be

Speaker 2 good to

Speaker 4 so as to

Speaker 2 design.

Speaker 2 I want to see the temperature

Speaker 2 and

Speaker 2 the body

Speaker 2 of the

Speaker 2 music.

Speaker 2 We won't

Speaker 2 have

Speaker 4 Odenwald in

Speaker 2 Dream Boys is a guy, so

Speaker 2 I'm not sure if you're a good person.

Speaker 2 Sorry, there were a here Lord

Speaker 2 Life in Hamburg.

Speaker 4 How do you

Speaker 4 hit

Speaker 2 Frankfurt?

Speaker 2 bit more difficult. And this is netakal right,

Speaker 2 I must go in a statement.

Speaker 2 I would say

Speaker 2 that the gunside.

Speaker 4 Naturally,

Speaker 4 we

Speaker 4 have circus,

Speaker 4 and in this circus world, there is a word

Speaker 4 for Libya.

Speaker 4 What whatever.

Speaker 2 The clown and the circus director, that cannot be.

Speaker 4 That controversy

Speaker 4 isn't, and we feel the common

Speaker 4 circus,

Speaker 4 but

Speaker 4 my

Speaker 4 skin

Speaker 4 in a URA is a bagel.

Speaker 2 My circus, that we have a circus and the manator.

Speaker 2 That was a sell circus,

Speaker 2 and

Speaker 2 then you can see it.

Speaker 2 The wandering hint of platform

Speaker 2 and the kind of

Speaker 2 practice.

Speaker 4 Super good. And that

Speaker 4 circus leuke begins.

Speaker 2 Yeah.

Speaker 4 Super. That machine.

Speaker 4 That

Speaker 4 Schulzburg and Waiter Belong

Speaker 4 And

Speaker 4 that's

Speaker 4 why we

Speaker 4 bring

Speaker 4 notes

Speaker 4 for

Speaker 2 you.

Speaker 4 I mean,

Speaker 4 we structure that circumstances,

Speaker 4 and that

Speaker 4 is

Speaker 4 why I would

Speaker 4 say we

Speaker 4 all

Speaker 4 study for linked

Speaker 4 show notes in show notes.

Speaker 4 This is

Speaker 4 why we have a

Speaker 4 dry hundred circles.

Speaker 4 I was

Speaker 4 so

Speaker 4 happy.

Speaker 4 But that

Speaker 4 is dry and

Speaker 4 Europe. So

Speaker 4 I feel

Speaker 4 great,

Speaker 4 circus names were all croner.

Speaker 2 I got a great

Speaker 2 circus.

Speaker 4 better

Speaker 4 in articulation

Speaker 4 and that

Speaker 4 artistic concentrate.

Speaker 4 And the rest of the

Speaker 4 million circles.

Speaker 2 When the hundred million, when hundred million is

Speaker 2 growth, then

Speaker 2 caufen also

Speaker 2 within

Speaker 2 the halt that

Speaker 2 Moran

Speaker 2 was

Speaker 2 directed.

Speaker 2 So her

Speaker 2 tolls alley and

Speaker 2 all the alternatives

Speaker 2 that

Speaker 2 are

Speaker 2 not. But

Speaker 2 all the alternatives,

Speaker 2 there were no

Speaker 2 circuses.

Speaker 4 I have a report

Speaker 4 in the morning, a circus die for links.

Speaker 4 reportage, that

Speaker 4 we

Speaker 4 have a tag out and a thag up.

Speaker 4 This

Speaker 4 is also

Speaker 4 meeting,

Speaker 4 that

Speaker 4 wagen government

Speaker 4 when

Speaker 4 you

Speaker 4 cliche of

Speaker 4 Schlafen himself. That is

Speaker 4 not a very important thing. So the Ham School

Speaker 4 European

Speaker 4 Aurowagen, the Abbey,

Speaker 4 Mitchell, Walden Mussen. But this is what we have to get.

Speaker 4 So I have

Speaker 4 a good and

Speaker 4 is a kind of

Speaker 4 thing. That's why

Speaker 4 in the Schuleva, that is a model that

Speaker 4 in the circus

Speaker 4 in the

Speaker 4 state

Speaker 4 in the gas

Speaker 4 and

Speaker 4 that is a

Speaker 4 model

Speaker 4 as indirectly.

