"Auslandsadoption: Eine Reise zu den eigenen Wurzeln" mit Prasanna
Prasannas Geschichte beginnt 1993 in Ullal, Indien, wo sie in einem Kinderheim zur Welt kommt. Mit einem Jahr wird sie von einem deutschen Ehepaar adoptiert. In Deutschland erlebt sie eine behütete Kindheit. Ihre Eltern gehen offen mit ihrer Herkunft um und vermitteln ihr stets das Gefühl, geliebt und gewollt zu sein. Dennoch wird Prasanna früh bewusst, dass sie anders ist.
Während ihrer Jugend lehnt sie den Teil an sich, den sie als „indisch“ wahrnimmt, eher ab – vor allem, weil sie sich mit den hier verbreiteten Vorurteilen nicht identifizieren kann. Diese Einstellung ändert sich, als ihre Schwester schwanger wird und Prasanna miterlebt, welche intensive Bindung ihre Schwester schon vor der Geburt zu ihrem Kind aufbaut. Prasanna beginnt, ihre eigene Lebensgeschichte ganz neu zu hinterfragen und wagt im November 2024 schließlich den Schritt, nach Indien zu reisen.
Mit über 30 Jahren ist sie zum ersten Mal in ihrem Leben überwiegend von Menschen umgeben, die aussehen wie sie. Sie besucht Kerala, die Region, aus der ihre Mutter stammt, und Ullal, wo noch immer das Kinderheim besteht, in dem sie geboren wurde.
Diese Reise bedeutet für Prasanna eine Annäherung an ihre Herkunft, die Aufarbeitung ihrer Vergangenheit und einen wichtigen Schritt zu sich selbst – und klar ist: Es war nicht ihre letzte Reise nach Indien.
Bleib auf dem Laufenden über Philipp und seine Projekte auf Instagram:
@philippfleiter
Dieser Podcast ist eine Produktion von Philipp Fleiter und WeMynd im Auftrag von Podimo.
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Transcript
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Speaker 1 I feel fleeit and Ichtref in this podcast mentioned this one moment
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Speaker 1 with Alternative Lieb and
Speaker 1 Stuttgart, and Eric
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Speaker 1 a little bit more than a week, we were
Speaker 1 podcasts. I
Speaker 1 think we
Speaker 1 need
Speaker 1 to
Speaker 1 stay
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Prasanna is in
Speaker 1 India, and Iran
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Speaker 1 Reuters is the
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Speaker 1 Hi, Prasanna.
Speaker 5 Hi, Philip.
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Speaker 5 we
Speaker 1 have to spoil
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Speaker 1 good. Markets randomly
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Speaker 5 want to
Speaker 5 draw and
Speaker 5 fly
Speaker 5 institutions that would
Speaker 5 group.
Speaker 5 And I have a flyer with you, that's why I
Speaker 5 don't know.
Speaker 5 And
Speaker 5 that is
Speaker 5 what I was
Speaker 5 not so wide.
Speaker 5 And
Speaker 5 then in my Natasha Gallagher, and then I
Speaker 5 was talking about
Speaker 5 the contact,
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Speaker 5 nothing,
Speaker 5 and then
Speaker 5 it's the breakfast.
Speaker 5 How
Speaker 5 do you
Speaker 5 have
Speaker 5 emails and the addresses of the flyer?
Speaker 5 And there were a telephone
Speaker 5 and then
Speaker 5 groups about
Speaker 5 the commons and then
Speaker 5 the other thing.
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Speaker 5 Garnish, so this book is
Speaker 5 not
Speaker 5 Gannich
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Speaker 5 Bornwood is
Speaker 5 And I was
Speaker 5 not in the village,
Speaker 5 that is also
Speaker 5 okay.
Speaker 5 It would be annoying about
Speaker 5 it.
Speaker 5 And then
Speaker 5 as
Speaker 5 the Zoom
Speaker 5 Reisborough, that I
Speaker 5 was
Speaker 5 committed to
Speaker 5 the organization,
Speaker 5 I would say that we
Speaker 5 could
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Speaker 5 concentration,
Speaker 5 and I
Speaker 5 can't, and then I wish I could
Speaker 5 not hostel or whatever.
