"Don Cheadle"

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Hi, everybody. How was your day today? Are you asking us or the audience and you were expecting an answer from the audience? You know, the audience is not mic'd.

You guys.

Sorry.

Well, no, I was asked.

Oh, they're not?

Since when do you call me and JB everybody?

Yeah.

No, I call you guys the audience.

Because you think that's the only people listening to you is just us two?

Yeah.

You've got higher responsibilities in that.

Let's come with the good stuff.

Judging by this opening, we're up to, it's going to be a great smart list.

Welcome to it.

Smart.

Smart. Smart.
this opening we're up to you it's going to be a great smart list welcome to it smart smart smart smart smart sean what's on your cap there is that a college it's isu illinois University, where I have an honorary doctorate and a scholarship fund set up for people who want to go into music, or the arts, and sorry, acting. Are they still accredited? I mean, after you got a diploma, I heard that after they gave you a diploma that they were stripped of their power.
That sounds like a real, is that an online university? I still wear my sash to bed. Once they did an assessment of your intellect, they're like, we gave this guy a fucking diploma.
Did you really go to ISU? I went to Illinois State University. Yeah, it's one of the greatest colleges ever.
Okay. Well, hang on.
Let's quickly Google that. Let's see how much of it.
Because I don't think you're going to like the results. For theater.
By the way, you know who went there? Me, Jane Lynch, Craig Robinson, and I were music majors together. We know.
I know. We've had them on the podcast.
I know. We talked about that.
We talked about it for like half an hour. Hey, Arnett, where'd you go to school? I didn't.
I dropped out, man. No, but you did go.
You went to boarding school. You know where I went? I went to fucking Hard Knocks, dude.
Oh, bro. The streets.
The Hard Knock Life with Annie. Of Toronto.
Yeah. The streets of Toronto.
Did you go? You went to... Excuse me.
Excuse me. Pardon me.
You went to additional voluntary school? I did for half a year. Half a year.
I know. I love that you go on additional voluntary school.
No, actually, I should invert that. Voluntary additional school.
And I just didn't understand the concept of that. You know? Well, yeah.
I now have an option to not go, so taking that option. Sure.
Want a good joke? Yeah, sure. Love one, ISU.
Jump in. I didn't realize that you were grabbing the reins here.
We were just merely going down a path but let's talk more about your school let's just go fucking okay let's talk more about your school i didn't go no let's not here we go ready the best gift i ever received was a broken drum you can't beat it okay that's all right that's okay he doesn't claim that these to be great jokes i got a couple laughs in the background there. You should say, do you want to hear a dad joke? If you say you want to hear a joke, people are ready for something good.
Dad joke means it's not going to be good. I don't like the term dad joke.
I think that's lazy to call it a dad joke. How about bad joke? Just say bad joke so people aren't expecting to laugh.
Or like a pun. That's okay to say.
I got one more. Are more any mom jokes here's a mom joke what's faster hot or cold hot you can always catch a cold that's good that's good that's pretty good i guarantee you at least one of our listeners will be using that today after they get out of their car of course or off their subway or done with their jog right you know it's's fun.
You're welcome. I love just, no, hang on, Sean.
I love Jason trying to imagine what regular people do. It's so fun.
They get on the subway and then they jog. And then they kiss their kids goodbye walkout door.
Go to the job. Say hi, boss.
Office. Want to hear a joke.
I want to do it. Goodbye, walk out door.
Go to job. Say hi, boss.

Office.

Want to hear a joke.

Want to hear a joke.

At water cooler with me.

I love Succession, too.

What are you watching?

I'm also watching Succession.

Are you watching it?

I am also worried about saying that I don't like it.

You're worried that you're saying it?

I do like it.

I'm just making the joke.

Real good opening patter, everybody. Did everybody sleep well? I slept really well.
Patter's over. Let's get to our high-level guest.
I slept really good, though. Did you? Actually, that is worth a derail.
You want to talk to us about your sleep? The guest is not going to wait for your sleep report. Well, it's very rare that he has good sleep.
Before we get into it, it is true, Sean, and I'm happy for you and there's nobody, we talk about it all the time. Right.
Sean, yesterday morning, JB, Sean, I said to him, hey, you got a second, let me know when you got a second, like seven, I'm up at six, I said, let me know when you got a second. It was like seven.
It was at seven. He calls me and I go, and I thought that he was back, you know his usual thing, he wakes up in the middle of the night and then he goes back to bed at 6.30 until 10 is whatever.
Yeah. And he was up and he'd been up since 3.30.
3.30 in the night. He's been on a bad run of not being able to sleep.
So. So I slept all through the night.
I got up to pee and I went right back to sleep. Why do you think that is? Did you load up on a bunch of sugar before you went to bed? I did a little bit.
But because of yesterday, I think that what Will's talking about, I think I ran myself around in circles like a little child being up at 3.30 and then I just crashed and it made me sleep all night long. It was awesome.
You nap. What a fucking story.
I'll nap like 10 minutes. Good that we stopped for that.
You were right, Will. Silly me.

So today's guest is so immensely accomplished.

We're going to see Bateman's face.

What a fucking story.

I mean, God, who else slept through the whole night?

Make sure you call in.

Our lines are open. And love to hear about it.
So our next guest is so accomplished and so universally loved. Okay? He's done everything.
He's done television, film, theater. He's even got a Grammy, I believe.
It's been comedy. It's been drama.
It's been popcorn movies. It's been academy movies.
I just don't know what else to say about this fella except he's a new friend. Okay.
We met online. And he is also a capricorn and no he is a new friend that i'm very excited about um he uh swings a mean golf club oh the way that started was he swings i know i know i was like oh what uh he'll take you want to go on the weekends, okay? Well, that's what I'm saying.
But listen, I love him. He's here.
Very kind of him to say yes because this is a big shot. Ladies and gentlemen, Mr.
Don Cheadle. Hello, Don.
I love Don Cheadle. People.
What's happening? Good morning. Don.
Don Cheadle's done everything. You know what I was trying to remember, Don? What is that great nickname that you were given because you're so smooth? I couldn't remember it.
You told me this on the golf course. What was it? I think Kelly Slater said that was very Don Chalant.
Yeah. Donchalant.

Is that a new nickname?

That's really clever.

I'm trying to put it out there.

I was going to try to trademark it,

but I was unsuccessful.

Donchalant is out there now.

Just FYI.

It's fully out there.

And if you happen to run into Donchalant on the streets, just immediately Donchalant.