Speaker 4 So, Mal Gibbs

Speaker 4 that is not that circus and

Speaker 4 a derivative circus, that circus frank, but

Speaker 4 the former immigrants in the

Speaker 4 Schulegen in the Circus Gastir, that

Speaker 4 is a vinegar

Speaker 4 wax.

Speaker 4 Then

Speaker 4 also

Speaker 4 the Schuleford

Speaker 4 in other words, that is not

Speaker 4 the private

Speaker 4 sector, and

Speaker 4 the condition of Einstein, that

Speaker 4 is, and the then

Speaker 4 the continuity

Speaker 4 practice is that

Speaker 4 regenerative mobile

Speaker 4 is the

Speaker 4 same

Speaker 4 in Dutch federalists,

Speaker 4 the practice system

Speaker 4 that

Speaker 4 is a regulation.

Speaker 4 What we have to do is

Speaker 4 the

Speaker 4 tribute and also that circus

Speaker 4 is that

Speaker 4 the British

Speaker 4 biography. I think

Speaker 4 that

Speaker 4 biography is better

Speaker 4 within

Speaker 4 the authority.

Speaker 4 That seems to be a tribute to families.

Speaker 4 That is the kind of

Speaker 4 circus.

Speaker 4 The auschem also

Speaker 4 kind of

Speaker 4 familiar in costume also.

Speaker 4 popcorn for

Speaker 4 you.

Speaker 2 Or from

Speaker 2 here from trapped, or

Speaker 2 they

Speaker 2 feel or not.

Speaker 2 That

Speaker 2 circus

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Speaker 4 siege

Speaker 4 that we have in spectacular

Speaker 4 and best

Speaker 4 friends.

Speaker 4 That witch also

Speaker 4 has

Speaker 4 come to the circus world and the

Speaker 4 It's about an artist

Speaker 4 in the artist in circus naturally

Speaker 4 that von Klein also.

Speaker 4 So, Dutchland in the circus tradition

Speaker 4 and for all these

Speaker 4 families is familiar

Speaker 4 and identity.

Speaker 4 So, my

Speaker 4 regeneration, circumstances, monthana is so much a

Speaker 4 generation, circumstances also generation

Speaker 4 in the

Speaker 4 foreign

Speaker 4 family with leadership

Speaker 4 and the role

Speaker 4 of flexible.

Speaker 4 From

Speaker 4 public

Speaker 4 and

Speaker 4 the

Speaker 4 gel

Speaker 4 and

Speaker 4 the theater.

Speaker 4 And then

Speaker 4 Euro and

Speaker 4 the train

Speaker 4 is also

Speaker 2 not

Speaker 2 acrobat in Las Vegas

Speaker 2 or the

Speaker 2 campus

Speaker 2 and the hinge artists who stall and then restaurate for the

Speaker 2 public and feel organized in Florida,

Speaker 2 the

Speaker 2 artist

Speaker 2 is a

Speaker 2 broadened

Speaker 2 public

Speaker 2 and then

Speaker 2 the other thing.

Speaker 4 cooking,

Speaker 4 when you see

Speaker 4 the

Speaker 4 file, my kind and me,

Speaker 4 my kinsa,

Speaker 4 and I

Speaker 4 would

Speaker 4 say,

Speaker 4 and

Speaker 4 also

Speaker 4 a clinic for me, and

Speaker 4 we have

Speaker 4 to do it. And here we go, a teacher, a fair number

Speaker 4 Grossen Swarm Blue Troll

Speaker 4 and the Gan Klein Zwag, and the

Speaker 4 Witsigen Numa, so the

Speaker 4 market is

Speaker 4 not

Speaker 4 great

Speaker 4 and so on.

Speaker 4 Yeah, and that market

Speaker 4 in the Reich and

Speaker 4 Grossen Circus

Speaker 4 and Abstaint Annerman, Christian Staubs,

Speaker 4 tramples.

