"Über Verlust sprechen" mit Constanze Falkenberg

53m
"Über Verlust sprechen" mit Constanze Falkenberg

Die Anzahl an jährlichen Verkehrstoten ist in Deutschland ist über die vergangenen Jahrzehnte deutlich gesunken. Trotzdem ist jeder Einzelfall einer zu viel - 2023 verloren 2.839 Personen ihr Leben im Straßenverkehr. 2012 waren es 3.600 Personen und mit Constanze, die in Ende 2012 ihre Familie an einen Autounfall verlor, spricht Philipp in dieser Folge.Die Familie, das sind Constanze, ihr Mann und ihre drei Kinder sind an diesem schicksalbehaftetem Tag auf dem Heimweg von den Großeltern, als auf der A6 ein LKW von der Gegenfahrbahn durch die Leitplanke bricht und das Auto der Falkenbergs unausweichlich trifft. Als Constanze sich im Auto umschaut, sagt ihr bereits ihr erster Instinkt, dass die anderen den Zusammenstoß nicht überlebt haben. Sie selbst kann sich aus dem Wagen retten, bevor er in Flammen aufgeht und die Rettungskräfte eintreffen.Was Constanze in den ersten Wochen und der Zeit nach dem Unfall hilft, ist zum einen, dass sie von einem großen sozialen Netz aufgefangen wird. Zum anderen kommt ein Filmteam der ARD auf sie zu. Dieses Filmteam hat Fragen zu ihrem Schicksal aufgeworfen, denen sie sich bis dato noch nicht gestellt hatte, die ihrem Trauerprozess aber gut taten. Vor dem Unfall sind die Falkenbergs eine engagierte und aktive Familie, so auch die Kinder - Constanze bezeichnet sich selbst als klassisches „Mama-Taxi“. Doch nach dem Unfall muss sie ihr Leben komplett neu ausrichten. Es ist beeindruckend, wie gut ihr dies gelingt. Constanze wagt sogar beruflich einen Neuanfang und macht ihr Examen als Physiotherapeutin. Mit dieser Ausbildung möchte sie im Rahmen einer eigenen Stiftung schwerstbehinderten Kindern helfen.

Aufgeben war und ist für Constanze bis heute keine Option. Insbesondere an Jahres- und Geburtstagen holt der Unfall sie jedoch ein. Trotzdem versprüht Constanzes Geschichte unvergleichbaren Lebensmut und Zuversicht - die möchten wir in dieser Folge mit euch teilen.

Mehr zu Constanze findet ihr in Beiträgen des öffentlichen Rundfunks.Zu Constanzes Stiftung gehts hier: https://stiftung-gutes-tun.de/stiftungsfonds/cab-joerg-falkenberg/Immer auf dem Laufenden über Philipp und seine Projekte auf Instagram @philippfleiter

Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://taplink.cc/diesereinemoment

Solltest du Hilfe benötigen oder für jemand anderes suchen, findest du hier Unterstützung:Telefonseelsorgezu jeder Tages- und Nachtzeit unter 0800 110111oder auch per E-Mail, im Chat oder persönlich vor Ort beratenMalteser Hilfsdienst e. V.Informationen zu Trauer- und Selbsthilfegruppen.

Du möchtest dich psychotherapeutisch begleiten lassen?Auf der Website deiner Krankenkasse findest du einen Ärzteführer zur Unterstützung deiner Suche.Oder wende dich an deinen Hausärztin.

Dieser Podcast ist eine Produktion von Philipp Fleiter und WeMynd im Auftrag von Podimo. Neue Folgen alle 14-Tage Montags überall, wo es Podcasts gibt.Redaktion: Philipp Fleiter und Laila Keuthage | Produktion: WeMynd

Abonniert den Podacast, um keine Folge zu verpassen. Teilt die Folgen mit euren Liebsten und lasst uns eine Bewertung daIhr findet uns auf Instagram unter @philippfleiter

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Transcript

Hi, before the

cost

in the Polymo app is the next episode of Designer Moment.

