
"Bill Hader"
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Are you prepared to have your mind expanded?
To learn things you may not have known?
And to go places that might be a little unexpected?
To talk with people who can teach you things?
To learn about culture, music, and art? Well, you're not going to get that here because this is smartless here we go smartless smartless smartless smartless wait two pieces of business right up front. Okay, let's go, business.
One, Jason Bateman just recently won the Screen Actors Guild Award. Oh, listen.
And we couldn't be happier. That was a minute ago, wasn't it? This is going to air months after that.
Months, yeah, I get it, but it just kind of happened recently, and it was really exciting. A little tear, I got welled up got welled up i was so happy and so proud i'm just trying to chase you what do you got four of them now i got four who's keeping score who's keeping i mean you're you're keeping score you know that's right shit it's so four yeah four yeah well we're we're trying um and i wish my hair looked as good as yours this morning you did you get up early what do you have a call back or something by something? By the way, I slept in our new merch shirt.
It's so comfortable. Oh, the merch store is up, isn't it? Yeah.
Here's what I say about our merch. Sleep in it, don't sleep on it.
You know what I mean? Oh, my God. Are we paying you extra for marketing ideas? No, all of this stuff, and these are just the tops of headsies.
Yeah. As I call them, tops of headsies.
Wait, and then the other order of business is Jay had an emergency root canal yesterday. Yeah.
Why did, did you not feel it coming on? Why an emergency thing? I did. It was, whenever I would crunch on something that didn't crunch, you know, like a popcorn kernel.
That doesn't, well, no, pills, if you really come down and like, I need this, it will collapse. Sure.
But, you know, a bacon bit. Oh, yeah.
Or a- How many bacon bits are you eating? What are you talking about? Stuff like that would send me into, down to my knees. Well, you eat so many nuts.
And by the way, insert joke here, but, and also nuts here, but you do eat a lot of nuts. I do, and seeds, and sometimes seeds don't collapse either on a hard crunch.
So anyway, it's hard for me to go down on nuts too. The seed is stored in the nuts, right? The seed is stored in the nuts.
Yes. Yes.
Yes, I hear what you did there. So it was all of a sudden? So yeah, so so i had a bad a bad bite on some uh overly fried rice a rice kernel um that was fried up too hard in the pan so that took me down a sunday and then uh i had to get in there monday and so what they did was that was that pre-sag awards yeah was that it was it was i i managed to managed to fumble through my acceptance speech with a hurt tooth.
I've got skills, you know, pain tolerance.
So you were able to just kind of grit what was left of your teeth and got through it.
I did.
So in a sense, you acted like everything was okay.
I was up there for acting excellence, yes.
Yes, no one was the wiser, Sean.
And so then I sit in the doctor's, uh, the dentist chair yesterday morning. Um, and, uh, and he, he said, yeah, you're going to need a root canal.
And I said, when do we do that? He goes, well, we can do it today if you want to. And he just stared at me and I stared at him and he blinked and I blinked.
And he wondered if I had, you know, the stones to actually go for it. And I was like, let's do this.
And he leaned the chair back and he, yeah, I know. And he went in there, started drilling and about 45 minutes into drilling, right? When I thought I was through the worst of it, he then gives me a play-by-play, says, okay, now I'm going to slice out the root.
Or no, no, he says, now I'm going to remove the nerve. the nerve oh god you don't need to tell me
I just pictured this big large animated
angry red
worm that he's gonna
slice through and pull out
it was just so dumb of him
that's a lot of nerve
it takes a lot of nerve
oh Sean are you getting a fax
did a fax just come through Sean what happened
sorry listener we gotta wait Sean's doing some reading
is it okay Sean should we pause
something was just printed on my printer
Here we go. really good.
Oh, Sean, are you getting a fax? Did a fax just come through, Sean? What happened? Sorry, listener, we've got to wait. Sean's doing some reading.
Go ahead.
Is it okay, Sean?
Should we pause the record?
Something was just printed on my printer.
Okay, let's turn all the devices off.
Everything's on silent.
Do you think people are just like
butt-printing you?
What's going on?
With their butts.
Sorry, I butt-printed you.
Nothing that's an emergency
comes through the fax anymore, Sean.
No.
I got a phone call. I got a phone call from us...
Hang on a second, guest. Will's not done.
Well, we can cut this out, but I got a phone call from our friend Conan O'Brien yesterday. I saw I missed it, so I called him back.
Don't even speak his name to me. And I texted him.
I guess it's about the holidays next year because everybody... He's working on the list already.
We're sending out the group photos from everybody, you know.
This motherfucker.
I guarantee you our guest was at that party.
I guarantee you.
We're going to open with that.
So I said, sorry, I missed your call.
And he goes, it was a butt dial.
Even my ass hangs up on you.
That is a problem about having your name be starting with an A.
You get all the butt dials. Oh, great.
I get all the butt dials from people all the time. All the time.
Anyway. What's even more pathetic is that you called him back.
Hey, man, you didn't leave a message. Did you want me? Well, we had been texting, and then so I figured that he was like sick of texting, so he just wanted to get to phone.
So I was like, what? No, I didn't want a longer longer conversation. And I'd been kind of shitty.
I'd said to him cause he'd been texting me this thing and he was like, can I ask you to the bubble? I go, yeah, man. I go, I'm a very busy person.
Wait, he was inviting you to something else. Yeah.
He's doing this, you know, his Easter, um, chamboree. You couldn't even get that out.
You are talk God, you are talk show quick today, Willie.
Good for you.
At least they're jamboree.
Who says jamboree?
How do you have that word ready?
You know what I just noticed after how many years now, Will?
That when you laugh really hard, you hold your left eye as if it's going to pop out.
It's just the left eye that's loose, I think, right?
You just hold right underneath the eye. That's my drifting.
I think that's my drifting eye. So it'll fall with a real big laugh gang this week's guest is one of my favorite people and talents here we go he is able to make you laugh or cry he can act or direct he also writes and produces ladies he's a gemini an avid reader and allergic to peanuts sounds like a catch peanuts peanuts I should have pronounced that better he's a Gemini, an avid reader, and allergic to peanuts.
Sounds like a catch.
Peanuts.
Peanuts.
Peanuts.
I should have pronounced that better.
He's been a part of 50 movies and a lot of TV.
In fact, there he's received three Emmy Awards, three DGA Awards, three WGA Awards,
but the three daughters he has are his favorites, guys.
He's a lover, not a hater.
Ladies and gentlemen, it's Bill Hader.
Everybody.
Hello.
Hello.
I think I'm, I'll bet you,
I've got to be the best at the intros.
Can we just?
Well, I was thinking that when you were saying it.
I was like, oh, it's very.
Will is always improvising them.
I take time and I shape them.
I shape them.
That's what's the worst part.
I think that's the most damning thing
is that you actually put time into that.
Hi, Bill Hader.
Hi, Bill.