Yeah. Let him know.
Mr. Chalant.
You can single gun it or double gun it. Wow.
Okay. Don.
Don Cheadle, hi. Good morning.
What's up, gang? I love Don Cheadle. You know, the team was like, you've got to do these guys' podcasts.
You're going to love them. I love all of you individually and collectively.
Not as much when I sat through the banter. The early banter.
It's like, remember the joy that Regis and Kathie Lee used to give you with that first 10 minutes of coffee patter? Yeah. That's what we're reaching for, Don.
You know? No. We're on our way.
It was a strong six minutes. Don, where are we finding you right now? And the reason I ask is because you look like you're either coming from or going to the golf course because you're wearing a zip-up.
But I want to say, which is surprising, because you're so busy, and rightfully so, because you fit in that category for me too, of people who are always good no matter what the project is. You're so consistently awesome all the time.
Wait till you see this one. I'm just going to take that down.
I don't know. You know what, Scotty and I just watched just last week, not even knowing obviously that you were going to be on because you're Jason's guest.
We watched Mission to Mars. I was in that.
And I was like, there's Don. Again, and you're brilliant in it.
Always. Always brilliant.
Because you know I'll watch anything sci-fi. I am picking up on surprise in Sean's voice, though.
Right? And he says, and you're brilliant. It was like, you were pretty good.
No, I meant, to Will's point, you's point. I didn't know you were an actor.

And that you could grow facial hair.

I thought it was only Jason who could grow.

This is not really facial hair.

This is disgusting.

No, it was great.

I'm in Atlanta, Will, to answer your question.

I'm in Atlanta.

You're in Atlanta.

And what's happening there in Atlanta?

Working on something, no doubt? I'm working on something. It's a project called Fight Night.
And I am in this wonderful project with who you guys had on the show, Kevin Hart, Sam Jackson, Taraji Henson, Terrence Howard. Wow.
Yeah. It should be.
It should be. I'm looking forward to it.
I've shot one day, so I'm looking forward to this journey. You can still be fired.
They can still easily reshoot one day. Yeah, it's early enough.
Yeah, so watch it. I've been replaced before.
It wouldn't be the first time. No.
Have you? I've been replaced before. Oh.
I have. I didn't mean to bring up something pink.
I love i love that don's like no i haven't sorry i was just kidding of course mine was a why you think i'm on your show mine was the cruelest though because i worked my nards off on this pilot we shot the pilot it went well so i thought and then like a couple of days before the big announcements happen about whether pilots are going to get picked up to go to series, I get a call from my agent saying, you are going to, good news, bad news. Good news is the show got picked up.
And I said, unbelievable. He goes, here, let me finish.
The bad news is that they're going to go a different direction with your character. And I said, okay.
Two days later, found out they're actually not picking up the show so i mean it's just like the worst 48 hours so good bad good well but i agree with i could have been spared i could have been spared all of it by just them saying well we're not picking up the show basically we're all fired you know are you still with this agent yeah that's good exactly good. Yeah, exactly.
No, no, no. That's three or four ago.
But it's good to know. I like it is personal a little bit because they were like, hey, we know the show's not getting picked up, but let's let Bateman know that even if it did, he wasn't coming away.
Yeah. In the event that this is going forward, not you.
I got fired too. I got fired off a pilot that went to series the year before we started Arrested Development.
Oh, God bless. And had I not been, I would have been stuck on that show.
Don, wait a second. So you're in Atlanta.
You're doing this thing with Sam Jackson. Are you potentially playing golf with Sam today? You know, Sam has been on IR for a minute.
I hope he comes off because I would love to. You know, we used to play a lot, but he's nursing an injury or two.
So fingers crossed. How's his game? Sam was like a four.
What? Wow. Yeah.
Damn it. Wow.
There's all these people. The game is just so easy to so many people.
Well, you know, Sam famously, you know, whenever he would get a gig, a part of his contract was they had to get him a membership to whatever local course there was because he's such a freak about it. Oh, really? No shit? Yeah.
He played everywhere. I was like, you can do that? Sam also was, you know, Mr.
If you force me, you're bringing me $900 in cash in an envelope the next day like a drug deal. I was like, this dude's my hero.
Yeah, that's always my hero. By the way, Jason, right now, you see, you look down, he's just gone on his phone on speed dial to CAA right now.
He's like, what the fuck? I'm about 12 country clubs short, damn it. Yeah.
All right. Now, how do you like Atlanta? You know, I've worked there a lot, and I always thought that it was not going to be a place for me, and every time I worked there, I just love it more and more and more.
Are you enjoying yourself there? You've worked there a bunch, yes? I've worked here a bunch because a lot of the Marvel stuff was here. And I've kind of been around it a little bit more, but this is probably the longest stretch that I'm going to be here, so I'm looking forward to getting up to the mountains and going to the lakes and just checking it all out.
So I did a movie there a long time ago in Atlanta during the summer. Did you guys shoot all those Marvel movies in the summertime? Because you can't breathe.
It's so hot. Hotlanta.
Hotlanta. Yeah.
And how do you, you're in those costumes and running around in that heat. Is that what it is? And you're in space.
Yeah. I mean, I think that was the, oh, there's a callback.
I have a callback. Good one.
No, but I mean, isn't that brutal? Yeah, it's brutal. I mean, I was, you know, I'm from Kansas City, Missouri, where, you know, 98 degrees and 98% humidity.
So I was born for this, you know? But yeah, it's not fun. But right now, it's very cold, actually.
Yeah, it gets cold. I like it too.
I like JB. I spent the last few years about, last year I spent six months, I think, almost in Atlanta.

And I really liked it.

I really liked the people.

Once you find a kind of a good zone where you can find your stuff and whatever, I liked it a lot.

You gotta find a zone.

But I was down in like, I was down like right near sort of little five points, like all

in there.

Like that's where I was staying.

It was awesome.

A lot of great like restaurants. Okay.
Okay. Yeah, yeah, yeah.
Jason, have you had enough? Yeah, that's enough. You opened it.
You opened it. You opened it.
This is like the fucking court case. How was your good sleep last night, Don? You know, what's hilarious when Sean was talking about that is I was very jealous because I did not sleep well last night.

That's what I'm saying.