Speaker 4 And then

Speaker 4 Klein

Speaker 4 Grossenford

Speaker 4 in the festival

Speaker 4 and the

Speaker 4 four and the

Speaker 4 second director,

Speaker 4 the inner Kurtzite, they

Speaker 4 were

Speaker 4 calculated that

Speaker 4 when that

Speaker 4 has

Speaker 4 arguments that I'm going to do, because the

Speaker 4 12

Speaker 4 years

Speaker 4 and then also

Speaker 4 the

Speaker 4 circuit

Speaker 4 of the critical

Speaker 4 gun

Speaker 4 or Kali Marshpiel

Speaker 4 or

Speaker 4 that

Speaker 4 program

Speaker 4 then.

Speaker 2 But in time,

Speaker 2 we won't

Speaker 4 have a

Speaker 4 wealth with these hintergrounds in

Speaker 4 a circus familiar,

Speaker 4 but

Speaker 4 in circus families,

Speaker 4 with a circus familiar, the auchin with

Speaker 4 the city of the world,

Speaker 4 the

Speaker 4 Hamburg and Bambik

Speaker 4 also

Speaker 4 in the past, and that

Speaker 4 familiar car

Speaker 4 is a circus familiar

Speaker 4 with English.

Speaker 4 So, when

Speaker 4 you

Speaker 4 smile, also

Speaker 4 information accepted.

Speaker 4 That is not familiar with

Speaker 4 a circus in them, also

Speaker 4 familiar with

Speaker 4 the family. And that's why

Speaker 4 have English and

Speaker 4 the English English. And traditionally, this English also

Speaker 4 dashes.

Speaker 4 The

Speaker 4 modern families are

Speaker 4 okay because

Speaker 4 it is

Speaker 4 that

Speaker 4 we

Speaker 4 have a match,

Speaker 4 this family. That is the side point of value,

Speaker 4 so

Speaker 4 it is the artistic name, the clan between

Speaker 4 the two.

Speaker 2 Mark Allison

Speaker 2 or Fear, also

Speaker 2 the clown, the circus director, and also the artist,

Speaker 2 and

Speaker 2 the Eisen.

Speaker 4 So,

Speaker 4 good kannels, these

Speaker 4 artistic norms, and that is

Speaker 4 also sportliches, not sportliches,

Speaker 4 and

Speaker 4 they

Speaker 4 fit

Speaker 4 M Wiltespell, also

Speaker 4 the best normal is the best name,

Speaker 4 therefore

Speaker 4 we have

Speaker 4 This is

Speaker 4 an old school placard for aunt clown, that

Speaker 4 circus,

Speaker 4 Gastier Treut. That papier droke

Speaker 4 normal placard when

Speaker 4 the placard and social

Speaker 4 media placard and

Speaker 4 the family. Tania is fit.

Speaker 4 And Alice is

Speaker 4 a

Speaker 4 fall. And

Speaker 4 for a loss,

Speaker 4 then in

Speaker 4 Ziben, and

Speaker 4 what was all the circus

Speaker 4 telephony with

Speaker 4 the people? The telephone.

Speaker 4 So the gypsy was network and a

Speaker 4 lot of people and my learners and a kennel and the tutorie.

Speaker 4 And

Speaker 4 in the

Speaker 4 circles of circles,

Speaker 4 a

Speaker 4 reporter

Speaker 4 that

Speaker 2 The

Speaker 4 solution with another

Speaker 4 hospital

Speaker 4 in the money that we have with the straightforward

Speaker 4 tags

Speaker 4 and

Speaker 4 the script also

Speaker 4 for

Speaker 4 the

Speaker 4 same.

Speaker 4 That is quite a pretty smartphone era

Speaker 4 before

Speaker 4 smartphone and apps and so

Speaker 4 we have

Speaker 4 prepared and telephony.

Speaker 4 That is also the form of

Speaker 4 the case. The tanner learned a

Speaker 4 young can a young man as a

Speaker 4 self-and the telephone

Speaker 4 and the

Speaker 2 The clown for

Speaker 2 the Akrobaten.

Speaker 4 The clown is

Speaker 4 not

Speaker 4 the article that I

Speaker 4 have either.

Speaker 2 Yeah, Feuerbucker, Oberker Friend.

Speaker 4 So,

Speaker 4 and

Speaker 4 that's the group publication

Speaker 4 in

Speaker 4 the hinder also,

Speaker 4 that also

Speaker 4 Tanya Ganske now

Speaker 4 and the telephony work,

Speaker 4 feel, feel

Speaker 2 the

Speaker 4 author

Speaker 4 of the

Speaker 4 see in the light of the

Speaker 4 group chats, telephone chats in the inferfilm floor with another telephone conference.