How are you guys?
Hi, Bill.
How are you doing, man?
Hi, Bill.
How are you guys?
Good to see you.
So, Bill, did you go to Conan's Christmas party?
I did.
Yeah.
I did.
Were you invited the year before as well?
I was.
Yeah.
Yeah, those are intense.
How many years has he been having that?
I mean, wait, however long he's had that house. Oh, yeah.
Were you guys there when the couch caught on fire? I've always been there, yeah. Yeah, when the couch, he's inside and he's talking, and you know when Conan's had a couple, two glasses of wine, because he's like, when I was a writer on Saturday Night Live, and then behind him, his couch caught on fire.
And it wasn't a bit. It wasn't a bit, and we were all like going, Conan, the house is on fire.
And he went, oh, wow. But it was very sweet.
Was he head writer by the time he left? Or no? I love Bill Hader's on the phone when we're talking about Conan. No, but no, I think Conan, he had to be one of the top writers on the show.
Yeah, I don't know if he was ever a head writer, but he certainly is. I don't know.
I think Jim Downey was always the head writer when he was there. Jim Downey.
Couldn't book him. Hey, Bill, what's number one on my list here? Fascinating wiki page by the way have you read have you ever have you ever read your wiki page have you ever edited your wiki page no no will have you ever read your wiki page uh don't lie yeah i've read it before sure haven't you sean i have not sean read it years ago it says now.
I think you can get in there and change it, right?
Didn't we change Thoreau's once?
Yeah, Kimmel used to change Thoreau's, right?
Yeah.
We wrote on Thoreau's wiki page that he's a,
I don't think we called him a cum crier,
but we said that he does cry after he ejaculates.
Right.
But it stayed there for a good day or two, I think. We told him about it on his birthday.
I love that. Okay.
Hey, Bill. Were you interested in comedy as a kid? Oh, Jesus Christ.
Or were you interested in comedy? He didn't come here for this shit. This is like a German interview.
You were the class clown. In Germany, the clowns are very sad.
Bill, you know what I can't help think, and I'm so sorry to bring this up, but every time I see you, and we're all fans, that is the story of Megan Mullally seeing you and calling Warren Michaels. And saying, hey, you need to see this guy.
Is that true? And then you got Saturday Night Live. That was at a class I was a like a class show at Second City LA and her yeah brother-in-law Matt Offerman and I were in the same show together and she saw me and it was like you know she's from Oklahoma I'm from Oklahoma so anytime you meet someone else from Oklahoma you're like okay you know there's a mural of them someplace you know so it was always like oh my gosh you know and she And she was like, you're really funny.
And that was, and I didn't think anything of it. But had you auditioned for SNL before? No, no, no, no.
I didn't have it. And she was like, you're really funny.
And I was like, oh, thanks. And I was working as an assistant editor on Iron Chef America.
Wow. That's really what I was doing.
Wow. You couldn't get the main gig on that.
I know, I couldn't get the main gig. I couldn't get the main gig.
That's true. Being assistant editor is a lot of like, Bill, get the lights.
You know, right? Yeah, yeah, yeah. Assistant editor was like, Bobby Flay electrocuted himself.
Can you take that out? You know, whatever. So now, so Megan Mullally was that close to Lorne Michaels that she could actually pitch? I guess so.
I think she had just hosted. Okay.
And so she called him up. And then I got a call from, I was in my edit bay, and Lindsay Shookus called me.
No way. And I was like, I work, hey, it was Lindsay Shookus.
And she was, you know, Marcy Klein's, like, she was brand new. Whisperer, yeah.
Yeah, and she said, hey, you know, Lauren liked to meet you, blah, blah, blah. And I was like, you know.
Lauren would like you to come and wait in the hall outside his office at 1 a.m. For eight hours.
And then meet him at 4.30. Yeah, met him at 4.
No, that's 100% what happened. Nothing makes me more nervous about the auditioning process than waiting to go in.
I went in, I was just sitting there, and then I sat in that outer office on the ninth floor for four hours, and then someone came in and was like, hey, we're going to go have dinner now. And I was like, with Lauren? And it was like, oh, no, no, no, no.
Just you and me. And then it's like awkward, small talk, very nice people.
And then, yeah, I finally. Who was that dinner with? Who was that dinner with? Lindsay? I was just Lindsay
and, oh my gosh, I forget the other
person, but it was one of his
assistants, and then, this was like
early 2005, and
then I finally go
in to see him, and
he goes, do you know why you're here?
And I said, oh, Megan Maloney says she saw me,
and he's like, you know, I was on a boat once with a guy. And he was funny the way that Bill Murray is funny.
And I thought to myself, I know Bill Murray. End of story.
And then it was like, do you want to hang out tomorrow and watch the show and i was
like sure and he was like all right and you know who and then you know who hosted the next week when i did my show was you jason me when you hosted the first time the first was i that was when it was tuesday night riding night of when you hosted they made the cast some of the cast members and people come and watch me perform.
No way.
That was early 2005.
That was like January, February. Yeah, January.
Yes, yeah. How do you know that, Will? How do you know that, Will? Jesus.
Because I have a fucking... Crazy.
And I was sitting there going, they go, yeah, we're writing, Jason Bateman's hosting this week, and we got to get back, so hurry, come on, you got to like... Because he needs a lot of writing, yeah.
I had a sketch group
and my sketch slash audition piece
was in the middle of the show.
And Lindsay shook us around the back
and was like, just do that sketch.
Come on, we got to go.
But here's my question though.
It's like, so Megan made this call
that Lauren Lauren called you.
But did you have any aspirations to do that?
Or were you just like, sure,
I guess I'll show up because somebody called?
I always, I came to LA to be a director. Those were always my heroes.
You know, I would like writing, directing. And then, but I, you know, I mean, back especially late 90s, early 2000s, it was still like, it had to be on film.
You know, I mean, video didn't look good. And I had no money.
So a way to be creative was a friend of mine said, oh, do you want to take classes with me at Second City? And we'll just mess around. And it was really fun.
But it was always like, so when I got on SNL, I was so envious of the Lonely Island guys that they were making short films. So I was like, oh, can I go hang out while you guys are making those?
Because that's my world.
That's what I was excited about.
Those were the digital shorts for Tracy.
For Tracy.
I remember, Bill, I remember early on when you came on the show,
like early and we were at an after party with your folks.
It must have been one of your first shows.
Do you remember that?
We were sitting outside.
Yeah, my dad lost his mind over Will.
My dad lost his mind over Will.
Really?
They were huge, his parents were huge Arrested fans. Oh, no way.
Do you remember that, Bill? Yeah, my dad goes, no fucking way, Will and Matt. Holy shit.
Holy shit. And he kind of had Will up against the wall.
It was at that place that's right across the street from 30 Rock. On 6th Avenue.
Exactly. Fuck, Bill, good.
And I was going, dad, dad, dad, dad, relax. And he was like, no fucking way.