Speaker 5 That is very great
Speaker 5 that we
Speaker 5 have a control,
Speaker 5 but I don't know if
Speaker 5 you can see it.
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Speaker 1 Hamburg,
Speaker 1 and
Speaker 1 then in November 2007,
Speaker 1 then not Indian floggings, and
Speaker 1 not all
Speaker 1 partners with the students
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Speaker 1 what
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Speaker 1 Or what is spontaneous when I complete it?
Speaker 5 Yeah.
Speaker 5 So
Speaker 5 I
Speaker 5 think
Speaker 5 that Hinge or the Hingeflogger, and that was
Speaker 5 also
Speaker 5 relatively
Speaker 5 hard.
Speaker 5 And I was about to say
Speaker 5 hindered, and we
Speaker 5 also
Speaker 5 have
Speaker 5 the
Speaker 5 themes, and we can
Speaker 5 see, and we can
Speaker 5 go and
Speaker 5 try to
Speaker 5 Yeah, so that's why
Speaker 5 super intensive
Speaker 5 and
Speaker 5 weight
Speaker 5 I
Speaker 5 was
Speaker 5 also
Speaker 5 coming, and that was
Speaker 5 hurt, that you
Speaker 5 know, and that
Speaker 5 we
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Speaker 5 the three-day
Speaker 5 moment.
Speaker 5 I was
Speaker 5 cooked, I suppose, the root of the air gaze, and I have the
Speaker 5 Christages, and the Ganston Palm, and Klein Heuser, and
Speaker 5 that
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Speaker 5 here
Speaker 5 in Kochi
Speaker 5 with
Speaker 5 Kerala. That's why
Speaker 1 I'm not
Speaker 1 going to
Speaker 1 flukhen,
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Speaker 5 I'm not going to be able to do it.
Speaker 5 And one moment
Speaker 5 what restrictions we have
Speaker 5 and
Speaker 5 the
Speaker 5 angle and
Speaker 5 tolerance of
Speaker 5 what
Speaker 5 momentum that
Speaker 5 I possess and
Speaker 5 that
Speaker 5 we
Speaker 5 the work we have
Speaker 5 to feel
Speaker 5 the security, that is
Speaker 5 not my extraordinary
Speaker 5 content,
Speaker 5 it. And by
Speaker 5 the way,
Speaker 5 how do we
Speaker 5 do something?
Speaker 5 That's a momentum.
Speaker 5 So,
Speaker 5 I think
Speaker 5 it's not angle.
Speaker 1 Yeah, that is
Speaker 1 why
Speaker 1 I was
Speaker 1 saying that the
Speaker 1 indolence
Speaker 1 well as this kinderheim in the born in Ulal when
Speaker 1 you're in the corner.
Speaker 1 We have to
Speaker 1 plant, so that we can
Speaker 1 borrow, or
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Speaker 5 have to
Speaker 5 say,
Speaker 5 Garnish Anger, a far
Speaker 5 documentary.
Speaker 5 I was
Speaker 5 that
Speaker 5 kinderheims
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Speaker 5 authorities.
Speaker 5 And we presented
Speaker 5 an half point,
Speaker 5 and I think
Speaker 5 that
Speaker 5 when
Speaker 5 we were
Speaker 5 think
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Speaker 5 that we have
Speaker 5 grid or
Speaker 5 what organized. And my partner had also been
Speaker 5 done in Ulal Zen, but in Mangalore, Mengalo is the group and ULA
Speaker 5 you have to say when
Speaker 5 in Mangalore,
Speaker 5 and
Speaker 5 it is
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Speaker 5 a very important thing, but Steve and Mirvost
Speaker 5 and William Walder, then
Speaker 5 you have to do it.