I had some. The fucking worst episode we've ever recorded.
Right? We're right. We're 17 minutes.
From what I did? No, no. It's all my fault.
All my fault. I'm talking about fucking Atlanta.
We're talking about the weather. We're talking about sleep.
It's like, let's get to something hard hitting. Now, somebody told me the other day that Kansas City is actually split right down the middle, the border between Kansas and Missouri.
You still don't have it. J.B., you still don't have it.
You still haven't got it. That's a whiff.
No. Help me, people.
No, no, no. There's one in Kansas, and there's a Kansas City in Missouri.
I mean, they're close. Wait, there's two different places called Kansas City.
Oh my God. I know.
John's about to leave. John, this is every day, by the way.
This is how it goes. 54 years old and this is, I'm just now getting clarity on this.
Let's do it publicly. There are two places called Kansas City.
One's in Missouri and one's in Kansas. Yeah.
Correct. Yeah.
And which one's got the Chiefs? There is a border. Which one's got the Royals? Missouri.
Missouri. Missouri's got what? Let me just say this.
Don, take a look at JB's face. Now, JB, walk Don through the gummy routine.
This is going to explain a lot. Walk him through the timing and the amount.
Guys, I'm still up. I'm still up from last night's chew.
No, now, okay. We talked about this a little bit on the golf course.
I don't remember. I don't know if you remember.
I'm sure you don't remember because your gummy program is bizarre. No, no.
Never when I'm golfing. Golfing is serious business.
You said that. Now, wait a second.
What sports team does Kansas City, Kansas have? The Royals? He's here. Is it the Royals? It's crazy.
No, no, honestly. Is it the Royals? Are in Kansas City, Kansas City? Siri, do we want to just ask, go to like the interwebs? Kansas City, Kansas has nothing.
Is that correct? Yeah. No sports teams.
No professional sports teams. Yeah, man.
I'll let it rest now. Let's just look it up.
Okay. I hope we get a bunch of time.
Honestly, honestly. They're all looking it up, America.
I've never looked into it this deeply. You might be absolutely right.
I just know I've always played the Chiefs. Kansas City, Kansas has the Royals.
Are there any sports teams in Kansas City, Kansas? I'm so sorry, America. And specifically.
Kansas City has had teams in all five of the major professional sports leagues. Three major leagues remain today.
Is that Missouri or is that Kansas? That's Kansas City, Kansas. Okay.
Wait, who's in Kansas City, Kansas? I don't know. Yeah, I don't know.
Boy, this is, again- No, this is Kansas City. We're going to pick this up.
Hey, Don, how'd you get started in the business? Yeah, no. I want to know.
JB, fuck you. You have- I want to know that.
He's in a little porn called Don Shalantism. No, I do want to know, because to me, I've seen you in so many things, and like Will said, always brilliant.
Like, to me, you were born on screen. Like, I don't know anything about you other than...
I was born on screen. Yeah.
Other than we run into each other a few times and had lovely conversations. But tell me, how did you get, like you were in theater in high school? Well, sidebar, we almost, we played around with doing a movie together at one point.
I don't know if you ever got that off. I did.
Did you get it off? Yeah, it didn't do well. But thank you for your consideration.
Next subject. Way to dodge a bullet, Don.

I was trying

to give a compliment and went right in

the trash bin.

Were you interested

in high school? How early did

you get the bug? So I kind

of got the early acting

bug. I think I was in

sixth grade. I

was Templeton the Rat in

a production of Charlotte's Web that

was written about extensively in the Denver, Colorado periodicals. You can look it up.
I'm sure it's still there. Sure, no.
Templeton the Rat. And I was singled out.
I'm just saying I was singled out. The standout was the rat.
Yeah. And when Cetle hits the stage hold on to yeah um so i did that but i was also doing music um kind of at the same time that's when i got uh involved in in playing my saxophone and instrumental jazz and so i kind of was on these two tracks of of really music.
And when I went to high school, I had a great acting coach, a great acting teacher, a great drama class. And I was in a really good jazz band.
So I was kind of on these two tracks. And when I graduated from high school, I had applied for both things, to go into music, to go into vocal jazz, to go into instrumental jazz, and also to study acting and theater acting.
And I got some scholarship money from a bunch of different places. And I kind of made...
For acting or music or both? Both. I had both.
Wow. But I kind of made not only a weather choice, but I think I made a choice based on what I believed I was going to be able to actually do, because I grew up with musicians now who are like professional musicians and who are hugely successful and incredible.
And I knew what it was going to take to actually be able to do that, go down that road and, you know, shedding and learning theory and doing all those things that I was like, I'm not I know I'm not not going to do that. And I think I'm probably going to spend my time more being, being out of the house, being with other people and pursuing acting.
And I loved it as, I loved it equally. So I kind of went up that road.
But yeah, there's definitely science and math to music that you have to want to. And I think it kind of, I was intimidated by it a little bit, to be honest.
I think I was a little, you know, I'd gotten by, I had really good ear and I'd gotten by on really being able to, to hear music rather than understanding how it broke down. And I would kind of wide eye when it would, when I'd get into the weeds on that.
So I get that. I was like, I kind of ran into something that I felt more comfortable with, but it's funny that the music has kind of come back around and that's become a bigger part career now, too.
But, Don, did you ever, and Sean, forgive me for taking your question, but did you ever think about, you know, kind of like when that guy dropped the chocolate in the tub of peanut butter and they came up with the Reese's, did you ever think of taking the music and dumping that into the theater and going into musical theater, Sean? Five, six, seven, eight. Did you ever get into that stuff? Oh, he sure did.
Let's talk about the Tonys. Go ahead.
Well, I've never gotten one. But I did produce the Tonys, an award-winning show called Strange Loop.
Yes, oh my God. That's right.
With Barbara Whitman. whitman yes right yeah and and she produced the play i just did that's right yeah congrats on that thank you thank you crazy great show but did you yourself were you yourself at like in high school or afterwards in college absolutely yes 100 i mean i i when i graduated high the choice I made was to go to, I came to California and I studied at California Institute of the Arts.
And we, you know, did everything there. Musicals and dramas and classical pieces.
We did everything. It was really a great experience for me and a place to be able to try everything

and make a lot of mistakes

and not get fired for it as a result.

Get ready because I love horrible theater stories,

things that go wrong.

So just get one ready.

Oh yeah, they're the best.

You can't wait for something to go wrong.

Before we get to one of those,

can you guys extend your tolerance

for my lack of intelligence again?

Is Kansas City,

are you going to go to the Chiefs and the Royals again?

