Sawbones: Human Tricks

41m
Can you touch your tongue with your nose or wiggle your ears? Dr. Sydnee and Justin talk about the science and studies behind weird little tricks some bodies can do, or "stupid human tricks."

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Transcript

Sawbones is a show about medical history, and nothing the hosts say should be taken as medical advice or opinion.

It's for fun.

Can't you just have fun for an hour and not try to diagnose your mystery boil?

We think you've earned it.

Just sit back, relax, and enjoy a moment of distraction from that weird growth.

You're worth it.

All right,

Tommy is about to books.

One, two, one, two, three, four.

We came across a pharmacy with its windows blasted out.

Pushed on through the broken glass and had ourselves a luck around the medicines, the medicines, the escalate macabre

Hello, everybody, and welcome to Sawbones, a marital tour of misguided medicine.

I'm your co-host, Justin McElroy.

And I'm Sidney McElroy.

And all I had to do was say my name, and that's all that I did.

That's it.

That's your whole job.

Yeah, I'm pretty much done now.

I mean, to be fair, in terms of like balance of work and who puts in the most effort, maybe,

I mean, you do more than say your name.

Sorry, I use say my name specifically because I was referencing the hip musical Beetlejuice

because I actually put in the legwork on this episode in that I mentioned the vague idea of it to you.

That's true.

You did.

You know what?

In my order, in my outline, I don't have that.

And that should be, we'll start with that.

We'll start with that as our.

Thank you.

Thank you very much.

I appreciate that.

Justin,

what did you mention to me, Justin?

I saw this this tick tock where alex breitman who played beetle juice on broadway and if you've never seen him do it uh i feel like there's a time period where he did a song about death on like a bajillion different public venues but like if you like award shows and stuff yeah if you've never any today show and all the you know obviously the tonies um if you've never seen it i i can't even imitate it but it's like a deep

raspy voice that's you can do it do the beetle juice it's like a local no it's not even that like a welcome.

No, it's not that deep, but it's like it's this kind of fry that he uses through the whole show.

That's Eric on the I'm doing Eric, Eric on the X all yeah, but yeah, but that that is the and and what he was saying in this TikTok was that people always ask him, you know, how are you doing that without

destroying your voice destroy your voice?

Because there's ways of doing it that some people like learn how to do like metal vocalists, like learn over a long period of time how to make some of those noises without doing a lot of permanent damage but he was saying that it was just something he could do that's just the way he was built he was able to make that noise without putting the strain on his throat because of you know different musculature down there or something and this inspired justin to ask me about

what i have so i have labeled this episode unusual human talents I tried for real-world superpowers, but you wouldn't grant it to me.

I will say that if the things are more than the normal human can do, they are superhuman, right?

It's hard because, so I put together a collection of, I guess, superpowers.

Superpowers in this, or fun party tricks in some way.

You know what I mean?

I mean,

they really run the gamut here of like things that...

I mean, I guess they're beyond the fact that I can sing the states in alphabetical order.

Charlie can list 100 digits of pie.

These are interesting, but these are like intrinsic.

Although I will say that some of the things I mentioned, you can kind of practice and learn and perfect.

So it's a bit of both.

Yeah, okay.

A bit of both, right?

I also think of them as like dad tricks sometimes.

And this is very specific to me, perhaps.

My dad had a number of things he would do to entertain young children that were just like the weird things.

I mean, like flipping his eyelid inside out.

I mean,

there was a time period where David Letterman would have called these stupid human tricks.

Oh, yeah, that's true.

They were, though.

That was a thing, right?

I think there's a difference between that to me, a lot.

Most stupid human tricks, which are exactly what we're talking about, a lot of those were things people had learned.

And we're more thinking about what you're born with.

And then, well, and then that area where we're not really sure, are you born with it?

Can you learn it?

Is it both?

Is it worth studying?

Could be another question, which might come up a lot.

But first of all, the way that, so I labeled it the way that Betelgeuse sings.

Alex Brightman, not Betelgeuse.