Speaker 1 And then
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Speaker 1 Nonen. Nimmun with
Speaker 1 it, and
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Speaker 1 solar side and the odds, and the host
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Speaker 5 will also
Speaker 5 say in the state,
Speaker 5 but that means
Speaker 5 that can learn and then have an inland fluke and
Speaker 5 bangalore narrow
Speaker 5 flogging and that is in Kanate, so we have an
Speaker 5 attack.
Speaker 5 And there are
Speaker 5 states that are tourists.
Speaker 5 That
Speaker 5 also
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Speaker 5 and European,
Speaker 5 organized, we had so much.
Speaker 5 And then we
Speaker 5 had a direction
Speaker 5 of this.
Speaker 5 Are you
Speaker 5 a very kind of
Speaker 5 okay? That is
Speaker 5 Kirala. And I
Speaker 5 also
Speaker 5 skeptical,
Speaker 5 so
Speaker 5 that we
Speaker 5 can
Speaker 5 hotel that we have
Speaker 5 drinks, and what
Speaker 5 okay
Speaker 5 we would say when
Speaker 5 that waltz is
Speaker 5 also
Speaker 5 And then we have a
Speaker 5 kind of
Speaker 5 a woman, and it also
Speaker 5 isn't, and then
Speaker 5 also
Speaker 5 a phobia,
Speaker 5 and the author's dimension, and I know a copy of the
Speaker 5 and what
Speaker 5 I
Speaker 5 think Google Maps can't
Speaker 5 be street views,
Speaker 5 and that
Speaker 5 reminds me of the straightest
Speaker 5 or the
Speaker 5 street view of the straight language, and that's why we
Speaker 5 have to
Speaker 5 go
Speaker 5 by Google Maps.
Speaker 5 And yes, is not,
Speaker 5 and that
Speaker 5 is
Speaker 5 a
Speaker 5 great
Speaker 5 thing, and there were
Speaker 5 platforms, and we have a Kappelle, and
Speaker 5 what we
Speaker 5 have
Speaker 5 is with Kappelle, and links to
Speaker 5 19,000 platforms, and
Speaker 5 then
Speaker 5 we also
Speaker 5 about that, and also
Speaker 5 I know that
Speaker 5 completely
Speaker 5 and
Speaker 5 this garden
Speaker 5 and the Kappelle form, and that
Speaker 5 counterrector
Speaker 5 on
Speaker 5 videos for my alternative Macham,
Speaker 5 and I'm hoping and that
Speaker 5 directs a kind of
Speaker 5 strand, and my counterhead, and that we
Speaker 5 have
Speaker 5 to
Speaker 5 realize that
Speaker 5 work.
Speaker 5 I
Speaker 5 want to
Speaker 5 do
Speaker 5 it, that we
Speaker 5 are going to be, and
Speaker 5 then
Speaker 5 when Grushras
Speaker 5 was,
Speaker 5 and when
Speaker 5 the
Speaker 5 non-ages, that
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Speaker 1 the same.
Speaker 7 You check your hair and reflective surfaces and the world around you for recession indicators. So you check all that, but you don't check to see what your ride options are.
Speaker 5 In this economy, next time, check left.
Speaker 1 And then
Speaker 1 a new mirror nonengines.
Speaker 5 How many
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Speaker 5 and the non campaign and
Speaker 5 the
Speaker 5 channel
Speaker 5 plan,
Speaker 5 and then we
Speaker 5 had to
Speaker 5 say,
Speaker 5 and that I
Speaker 5 would say, and that's
Speaker 5 an adoption, and
Speaker 5 document computers for
Speaker 5 my adoptions and
Speaker 5 then
Speaker 5 photos
Speaker 5 for me. And also, the photos
Speaker 5 also
Speaker 5 adopted
Speaker 5 a
Speaker 5 wonderful
Speaker 5 and then
Speaker 5 okay, that
Speaker 5 is also a kind
Speaker 5 of
Speaker 5 comment,
Speaker 5 where we can, and then
Speaker 1 What is
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Speaker 1 I mean, it is more
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Speaker 5 that's why
Speaker 5 the Fraun as we have all
Speaker 5 the
Speaker 5 time
Speaker 5 for
Speaker 5 the people
Speaker 5 that
Speaker 5 are a kind of
Speaker 5 a family. Yeah, that's a good feel for Heimmar and we
Speaker 5 are familiar with Trotsky also, that I don't know what
Speaker 1 This
Speaker 1 is
Speaker 1 what
Speaker 1 we
Speaker 1 can do in Metro.