It's worn pretty thin at this point. It's very, very thin.
So if I'm on the border, but no. And we will be right back.
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And now, back to the show So, so jazz talk to me about jazz now i'm i'm a big music fan and and specifically classical music and so i feel like if i love classical music i could really love jazz because it's a little easier to love it's a little bit more toe tappy but i got to understand it a little bit more. And I'm hearing that jazz, it's a little easier to love.
It's a little bit more toe-tappy. But I got to understand it a little bit more.
And I'm hearing that jazz, its real appeal is knowing that, for the most part, it's improvised. Is that correct? Or is it more traditionally written out in their sheet music for it? That is a component of it.
And I think the umbrella of jazz under that are many, many subdivisions and categories. It's a huge sort of a blanket term, especially by now.
Okay. You know, if you think of somebody like Robert Glasper, who I won a Grammy with for producing the album Miles and Head.
Anyway. Sorry, your cough sounds terrible.
Your cough sounds really bad. It's my second Grammy.
Sorry. You got a really terrible cough.
Yeah. Thanks, Bill.
Let me get a little water. Wait, are you close to an EGOT? Two Grammys.
Oh, no, it's clear. Your throat's clear now.
I'm going to get that looked at. Okay, that's good now.
Do you have a nomination EGOT? I think you do. Yes? I have a nomination EGOT, yes.
Wow. I don't have them all.
Pretty fucking good. Wow.
But like Rob Glassford, you look at his music and he spans the globe of what his musical knowledge is and his experience. And he does popular stuff, black radio, which is sort of, I think you would think of more as like R&B influenced.
And then he does straight ahead, you know, jazz and standards. And he does everything in between.
So I think if you were to ask a musician like that what jazz is, or even if you were going to go back and ask, you know, Miles Davis what jazz was, he hated that word. He was like, that's a word to box somebody in.
You know, it's about good music. It's about social music.
So I think there are different... When I get in the car and the driver taking you somewhere is like, let's put on some jazz.
And he puts on smooth jazz. It's like, I want to shoot him.
I hate it. Don, you have to forgive Jason because they don't do explanations of jazz on the Hollywood Reporter homepage so that he wouldn't read it.
But let me just say this. We did this bit in our show, Flay.
Nothing, huh? Okay. So where we did, this guy's getting ready to have this girl over for a date and then his buddy suggests he put jazz on.
And they look at each other and they're unsure. And he goes, I'm not sure where sure where i fall on jazz and our joke was always that like i can't figure out if it's cool to say i do like it or if it's cool to say i don't like it and i'm still trying to decide where i land on that me too like i just feel like i you know everyone says you should go to new orleans for the jazz festival or when you should And that's a very specific kind of jazz.
Yeah. I'm more like, I'm open to it if there's a melody that I can hum back, like a song.
I'm not open to the jazz that's just people just playing. Sort of fusion-y, improvised fusion.
Yeah, because I can't latch on to anything. You can't whack off to anything? What? What did he say? I love it all because if you're really, you know, if you're...
Jazz, you can whack to. Sorry.
No, latch on to. Grab your thing and have some fun.
JB, you heard it too, right? I think I you so you're so you're you're learning the saxophone at an early age that gets you into music that's uh eventually you find uh an appreciation for miles davis and then that project comes about that was a what was that a documentary that you produced or no no no no a movie a film and played him? Yes? Yes. We're not good journalists.
Brilliantly. And I remember you telling me when I ran into you, you were working on that.
You were so great. Some nominations or even some wins for that, I believe.
Well, that was the Grammy that we got for the soundtrack, which is really cool. That one we put together with Rob Glassberg and I put that together.
So that was really cool. But yeah, I think it's a big category.
Talk about jokes on shows. We had one on Black Monday where I'm talking to, thank you very much, I'm talking to Regina Dawn, her name, the character's Dawn, about it.
And she goes, yeah, I can never get into jazz. It just always sounds like a bunch of instruments thrown down a flight of stairs.
Yeah. Now, in my incredible research, did you really work on The Fresh Prince? Funny enough, I did.
I was on one of the first episodes of Fresh Prince, and I have a funny pilot firing story too. I love it.
About a pilot that didn't go. So I did the, I think it was the second or third episode of The Fresh Prince where Will was still super green.
He's like mouthing everyone's words, you know, along with his. So he'd say his line and he's staring at you and you say your line.
Yeah, he's mouthing it. That's such a thing.
We've all worked with people who do that. It's such an actor thing, right? Yeah.
Where you're like, are you mouthing my dialogue to me as I'm saying this? Yeah. So he was so studious.
You know, he knew everybody's lines and then he would like mouth everybody's lines. But so we did that one and by the third or fourth show, the creators, Susan and Andy Borowitz, who were the head writers on the show, they said, we want to do a show around you.

Uh-oh.

Not necessarily based on the character that you're playing on this,

but we just want to do a show around you.

And I was like, okay, that's cool.

So they wrote this show.

How old were you?

When I did Fresh Prince.

Yeah, early 20s?

Is that really germane to the story? I think it is.

I mean, you're just going to come in with a how old were you?

I was six, okay? I was fucking six. No, he's just jealous.
He's just jealous because he's like, when are you getting offers for your own show? And he's like, I worked my whole life. Michael Landon didn't create a show for me.
Sorry, JB. I know that.
Michael Landon. So third day, they come down.
They're like, we want to do the show. I said, okay, great.
So they wrote this pilot. We shot the pilot.
It's called In the House. I wrote the theme song to the thing.
It was just, everything was great. Heavy saxophone.
Super, super heavy saxophone. It was on the schedule.
And I, you know, I'm pretty, like, I don't believe it until I see it. And I just kind of wasn't believing that it was real.
And also it just was a huge thing. It was the biggest thing that had happened in my career at that point.
I was like, I don't, something's telling me this isn't real, but it was on the schedule. It was going.
So like the day before I got this faithful call, I gave my brother my car. I was like, Hey, it's on, take the cards.
I'm about to have this huge windfall. Yeah.
I'm ready. And the next day I got a call and they said, it's off the schedule.
How old I was was Brandon Tartikoff was still running NBC at that time. Yeah, okay.
We're late 80s. I don't know if people are listening to me.
Yeah, yeah. But when he stepped down and Warren Littlefield came in, he killed all the shows that were under Brandon and that was one of them.
That was one of the casualties. You know, Sean, Sean, you told me a story and correct me if I'm wrong about where you shot the pilot because they had mignonette sauce instead of cocktail sauce for your oysters.
Is that true? And you guys were about to leave Van Nuys and you were so mad. You were shocked because you were like, I hate mignonette sauce.
I like cocktail sauce. And you shot the pilot.
But I spared the co-pilot. As a lesson, so he could live to tell the story to other pilots to get the sauces right.
Now, all right. So now, Don, could you imagine if that show had taken off, became a big success, you would have been a big sitcom star.
I wonder where your career would have gone. I was thinking the same thing.
But like even so going back before that, was there another significant fork in the road either where you grew up like a fateful move to a certain city or what your parents were doing or saying or sibling where you could have easily seen oh if i just simply gone right instead of left i would be a veterinarian today or i would be an architect today or was there was there a fork that that's such a good question thank you i mean you know it's crazy that that my fallback was music like if this acting thing doesn't work out, I'll be a jazz musician. That'll get me there.
It's like, so, I mean, that's where I was trending. That's what I wanted to do.
And quite honestly, there's still no greater pleasure that I have, you know, in any sort of performance capacity than being with musicians and creating music. Really? That's, to me, the highest.
I love that. It really is.
I think because of, as you were talking about, improvisation, that you're creating things spontaneously. I don't know what it's doing biochemically to you, but I'm sure if you have electrodes on and they were testing you, you're getting dopamine hits that are just through the roof because it's just so alive yeah and and it necessitates this connection with these fellow pardon the term artists that you're kind of that's right communicating without speaking and there's a handoff and a and a yes and thing you get that also in acting but yeah you do and there's also that thing you do when you perform live when you you also get that when you get audience, when you're on stage, and you get that thing, and it starts to inform you a little bit.
They become part of your creative process because you get juice from that, I think. Absolutely.
You do. And it transcends language, and it transcends English, Spanish.
We can all speak this language. Yeah, yeah.
There's a big unifying thing that it does that's just like beyond. I had the same thing, Don.
You know, I always had music to fall back on should the, you know, the acting thing, and I still have the music to fall back on if the acting thing doesn't work out. But I always thought my fallback was going to be, oh, I'll just be a pop star.
Well, you can sit your ass off, so you had a shot.