No.

Are you?

So, okay.

The real Betelgeuse.

The way that we make sound is obviously with our vocal cords, right?

So

they are

basically parts of like the mucosal lining that are folded in a certain way.

Okay.

And then they vibrate and make sound.

Okay.

Now, above your actual vocal folds, vocal cords, you could call them whatever.

They're folds.

They're cords.

They're whatever you want to say.

Okay.

Which actually are where sound comes from.

Okay.

Are the false vocal folds, which are technically called the vestibular folds, but because they sort of look like the true vocal cords, but they don't actually make sound,

they are called the, sometimes called the false vocal cords, right?

Same idea.

So So if you look, and

I didn't watch the video, but I think he has actually had endoscopy.

He said it was confirmed by his ear, nose, and throat doctor.

Yes, to look and see if this is what is happening.

And so if you look down, the false vocal cords are above the true vocal cords.

They look very similar, except they do not, they are not involved in producing sound when we talk or sing or whatever.

Except you can,

you can use them.

You can

get them involved.

This is like the 90% of your brain, right?

Like, yeah, 50% of your vocal cords are just laying there waiting to be tapped.

Now, I read a lot of different websites about, this is very fascinating, especially as people who are now participating in, well, I mean, we have for a very long time, but at this moment, we are actively participating in a musical.

I don't think about singing nearly as much as people who professionally sing think about singing and how to generate different sounds, you know.

And especially if like you're involved in operatic singing, this is something that you study.

I mean, it's like athletics,

you know, similar.

Like you have, it's that level of like training your body to do something.

Exactly.

And we don't, I don't think we think about singing that way a lot, right?

Like we do think about athletics that way, but we often just think that singing is this thing, like this talent you just have.

And I mean, obviously there's, that's part of it, right?

Your, your ear for music and the natural tone of your voice.

There are some things that are just there.

They're just intrinsic to you.

But then there are also things you can practice and develop.

What I would say is that while Alex Brightman may be particularly skilled at engaging those false vocal cords, which, like you said, is something that metal singers do.

It is something that operatic singers do.

It is also something that you can practice and train and learn to do.

And now, are you thinking like,

fold in my, you know, like squeeze my false vocal cord?

No, obviously it's not a muscle that you can consciously contract, but you can practice singing in certain ways.

There are techniques that you can learn to engage those false vocal cords.

I would suggest that probably just his, I mean, he's, this isn't the first show he's ever done.

He's been doing theater for quite a while.

Yeah, I mean, he's a professional.

I would suggest that he probably has just, through all of his vocal training, has become very good at engaging.

You can strengthen those muscles unintentionally, right?

And you can look at, it's interesting because I was reading some like otolaryngologists talking about how you can see

in vocal cords, not always, like sometimes the appearance of vocal cord doesn't mean anything in terms of your singing ability, but there are like thinner ones are what like a soprano probably has, whereas like a thicker, meatier vocal cord is what a bass has.

Like there are things that you can, it's a muscle.

You can, or it's not, you can exercise, not a muscle, but you can exercise these parts of your body.

Well, they are muscles and you can squeeze them more, but not consciously.

I don't know.

Do you understand what I'm saying?

Yeah, absolutely.

You can train yourself to use your false vocal cords in a sense.

And that is, if you have heard like

Tibetan chants and like throat singing, you know what I'm talking about?

They are engaging their false vocal cords.

When you growl, you are probably engaging your false vocal cords.

If you make like a growl sound,

you're doing that.

So all of us have the ability to do it a little bit.

The more you train, the more time you spend on this, you can develop that into a skill like Alex Brightman obviously has.

So that is what Beetlejuice is doing.

Okay, thank you.

That we found, well, that's one of many things.

He's into all sorts of scrapes and hijinks.

It's really impressive.

It does sound like it would absolutely wreck your voice, like to do that eight times a week.

Next up said it doesn't.

Next up said, let's talk about ear wiggling.

Ear wiggling.