Get out of my face, Bill.
Yeah.
And I remember Bill was like new and Bill just kept going, I'm sorry, man.
You know, and I was like, no.
Dad, relax, relax.
But your parents were super nice.
Oh, it made me, I was going to have a panic attack because I heard my, I had my back turned.
This was back when I smoked, so I was having a cigarette.
That's right.
And I was, and behind me I hear, Will Arnett, Bill Sr. And I was like, oh, my God.
No. No.
You start stubbing out the cigarette. Stubbing out the cigarette.
No. I remember one time my mom went over and sat at Lauren's table.
Yes. And I look over there, and Paul Rudd was like, he goes, Bill, are you clocking this? And I turn around and my mom is sitting at Lauren's table in between Marty Short and Steven Spielberg.
And I just walk over there and I'm like, she's coming with me. I'm sorry.
Come on, come on. You know, just like, oh my God.
It's like, they're all so short. Were you, they're so tiny.
They're all so tiny. Were you, I would imagine.
Like they're not even there in front of them. Yeah, exactly.
Were you confident that you were a comedian and were able to make a living in comedy given that you were kind of just wanting to be a director and go that route? And then all of a sudden you find yourself with a job as a comic. Did you feel like, great well let's do this now or were you like oh they're gonna find out i don't know what i'm doing oh i don't know what i'm doing yeah yeah i was i mean to have that those people who were in there when i showed up you know uh i was really intimidated you know so i was like they all had second city uh you know groundlings i remember i came in with jason christian and yeah comedy chicago oh man and i just was like i don't i remember my first table read just going i wrote a thing with will or not sorry will forte and it was it was so bad and i just remember looking in the middle of it over at tina fe Fey and she just had this look on her face like, what the fuck? Oh, no.
You know? And I was like, oh, God. You know? So I was so, I was very, I was incredibly, incredibly crippling, insecure and anxious, I would say, the first four seasons.
But it's almost like you were made for the show, though, because, like, I'm sorry to keep harping on the same point, but it's like, you got this call, but you could also, you had all these characters inside of you, and a lot of the, you know, I find it rare in a lot of sketch shows that people have so many characters, like you or Mike Myers or Dana Carvey or whoever, that just had them. But did you even know that you had those characters in you? No, I didn't know.
No, a lot of that was like, you know, you'd make fun of people, you know, you do impressions of people at school or, you know, things like that, but never, you know, I don't know. You guys are probably saying, I don't know.
I was not the funniest of my friends in high school. So it wasn't like I was known as a funny, like my friends in high school, when I hang out with them, I'm like, I'm like the eighth funniest guy in this group.
But you know how to cherry pick. I know how to cherry pick.
You know what I mean? Half my shit's all Will Arnett's. Bill, you know what makes me think of is our mutual friend and all of our friend, the great Pete Serfinwich, when he used to do that 50 impressions of famous, but it's all of made up characters.
That's one of my favorite things ever. It's fake famous people.
You guys both do an Alan Alda that kills me. You both do an Alan Alda.
Well, that's what people say Alan Alda. I was like, we got to see Peter Serafano.
This is pretty insane. But, you know, it does make me think, though.
Like, you did, you talked about the film. You did, you and the Lonely Island Boys started making video.
You were in there working with those guys pretty early. I mean, in fact, the summer after Lazy Sunday, you guys were making Hot Rod.
Was it June, July, or August, Will? That was September. Hot Rod was August, September of 2006.
That's fall. 2006.
That's just... It came out in seven.
Yeah, it came out in seven, but it was shot in... But we shot it in six, yeah.
Yeah, because I remember I went up to my friend's wedding in Toronto, but I had to go back. You're really funny.
And I was really sick. I just watched that movie with my kids, and their favorite part is you yelling, babe, babe, babe.
Which one is it? Hot Rod? I've not seen it. My recollection, do you remember there was that scene, Bill, we were shooting, it was you, me, Danny McBride, and Yorm.
But you and Yorma were standing in front of me
and, fuck, I forget
what happened. I kept going like, what about the little
one? I kept saying to Yorma.
And we kept fucking laughing.
And then we'd all break up and I was like, okay, we gotta stop.
We gotta get one.
But what I was gonna say
was, you did, you got on, you
started making videos with these guys really early and, fuck, I love the one that you guys did that fucking always kills me, I think holds up is that Dear Sister. Oh, yeah.
I mean, to be clear, those guys wrote and directed all those. It was kind of like they would come into my office and go, hey, Bill, you want to be in this? And I'd be like, yes, because I just wanted to be around them shooting stuff.
Yeah, but you're part you're you're still a vital part of it that dear sister one was I think something fell through and that was a thing they had done before so like oh we're gonna recreate this thing we did once before and that was at a hotel across the street from 30 rock and all I remember from that one is that we started shooting it at like midnight no way and then it then it was done on Friday night. And then it was done at like 7 in the morning, Saturday morning, and I walked out and I had the choice to like go home and try to sleep or do I just go to 30 Rock right now and just hang in my dressing room until we started rehearsing.
It was awful. Yeah, I don't like that.
I'm not a fan of that. It was you and Wig
and Andy
and Fred and Jason were cops
at the end and then Shia LaBeouf.
Shia LaBeouf and Fred and Jason. Fuck, have you guys
ever seen that sketch? Do yourselves a favor.
It is incredible.
The Lonely Island, guys. It's incredible.
Just incredible. I love everything they do.
The timing of the editing of that sketch
is unbelievably funny.
Yeah.
It's very good.
It's a master class in timing.
Yeah, I got to see that.
And we will be right back.
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So, Bill, did you think that you had a fastball when you started? Was there, did you think, I'm going to do impersonations or I'm going to be the straight man or I'm going to be the crazy, like, what did you think your best thing was? By the way, your way your Vincent Price fucking kills me oh thank you yeah a lot of stuff was the writers would kind of I was someone who really needed the writers I was always impressed with people like Fred and Kristen and these people who just write for themselves yeah you know and you were like man you guys are just so confident you could do that I really needed to go into a writer and go you you know, and sometimes it was like, well, Bill, what's a voice you do? You know, what's anything? And, um, and like a lot of people, I kind of came in and my heroes and things I liked was much more weirder and kind of stranger. And a lot of, I learned the term hat on a hat because it was like, I was like, you can't just do a talk show.
It's gotta be a talk show that's inside a man's ear that's on the you know whatever it was very monty python-y explain explain hat on a hat uh for the it's kind of like a joke on a joke so a perfect example was i did a sketch because i could do a tauntaun impression it's so funny and mike matt mur, one of the great writers on the show, said, what if you did that? Panther. Panther.
And we had Natalie Portman was hosting. So it's like, oh, what if it's you teaching her how to do different Star Wars noises as part of her SNL audition? And then I said, what if I do it as Peter Falk? So that thing alone is me as just an acting teacher.