Well, no, but when I was younger.

Let's play it.

Can we just play it?

Can we just play a little bit of it right now?

We do this every once in a while, Don.

Sean?

Yeah, no.

Now, Don, do you—

Bennett's going to find it for us.

He's going to play before Don leaves.

Bennett or Rob are going to play it.

Drop that needle, Bennett.

Hey, Don, do you have a place where you go—

Like, Woody Allen famously took his clarinet out, I don'tinet out once a week or whatever, and that's not a euphemism. Oh, nice.
That's not a euphemism. Right in there, Will.
You're the best. You're my new favorite guy on the podcast.
Thank you. Do you have a place where you go whip out your sax and go play it? Fucking hang on, man.
I just said Will got that one. You don't have to jump on top of Will's thing.
I'm trying to piggyback on that. Hey, you hear what I did? Jump on top of Will's thing? This is on Triple H.
Your turn, Sean. Get in there.
Ooh, that was a good one, too. I'll take it off.
But, like, do you have... I'll take it off.
There it is. Do you have a band that you play with or a jazz club that you go to every once in a while? No, and I've been like bouncing around on dip.
So I played the sax and then I didn't do that. You know, when I went to Cal Arts, it was kind of like a conservatory.
The amount of time that you had to spend on all that. There was no time really to do anything but theater and voice and movement and dance and all that stuff.
So I just kind of dropped it. And then I was in New York doing a play and I walked by a pawn shop and I saw this beautiful tenor sax.
I was like, I'm going to pick it back up again. I'm going to see if I have any facility because, you know, you lose your embouchure, you lose that musculature to be able to play it.
It's hard to get it back. So I started playing it again.
It sounded terrible. I was like, no, just hang out and just like, stay with it.
So I started doing that. And then I, um, took a gig actually, um, the Rat Pack movie and playing Sammy Davis Jr.
Who played drums and played trumpet and, you know, gun twirled and could play piano. And so I kind of went back to school again, having lessons from all of these teachers to learn how to do all these different things.
And that's when I started trying to pick up the trumpet, which became something that I didn't know I was going to need later when I did the Miles Davis thing. So I've been playing bass more than anything lately and piano more than anything lately.
That's great. I haven't gone back to the sax.
I did bring, I bought a really beautiful brand new sax and let this dude play and he just recorded an album with it. And it's like, so it's always in the periphery somewhere, but I haven't, you know, I think the most amazing experience I had in musical experience in the last couple of years was Rob Glasper was at his, he was recording something.
He said, Hey, come by, come, come listen. And I said, yeah, keep a track open because I'm going to bring the bass and I'm just going to like, you know, kill you guys with some shit.
So just keep the track open. I was completely joking.
And so I came over and I listened to him for a while and he goes, okay, here's the bass. Let's go.
I said, no, no, no. I was joking.
I don't want to play. It's like, oh no, you're going to play.
And it became sort of like, you know, trial by fire. And I don't play like that.
But when you play with great musicians, you know that they lift you up. Yeah.
It's just like acting. God, I wish I could find that.
Yeah. People who lift me up.
It's fucking unbelievable. I'm just dragging these two.
Don, you seem to be like so great at surrounding your life with the things that mean, you know, have great value to you. Music, acting, family.
You always seem to be in a great mood too. Golf.
Golf, yeah. How do you do that? How do you, for people who don't know how to do that, where they're like, I'm in this rut.
Like to us, we've all found the thing that we love to do or things we love to do. How did you learn how to gravitate towards the good versus the bad? You know, the things that are good for you, the things that fill your soul.
This is a question. This is a question.
This is an interviewer, Will. This is somebody who knows how to shape a question, okay? Sorry.
Go ahead, Don. I love the commentary.
I'm just here for the potshots from the sideline, man. You know that.
Will's killing, and you're killing the potshots from the sideline, by the way. I appreciate it, man.
Don't encourage him. I honestly have to attribute a lot of it to my upbringing.

I was very fortunate to have, and people get to it however they get to it.

I was very fortunate to have really solid parents, really sort of corny, traditional, you know, the 3.5 kids and a dog and the whole thing. I really was able to grow up like that with parents that never dissuaded me from going after what I wanted to go after.
That's great. I think it was, you know, really fortunate that my mom was sort of a frustrated, you know, performer, a frustrated singer.
So when I wanted to be an actor, she was like after that did you have an older do you have an older sibling that knocked the crap out of you when you got too too too big yeah well she's a she's a girl so i like took advantage of the different muscles you know i had i was stronger than her uh and then we moved into weapons and that's when i was like oh then she's leveled the playing field so we got to chill out and's when we stopped fighting. But just really close-knit family.
And it's something I think I just wanted to replicate in my life. And I'm really lucky that, you know, I have friends from when I was in elementary school still and from college.
And the people that I'm close to are still in my life. And I think we all know people who have gotten to a certain place and have looked around and they don't know anybody that's, no one that's around them has been around them for five years.
And you go, that person's probably going to have some problems. So you need people who will laugh at you and say, you're not important.
Chill out. I don't keep those people around because people can't breathe the air up here the way I can.
Yeah, you're one of those people we were talking about, Will. The air is so thin up here.
It's so rarefied that I can bear it. I'm handing out masks to these two because I'm like, guys, we're going on a ride.
We're going somewhere. We're going down.
Or we're going down. No, it's so important.
I love that. It is a measure of somebody, by the way, how many old friends they have from back in the day.
And I think I'm with you on that. I think it's really great.
I've got a lot of my old buddies too. Now, Don, I got a question here.
You've been a part of so many incredible projects. I want to know.
It's crazy. I want to know if any of them felt or smelt like turds right in the middle of it, and you were shocked at the end of it that it turned out so well.
Projects like Crash, Oceans 11, 12, or 13, Traffic, Out of Sight, Boogie Nights. I mean, yeah, any of the Marvel stuff.
Did any of them just like go, oh, Jesus, what did I do here? I think I've had the opposite where I'm like, this thing's going to crush. And then it comes out and I'm like, ooh.
Yeah, yeah, yeah. Not so much.
Not so much. Right.
I mean, we don't know, right? You just go in with your best. You've made the best decision you could and you go in and throw everything into it.
And then sometimes it works out and sometimes it doesn't. But I've never, you know, I've always had I've always believed that the thing I've said yes to has value and it's going to be good and the experiences.
And then it turns into being what it's going to be. I've been really fortunate to have really, really experiences i've had very few um experiences where it's it's a toxic set and people are horrible you know i've just been very very i've been the things i've gravitated toward have gotten made and i've just been very very fortunate i've had a very blessed career you've clearly got a got a nice connection going with steven soderbergh yeah.
I heard the set of Chernobyl was toxic. Nice, Will.
Hey, uh... That's a great show.
But you and Soderbergh have a great rhythm going, yeah? You see working with him again in the future? Probably? Yes, of course, right? Yeah, I mean, we have stuff, we're trying to develop things as we speak. There's a couple things.
I love, Out of Sight is such a great fucking movie man isn't it good so underrated and overlooked it's such a good movie yeah god damn it despite Clooney's looks it's so good tough to get around but Soderbergh is such a beast what a good guy too but I mean like writing and mean, like, writing and directing and camera operating and editing, and I just, I would imagine that's got to be an easy voice to follow considering he's kind of— Are you trying to dovetail into you? No, no, no. That's what I'd like to do.
But can I take a minute to honestly actually— Here you go. Oh, yeah.
Spike it. Spike it.
He served it up. You might as well spike it.
Guys, take a second. I do want to spike it.
I'm a big Jason Bateman fan. I'm just going to say I'm a big Jason Bateman fan.
Okay. I'm really, I love everything that I'm seeing you do.
And I saw you in a round table talking about, you know, understanding as an actor what you were going to be doing as an editor and knowing when you get into the editing room what you're going to be able to use and not use and how you kind of craft your performance based on that. And I was like, that's so fucking smart and such a cheat, by the way.
Yeah, it's really fun because he lives his personal life like an editor, too. So he's always thinking about the results.
He's trying to cut you off. Fuck off, manimming you.
Well now what Don's doing here is he's dovetailing into his accomplishments as a director as well. That he has.
I wanted to get into it. He has gone ahead and he's taken all the incredible set experience he's had and lent that to the directing experience.
Right? And it made everybody's life a lot easier I would imagine. He'll never do it again? come on never do it again why not bullshit you must love it ever doing it again well come on you've done it a handful of times at least and that was enough it's really why is it is it the workload or the pressure or the time commitment or what? It's the pressure.