So this is one of the ones that, like I said, when I was thinking about my dad, my dad can wiggle his ears.

You're right now trying to wiggle your ears, aren't you?

I am wiggly wiggling.

I don't have my glasses on, and you are sitting

more than six inches from me.

I'm going to come over there.

Well, I can put them on.

No, you can't.

They're right here.

They're right here.

I can put them on.

Without my glasses, my vision is.

You are wiggling your ears.

Look at that.

You were right there with like 10 to 20% of the population.

We should know that.

That can wiggle your ears.

That's such a big difference.

20 is twice as many as 10.

We should have a better idea.

Justin.

That's a huge

lack of specificity.

As I was researching these different sort of human stunts,

I at times would get frustrated because I'm like, why don't I have a number?

We should know this.

And then at other times, I would feel like, why have we done these studies on this?

Is this where our money is going?

Right.

Okay.

You know, fair enough.

There's still

cancer.

Like, why are we, you know, you know what I mean?

Like, so

kind of a specious metric, but yes, I understand what you're saying.

You know, so there have, we have done studies on ear wiggling.

So just do with that what you will.

Like

why, how, how many people.

You're a scientist, and maybe you just got off a really hard one.

You know, maybe your last experiment was like so, it took so long.

It was so rigorous and it was peer-reviewed and double-blind and so hard.

And you're like, guys, can we just knock out a fun one?

It's so for the next month.

Can we just like cut loose and do some fun, a fun one?

This is like this, this is obviously something that you'd grapple with in medicine and science, but I think it's like a life struggle.

Our need for whimsy versus our responsibility to do stuff that needs done, but then our, then we crave whimsy.

And how do you meet those needs?

Right.

I don't know.

Anyway, we did study ear wiggling, whether you think we should have or not.

So, okay, you have three extrinsic auricular muscles.

Extrinsic?

There are muscles like intrinsic to the ear, and then ones that are sort of around the ear.

Okay.

There's one like in front of your ear, anterior.

There's one behind your ear.

I bet you could guess what that's called.

Your

posterior.

Posterior.

Posterior.

And then there's one beer.

Wait, sorry, posterior ear?

Anterior, posterior, not arreariar.

Posterior ear.

And then what, stop, and then above it.

Yeah.

Superior.

Superior.

Anyway,

they can move our ears around.

In mammals, a lot of mammals have similar muscles surrounding their ears.

To help you hear, right?

They can move.

Yeah.

And so, like, a great example of a mammal whose ears move to help localize sound to respond to sound better is sitting right here to my left, stalking another great example who is hiding in the corner right over there.

Would you tell her to chill?

I know.

Our cats.

We got another cat, and they're just like, it's just been a struggle.

It's Sydney.

There's so much jealousy.

This is the play date.

Sydney assures me that this orange cat.

The play date's never ending.

They're having trouble.

They're going to get there.

But cats' ears move around.

Our ears, probably at one time in our ancestry, benefited from their ability to move around.

So this is a vestigial talent I got here.

To an extent.

I mean, obviously, the muscles in our ears also provide like structure to our ears

somewhat the function.

They're primarily structural, but the point is

they could probably at one point move a lot more, and now they don't really need to, so they don't.

But if you can, you know, start to like feel and use those muscles, you never know, you can move your ears.

Maybe you squeeze down an extra percentage of hearing, though.

I mean, it might help.

That doesn't make you hear more.

A study in 1949 of 104 men and 70 women looked to see, they wanted to know how common is the ability to wiggle your ears they also were trying to figure out like genetic is it genetic so like sibling matches parental you know whatever they found that it it kind of seemed to have a dominant inheritance pattern for the most part where like if your parents could or like

you probably had a parent who could if you could but there were some cases of people who could wiggle their ears and neither of their parents could so then maybe it is also something that can pop up sporadically we don't know.

I thought this was the strangest point.

In this study, men were more likely to be able to wiggle their ears than women by like 54% versus 22%.

So that's like double.

More than double.

Yeah.

And they attributed that, this is 1949.