That's enough. But adding Peter Falk was like...
Can you do like two seconds of it? It's a hat on a hat. Oh, no, it was like, so this is a Jawa.
Now listen,
the Tontan comes from
the landed horse.
And the horse is,
and listen,
come over here,
come over here.
Will's holding his eye.
Luke Skywalker is gonna have to
ride him across the icy tunnel.
He goes,
that's all you gotta do. And he goes, that's all you got to do.
And I just remember
Seth Meyers going like, hey buddy,
hey buddy, can I talk to you for a second?
It's a little bit of a hat on a hat.
And I go, what? I don't know what that means.
And then I did it at dress.
You're never going to believe this.
It died.
I think that's so funny. It was one of those sketches where I could hear my footsteps.
I could hear myself putting a glass of water down. It was like, it was just echo.
It's so quiet. You can hear the E train opening the doors down.
You can hear the E train. You can hear someone cough in the alphabet streets, and I was like, oh, God, this is bad news.
And I went in there and Seth just looked at me and he mimicked, you know, putting a hat on top of another hat. And I was like, okay.
And so it didn't make it. Yeah.
I think that is so funny. Natalie must have been dying when you were doing that.
Yeah, she seemed to like it. I don't know.
And then we did, I remember Dana Carvey hosted, we did a thing called the Kasems where he was Casey Kasem and I was his son, J.C. Kasem.
And the whole thing was that we had a terrible relationship and it was me coming to the house at 2 in the morning and he was like, who's out there? I'm Casey Kasem. And I'm like, dad, it's not a burglar or a raccoon.
It's me, your son, J.C. Kasem.
Son, get out of here. Dad, hear me out.
Son, I want nothing to do with you. And it was this very intense family drama that we were.
And he says, you're always asking me, why won't you get a job? Why won't you stop doing drugs? And what recording orders have more number one hits? He goes, Mariah Carey with 11. But seriously, son, I need you out of my house.
And that played to utter silence. That's astonishing to me.
More silence. Utter silence because the audience was going, wait, did he? Wait, what? You know what I mean? And so and we were just like, I just remember Dana and I were going, Dana and I were like, why didn't I? I wrote it with John Mulaney and we both were like, why didn't that work? That was so funny.
Well, do you guys ever have discussions about what, because dress is what, 8? And then the show is obviously 11.30. But is there, do you ever say, well, but the audience at 8 is weird and it's different.
Let's just trust that the 11.30 audience is going to love it at home and at home. It's like, I wish there was a science to it, but I do remember if the dress was hot, that was bad dress was really hot i remember polar saying like oh hot dress that's bad and i was like why what oh you know and then yeah it was right it's like if the dress is hot then weirdly you get like it's a superstition thing you get really confident and then when you go out to do the live show, it's like, oh.
Go, Sean, go, Sean.
I was going to say
for my sister Tracy,
like when you say dress,
it's dress rehearsal.
Oh, sorry, dress rehearsal.
It's the thing that you do
before the pre-show.
And they have extra sketches
in the dress
and then they cut.
Go ahead, Bill.
The stuff that doesn't work
gets paired out.
Yeah, so dress rehearsals
at eight o'clock,
we do a whole show
plus like three
or four extra sketches and then we go into Lauren's office and stuff has been cut and then stuff's been rearranged and rewritten and then that's the live show. And this is after a brief conversation with the host who gets to chime in.
I'm not sure to what effect about what they would like cut or not. Yeah, and I'm not sure if they're listening to it.
I think, and it's Lauren eating popcorn going, I mean, if you want to look like a fool, we can do this. You know, I once, my brother-in-law played golf once.
Yes. Years ago, and he owned a golf club.
And the question is, are you going to rent or own? Are you going to rent or own? Wait, is the sketch cut? What? It's, you know, and then we would do those Vincent Price sketches and it'd be between dress and hair and someone wouldn't do something, you know, old school impression and Lauren would be like, what if Jon Hamm played Herbert Marshall? And you're hearing the band playing, you're hearing the live audience being put in and you're like, I don't know if the audience is going know who fred mcmurray and it's like how about james mason anybody could do james mason if i imagined you when you're working on an impression if i imagined you in front of a mirror alone uh just like making faces and and doing sounds is that is that is that about the extent of it like is it a real private kind of or or is it kind of a little here and a little there, like sometimes in the car, sometimes? Yeah, you do it in the car or you do it around people and then it kind of comes out and it's like, whoa, that sounded good. Do you still do that, Bill? I mean, do you still? Oh, yeah, yeah.
It's like, it's just like, yeah, it's like a, my dad does this too where it's called called appropriation, where it's, you know, when you're nervous around someone, you start to talk like them, you know? And I've done that since I was a kid. Like I get very socially anxious, and then you start to mimic people's accents as a way of being like, hey, I'm like, don't, you know, like we're all good, you know? it's like.
We're part of the same tribe. Don't kill me.
Yeah, don't kill me. So, yeah, you start to talk like people or whatever.
And so I think that lent itself to being able to do voices. When you were growing up in Oklahoma, did you do that? Did you gravitate towards friends that had the same sensibility and were kind of odd like that?
Or were you like...
Oh, yeah.
And we weren't weird outcasts.
No, he was trying to ingratiate himself with murderers.
Well, that too.
I mean, yeah.
I kind of wanted to go...
I just wanted to get to know everybody.
No, but my best friend is a writer on Barry.
He's one of the big writers on Barry.
And we've known each other since we were 15 or so.
Wow.
We still rock together.
Great show, by the way.
Great show, and you're great in it.
Thank you. Like my best friend is a writer on Barry.
He's like one of the big writers on Barry. And we've known each other since we were 15 or so.
Wow. Great show, by the way.
Great show. And you're great in it.
Yeah, congrats on everything with Barry. So working on a bridge from SNL to Barry, do you remember the moment where it started to become clear to you that, okay, my life is changing and going to change and I got to kind of get my knees bent and be ready for what can be pretty uncomfortable, which is fame and recognition and responsibility and approaching your dreams.
What did that feel? Like when Barry came out or like after SNL ended? Yeah, I mean, to move away now from SNL, but I guess it must there um and and feeling like maybe i can now leave and see if i've got what i hope i have and try it out there yeah that's that's a it's nerve-wracking when you i mean because i remember when i left snl i did like interviews about it like i went and did like charlie rose and i did these things about you're leaving snl and the attitude and everything was like well maybe we're never gonna see you again you know nice knowing you that's the risk right no one knows thanks you know and it was like maybe that's it and uh so yeah it was i wonder what that batting average is what do you what do you think the percentage of cast members that go on to um you know careers that you can you can still make a living with i don't know i mean yeah i have no idea i mean i i try to i think it was for me it was like you know it's like if i thought of like what makes the plane stay up in the air i would go crazy yeah you know so so i just was like i'm just gonna move forward and block out any sort of, because I'm very sensitive to other people's energy. So it is hard when you see, you know, agents or executives are like, hi, you know, wait, am I out? Am I in? Wait, what was that? And so I'm very, so I do kind of like put my head down and just keep moving forward and try stuff.