David, we have the Polymo app Rundeladen.

The Fogel Williams Costenfrein

was

not a registrien.

Fiji Bas metafoil.

Then we say we

have

a last talk, a tattle.

We

are

a problem in English, and

I think I

also

personally also

moment, the

completed foreign,

a

little bit of

a sternach,

and

Ichtrefer in this podcast

and

now this

is the

first time.

Hallow and Herzlich is a new

moment, the podcast in the middle, Über these

completed.

Thank you very much

for the

article feedback

by Instagram, Permail, and

the public.

And when you start

with a

page,

by Spotify, or by Apple Cradle, but the new podcast is that

you can see that.

Heut spread a fraud die at the Libtat Vasclobich der Trump from

the same time.

Constanze Freichenberg had an auto underspedem irregular familiar.

Michael Jerman Jurgen also

read

the

moment of

Austin Fugenger.

constanza.

Hello, Philippe,

here.

We spread

November 2012, so

here is

a Zamstag to be

a

character, the Kinne, Vanessa, Eric, and Amelie,

Elf, and Sieben.

And I said, My

family,

Jurgen,

also

in Nürnberg,

and

I want the Schwigen also,

that we have relative fixed

versions,

in the culture,

that we want to

do it.

That's why

in Bersur.

Well, we kind of

went to the city, we had the house for West, and

this is what

I

also want to do with

temple,

and what

I

missed.

And then

it was a design

that

can feel

and what?

is in this moment?

I say

that also when

a last,

I think what

helps,

and

then

we

have the light plank, and I

think what

problem is English,

and

then

what moment is

that last thing is because the light plank

and also

in an interview

that

we inside.

Yeah, so

I think

this

is

what I also

keep, and I have also

the

hat so they had also

and

then

also realized that we

also

then?

And

this aufra, or

has to do with

this?

Yeah,

but

I think that I directly.

it's my

sovereign.

Then

you could

do

that in the studio with

me.

I have done with

auto stills

and

gesages, so that we

can do it because I also realized that there are auto-brenda,

as I

was

saying, and

that is also myself.

I think that my

sale or

whatever is

not,

and

what this moment

and the

same thing.

That was the darchon.

I think

this is

to do in the moment,

also,

and what

we're talking about.

I have to say, that I think

that we

are

also

going to be able to do it.

So, we have this auto-service,

what a master intact.

I

cook, whatever, cooked was that my string.

I was not

sure about

it.

That's the

thing.

And then what the moment

is.

So long hat

and then

that's it.

we

had to come here.

I said,

And

the light plank and this auto or Euro auto would not ring

with

auto break.

And

the person

also

kind of

thinks that the

moment

I sit down

as

well,

that

we can

And then what

sold,

and that's

the computer, and

I

think

that's what I'm saying.

Yes, and then we

have this

it, as I

said,

then

we won't

be

a very good

mother, and yeah.

So, I just

want to say that.

think

Harvard

is

a very good question.

But what is

Clara?

Yeah.

And we wanna

see her.

And then

we

have to

realized

in Ellauan, and

the pizza

hunger

and

the pizza

continued, I think.

Yeah, and then

we're

like,

the screen.

But I mean,

so

I was

wish and

feel

project, feel free.

We have

anger, I have the skills, and

also

a

moment

for braketaphor that moment and endless work for

the moment.

And yeah, we

can't do my calendar.

That's what

I feel.

The family manager and those for the society.

So we have

to

That's what

I was saying,

that

in the contest, in a way, to

make

that

end, we can

sprint

the legal gate, but it's Buddha, that is to say,

Yeah, we

are

hard and then

a

warfare in this moment

all the energy of the autobahn and

the familiar manner is the family manager

is

kind of familiar.

What do you say realizing what the passion is?

So, contest

what

you do.

So, what we do is

And

also

in this

lengthen

side here.

And when

you familiarize,

the kinderhatten son tags

and

total era.

So

this is

what we also

get.