They attributed this to, this is a quote, a factor of training.

And on the fact that men are even in childhood more interested in sports and have therefore made more efforts to practice this accomplishment.

This accomplishment of ear wiggling?

Yes.

Because they're involved in sports?

Training.

God, man.

It's a factor of training.

Men are training to wiggle their ears from a young age because they're interested in sports.

And what greater example of an American sport is there than ear wiggling?

So come on, ladies, get it together.

Yeah.

So that's there, there you go.

That's the, it is pretty rare if you can wiggle your ears.

Although we do think that it is something that perhaps you can learn, even though it does seem to, and then I don't know if it runs in families, is it just because like if you have a dad like mine who could wiggle his ears, are you constantly trying to wiggle your own ears and engage those muscles?

Maybe.

Which like through biofeedback, if you can isolate them.

Awaken them.

Yeah.

Anyway.

All right, Sid, what about tongue stuff?

I probably shouldn't have.

We've been married almost 20 years now.

Where are you at on tongue stuff?

I probably shouldn't have titled this section tongue stuff.

stuff.

Yeah, but it's done now.

Yeah.

Well,

Justin, are you interested to know how what percent of the population can roll their tongue?

Hey,

are you interested to know something?

What percentage of the population has attempted to roll their tongue in the pad that is listening to this in the past like 30 seconds?

It's 100%.

100% of the people listening to this have attempted to wiggle their ears and have attempted to roll their tongue guaranteed.

So here's what I want you all to do.

All of you right now, try to roll your tongue and then try to do the clover thing where you turn your tongue into a clover leaf.

No, no, no, no, no.

You can also try to turn it on its side.

Turn on its side.

Oh, no.

All the way.

I'm not doing it because I can't do it.

The clover leaf is the devil's work.

I worry that that one is an evil omen sometimes.

Possible.

How many people can roll their tongue?

And I'm going to tell you what the answer is after the billing department.

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Hi, I'm Jesse Thorne, the founder of Maximum Fun, and I have a special announcement.

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You know, for years, each new episode of this supposed advice show was a fresh insult, a depraved jumble of erection jokes, ghost humor, and, frankly, this is for the best, very little actionable advice.

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all right sid how many 60% that's not as exciting as it is no that's like just enough for it to not be interesting it's not okay I would it would be more interesting if it was not can I say this I would argue that 40% of people can't do that so that's actually, I'm going to be a little glass half full.

Here is what I'll tell you.

There have been multiple studies on tongue rolling.

The clover thing seems to be more rare.

So if you've been sitting there doing the thing where you can turn into the clover, or if you can turn your tongue all the way like perpendicular.

Yeah, either way.

Apparently, some people can do it.

I've never seen anyone do that.

If you can do the clover thing, drive straight to jail.

No, don't do that.

There's nothing wrong with it.

Turn yourself in.

There's nothing wrong with it.

Except for the wickedness in your heart that makes your tongue do that.

It's just, it's just how you can isolate muscle fibers.

Do you have four paired intrinsic muscles?

You were about to say how you're made, and you were afraid I was about to say by Satan.

So you bailed.

I get it.

There are four paired intrinsic muscles in your tongue.

I, you don't need to know the names.

Does anyone care?

Nobody cares about the names.

The point is, there's a bunch of muscles in your tongue and they change the shape of your tongue, which is useful for like talking and eating and swallowing and the other stuff.

But

you can also, because your tongue has muscles in it, multiple muscles that make it form different shapes,

you have the ability to curl the edges up and roll it into a tube sometimes.

Not everyone does.

Good.

It is

widely thought that this is a genetic trait.

It has been called into question before.

Really?

Whether the tongue rolling thing is something you can learn.

The clover thing, we feel fairly confident, is genetic and is actually probably a recessive trait because it seems to be more rare.

Whereas tongue rolling, as I've said, is like 60%.

And they've repeated this study multiple times and they all hit around 60%

in the

repeated studies.

Same for men and women.

It's weird.