It was pretty cool to see you start taking roles that weren't necessarily starring roles. They were these really cool supporting roles in these really fun movies that had these great big stars leading them.
and I was like, it looks looks like you're building this foundation that is going to be around for a long time and then when barry happened and especially the directing element uh i was just like so excited for you and then talking with you afterwards and finding out about your original passion which was directing i just was so excited for you that that has all come true i mean oh thank you very much jumping around a bit but i mean uh was that always a goal for you and that some of these to the extent there was any strategy that some of these these career choices were meant to point you in that direction and finally land something where you could be somewhat of an auteur yeah Yeah, I mean, I think it was always wanting to do movies. And then, you know, I'd written some scripts and then I did some acting jobs.
But I didn't really have a lot of faith in myself. It was kind of like, you know, it's like you dream of a thing, but you don't, you know, I i don't know if i can do it it feels like the universe wants me to be this thing right and i'm kind of going well maybe i'm not right for this other thing and then honestly i had a beanie with hbo they had seen me in a movie called skeleton twins and they said oh you should yeah we were interested in you being like that kind of acting in a show for us, not sketch.
And I was like, okay, cool. And then they go, you meet this guy, Alec Berg, maybe you guys come up with something.
So Alec and I sat. The great Alec Berg.
Came up with the show Barry. And it was when I went into the meeting, I haven't talked about Alec about it or anybody, and they went, who do you think should do the pilot? Michael Lombardo was like, who do you think should do the pilot? And I was like, I'll direct it.
And it was just silence.
And they go, have you ever directed before?
I was like, no, no, but I can do it.
And Alec Berg, to his credit, kind of looked at me.
I hadn't talked to him about it or anything.
And he went, yeah, yeah, he can do it.
Yeah, I got, no, he'll be fine.
He can do it.
Oh, that's great.
And then he told me afterwards that he was driving home and they called him going, all can you really do it are you just yeah because that's a big for tracy that's a very didn't you tell me though at one time i mean that you said that alex said to hbo yes if jason bateman can direct anybody can is that true that is a quote that's a quote well that was a t-shirt they wear over there. And the DGA said yeah, we let him in as a bit.
They kept saying we let him in as a bit. That was also at South by Southwest when they give you your key cards before Seasons.
It said if Jason Bateman that's what it said. Guys, I hope this is a joke.
No, it's going to be. It's a big long joke and, and they're giving you awards, and they're giving you jobs, because at the end, it's going to be, we're going to do a big reveal when you're, like, 60.
Yeah. And by the way, when Jason's 60, he's simultaneously going to weigh 60 pounds.
He's whittling down, you know, and now he can't even have the nuts, so it's just the cardboard, so it's going to be 60 pounds, and then we all go, it was a fucking joke. Jason, do you ever have that happen though? When people look at you and they go, Oh, an actor's directing.
If they don't, I'm, they can always be sure that I'm doing it. I'm sitting there going, what, what am I doing? Both of you guys are smart dudes and you know what you're doing and you've been around a lot and as you know from the little directing that I've done it's much more about understanding what it is that you want tonally and what you want that to be.
Exactly. And also you guys have succeeded in it.
It's not like you tried it and failed. But still it doesn't matter because my idea of what a director is and looks like is completely opposite for me.
It's just like your idea of what 50 would be when you were 12 has nothing to do with what I feel like and look like at 50. But you also know, like, even the greats, as you know, there is a certain, and I say this with a tremendous amount of respect for all the great directors that have come out, is there's that thing of like, they have to keep it special and keep it exclusive and keep you out because it, they're not doing it to punish everybody else, but it's also to maintain that respect and that level of thing.
It's like, this guy's a great director and you could never do that. And there's a little bit of like, well, you did it.
No. You're human being as well.
Just a person. Yeah, it's not so scary.
Yeah, a little bit. And of course there are great directors, but you guys are both very accomplished, good directors.
And that's how you become a great is you keep doing it. Yeah.
And also just sitting around a set and absorbing what everybody is doing to create this fake world. Like it's hard.
What these crew members do is insane. It's insane, yeah.
It's really, really cool. And it's not just the director, as you guys know.
Right. Everybody's a filmmaker in the costume department.
I love how many actors show up on the first day of principal photography and they're like, okay, let's get started. It's like, no, no, we've been to this location probably a half a dozen times.
A movie shot already, basically. You just need to talk.
People kind of thinking like, well, you know. It's also, I always have a thing where you have an idea and then you go out there and you see all these people busting their ass away from their families in terrible conditions.
For at least 12 hours. Trying to make your idea happen.
I sit and I look at it and I feel like such a responsibility to have my shit together. And as we know as actors, that's the worst is when you have a director that doesn't know what they want and they're surly and it could be this and you're there for...
I mean, I've worked on shows where... I did a show, a movie where we did reverse splits because we kept going so late through the week.
So by Friday, we started the day on stage at 1 a.m. It was shot until 3 p.m.
It was solely because the director was just like, I don't know. What's reverse splits? Okay, so like.
For Tracy. That's the big Tracy.
Oh, yeah. So like if you start, like so you have to have like a, like certain people have to have like 12-hour turnarounds, meaning like if you work from 7 a.m.
and you shoot until 10 p.m., you got to start the next day at 10 a.m., right? You got to give people 12 hours of rest. You got to give 12 hours of rest.
Which includes driving home, which is an.m. you got to start the next day at 10 a.m.
right you give people 12 hours you gotta give 12 hours of rest which includes driving home which is exactly can't can you gotta negotiate you gotta negotiate that no but i mean early on when you're starting that's let's not even get into portal to portal i mean what are we talking about portal to portal is like the gold like you got portal to portal now we're gonna start getting into down deal. I mean, Downey's on stage for 45 minutes before he's out.
Yeah.
Anyway, so if you start at Monday at work at 7 a.m.
and you end at 10 p.m.
and then you have to go, okay, now we have 10 a.m.
and then they go until 1.
Now Wednesday you can't start until 1 p.m.
You can't start until 1 p.m.
It's going to roll back even more.
So it's basically a director shooting 18 to 20 hour days
Thank you. You can't start until 1 p.m.
You can't start until 1 p.m. It's going to roll back even more.
So it's basically a director shooting 18 to 20-hour days, and you've got to give people their turnaround. It just keeps pushing, pushing, pushing.
Right, right, right. So you're ending your work week Saturday at like 4 in the afternoon.
Yeah, Fraterday. And you're like.
Yeah, yeah, yeah. And it's solely because someone doesn't have their...
Shit together. Yeah.
And in a director's defense, they never see any other director direct. So they don't know that they're not getting it done, that they're not doing it well.