Speaker 4 And

Speaker 2 the

Speaker 4 van,

Speaker 4 and so with the telephone,

Speaker 4 and then what

Speaker 4 English

Speaker 4 is

Speaker 4 set and

Speaker 4 a

Speaker 4 homerie family.

Speaker 4 That information,

Speaker 4 have a thematic that is also

Speaker 4 in the Ana Kennun,

Speaker 4 where

Speaker 4 this is

Speaker 4 a very important thing. Aine Große

Speaker 4 and

Speaker 4 Diggenbushabra

Speaker 4 Geschit ain't unfall little bit of

Speaker 4 car and

Speaker 4 the same thing.

Speaker 4 Armitages for

Speaker 4 the sound of the

Speaker 4 Luftwing

Speaker 4 at Fundamental Huh, what

Speaker 4 is it? So we have a minute, the

Speaker 4 streameter 2

Speaker 4 meter and the 100%.

Speaker 4 I want to

Speaker 4 Yeah, I was

Speaker 4 also

Speaker 4 for Nanda.

Speaker 4 And

Speaker 4 then

Speaker 4 the family,

Speaker 4 and that's

Speaker 4 it in a freighter.

Speaker 2 And Jesus

Speaker 2 formats.

Speaker 2 Oh, God.

Speaker 2 Stendig.

Speaker 4 But last man

Speaker 4 when Leuter Zuko,

Speaker 2 Heud Williams, Nana Flingenner, Jung, and this man

Speaker 2 is not

Speaker 4 have to

Speaker 4 go

Speaker 4 ahead and

Speaker 4 speak

Speaker 4 so that the middle thing

Speaker 4 is nothing.

Speaker 2 I mean, we have

Speaker 2 a lady,

Speaker 2 but the West Munda.

Speaker 2 This is a still, this is still

Speaker 4 in the hurricane, and then established this,

Speaker 4 and

Speaker 4 all

Speaker 4 the families

Speaker 4 with the Nord

Speaker 4 and also the police

Speaker 4 in the clips clinic in Bambik,

Speaker 4 Barbicane, that after Hamburg or Ancookdas is

Speaker 4 the clinic,

Speaker 4 and

Speaker 4 the hatred of the natural

Speaker 4 angst that

Speaker 4 can

Speaker 4 be done, and

Speaker 4 the

Speaker 4 traumatis hangs.

Speaker 2 Speterer

Speaker 4 traumatis is not

Speaker 4 the

Speaker 4 only

Speaker 4 one, but it is hard to traumatize.

Speaker 4 of

Speaker 4 quality and bringing this feeling.

Speaker 4 This

Speaker 4 is also

Speaker 4 a crankhaus and

Speaker 4 2012 in the

Speaker 4 right hand,

Speaker 4 but the crankenhausen

Speaker 4 winded him.

Speaker 4 That

Speaker 4 can be

Speaker 4 Monday and the telephone.

Speaker 4 He has

Speaker 4 been

Speaker 4 in Hessen in North Authority.

Speaker 4 We wouldn't. have

Speaker 4 familiar to them,

Speaker 4 we would

Speaker 2 say

Speaker 2 families

Speaker 2 a family or commander for English,

Speaker 2 the circus is the concurrent.

Speaker 2 So, that we

Speaker 5 agent that knows you and your business thinks ahead and takes action. Tells it anything, seriously.
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Speaker 3 Hi, this is Evan Ross Katz from Shut Up Evan.

Speaker 3 And before the curtain rises on Wicked for Good, make sure you've got the star of the night, Absolute's limited edition sequence leave bottle shimmering pink to green in true ASEAN fashion.

Speaker 3 Get yours at absolute.com or a store near you, then mix up something magical, like an espresso martini or osmopolitan, made with absolute vodka. Don't miss Wicked for Good Now in Theaters.

Speaker 3 Must be 21 or older to purchase, enjoy responsibly, Absolute Vodka, product of Sweden, 40% alcohol by volume, distilled from grain, copyright 2025, imported by Absolute Spirits Company, New York, New York, Universal City Studios, LLC.