It's weird that we've done so many studies on this.

Why are we so interested in this?

They've done twin studies to see if it's genetic.

And what's weird about that is there's like a 20% discordance, meaning one twin can and the other can't.

Identical twins.

That's weird.

What sense does that make?

So does that mean it's not actually genetic?

No, because they think it's probably incomplete penetrance.

And what that means.

The epigenetic markers aren't making a complete

RNA or fibers.

This is where genetics gets so weird is that in science, at some point in your life, whether or not you are a science person now, whether or not you are in a scientific field, at some point, somebody told you about Mendel, somebody told you about peas, somebody showed you a Punnett square.

Right.

Like we all were introduced to this.

That is so just like the very basics.

There's so much more.

And I'm not saying I'm the expert because I'm not a geneticist.

I think you're the expert.

I'm not.

But what it means is just because the DNA is the same, just because the instructions, the blueprints are the same, doesn't necessarily, well, and that kind of makes sense.

If you gave Justin instructions on building something out of wood and me instructions on building something out of wood and we have the exact same instructions, I guarantee you our product would look very different.

We have different approaches, different art styles.

Wait, you're also more skilled, but the point is,

there's more to genetics than just Punted Squares.

A 1980 study,

man, this is my, I love that people are doing this.

Humans, I just, humans will just human.

We can't help it.

It was looking to see if there was an interaction between ear wiggling and tongue rolling.

Meaning, if you could do one, are you more like, why?

why why would there be why would there be why wouldn't there be what would we do with this information there's a question for you if we like whatever the answer is you never know hon well I know I understand the idea of have you heard about the pencils in space have you heard about this

have you heard about the pens that can write upside down

but the thing is

uh

They did find

that in men, this is another where, like, as they split down gender lines, in men, they are more likely if they have one of these abilities to have the other.

But in women, there was no connection.

What?

What could that

this makes me think that one or both can be learned?

Because I also think

that this is like, okay, you know, those birds of paradise that do the little dances to attract a mate.

We love that.

I think it's kind of like that.

I think you're like, I need to attract a mate.

Check this out.

Ear wiggling.

Not enough for you?

Tongue rolling.

Not enough?

Watch me do both.

Now I'm going to pretend my arm is broken and flip it around.

Look at this.

I'm going to do the Billy the Boneless Boy dance.

I will grant you that your point makes sense if you segue it into your next one that you have here, which is licking your elbow.

Now that I could see as a seduction technique.

Like I could absolutely see that you could use that to lure in potential

partners.

Does it make you feel better to know?

Because this made me feel better.

I do not have a percentage to tell you of how many people can lick their elbow.

Okay.

We have not, to my knowledge, now there's a lot of studies out there.

We have not, to my knowledge, done a study specifically looking at how many people can lick their elbow.

It is pretty rare.

It is thought like

the statement is often made that you cannot do it, that it is impossible to do.

That isn't true, of course.

We should not speak in absolutes, especially again with humans, because if you say we can't do it, someone out there is going to break their arm or their tongue, I guess, in an attempt to do it.

If you have a hypermobility syndrome, you may well be able to do this because your joints extend further than the average joints

and your tongue may extend further than than the average tongue yeah and so the combination but generally this is thought to be very rare nigh impossible what I thought was fascinating is as I was looking into like is there somewhere out there where I can find a number I found a whole wiki how article I how lick your elbow on how to lick your elbow crossover

Fantastic I just thought it was fantastic that like

they're like here's one technique where they're and they're like do some stretches first.

And then they told you, like, hold your right arm out with your palm flat, pull back at your shoulder as far as you can, wrap your arm around your chin, bring your arm up to your mouth, pull your arm backwards, crane your neck forwards.

Like, I mean, like, I could have

the whole thing.

Well, this is what I think if somebody would stick your tongue out as far as it will go.

And then they have a second method where you lie down and do it.

And this person is, um,

I don't know the position they're in and the face they're making.

I don't know if they're angry.