It's, you know, actors, crew members, everybody sees multiple directors. And then if you ever get the chance to direct, you can cherry pick from all the good ones and not do the stuff that the bad guys did.
Sean, go ahead, jump in. I wanted to say, Bill, one of the first times I was ever introduced to one of those hysterical bad lip reading things was you.
Somebody sent it to me years ago. And they're so funny.
I think there were Star Wars ones or something. Yeah.
And they make me cry laughing. And I want to know.
Are you done with the subject we were on? Yeah. Directing? Okay.
He loves it. He just goes 180.
Sean, unbelievable. And he got nominated.
Remember. It's okay.
It's fine. You've pissed off the guest, Sean.
No, no. It's okay.
We can talk about bad lip reading. No, I always wanted to know because I've never met anybody who I know who did it.
This is the dumbest question in the world,
but I'm always interested in knowing how do you do it?
Do they just run the tape and you ad-lib?
Well, the guy who does it is a genius,
and you go to his house and he's done it already.
Oh, wow.
So you just do it over. It's ADR.
You're watching it going, okay, so he's done it already, and so you're trying to mimic... It's so funny.
...what they've done, and it's really that guy. And it kind of just took off, and now they do it for people in Congress, and like...
I don't know how they... Yeah, I have no idea how he...
Anyway, that's all I wanted to know. Now, what...
You can move this around in the episode. You can move that a little earlier.
I mean, just fear this off the road. Believe me, whole Sean section that is after people usually listen.
Sometimes he talks like we say he's like a make-a-wish kid. He'll just go, I was wanting to know, how did you? And when we give him a T-shirt every once in a while.
We're just building steam with the... Did you grow up with a dog? Now, with Barry, where are we with Barry? As we talk to you today.
By the way, sorry. No offense to Make-A-Wish.
Obviously, it's amazing. Yeah, you don't have to say that.
Everybody knows you're joking. Okay.
Well, we don't. You know, we get lots of letters from people.
Let them write. Just don't read them well.
You're right. Yeah.
So where are we with Barry? Are we in production, out of production? The thing with Barry. I'm just waiting for Sean to come in.
Yeah, he'll interrupt. It was really funny.
He doesn't think of any questions until you're actually talking. Did your parents listen to Charo? Believe me, it's exactly like that.
No, but I's funny i like that uh um no uh we just did so we're doing editing season four and how high can you jump i'm just curious these are the things these are the like you could. Long legs.
Seems like you could jump high. Anyway.
Depression. You were talking about depression.
Sorry. You're really into the thing you were talking about, but I just wanted to take you out just to satisfy my own itch.
And so... That's right.
Depression has affected your family for how long? And you do like tater tots. I just want to get that.
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Wait, so you're editing season four of— We're editing and we just did reshoots last week. We did three days of reshoots.
So I'm in this weird place of like, did these reshoots and now I'm back in the edit bay plugging in what we reshot and the anxiety of like, oh, please tell me this works, you know. Yeah, yeah, yeah.
And seeing how it plays out and going. But then it's also that I'm also at that phase where really smart friends and people who have worked on the show or people I know, writers or former editors, I will send them the episodes to be like, how's it feeling? Haven't been sent anything.
You know, well, you know. I'll check my check.
I'll check my check. Siri, refresh my inbox.
Yeah, I don't think so. Didn't you take that? I feel like it hasn't been on for a while.
Didn't you take a break? Was there a break or a COVID thing or something? Yeah, well, we had to for a season, between seasons two and three, yeah. Yeah, and then there was COVID.
And then I shot. I've been waiting.
No, I've been, I did three and four pretty much back to back. Huh.
Yeah. Because of Dr.
Fauci? Dr. Fauci.
Yeah, because of Fauci because he wanted to do, I keep going, what's the end game? What did he want to do? He wanted to take over the planet? What do you think that he, at the Emmys, can I say you, you two, Jason and Will were the two people at the Emmys that pointed at my face and went, mouth, why are you wearing a mask? Oh. I remember you wearing the mask.
I remember, yeah. Jason, you were going, why, like, mouthing, are you sick? Stay away from me.
And the reason was because I was shooting, and it was this thing of, like, if you get COVID, we shut down for two weeks, and we lose all our locations. People got to go home.
We lose crew. So I walked in and I was like, there's literally no one on a mask here.
You were the only one. I saw Bob Odenkirk and he's like, do you have COVID? Bob Odenkirk and Bill.
So we were doing Brother Solomon. Oh, my God.
I was on a, yeah.
I know what you're going to say.
Bill's on a recumbent bicycle, okay?
Yeah.
And so we got this scene.
It's me and Forte and Wig.
And he kept having this thing.
But Bob was so obsessed with Bill.
And he goes, oh, my God, buddy.
Oh, look at Bill on the recumbent bicycle.
He says, look at Bill on the recumbent bike.
He says, look up in the sky. And Kristen Wiig is giving a performance where she has to cry.
She's got to cry. Do you remember this? Yes, so she has to cry and give this emotional speech.
And the joke is that while she's doing this, the brothers Solomon are watching me as this weird guy in a recumbent bike well he he was bob was being one of the brothers song because christian was giving this amazing performance and he was like cut okay bill what you gotta do and she's like and arnett was like hey bob can we please acknowledge what christian's doing incredible acting work she was doing this amazing work and he was like, hey, Bob, can we please acknowledge what Kristen's doing over here? It's incredible acting work. She was doing this amazing work, and he was like, oh, my God.
Where did they find this thing? Did they invent this? This isn't real, is it? Oh, my God. It was so...
People don't write these. It was so crazy.
Kristen's drawing on all this past pain pain and shit and bob bob obsessed with bill on the fucking bike and i just i really have respected arnett for being like hey can we just acknowledge and then you're going to prison is another odenkirk uh film uh that was incredible that was a great one yeah yeah it was a. That was my very first audition for a movie.
It was an audition for some part in that movie. No way.
And Bob, I remember reading with him, and he took my sides away, and he goes, don't worry about these. Just talk to me.
Oh, really? I was so scared. I was so anxious.
I was so anxious because I was like, he's a legend in the Mr. Show and everything.
And I was so terrified.
And I never auditioned before.
And I did the, like, by rote in a mirror.
Like, you know, I did everything, you know.
And I had all the words.
What's the most money you've ever spent in one trip to Trader Joe's?
Oh, my God.
Sorry about this, Bill. Honestly.
No, on that, while we're on food, I want to hear about your peanut allergy. When was the last time you had a real— I want to know when you had a real blow-up with peanuts.
How did you know? Marty Short said, you know, Bill, usually people, when they talk about their allergies, it's so boring. But when you talk about it— I do have a nut allergy.
I do have a very bad. How do you know? What happened? My mouth gets, it just happened to me.
It just happened to me about a month ago. I was moderating a Q&A with somebody, and we went and ate beforehand, and I ate this lasagna.