Honestly, it's the pressure. I think, you know, my agent one time said, you know, good actors are just like can be and sometimes need to just be hard sons of bitches.
They just have to be able to, not necessarily in how they deal with people, but you have to have the ability to have stuff kind of roll off and be thick-skinned and not have it be, you know, penetrate and keep moving. And I think I have more, I'm more like sort of bandied about by the things that happened and the things I wasn't able to get.
And I just, and it's something that I've learned about myself going through that experience. I'm like, oh, well, I'm a lot more porous in that regard than I thought I was.
As an actor, you can ignore a lot of drama or problems or complications with the production. And you just kind of sit in your trailer.
And then someone else will figure it out. As a director, you can't hide from anything.
None of it. Yeah.
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John, you bring up a really good point, though. It is true, you know, actors, as we know, historically, you take a lot of heat, and people go like, oh, fucking actors, or you hear people write, like, even people you grew up with, like, what's your life like now you're an actor? You see that people have this sort sort of thing.
And I always say, and they're like, oh yeah, but you're just an actor. And I'm thinking like, yeah, I am friends with, I am an actor.
I'm friends with tons of actors. They're some of the most creative, amazing people.
And on top of that, to what you were saying, they're also, it is a tough road, as you know, from when you're younger to start to do the things that you want to do and you have to you do put up with a ton of disappointment you get kicked in the nards on a daily basis you know my own experience I lived in New York for 10 years and was trying to get fucking work and just got kicked in the nards and then as I'd go down to wincing in pain from getting kicked in the nuts I'd get kicked in the face you know like Jason like you saying, here's the benefit, you're fired, and then the next day the show's fucking gone. And you're like, fuck, I didn't need those two kicks.
Yeah, yeah, right. And by the way, and it's not once a year, it's like two, three times a week, four years.
And that's if things are going well for you, because those two or three rejections each week mean you got two or three auditions that week, which is really good.

Yeah.

And I'm not saying to feel sorry for it, but it is, right, Donna?

It's a tough, you do have to have a little bit of, you know, you show your mettle a little bit.

Well, for me, I really could, I sound like an idiot, Aaron, you know, complaining about anything about my acting career.

Because, again, I'm super, super fortunate. I've never done anything but this to support myself.
I, you know, got my first job when I was still in college. You know, my junior year, I got a gig.
Oh, I did get fired from a job. That was actually the first job.
I got an AT&T commercial where a kid was supposed to be on the phone and sort of trying to dodge the questions that his mom was asking because he was not doing so well. She goes, how are your grades? And he's like, my grades? I can't hear you.
This connection is bad. She's like, no, I can hear you.
Great. And it was AT&T.
You know, you can't fake the funk, you know, things. so I was So I was running on my, I was going out of the door to do this audition and the phone rang in the hallway and I just kind of knew it was for me.
And I picked it up. It was my agent.
She goes, Don, bad news. They're not, they're not going to use you in the spot.
I was like, what? Why? She goes, they don't want to portray a black kid as failing out of college. I was like, so they're going to give a white kid my job? Wow, yeah, the irony of that.
Yeah, that's what's going to happen. So I actually did get fired from a job I got.
That was the first one. But yeah, but for me, the acting thing has been, I've been, like I said, I've been very blessed, very fortunate.
But the directing part of it, yeah, it's really just, it's been these particular experiences I've had. Not when I've directed my show.
That's a little bit more of a comfort zone, a little bit more support I've had, and a little bit more resources and people to rely on. But, you know, I made, we made Miles Ahead for $8.5 million in a town that had, you know, only done one other movie before that where we would show up and there was like no redundancy in the departments.
You know, we'd have two cameras and only one cameraman. I'd be like, where's Phil? It's like, oh, he took a commercial in Dayton.
You know? Coming in one day and I was like, where's the, we had her in the scene. She's like, yeah, she didn't want to come today.
I'm like, but she's in the scene. know yeah yeah you know coming in one day and i was like where's the we had her in the scene she's like yeah she didn't want to come today i'm like but we shot she's in the scene like yeah yeah she doesn't want to come so i'm like put this woman in the dress turn her back to the camera like every day it was something like that always solving problems just but the problems that didn't make sense like the fire alarm going off and then the fire then the the actual firemen coming and coming in while we're shooting the scene.
And so, okay, I guess we'll shoot this MOS and just mime all these things. We'll do it in post.
I get, you know, just every day it was something like that. My wife came out to see me and she said, you can't do this anymore.
You know, I lost weight. It was just bad.
So I have a lot of scar tissue. So maybe if I get, you know, some sort of procedure where I can scrape that off, I'll try it again.
For the emotional scars. I have a question just about your acting style and approach because when I first saw Ocean's Eleven, which you were brilliant in, I'm not making this up.
Like halfway through the movie because of your accent, I was like, oh, wait, is that Don Cheadle?

Like, you didn't do anything to your appearance.

You just changed your kind of way.

I don't know how to describe it.

And it's amazing what just an accent can do.

How did you find the trust to do that?

Why that character like that?