Pretend you're a villain in an old movie and you're covering your face with your cape

and don't struggle.

And I mean, I, there are just, there are, there is diagram after diagram.

I really, I would advise you, check out the WikiHow page on how to lick your elbow.

And then they, and like, the first question from the community QA is, why do people want to know how to do this?

Fair.

Now, this next one here

said,

I didn't know this is special because I've always been able to stick out my tongue and touch my nose.

No, you can.

Yeah, I can.

Watch.

Oh, oh,

what's up now?

You can probably at home, listeners at home, you can probably guess what Justin has just done.

I stuck out my tongue and then I touched my nose.

And then he took his finger and he touched his nose and he was very clever.

And everybody loved it.

He was very clever.

Yeah.

Everybody's cracking up.

Talk about dad tricks, man.

There's a name for this one.

If you can stick your tongue out and touch the tip of your nose with your tongue, not your finger, it is called Gorland sign.

There's a whole name for it.

And that is because, well, generally speaking, only 10% of the population can do this.

So this one's really rare.

If you can do this one, this is way rarer than like rolling your tongue.

But if you have Ehlers-Danlos syndrome, which is a connective tissue disorder, half of people with this can do it, which is why this thing has a name because Robert Gorland, who

is a pathologist who also studied a lot of like otolaryngology and dental and

oral problems, medical issues,

described it because if somebody was able to do this, then there was a much greater likelihood they may.

This is not diagnostic.

There are certainly people who can do this who do not have Ehlers-Danlos.

But it is a sign.

And there are people with Ehlers-Danlos who cannot do this.

But

if you can lick your own nose, that's very rare.

Good to know.

Yeah.

What about

the Rocks patented move here, raising eyebrow?

Now, you called me into the bedroom to attempt this, and I raised my right eyebrow, which honestly, I don't, I haven't been able to do this for a very long time.

I was in like my 30s before I figured out how to do this.

As a data point.

So I was looking up how many, like the

trick that people like to do, I guess, is to make their eyebrows dance, which I can understand what they're referencing.

I can't say I've seen a lot of people just do that like for fun.

Like, you know, make your eyebrows go up and down.

No way.

My dad can do both independently of one another.

That is

more rare.

So most people can raise one eyebrow or another, but raising both independently of each other seems to be a more rare talent.

And this is something that has touching the limits of the term talent.

Talent.

And we don't know exactly.

So, right now, like, try it at home, try to raise just one eyebrow.

Realizing I couldn't raise the other actually kind of wigged me out of the way.

It's like, it's making me very stressed.

I know.

It's very stressed.

Because I can't make it equal.

And so I don't want to think about it.

But if we, we don't know exactly how to do it.

Hold on, am I doing it?

You've got to quit looking at me that way.

We gotta make this a video box.

I know.

We need a picture of this.

Okay, we don't know exactly why.

It might be genetic that we can do one or the other.

It also may be, and

this has been studied, do we have dominance of one side in our facial muscles the way that we have dominance in our hands?

So like

right-handedness, left-handedness.

Do you have right-facedness and left-facedness?

And those muscles are stronger on that side of your face.

Is that why

most people who can raise an eyebrow can only ever raise the one?

Now, again, this is something, so your frontalis muscle, which is the big muscle band of muscle that goes across your forehead.

Yeah, I can get tense when you're stressed.

It does.

It can get really tense and tight.

And sometimes it's a cause of tension, headaches, for instance.

It can, it is what causes your eyebrows to raise.

And you can, there are methods of biofeedback that we already know about and study as a way of like trying to voluntarily relax that muscle to help ease tension headaches

The way that that works is like you have to learn what that feels like for the muscle to contract and so sometimes they can use like a little electric stimulation so you can start to feel what it feels like for your frontalis muscle to contract and then if you know what it feels like when it contracts you can start to practice voluntarily relaxing it so I feel like because of that, you could definitely,

if you wanted to put in the time and effort, train yourself to raise both of your eyebrows.

I feel like that's possible.

Like this is a

could be something that with enough time and effort, you could learn.