I'm at, you know, Little Dom's, and I eat lasagna, and then suddenly my mouth goes numb, and my throat starts to go up, and I go in the bathroom, and I see I'm getting a rash on the side of my face, and I go, shit, fuck. And so I ran, and people are still still talking and mingling and I go, I'm going to go to the bathroom.
I ran down to, there's like an Albertsons there or something, run inside find Benadryl, take it in the aisle, took like three of them and then went back So you don't need an EpiPen? I gotta go find an EpiPen and I just Ien. And I just, I had no EpiPen, so I just did some Benadryl, texted my doctor.
They were like, okay, you should be fine. Okay, we're going to put in a prescription here, whatever.
And we were just figuring it out. And I ended up still doing the thing on a Benadryl.
What would nuts be doing in lasagna? It was vegan, it was vegan, vegan cheese. It was cashew cheese.
Oh, cashews. It's not unusual in Los Feliz for actors just to be taking drugs in the Isles of Elvis.
That is true. There was a bunch of other people and they're like, you too, man? Now, so as I don't remember when we were at the Dodger game and I eat tons and tons of peanuts.
I don't remember you getting nervous that I was near you with peanuts. So you're not one of those.
No, no, it's not like the dust or something. I have to like ingest it.
Yeah. It's no fun.
By the way, Sean just very discreetly under his thing wrote down, you just give him an idea, lasagna. He just wrote it down.
That's what he's going to have for lunch. He's like, lasagna, Garfield.
Oh no, I'm free. You know what Sean said to me, by the way, the other day? This is totally true.
Jason, I haven't told you this yet either. Sean the other day just goes, you know what I had for breakfast this morning? I had a pot roast.
I had a pot roast for breakfast. And I go, what? Just out of the blue.
I go, what? He goes, yeah, with mashed potatoes, and then I had ice cream. I swear to God, nine in the morning.
What, are you being executed? Are you being executed? Are you on death row? I mean, we were at a meeting the other day. We were at a meeting the other day and they made us a cake.
This is true. Bill, are you ready for this? A cake that had our smartless pictures and names and stuff that was on the frosting on top.
Just like as a gift, like a sort of ceremonial, like here's a cake. Yeah, it was kind of a fun little thing.
And Sean left the meeting with the cake.
Full cake in his hands. No, hang on a second.
Hang on a second.
Before the meeting started, Sean cut
into the cake and started eating it
at the table, his own cake.
They made a cake for us.
30 people at a business meeting.
He was like, well, it would be rude not to have
a piece. So he starts eating it and then he
took it with him in his car.
He left CAA. He came
down out of CAA with this cake with his own
Thank you. He was like, well, it would be rude not to have a piece.
So he starts eating it, and then he took it with him in his car.
He left CAA.
He came down out of CAA with this cake with his own fucking face on it.
But he lives with his husband and a dog.
That's it. So who was going to eat that cake?
It's not for kids.
You said you'd have half of it done by the end of the week.
Scotty's got diabetes.
He's not eating the cake, so it's all Sean. So, Sean.
Bill, what's your current temperature? No, no, no. Sean, serious question.
How much of the cake is left? This is not yet a week. That night he had more, and that morning, the next morning.
Right, Sean? Yes, five days later, how much is left? I kind of wanted it done. If you're an adult and you have all the cake you can eat, why wouldn't you eat it? Right.
Are you self-aware when that's happening, Sean? Are you like, this is... Do you have guilt? Do you have shame? This is a little nuts.
No guilt. Shame.
No, you know what I think it is? Like, I just can't stop. I think because we grew up with nothing.
Anytime I'm like, oh my God, free cake. Free cake.
Tell me how much of the cake is left. It's gone.
Is it? Really? Yes. Well, that was a week.
That was. You shit pig.
Almost a week ago. Shit pig.
Yeah, you just a shit pig. I get that.
I don't know. Don't you get it? I get it.
I do get it where it's like, we're just going to leave this here. Come on.
I know. There is a lot of that and there's a lot of waste in what we do.
Final question. That was funny.
How high can you jump? If you really wanted to jump high, how high? By the way, here's the other thing. Bill, you work with our old dear friend on Barry, Henry Winkler.
Oh, yeah. I love him.
I love him. Henry's so sweet.
The one and only. He's the greatest.
The sweetest. Yeah, he's always like, you get me there.
Like, you doubt his sincerity. Does he still leave his ringer on on his phone while you're rolling? Does he do that? No, no, he doesn't do that.
We have a blooper reel that's dedicated from the first couple seasons of Arrested to Henry's phone going off in the middle of a scene. By the way, usually during his own dialogue.
So he'd be doing a courtroom scene going, what do we have to do? And then ring. Oh, my God.
Hang on a second. He's like, uh-oh, it's Stacy, hold on.
And Jason, we have a great blooper of Jason going, go ahead and take that, you want to
just take it, or?
Oh, Henry, he's so sweet.
Henry, one time we were doing a thing, and you know, my character fought in Afghanistan,
and three takes in a row, he's at Vietnam.
Yeah, sure.
Really funny.
I have him on my phone.
And when Barry was fighting in Vietnam, that's not right. Hold on.
That's not right. And then every Friday it's like, Henry, that was a great take where you had to have a mental breakdown.
That was really good. He's like, you got me there.
I have this chocolate Bundt cake from Jersey City in the trunk of my car. He is absolutely the greatest guy ever.
He does amazing work, and I think he gets very anxious about his dramatic work, but he's such a good dramatic actor, and he really will go where he needs. You know, he's not afraid or whatever, but it is funny how much he'll have that moment, and then he, you know, turns it right on.
You know, this season especially goes through a lot of stuff, but when he'll do that, and then, yeah, he'll offer you sweets. He's such a talent.
You know, he was one of the guys, when we were first doing Arrested Development, and I was living in New York but coming out here to do it, and I'd be oftentimes, you know, I was friends with these guys a little bit, but, you know, whatever, I didn't have anywhere. And he and his wife, Stacy, would invite me over on Saturday mornings and I would go over there and just, you know, have breakfast with him and with the family all the time.
He was so sweet. I love him.
I know. They were so generous.
Yeah, we pretty much every month go and have breakfast, like, once, you know. And it's great.
And he is kind of like so how are you doing like outside of everything how's your life how's this how's this feeling like he's just uh i always walk away from those feeling you know better about myself didn't you want to grow up in his house well you know what's funny you remember back then back then it was like when his son max was still in high school and his best buddy was Jonah Hill. And those guys were still in fucking high school when I was there.
Like, this is like 2003, like the fall of 2003. The fall, was it? Yeah.
Those guys were still in high school, him and Jonah. And they were like, oh, man, we love Arrested Development.
And they were like fucking 17, you know?
Wow.
Or if that.
So weird.
Anyway.
2003.
Sean wanted to know,
have you ever had to put snow tires on?
He just texted that in.
He texted me.
He said, just please ask him.