Speaker 5 Yeah, exactly.
Speaker 5 I have photos,
Speaker 5 the
Speaker 5 other machine
Speaker 5 for Order, and then the Photoshop, and then
Speaker 5 that also,
Speaker 5 okay, that's all and
Speaker 5 also that
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Speaker 5 Alice,
Speaker 5 and then
Speaker 5 I
Speaker 5 see and then
Speaker 5 that okay is that a cook and then a
Speaker 5 festival and
Speaker 5 then Alice
Speaker 5 and then
Speaker 5 this
Speaker 5 completely
Speaker 5 house that
Speaker 5 we
Speaker 5 have and she has
Speaker 5 And here, that's the room that we have.
Speaker 5 That's the way,
Speaker 5 and then we can come and then
Speaker 5 engage
Speaker 5 in the moment
Speaker 5 to
Speaker 5 go in this room for the bashback and do
Speaker 5 it.
Speaker 5 And then parallel
Speaker 5 photos of my
Speaker 5 habit, and
Speaker 5 then cook,
Speaker 5 we
Speaker 5 have
Speaker 5 this photo, and then I was
Speaker 5 in the moment
Speaker 5 that
Speaker 5 this tour with the
Speaker 5 market, and we have the house
Speaker 5 cooked and my altar
Speaker 5 that
Speaker 5 identifies
Speaker 5 this house, and then we have to do
Speaker 5 platforms. That's what happened to Alton with
Speaker 5 the moment,
Speaker 5 and then
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Speaker 5 were
Speaker 5 the moment of the
Speaker 5 water, and
Speaker 5 what gale
Speaker 5 and that,
Speaker 5 and that man
Speaker 5 fueled that
Speaker 5 lesson.
Speaker 1 What is
Speaker 1 all emotional? That's a emotional moment, or
Speaker 5 what emotional
Speaker 5 room in the Ich in the photo, but other people of the Board, and that one
Speaker 5 can
Speaker 5 also be,
Speaker 5 yeah,
Speaker 5 and there are people and also
Speaker 5 we also
Speaker 5 have the flies and
Speaker 5 identifiers and
Speaker 5 whatnot.
Speaker 5 And then
Speaker 5 my mother, as my adoptive motor, but also the board
Speaker 5 for these flies and
Speaker 5 that
Speaker 5 emotional moment when I practice
Speaker 5 with
Speaker 5 photos
Speaker 5 and so
Speaker 5 on,
Speaker 5 then
Speaker 5 the director Hinterlag and Hammond
Speaker 5 Gesett and
Speaker 5 Halt Suzweil, when all
Speaker 5 the designers,
Speaker 5 and that so long that
Speaker 5 it is
Speaker 5 here, and
Speaker 5 then also inner solution.
Speaker 5 Susie, and
Speaker 5 then inner wigs, that's
Speaker 5 that
Speaker 5 and
Speaker 5 that
Speaker 5 also,
Speaker 5 and with me then,
Speaker 5 what
Speaker 5 a grave and
Speaker 5 also.
Speaker 1 That's what I mean.
Speaker 5 Yeah, so
Speaker 5 I
Speaker 5 don't know what I
Speaker 5 was
Speaker 5 doing.
Speaker 5 So, what
Speaker 5 I'm talking about, can we
Speaker 5 also
Speaker 5 bring and
Speaker 5 what is
Speaker 5 the culture of Euroculture?
Speaker 5 Or
Speaker 5 is it
Speaker 5 also
Speaker 5 a very important thing?
Speaker 1 Do you
Speaker 1 know what
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Speaker 5 Yeah.
Speaker 5 That is also capital so that
Speaker 5 what
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Speaker 5 say
Speaker 5 in
Speaker 5 the middle of the kennel
Speaker 5 there also
Speaker 5 photos of
Speaker 5 the families
Speaker 5 that supergarn supergarless.