Is that what you want to do with your life minutes?

I don't know.

That's not a question I can answer.

Right.

But it's possible.

But it is.

And right now, I guarantee you, you're trying to raise both eyebrows and you're going to ask everybody in your life, especially in your family.

How interesting is that?

Yeah.

Double-jointedness, Sidney.

Double-jointedness.

It seems to have been a playground legend, but I don't know if it is in the real world.

Well, I think most people know that when we say double-jointed, it's kind of a misnomer.

Right.

You don't have two joints where most people have one.

It's basically more flexibility, right?

Yeah, more hypermobility.

would be the term we would use.

But yes, you're more flexible.

And that, and there's a wide range of what that means.

And let me just say, I am talking about

probably more like benign would be the right word, benign hypermobility.

Okay, got it.

Okay.

I want to, I want to be very clear that this is differentiated from hypermobility that is present in hypermobility syndromes.

Most well-known, I think, is Ehlers-Danlos syndrome, which is a rare genetic disorder, in which case you may well have hypermobility in lots of joints.

That can be part of it.

There are different types of it.

Yes, but it's not necessarily a

beneficial is probably a strong word, but it is a hypermobility that impacts your life negatively.

Exactly.

It can have some sort of negative interference, like it can interfere with your daily functioning, right?

Because, you know, and that often when we use the word disorder, we're meaning that it impacts your life in some way

that you have to adapt to, or that you may need, you know, some other sort of medication or equipment or something to help you function.

I am talking about hypermobility just on its own, which again, about there was a study done in 2004 that said about 20% of adults probably have some hypermobility.

And that's a long, like that's a big range, what they mean by some joint hypermobility.

The vast majority of people with hypermobility, and I would put myself in this category, never experience any negative effects from it.

So like my thumbs bend really far back.

It's weird.

It's, I know it looks weird.

And it was something that I didn't know how weird it was.

My dads do too, so genetics.

But I didn't know how weird it was until I saw other people reacting to my weird thumb and freaking out.

So, like, but that's like, really, I'm not particularly flexible in other ways, but that was

something for me that has never impacted my life in a negative way.

There are people who, because they have hypermobility in other joints, like shoulders or hips or knees, may experience a dislocation or some pain as a result of that.

But for the majority of people with just plain old, benign hypermobility, isolated, it's not really a problem

for them.

Now, why?

There's a lot of different reasons

because hypermobility is a big, giant bucket and there's lots of different flavors of it.

Sometimes it's a different in collagen and the connective tissue in the way that it's shaped and formed.

Sometimes it has to do with the shapes of the ends of our bones.

So like I think the best example is if you think of a ball and socket joint.

And a ball and socket joint is where the end of one bone is rounded like a ball and the end of the other bone is like cupped and they fit together, a ball and a socket.

You get it?

Yep.

If that cup is deeper or wider or the ball is smaller or larger or it's more shallow, you can see how it would change how far that joint can flex and move and bend and rotate.

And so then you get like kind of isolated hypermobility.

Like if you've seen anybody who can like clasp their hands together behind their back and then take them all the way up over their head.

Somebody on Perfect Match was doing that the other night.

That, like their shoulder joints are doing something that the average shoulder joint usually can't do.

And then the other thing are things like muscle tone can affect your hypermobility and proprioception.

Your ability to sense where you are in space can,

if you, if your proprioception is off, you can hyperextend joints in ways they're not necessarily supposed to quote unquote go, right?

So it's a wide range.

And for me, it's just my, especially my left thumb.

I'm not even going to try this last one again, Sydney, because you made such terrible fun of me

when I attempted it earlier.

Okay, this one really blew my mind.

And I have dug around on the internet.

And so this is like, this is going to be our interactive part, as interactive as a podcast can be, because like, I don't know when you're going to listen to this, but I'm going going to need some feedback.

Can we make a poll?

What?

Can we make a poll?

Probably a way to make a poll.

There's got to be a way for us to make a poll.