So we

can also

project,

also

And

I have

to live this arm.

And then

we

have to go and then

we have to be here.

as a realistic normal,

and I don't have any

holes,

but it's not a very good thing.

I've been

there.

But this was

political,

address

addressing

the Arab

and then

telephone for me.

Than

we have my language

in anger.

Die dang.

I come to

you.

And we

have

a

cooker and bring me an app for

it.

And

this is also

a good thing.

But that's what we're doing

from the world is

and the

music.

Or what

I must say,

yeah.

So in the artwork,

originally,

yeah, I had

the

good valets, the motherfucker.

I had

the

brochure

and the prospect

and

a ripple

next.

And that is really

when the prospect is

the

same.

But when the

brochure is

aiming

that is a bit

more than

a staff,

I

went to the other

so

by spreading

this

nicht and the

behalf,

the

left

end.

That was my best

friend,

and then

in our

house, so

you can't do it.

Nine

mamma.

and

all

the

people.

Constance Elijah was that

we

had

families.

Not in Kangenhaus is

a cooperation for Hilfernke,

the suggestion

is enormous and an absolute

situation.

The

theme with the

confrontation

of

news and

for

me,

is a process

that

in an end.

Fuhrer has

a social fashion model, the trauma and we

can

also

the model not

referenced, draw processes

individual processes and

massive people.

At least

in the side, a social

con emotion

and

the new reality, not

the

process begins to

remonate.

But Constance

and

the Besuch and the

Freud and family

and

the physical

side brings

empathy

and the

remote solution.

My worst

and

in Brussels

has the

The

Kangenhausen

fluor, and Wolfen,

Wolfine

began to

mention English,

and had auditions.

Yeah, but the Word

that

we have

one

that comes,

that

is what

I think.

And also,

in this

case,

in the

house,

and

be

possible to

note

politics, I think, in my comments,

and

he

said all

and

etc.

this mood

not to shape and

beaten.

I think

that the frontier would

be

not last fall, but we

have individuals, but there is a go?

Yeah.

So I also

in this

case

I'm going to

go back.

That's me, so what we're doing.

We

have

a lot of fun and this this

is

kind of

like a little bit of a trend.

So, it's turbulent,

but I think when we we

go

to Gibbs, you have to go

to the same place.

So,

I

think we can also

merchants also come the

chef the firm there,

not

and

to my exact way

to see

this.

That

also

I can wait

for.

That I

have in the Bureau

and

so forth

in her jungle.

I was

under,

but I would not

to do.

I don't know what to do with her.

I would

say

I wouldn't be able to do it.

It's

also relative flood that I wouldn't

and

that

also gets together.

And that is

the

relative to

these

processes.

Design also,

but I'm waiting for the class to the machine.

I

have to say relatively good, I have

to say, and

also

what

then I soon

and can

directly.

And I have not a trade

with

the music.

While this

is my

And that's what I

would feel

and

that a plant

film

and this came down

and then

Hamdie Biden

documentary,

and then we

are

glad.

So, a target and

a bit

in the document

that I alleged

that to a label

and I think it's also

a humorous, but also

we

don't have

a constancy.

So, we get

in the situation, but we have to make this law that we come.

Yeah, that's it.

We can

kind of

get

it,

and then

a wonderful

thing exists,

we

have that brings me a bit

more.

So we

have to

do this,

but this would be a machine.

When I was

and that

is a total

are

not going to be able to do it.

But

this build

is

a very

important thing.

But

I think

that's the only thing that you can do.

I

mean,

this iPad

and Photoshop

and Habdabai Biderlich Bitterlich.

So I think

I have this

what

I can

do and

this

is

what

I

want.

I have this

and this

is

a

water.

But I have to say,

the Brussels

it and

also

estimate

in this

way

we

can

learn that

I

November,

young mid-October, combined with

the

combat, and

I

think

when the field

and then

it's

not

that

And

yeah, so

I

think we're therapy about

my function and

that's what I'm saying.