And how do you do that in any character you approach? It was written like that, and I was going to change it. And my manager at that point said, there aren't black British people? I was like, oh, I mean, yeah.
She's like, so why don't you just do it as how it's written? And I was like, yeah, fuck. Oh, so it was written as you? I'll try it.
And so while I'm in my trailer with, you know,

a vocal coach, a speech coach going over like diphthongs

and schwahs and stuff, they're out playing basketball.

I'm like sitting in my trailer watching them play poker

and have fun and I'm like, you know, no, this works.

No, uh, no, ah, no, uh.

Sean, stand up real quick.

Sean's wearing a diphthong.

Stand up real quick.

Oh, that's nice. That's wearing a diphthong.
Stand up real quick. Oh, that's nice.

That's a nice diphthong.

But I was famously murdered.

You know, people hate, people are split right in the middle on that.

The people that hate that, hate it.

When I was in London, I almost had to get security because people wanted to kill me.

Your accent?

Based on how bad they thought that actually. Oh, the accent? Why? They hated it and me.
People literally drove. They would see me and come across four lanes of traffic to pull up next to me to scream at me about how bad the accent was.
I was like, oh my God, I totally bought it. I totally bought it.
Is it safe to say you'll never do another British accent again? Ding, ding, ding, ding, ding. Yeah, doing an accent, that would be very, very tough for me because you're acting twice, right? You've got to do performance and you've got to do the accent.
And some somehow just fit. Would you make them pay twice, Jay? I know Jay very well.
I would like to. Would you make them pay twice? I would like to.
I would like to. Are we going to say, Dan? No, I'm just going to say, and some of them, you know, fit better than others that I've attempted to take on, you know.
But they're all, like you said, it's all tricky. Like you're kind of acting through a mask and you're trying to make that mask be as real and as facile as you can.
It's tricky. Right, right, right.
Now, all of these incredibly high- incredibly high profile films which one do you think gave you the the the most uh useful bounce um was it devil uh in the blue dress yeah i would i would i would guess devil in the blue dress was probably i was on um picket fences yeah for a couple years before that oh wow you know i was 12 on the call sheet, and you guys know what that is. I'm sitting in the trailer all day, and they're like, we're coming to you next, we're coming to you next.
And they're like, oh, no, we're not going to use you today, and you've been in the trailer for 12 hours. So I started writing.
That's when I started writing, and just as survival, just to not go crazy. But then along comes this film with Denzel Washington and it was, did you leave that project

with any pearls of wisdom from Mr. Washington?

I mean, it was an incredible experience.

It was directed by Carl Franklin,

who I did his AFI thesis project,

his graduation project. So I had known him from before before so that was really old home and felt great and denzel and i from the audition on which is online actually our audition is online oh no no yeah and so is that pilot that i mentioned by the way people find shit and upload everything but um we just had a great time.
And of course, I was just in awe of him and, you know, worked as hard as I've ever worked on anything to make sure I was in the pocket, you know, when I was with him. I didn't come out.
I was super methody. I was not great character.
I was mouse all the time. You know, I just stayed in it.
And yeah, I had a great experience. I loved that movie and I loved that experience.
Would you, if you had, say you had a scene with a, because, you know, you're Denzel now to a young actor. If you were to do a film with it, what would you say to a young actor today that you wish you'd known back when you were just starting out? Stay out of my fucking light.
Right, exactly. Don't you upstage me or shadow me? Don't you dare attempt to overshadow me.
But we do have a tendency to overcomplicate things, right? And things get more simplistic as we get older. I know, I wonder, aside from just that generality,

is there anything specific? I'm trying to think myself what I would tell somebody, you know? Probably a step away from my BMW. Would that be something you could get your hands off? Which of your BMWs, Mr.
David? That's a great, very good. I just think that

you know like we

I think people underestimate, you know, to what Will was saying earlier is what we really do. I think people think it's super, super easy and then they try it and they're like, oh, you're actually trying to be very naturalistic inside a completely unnatural environment where somebody's standing in your eyeline chewing gum and you know somebody's making noise off somebody's you know walkie-talkies going off and you've got to act like this is the first time you've ever done or said any of these things and it's so weird i think that you only do that well if you're really prepared and you've really done your homework and you're not here just because you think it's going to be cool to cut line at a restaurant.
You know, it's like, this is really, we're not rocket scientists and we're not, you know, jumping out of airplanes or whatever the hardest shit there is to do or ditch digging. But there is a craft.
But we can play them. That's what we play the shit out of.
And we learn about them. That's another thing.
Good actors are students. So we're always in the lab, right? We're always trying to, if I play a doctor, I'm going to read up on doctors.
I'm going to follow doctors. I'm going to go to hospitals.
I'm going to try to sit next to them. If I'm playing a cop, I'm going to do a ride-along.
I'm going to, so I feel like that part of it often gets overlooked, that we're always school you know we're always trying to learn new things so true i think that's a great boon for us as artists that we're always expanding ourselves yeah now sean doesn't want you to get away without uh you know searching your memory for a a really a tough uh theater story you know like forgetting your lines or trying to give up. A sandbag fell from above.
And I landed in the first row in the woman's lap and she said, you think you're drunk? Wait till O'Toole comes out. Or something like that, right Sean? Is that what you were? Oh, you were at that performance.
You were there. That's exactly right.
But I said, wait till my tool comes out.

Yes!

Double guns.

Double guns.

Yes!

Don Chalant!

Don Chalant.

Don Chalant strikes again.

Is that you, Sean?

Oh, this is me singing, yeah.

It's horrible.

Here we go.

It's so bad. Okay.
That's enough. Is that tabla? Is that some tabla? Okay, that's good.
You know what? It's like Jimmy Somerville from Bronski Beat was put in the back of a van and driven to Beirut and forced to make a fucking Middle Eastern dance record. Jimmy Somerville in Beirut.
That was the name of the album. Oh, Sean.
Yeah, did you ever see, by the way, did you ever see Ricky Gervais' music videos or anything? Oh, yeah, those were tough. Really? Yes.
Yeah, that's what, that's some other path. Oh, my God.
But, yeah, do you have any, any like tragic, horrible theater gone wrong?

My tragic, the most tragic thing other than a real

injury that I suffered during a play.