I'm so glad you got it in time. Don't be so shy, Sean.
That's a great question. Can you, Bill, because I'm such a massive fan.
What's that hammer? I'm such a massive fan. Can you do just, I know you're not a singing monkey.
Here we go. But can you do Vincent Price just a little bit? Because it's so fucking funny.
Oh, I'm trying remember. Well, the thing I remember, John Mulaney's first night of writing at SNL, he, Seth Meyers said, oh, maybe we should bring the new guy in and help on Vincent Price.
And we were writing a thing and it was, Fred would play Liberace and on Vincent Price and we're arguing. And we're arguing as you do.
Still with you. So he's Liberace.
This is, by the way, this is in 2008 when people are still really excited about Vincent Price and Liberace. And as Lauren said, I like to sketch, but why now? But Liberace and they're talking and we're like, oh, what's a thing Vincent Price could say to Liberace after he burns him or something? And John Mulaney came up with the line, save your sassy assides for your windowless bars.
That is so funny. That is so funny.
And he had a... I wish Fred was here to do his Liberace.
That is profoundly funny. Yeah, Liberace was always him talking about, like, a prince who had given him a jewel or something.
Yeah, it was always... Anyway, Jack Nicholson, John Malkovich, all of them.
I fucking love all of them. Oh, thank you very much.
Oh, incredible. And then, yeah, that line always, we were just like, whoa.
But like, what about that? Is there ever going to be another vehicle where we can see you do your impressions? Or is it just going to be like... Is that at parties now like camel or something they'll be like like one i went on camel like not too long ago and he had me do all the dateline people right because i watch dateline a lot so he's like just do all the dateline people so i did them and but yeah usually it's like you're at a party or something and you know you know who loves impressions yeah yeah conan you know who loves impressions is larry david yeah yeah he loves sean just did some work with him he loses his mind when you do an impression of anybody can you do larry david i mean that's yeah wait who would you who would you who would you trust to do you oh man everybody does probably i mean I mean Fred does a really good meme which is his impression of me everybody's impression of me is like hey Ben what's going on it's Bill and then his impression of me is I've always just discovered a super famous band hey you know who I started listening to is He's like, you always walk into my office and you're like, you know, the Almond Brothers are pretty good.
I just started listening to them. Wait, do really quick.
Do Jack Nicholson watching Dateline? I don't know if I do Jack Nicholson. Oh, really? We're doing Jack Nicholson.
You know who Larry David likes is Burt Lancaster. Burt Lancaster, when he, there's this guy telling me a story.
This made Larry David laugh really hard. It was a guy who worked for Burt Lancaster, and he brought him some chowder for lunch.
And he said that Burt Lancaster looked in the bag and looked up at him, and he went Oyster crackers. You forgot the oyster crackers.
Larry David makes me say that all the time. He's like, Oyster crackers.
You forgot the oyster crackers. You know, that's always fun.
I do it on set and it gets old fast. No, actually, nothing.
I've never had setups in between shots feel shorter than when I worked with you on Paul. Oh, yeah.
It's just so fun to hang out with on a set. You've got to do more of that.
Yeah, we were. Do you remember when they blew up the house in Paul? Yeah, yeah, the shockwave.
And they said, yeah, you guys are going to stand right here. Okay.
And we went, okay. And then me and you were looking at each other.
I go, you know what? I want to go stand where the special effects guy is. The guy standing behind a barricade.
Where we were standing was a giant car or something land, like massive debris landed where we were. We were like, this isn't fun.
No. Yeah.
Oh, my God. Wait a second.
I love that you're telling us this because Jason doesn't remember anything. By the way, he never would have told us that story.
Never comes up. No, he also, were you there when the guys made us drink jalapeno stuff? No.
I think you were, weren't you with us? I might have been. It was me and Simon Pegg and everybody, and they're like, hey, you guys are Hollywood people.
You know, it was just like we were in New Mexico,
and they were like, oh, these loud Hollywood people.
And they're like, hey, here, drink a shot of this.
And it wasn't, it was pure.
Jalapeno juice?
It's not alcoholic.
Because I was like, oh, I don't drink.
And they're like, and it was jalapeno juice.
And we had to run and get milk and stuff.
It was a way of like, get the fuck out of here.
Maybe I was there?
That's starting to sound familiar. was like it was like that was fun um let me tell you what was fun bill was this chat we could do two full episodes we haven't gotten into any of your of your incredible voiceover work in all these animated films too i mean it's it's's on and on and on.
It really is. You're an incredible talent.
Yeah. Multi-dimensional or whatever it is.
You're that. Big, big, big fan.
Thank you. And a great guest.
Well done. Good to see you, dude.
Good to see you guys, man. Yeah, man.
Good to see you, Pally. I'm calling you for Dodger games soon.
Yeah, please. All right.
Have a good day, bud. You, bud.
Bye. Thank you.
Bye, Pally. Bye bye thank you bye all right i don't think there's anything that guy can't do god that was funny stuff man he's dramatic he acts writes directs produces uh high quality person friend i'm just kind of blown away that he went on snl and then just had all those characters like what are the are the odds of, yeah, let's take a chance on Bill Hader,
and then you've got all this stuff inside of him.
Yeah, it's so funny.
He's always got, it's funny that he said that he does that appropriation thing,
because it is, you see that in him.
Like a nervous thing.
Yeah, where he's just like, oh, and he starts doing the voice while he's.
I do that all the time.
I'll take people's laughter.
I'll start laughing like them for some weird reason.
And that'll be like my new laugh for a few weeks. Really? I think it's like a common human thing.
I do find that I just yammer and yammer and yammer when I'm socially uncomfortable. I'll do the opposite of what you think you would do, which is just shrivel and go into a corner and be quiet.
I should just start talking. I just start speaking whatever I'm thinking of in my mind.
Yeah, I mean, I notice you at parties, and you kind of do it on this. I see you talking to somebody when you're engaging with, like, another person, and you're just talking at them, and you're like, asking them questions, and you're just fucking, and they're thinking like, oh, at first they're like, oh, I get to talk to Jason Bateman, and then they want to fucking kill themselves.
And they realize it's not that great. And you're like, do you blah, blah, blah, and you're like, you're going, but the question, it's like the show, you're asking questions, and you're leading, and it's on and on.
I know. And I just, often they have a look of what I would describe only as disgust.
Yeah, my family kicked me out of the house a couple days ago. But you know what, Jay, with all that work on your mouth that you've had, you're talking so beautifully,
and I'm glad you finally got that tooth fixed.
Which one was it called?
I think it was a Bye Cuspid.
Bye Cuspid.
And then repeat it again and say it higher.
Bye.
Bye Cuspid.
Look at Will harmonizing.
I didn't love it.
It was too early.
Well, my God, are you kidding?
Smart.
Nice. Smart.
too early. Well, my God, are you kidding? Smartless is 100% organic and artisanally
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