Speaker 5 I mean,
Speaker 5 I was here, or
Speaker 5 so,
Speaker 5 or
Speaker 5 Kein Kennel.
Speaker 5 And that market,
Speaker 5 and Naturally, also
Speaker 5 Finnish woman
Speaker 5 is
Speaker 5 Clara
Speaker 5 what
Speaker 5 we can do,
Speaker 5 and we
Speaker 5 are also going to be able to do it. This
Speaker 5 is the same thing. And we
Speaker 5 also
Speaker 5 have to
Speaker 5 do it as
Speaker 5 well.
Speaker 5 Before
Speaker 5 she
Speaker 5 is and what we
Speaker 5 are
Speaker 1 doing,
Speaker 1 I would say.
Speaker 1 What
Speaker 1 people
Speaker 1 do,
Speaker 1 you know,
Speaker 1 what
Speaker 1 India
Speaker 1 is in.
Speaker 5 So,
Speaker 5 I would say
Speaker 5 that super
Speaker 5 inner
Speaker 5 brain, I would feel
Speaker 5 innerly,
Speaker 5 and what
Speaker 5 I can
Speaker 5 do,
Speaker 5 I sold
Speaker 5 India, but we
Speaker 5 dimension, we
Speaker 5 culture
Speaker 5 the temperature, and that
Speaker 5 moment for me.
Speaker 1 The
Speaker 1 adoption was
Speaker 1 the gross
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Speaker 1 So,
Speaker 1 the same thing, that is kind of good and
Speaker 1 the students
Speaker 1 and so on and so forth.
Speaker 5 finish and also
Speaker 5 that
Speaker 5 we feel a culture,
Speaker 5 that
Speaker 5 culture can
Speaker 5 be a very important thing.
Speaker 5 But on the other side,
Speaker 5 can I
Speaker 5 adopt
Speaker 5 it? So, I would say the need for
Speaker 5 we
Speaker 5 were
Speaker 5 in
Speaker 5 that side
Speaker 5 in the non-generation,
Speaker 5 but this time
Speaker 5 we white saviorism, because
Speaker 5 I was
Speaker 5 not in the
Speaker 5 body, that we
Speaker 5 can
Speaker 5 also
Speaker 5 stick and we can
Speaker 5 adopt
Speaker 5 and
Speaker 5 in
Speaker 5 families
Speaker 5 and the family
Speaker 5 that
Speaker 5 we
Speaker 5 have to
Speaker 5 egoistic and what
Speaker 5 kind of
Speaker 5 art or egoistic.
Speaker 1 So, when you understand,
Speaker 1 we
Speaker 1 are
Speaker 1 kind of humble and
Speaker 1 you can't.
Speaker 1 We read
Speaker 1 white saviorism, the buddy
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Speaker 1 directs
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Speaker 1 the world. But I can all
Speaker 1 be a Schulklas Fruleer, the the Schwarzenegger Danker
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Speaker 1 der Spenten Oda antigen
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Speaker 1 the von Weissen Hilfrus
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Speaker 1 corruption.
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Speaker 1 colonialism,
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Speaker 1 2012, the British Nigerian
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Speaker 1 title of
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Speaker 1 the Wiserata and the Stuttgart
Speaker 1 brutal politics
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Speaker 1 it, and also I derive
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Speaker 1 The Lusun cannot be in succumbing
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Speaker 1 We
Speaker 1 have a benefit and the
Speaker 1 project and
Speaker 1 solution. Many reflections
Speaker 1 we
Speaker 1 respectful and
Speaker 1 the
Speaker 1 dimension of
Speaker 1 it.
Speaker 1 But it's good that
Speaker 1 we
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Speaker 5 Yeah, so now I would also say that
Speaker 5 I
Speaker 5 feel like
Speaker 5 that we
Speaker 5 have also
Speaker 5 the time and
Speaker 5 also
Speaker 5 can't.