Speaker 4 That Zu gibzen pa ausang in reportage, Aba Auchen par unter Zuchong undba had ein

Speaker 4 ein wissenschaftlasich

Speaker 4 The

Speaker 4 daring

Speaker 4 statement,

Speaker 4 so

Speaker 4 we have concurrences, and that circus

Speaker 4 also

Speaker 4 familiarity.

Speaker 4 The

Speaker 4 woman

Speaker 4 had

Speaker 4 The

Speaker 4 Gutenberg platform,

Speaker 4 whatever, the

Speaker 4 story, we

Speaker 4 can

Speaker 4 begin to

Speaker 4 say

Speaker 4 that

Speaker 4 the tier and the water.

Speaker 4 So, I

Speaker 4 family is

Speaker 4 a very good idea. It is about

Speaker 4 family,

Speaker 4 So, it's a kind of

Speaker 4 consequence and that

Speaker 4 is

Speaker 4 in the foregoing,

Speaker 4 then they

Speaker 4 have seen

Speaker 4 what

Speaker 2 it is, okay, when

Speaker 2 it was

Speaker 2 good. But

Speaker 2 I think that would be

Speaker 2 a bow, that would

Speaker 2 be

Speaker 4 these artistic nomenclatures.

Speaker 4 Andrew

Speaker 4 Arbaiten and Mark

Speaker 4 Monad notes is that

Speaker 4 mirror,

Speaker 4 the Hamburger Morgan Post, the Tats, the Hamburger,

Speaker 4 the Library,

Speaker 4 Walter, to

Speaker 4 Zones, the directors of the Hessian Circus D

Speaker 4 and the lesson

Speaker 4 and

Speaker 4 young man

Speaker 4 Maldaniel and Mosen,

Speaker 4 Mal Daniel, and Tanya.

Speaker 4 So

Speaker 4 these

Speaker 4 Auskebuggs and Met Daniel and Terwick

Speaker 4 Auskebugst is the niche that

Speaker 4 Romeo and Julia

Speaker 4 Australia,

Speaker 4 not

Speaker 4 yet familiar,

Speaker 4 and so

Speaker 4 on the radar.

Speaker 4 And Glaucus,

Speaker 4 I was thinking about it.

Speaker 4 That kind of idea.

Speaker 4 So, what

Speaker 4 is that

Speaker 4 Daniel

Speaker 4 also under

Speaker 4 families

Speaker 4 in a castle and

Speaker 4 it is not

Speaker 4 a castwagen experience

Speaker 4 in this family and with

Speaker 4 it. And

Speaker 4 in

Speaker 4 April,

Speaker 4 telephonia

Speaker 4 is

Speaker 4 not

Speaker 4 a

Speaker 4 comedy, and data

Speaker 4 won't

Speaker 4 have

Speaker 4 and so and

Speaker 4 the

Speaker 4 midwife that

Speaker 4 we have.

Speaker 2 But it is

Speaker 4 not

Speaker 4 the same. That is why we

Speaker 4 Yeah,

Speaker 4 but

Speaker 4 you know, there are no

Speaker 4 SMS

Speaker 4 and Iron Mutter and Ann Jan Fata and

Speaker 4 Oke, this is Alison Ordnung, I guess,

Speaker 4 so familiar

Speaker 4 from Daniel

Speaker 4 Philippe

Speaker 4 and I.

Speaker 4 Well, so

Speaker 4 it also

Speaker 4 is

Speaker 4 also

Speaker 4 and Alstie Tanya Dot Ankomp by the familiar

Speaker 4 tradition?

Speaker 4 Dasaka des

Speaker 4 Daniel designer

Speaker 4 and

Speaker 4 fragment,

Speaker 4 so we have the rigging.

Speaker 2 So

Speaker 2 I have a talk and

Speaker 2 a lot of people are going to be able to do it.

Speaker 4 There we go.

Speaker 4 And

Speaker 4 then you have to do it.

Speaker 2 Mine also.

Speaker 4 Yeah.

Speaker 2 We will make the male.

Speaker 4 Meanwhile,

Speaker 4 in the

Speaker 4 body check,

Speaker 2 I certainly

Speaker 2 don't know what

Speaker 2 to do.

Speaker 4 stresswitzenerglaws and

Speaker 4 situation.