Same play, by the way. We were doing

Cymbeline at the Public

that

Joanne Akalaitis directed who

you know, is experimental director for

Mabu Mines. If people want to go back and

look at all that stuff. She's great.
But we had an actor, Stefan Schnabel, who played the doctor in this play. And, you know, it's kind of a stereotypical Shakespeare fifth act wrap up where one character knows everything that happened in the play.
Like you're his niece and she actually has the potion and this king knew him as a, like they unwrap the whole thing and we're all on stage going, Oh, that's how I did that. So he had this last, you know, speech that he had to give.
Stefan was, I think 98 at the timeoh. Wow.
So it comes time for him to wrap this up, and he goes up. Forgets his lines.
Yeah, forgets his lines. Goes up, forgets his lines for those who want the theater vernacular.
And he starts stammering and making up words and basically just sort of like, you know, standing in place and teetering. And no one, you can't give somebody in Shakespeare, you know, it's not, we're not doing something naturalistic.
You can't come up with some, you could try to come up with some iambic pentameter and like slip a line there to help him along the way but it went on so long that first the audience sort of laughed and then realized oh it's not a bit and stopped laughing and then the other half the audience laughed and then half the audience shushed that part of the audience that laughed yeah and then the actors on stage kind of were starting to laugh you know those two that would start to laugh and everyone's like shut the fuck, shut the fuck up. And everybody stops laughing.
And he's still kind of, you know. He's still trying to pull it off.
He doesn't think anyone's noticed. Trying to pull it off.
This went on for probably two minutes. You know how long two minutes is.
Yeah. I mean, you guys have died for two minutes for sure, collectively on this show for 100%.
It feels like a long time. Yeah, it's a long time.
She says it's not. Joan Cusack, who was the lead in it, who played Cymbeline, just finally just started saying his lines.
She just couldn't take it anymore. Yeah, just took over.
And he kind of revved up and got through it and then got off stage and he said, I want to kill myself. Yeah.
I have to quit. I've never wanted to act again.
And you're like, you're 98. There's no point.
Sorry. Yeah, you're going to be dead soon, I guess, is what Joan said, to try to bolster his ego.
Good Lord, yeah. That's the scariest thing in the world.
Wow, fuck. It was really sad.
Going up in your dialogue like that on stage. It's the scariest thing in the world.
Right? There's just nothing. You don't need that crap at 98.
There's nowhere to hide. Yeah, there's nowhere to hide.
Right. But now, Don, you're like one of the sweetest people ever.
What pisses you off? Because I can't, the few times I've met you, even today, you're always just very in the middle, very cool, calm, collected. Gummy.
Gummy program. What's that? Gummy.
I said I'm on that gummy program. Yeah.
I bet he's not happy when he blades a bunker shot, right? You hit that ball right in the belly coming out of the sand trap. It's just, you're never happy.
That's what pisses you off? Yeah. Immediately, but then I kind of let it go, you know? I think, like, stupidity without any desire to not be stupid pisses me off.
I don't mind if you're stupid. People can be stupid.
But when they are like incurious and don't want to actually look under the stupidity and see where that stupidity is coming from, that kind of pisses me. And, you know, as we can see, it's incredibly dangerous.
And, you know, we're in a sweet spot of stupidity right now for a lot of people. Would that extend across all sort of areas, that sort of stupidity, whether it's history or language or just geography, even basic geography of states and cities within the country that we live? Uh-oh.
Uh-oh. Like if people didn't know where a city was or where a team was.
Yeah, like if they don't know where a city is. It's been explained to them like five times.
This feels like a shot. This is definitely, hey, Sean.
No, no, no, no, no, no, no. I think Will's just trying to use an example.
It's general. It's very general.
I'm just trying to get a general sense of a dog. Yeah, because Sean, remember earlier in the show and I had a problem with Kansas City? Well, ignorance isn't stupidity.
You know, ignorance is anyone can be ignorant, you know. That's true.
Anybody can be ignorant. Thank you, Jason.
So, Don, Don, honestly've been a dream. You're such a cool guy.
We've never hung out. We threatened once.
I was on a, I was, Joey Russo wanted me to get into a football fantasy league. And I said no.
And Joe said, well, just stay in the chat and talk shit, even though you don't want to play. And I did for about six months i think really yeah you were in there you were in there it was great don and pratt and rojo and yeah it was fun it was a lot like this just like pot shots from the side it was a lot of well you know will will you and don should go out and play some golf while i'm on my golf hiatus and um and then i'll rejoin you guys end of fall.
What happened? Why are you on a hiatus? I got some work. He's on a hiatus because he's working.
He shot an even par 70 two weeks ago. But who cares, really? It's not a big deal.
But listen, thank you for joining us today, Don. Don, will you make me this pledge when you come back that you and I will play? Can we do that? Can we say that'll happen? 100%.
Okay, great. He's the absolute greatest.
Sean, do you play? This should be the foursome. I always say I could drive the cart.
He loves to drive the cart. It's a date.
It's so much fun. We get him a soda.
We get him like a float, like a root beer float, and he drives the cart. No, Donnie, next time you're...
My soda. Sometimes it's early tempo, but it's a lot of sugar.
It's a lot. He's very groggy, and by the 17th old, he's kind of irritable.
A little... Guys, it's good.
Just pick it up. We gotta go.
That's totally me. Love you, Don.
Thank you for saying yes. Love you, pal.
Enjoy the rest of your day down there in Atlanta. And say hi to our friend, Mr.
Hart, please. I will.
Thanks, guys. Great seeing you today.
Great to see you, dude. Thank you, Don.
Bye, buddy. Yep, yep.
I love Don Chalant. It's so good.
JB, what a great, what a great, great, great guest. He's the best.
God, he's so good. I love that dude.
Doesn't your shoulders just drop when you're talking to him? Yes. Yeah, he's cool.
Yeah. I mean, he's just such a, I can't even afford a word.
Mega talent. He falls into that category.
Mega talent. And universally loved.
And we, yeah, we say this all the time. It seems like the people who work all the time also have wonderful personalities.
Yeah, I agree. Like they're kind and generous.
Well, yeah, because, well, Jamie, you know, you're a director, it's a big part of your career now and your life, and when you're deciding between, you have a lot of options to do stuff with a lot of different people, and part of the calculus, I imagine, is who do I want to spend the next four months with? Yeah, for sure. It's huge, and it's before I even start to get excited about the idea of them coming on.
And that's cast or crew. I'll do Zooms with people that I may not even see on the set.
And I just need to know that they're not going to wreck it with their not being nice people. Important.
But he is amazing. And I could have just gone on forever and ever.
We didn't get to much of anything, which is what we do on this show. Sorry, listener.
You know, we get a lot of complaints about that. I think that from some people who say like, oh, you guys didn't, you just, and what they forget is like, we're just so excited to see Don, right? So I got like Don, so we just start talking.
Yeah, we're not journalists. We're just three dummies that want to just talk a little bit and can't believe anyone's listening.
Yeah, and if you're like, oh, why didn't you get to what Don's favorite dog type is? We're like, sorry, we were just excited. We just wanted to talk shit with him.
Yeah. You know what I mean.
That's on the Smartless Extras if you want to know

his favorite dog type.

Exactly.

Or talk about like

vacation spots.

Like, I don't know,

like, has he ever been

to Thailand?

Or Mumbai?

Or like...

Mumbai!

Oh, Mumbai!

You glaze right over it.

Mumbai!

Smart.

Less.

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Smart Less is 100% organic and artisanally handcrafted by Rob Armjarf, Bennett Barbaco, and Michael Grantary.

Smart Less. and Michael Grant-Terry.
Hey friends, Jason here. We're so excited the Smart List has officially joined the SiriusXM family.
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