I need to know this, Justin.

I'll tell you what, I'll make a poll and I'll put it in the

comments of the post.

Will you do that?

Yes.

Because this is okay.

This is not real science because in real science, we need like a random sample and we blinded.

And there's a bunch of stuff we got to do.

So this is just, this is just for funsies.

We're just doing this for funsies.

This is okay.

Can you flare your nostrils

and i don't mean like move your whole upper lip like that's what when i asked justin if he could flare his nostrils you were you want to do it for me you were like scrunching up your whole face

is on i'm not going to do that for you um so you can laugh at me again i can just

i mean you can justin can you verify that i am just flaring my nostrils you are yeah it's incredible they they just like flare open and close so i'm using a nit one of my nasalis muscles, or well, my nasalis muscle, it has two parts.

It's one muscle, it has two parts.

And it sits on the sides of your nose and gives it its shape and structure by compressing all that cartilage.

So like the tip of your nose is all squishy and made of cartilage, right?

If you go up like just above, like on the sides of the bridge of your nose, this is all, there's muscles in here.

And the main function of these muscles is really just to give it that structure and compress that cartilage and give it that shape because your nose doesn't move a bunch.

You don't need to pick things up with your nose or whatever.

But

some of us can use that muscle to flare our nostrils.

Now, I have found this stat that only 30% of people can flare their nostrils.

I assumed everybody could do this, but obviously, here we have our sample of two.

It's 50-50.

Now, that's not a good sample.

It's two people.

But I am now, and I cannot find a source for this.

I have scoured the internet for a source for this 30% of people can flare their nostrils statistic, and I have found it quoted many places, but not cited.

So I don't know where it comes from.

Why do we think only 30% of people can flare their nostrils?

Somebody must have said this at some point, but is this true?

And can we?

Now, I will say, I was actually looking to see if we can wiggle our noses.

Like, can anybody do what Samantha on Bewitch could do?

That's what I really wanted to do or your nose scoots back and forth we that is not something you just don't the muscles don't do that the way she's doing it and if you look like i was watching all these clips of bewitched she's actually sort of moving her entire upper lip and that part of her face she does do it really fast which is impressive i can't do it that fast but that's what makes it look like the nose is wiggling um there's a video of jessica chastain doing this because she wanted to learn how to do it because of bewitched and she can do it too so i guess it is something you can probably teach yourself how to do um to wiggle your nose back, to wiggle your upper lip back and forth so quickly that it makes it look like your nose is wiggling.

But flaring your nostrils.

This is what I need to know.

Okay.

Can you flare your nostrils?

There will be, Rachel's going to put a poll in the, in the, in the post.

Okay.

Go to macroid.fan

in the post about this episode.

This is going to be a purely anecdotal.

We don't, this is not a scientific number.

I don't want to, I don't want to put more misinformation out there if this 30% is also fake because I can't verify it.

But maybe we can get somewhere with this.

Maybe we can get somewhere.

Can you flare your nostrils?

And if you're not sure, have someone look at you while you're doing it.

Justin didn't know.

Hey, while you're heading over to McElroyd family, maybe you should grab yourself a ticket to come see Sawbones.

That's our podcast that you're listening to.

That you're listening to now.

This is this one.

We are going to be performing with my brother, my brother, and me.

A bunch of stinkers, if you ask me, July 18th in Detroit at the Fisher Theater, July 20th cleveland uh temple live you can get tickets over at mclroy.family just look for the tours or uh anywhere that find tickets are sold i guess uh get tickets to those please come out it will be fun and afterwards you get a free member of the my brother me show after you buy tickets to our show that's the way i'm pitching it it'll be a lot of fun we haven't done a live show in a while and i've missed it so i'm looking forward to it thanks to taxpayers for the use of their song medicines as the intro and outro of our program and thanks to you so much for listening.

We really appreciate you.

That's going to do it for us.

Until next time, my name is Justin McLaughlin.

I'm Sidney McLeod.

And as always, don't drill a hole in your head.

All right.

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