I have the

politics,

but

it is a very important thing to do that

is good.

That really

is

also my job,

that

I have

to offer.

So, thanks for

watching.

I guess

I can

also

physiotherapy,

and

this

is

mention,

they have ausser good,

I have no

learning to do

functionality,

as

well as guns can be.

And what

physiotherapy is she,

or

English machine?

I have to check and

bring

the lights that

we mentioned.

And

this can be

a little bit more difficult.

Nine must.

come, they would

not

try to

refrain

from

these

so that the campaign and then

we have

to kind of.

be a little bit more difficult.

I speak

when

I

say that.

This is

the main

thing also.

But

I think

combination was

very important.

Oh, my God, and I'm not sure.

And we're also here for

the

end.

Has to make sweet and

gift or option.

So

this

is not

a great warden.

Not

that

I have

and then a

lot of the kind of

good aunts with

good

supermittal

and

the

parties and

I can

also do

a dimension

that

we have.

this comment?

But

I can also

podcast what I'm talking about in this

gun

in Lime,

which feels like

my passion is what

comes, whatever.

Absolutely.

We present

in the

morning

and the photos are cooked or

cooked

that mark.

But I

would say

I

think we have

an area, and I

tour

the presents

intensive spirit and that is

what I

was

height to

interviews and so

on.

I

was flashing or

what

I

present and when I mentioned

him.

So

the sentence

was

talking about here, whatever.

But

then in the cops, the people from the kind of

wax, then so we can

see it, or the image in the

that there was

nothing

and

what we would

do, but

the designer kind of

bring

and

spiel.

And the youngster?

The eigenfunction

and what?

Um

nine.

Also,

I can

mention

the

same thing.

Naban

would

and

also

ambition

with

the merchant

or flexible.

Well,

the train and the

operations

that we

the Proline.

What constancy is that

the trawl

and

podcast for the Anglo-Borg

and they

are not going to be able to do that?

So, we can

see the

glass and

a seamless feeling with that side of the process that

glass and the ball

and guns.

That tower will not

be destroyed

by

cruise.

That is not

built so

that it is

a glee

gun

and

else.

What

constancy

is

that a solution and compromise?

So, when a room comes

and

Iman character

from

the side.

I watched

the

son about

the same thing.

But

also, the anonymity

of the world is

the space.

Has to

make the warmth.

This

relative,

I

think,

and I don't

know if I

can

do it

when I

was

a spring.

I

cricketed

and the

fragments.

I think

I was aware that

a book in my

life that truth of existence

and what

is

also

universal,

and when

we

go

to

Yeah, I

was not.

But I

think

that

interviews

and what

is

it, but

this moment of the autobahn, we feel

that

immanent

aus

and this

end

that I

feel

problematic, we have to familiarize

And we

have

this moment and all the

things.

And

that means

also

good guitar and good tune, but

immediately

atmosphere

and yard for me.

I can't

end

complementary.

I can also

say

a lot and that's why

we

I

think

Constance Kunte D for this podcast will come in.

I will not

say

that

Susam and Nurse Wimpenschlagen and the Reich

and Musmitter.

warm humour and cruelty.

So, we

can do that.

That we totally

often

positively.

So, when you

constanze.

Naturally,

that

means

we can

do do it, but this

is also

good.

What do you mean, that von Heuter,

and Manny, even

if we

have

to do it?

I bring Constanza a part of the normal

and exactly

what

we

in the world,

and

that

also

in the nest,

this moment traffic, Jennifer.

She wants a gun,

Jennifer is

remote, and she will

crystall math.

That

we are emotional, is that

we have

to be

self-funded.

I want to

say often

in Iran to read.

And I must say,

Midnemkund

often is moment.

Walter also,

this loan

order is

auntie in the Sutrift than

the Melbourne and this

moment at Wiemind.

This moment in a word and we mind We M Upsilon and the Wiemand Punk DE.

Ich Vamiser also

in Zweiwochen.

Shaw

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