Speaker 4 I think the situation in the sidewalk

Speaker 4 is

Speaker 4 a

Speaker 4 stress.

Speaker 4 So what

Speaker 4 I'm talking about is

Speaker 4 that I think

Speaker 4 it is not so okay.

Speaker 4 And

Speaker 4 we

Speaker 4 also have an

Speaker 4 awful lot.

Speaker 2 Yeah,

Speaker 4 there are also

Speaker 4 Daniel sex with

Speaker 4 English,

Speaker 4 can so much.

Speaker 4 This model has

Speaker 4 baroness and

Speaker 4 also

Speaker 4 the Matzels and Worldwagen, that

Speaker 4 we have to do. We bring these qualities out,

Speaker 4 Mazelles, Heufichen,

Speaker 4 these goods. They are permanent and

Speaker 4 so on. The brain autos.
So, can we do what investments is

Speaker 4 costed?

Speaker 2 so

Speaker 4 the motor from Daniel

Speaker 4 Bitten

Speaker 4 from Elton Library.

Speaker 4 And my

Speaker 4 specialty that Alice

Speaker 4 is

Speaker 4 English that you

Speaker 2 have to do.

Speaker 4 So, what a gang

Speaker 4 was

Speaker 4 in the world.

Speaker 4 here.

Speaker 4 The

Speaker 4 good wagon

Speaker 4 and the

Speaker 4 middle. And

Speaker 2 in circles,

Speaker 2 it is a very important thing.

Speaker 4 a

Speaker 4 lot of here and

Speaker 4 there.

Speaker 4 I want to moment

Speaker 4 and

Speaker 4 also

Speaker 4 can can't be aware of it.

Speaker 4 Yeah, that's also a farther

Speaker 4 best artist, also

Speaker 4 a

Speaker 4 hundred

Speaker 4 kin from

Speaker 4 So what about

Speaker 4 artistic norms, this also

Speaker 4 hopes, but

Speaker 4 also the costume.

Speaker 4 This Manesian costume, the Tales, these are toy, the mission,

Speaker 4 you were

Speaker 4 also

Speaker 4 costume, these

Speaker 4 An irresteller in

Speaker 4 the family

Speaker 4 Bruder, there was

Speaker 4 nothing to do with a woman

Speaker 4 that

Speaker 4 castle family for bond,

Speaker 4 the wonder,

Speaker 4 the

Speaker 4 habit, and this man

Speaker 4 is

Speaker 4 not.

Speaker 4 The criterion,

Speaker 4 so that

Speaker 4 the most battle

Speaker 4 can

Speaker 4 win.

Speaker 4 Yeah, yeah, yeah.

Speaker 4 This

Speaker 4 is nice for the familiar

Speaker 4 tutorial,

Speaker 4 but it is also

Speaker 4 how

Speaker 4 it is.

Speaker 4 So, this

Speaker 4 is

Speaker 4 what

Speaker 4 the carbon dieus

Speaker 4 better

Speaker 4 is that

Speaker 4 nineteen

Speaker 4 hundred

Speaker 4 is dashed by early

Speaker 4 machines. And that

Speaker 4 wild

Speaker 4 and

Speaker 4 Daniel and the

Speaker 4 And also,

Speaker 4 it is Michael Lassen and

Speaker 4 Julie 2002 and

Speaker 4 these

Speaker 4 families, the circus,

Speaker 4 and the ferns here,

Speaker 4 And that's why we have a part of the box.

Speaker 2 Yeah, so I have to box cooked.

Speaker 4 So

Speaker 4 I

Speaker 2 would say

Speaker 2 that the body is a little bit more than a little bit

Speaker 2 boxer totally.

Speaker 2 So what kind of tracks are the boxes?

Speaker 4 What

Speaker 4 is the box

Speaker 4 in this

Speaker 4 Julie in the Zomanakie romantic

Speaker 4 with a wisdom with

Speaker 4 this angry in a

Speaker 4 picture

Speaker 4 in that

Speaker 4 Daniel Kukundas and

Speaker 4 Plutzlich

Speaker 4 Plutzlich comd for

Speaker 4 Tanya.

Speaker 2 And

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Speaker 3 Hi, this is Evan Ross Katz from Shut Up Evan.

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Speaker 4 Spetazang Zeforge

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