Speaker 5 I feel that
Speaker 5 I
Speaker 5 culture also
Speaker 5 biologically,
Speaker 5 and
Speaker 5 that we
Speaker 5 can't.
Speaker 5 culture and
Speaker 5 also
Speaker 5 contact.
Speaker 5 And I wish that I
Speaker 5 would not
Speaker 1 definitely
Speaker 1 Indian.
Speaker 5 I just
Speaker 5 let them
Speaker 5 know that it is a very important thing.
Speaker 1 We come
Speaker 1 to end,
Speaker 1 and
Speaker 1 we have an
Speaker 1 hat
Speaker 1 or a language for the hero.
Speaker 1 What would you mention with the
Speaker 1 end of the
Speaker 1 situation?
Speaker 1 What
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Speaker 1 a person.
Speaker 5 So, in
Speaker 5 the world, as I
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Speaker 5 works,
Speaker 5 that
Speaker 5 is what
Speaker 5 I think that
Speaker 5 moment is. So, that's also
Speaker 5 And we
Speaker 5 drift, and that all
Speaker 5 comes, and when
Speaker 5 you come to
Speaker 5 this, that moment is that the
Speaker 1 kanche
Speaker 1 and passions and speakers.
Speaker 1 Do you see the podcast?
Speaker 1 And cancel the
Speaker 1 question
Speaker 1 in the state.
Speaker 1 Erste
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Speaker 1 on this moment,
Speaker 1 but now we need to go back to
Speaker 1 the
Speaker 1 auspices.
Speaker 1 And
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Speaker 5 I
Speaker 5 was
Speaker 5 think
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Speaker 5 a museum of rattles, when
Speaker 5 the robot
Speaker 5 in water,
Speaker 5 that in waterfall,
Speaker 5 a
Speaker 5 gun,
Speaker 5 and
Speaker 5 then
Speaker 5 we have English, whatever it is, organic or not.
Speaker 1 That music
Speaker 1 English with total space, but
Speaker 1 this moment
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Speaker 1 height
Speaker 1 that
Speaker 1 is the moment of relatively, and so we
Speaker 1 read
Speaker 1 that so much
Speaker 1 or that
Speaker 1 we
Speaker 1 have
Speaker 1 total span, because
Speaker 1 we
Speaker 1 are normal
Speaker 1 than
Speaker 1 that
Speaker 1 what we also
Speaker 1 of
Speaker 1 hate
Speaker 1 total span that
Speaker 1 person.
Speaker 5 Thank you, School. Yeah, that's a hill and
Speaker 5 a little bit of a teacher.
Speaker 1 I personally
Speaker 1 find
Speaker 1 a floor.
Speaker 1 Prasanna would be adopted by the
Speaker 1 bracket and
Speaker 1 a gun familiar and
Speaker 1 kind.
Speaker 1 Then, I think
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Speaker 1 sold for
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Speaker 1 in
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Speaker 1 frequency that
Speaker 1 ourselves formulated, we
Speaker 1 were all
Speaker 1 globally reflected, and what
Speaker 1 mentioned
Speaker 1 And I also
Speaker 1 feel empathisi
Speaker 1 with print that we
Speaker 1 have so much.
Speaker 1 I want to
Speaker 1 see that
Speaker 1 and Indian and also
Speaker 1 this work. I
Speaker 1 went to
Speaker 1 the
Speaker 1 foreground,
Speaker 1 so
Speaker 1 I get
Speaker 1 the last giant
Speaker 1 that we say.
Speaker 5 Their podcast with Philip Fleiter is a production von Philip Fleiter and Remind in Australia.
Speaker 5 Preduction Philip Fleiter, Lila Koitager and Remind, sound design and schnett, Marius Fuchtmann for Riemind.
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Speaker 1 Terms apply.
Speaker 1 That's the first time you denounce
Speaker 1 EMA all erstric, then the
Speaker 1 cost of the Podimo appears. I would
Speaker 1 register and naturally
Speaker 1 be
Speaker 1 costly
Speaker 1 immersion
Speaker 1 for all and the same. The info status finally
Speaker 1 in the show notes.