"Darius Rucker"

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Details at lowes.com slash terms subject to change. Hello, listener.
Welcome to SmartList. This is a podcast that is basically it's a little chat show.
And there's three dumb dudes asking dumb questions to a slightly smarter guest. And this guest is a mystery to two of the question askers.
I've never brought this up before, but your tone sounds like an information video like at a funeral home. I'm just trying to get on with it.
This is what you can expect in the funeral process. But I don't even know why we're still doing explanations of what the podcast is.

People know what they're tuning into.

Just ask them to listen.

Like a credit sequence of a show.

Like, they get it.

They know where they're at.

Get on with the story.

Yeah.

Right?

Yeah.

Let's just start the episode.

All right.

It's all new Smartless.

Welcome, listener, to Smartless.

Yeah.

Dot com.

Smart.

Smart.com. Jason, are you sleepy today? Yeah.
No, I'm just... What happened, Angel? You know what I've realized? I'm 51 years old.
I think I'm moody. I think I've realized it's taken...
I mean, you guys have known me for a while. Am I a little late to this realization? It must have gone to your junk box because you're the last to get the memo.
Yeah, I'm a real squeaky wheel for no reason. We know.
There's absolutely no reason for me to be in a bad mood today. Sometimes he's a real grumper.
What is, and I say this with all respect to those who seriously suffer from it, but what is the definition of bipolar? I just want to know if I can self-diagnose. I think it's your highs are real high and your lows are real low.
And you become manic right can you self-diagnose or do you have to ask uh friends that you're close to me you just ask me yeah what so what's your opinion do i qualify for that let's say why don't you take a sip of that okay so that's just plain water right or is that you have it you have it you know you have it You have it. You have it.

By the way, I think everybody's been feeling level.

And again, not to diminish, people have this clinically.

But depression, I think that there have been levels.

I think that there are levels of it.

And people have been experiencing it.

I certainly.

I started going on Prozac right before this podcast.

The pandemic.

Oh.

Right before lunch.

Right before lunch today.

Wait, before the pandemic, did you sense there was a disturbance in the force? No, I did not. I had a disturbance in the force.
And you were like, I better pill up because something wicked this way comes? No, no. We'll talk about that later.
But yeah, no, I should have been taking it 20 years ago. I started my happy pill 20 years ago.
I'm a big, big advocate. Yeah, so I, but it's beneficial that I'm taking it now that we're in this.
I'm surprised that it took you this long because I find your life depressing. So, you know what I mean? Is he talking to me or is he talking to you, Sean? I'm talking to both of you.
Both of us. Got it.
Okay, okay. So, guys, as I introduce this guy, you guys are going to know who he is right off the bat so this fella who i'm a huge fan of he grew up in the south charleston north carolina and and is an unbelievably incredible singer-songwriter he formed his now famous band back in 86 but and about a decade later won a Grammys, sold over 25 million records.

The name of the band, this is how you're going to get it,

is Hootie and the Blowfish.

I got it.

And the name of the superstar is Darius Rucker.

What?

Darius Rucker.

I said it before you.

Hello. No way.

Hi, Darius.

Hello.

And he's holding a mic like a rock star should.

Absolutely, I am.

Absolutely.

Perfect.

Because I couldn't pack my mic stand in my bag,

so I got to hold it.

Now, is that a, what do you call it, euphemism? No? Damn. Absolutely.
Perfect. Because I couldn't pack my mic stand in my bag.
So I got a hold of it.

Now, is that a, what do you call, euphemism?

No.

No, it's not. It's not.

Because I've heard Will say that before,

and I didn't ever know what he was talking about.

That was a euphemism.

Oh.

Wow.

You know, Darius, your name actually sounds Southern.

It sounds like Matthew McConaughey would have a blast with your name. Oh, yeah what he says hey hey darius i like what he says he's so relaxed all the time he is so relaxed when i was younger you know which was not recent um sean's having a tough time remembering because it was so long ago that's why it's taking check a while.
Check your notes. No, but I'm dead serious.
I would be in my car listening to your songs. I bought all your CDs.
And I would try so hard to sound like you when I sang. Because your voice is one of the best, coolest voices I've ever heard.
I agree. And it's so identifiable.
Did you always sing like that? When did you open your mouth and realize, hey, I think I have a pretty cool voice? Thank you for saying that. Everybody does the, I don't want to be with you.
Everybody does that. I think they sound just like me.
I don't want to be with you. Exactly.
Exactly. I like to think, Darius, that your singing career began just one day you were driving and out of the blue you went, I don't want to be with you.
I got to start a band. I got to start a band.
Actually, it's a day. It's all I wanted to do since I was four.
When I was a four-year-old, I discovered Al Green and he was big for me. I thought he was a genius.
Yeah. So did you sign him right there? Yeah, I would.
You mean you just listened to him? You listened to him. I got it.
You didn't discover him. Okay.
And it was great for me and ever since I was a kid, this is all I've ever wanted to do. I'm really surprised.
I was talking to a friend last night about it and it's just shocking that, you know, I'm 54 years old. I'm still getting to do it this level.
It's pretty crazy. Yeah.
Darius. So, uh, with the advantage of, of hindsight now and, and all the sort of accrued data over the last, I don't know, 20, 30 years, maybe that's, it's been that long since iTunes sort of changed the music industry into what it is today as far as brick and mortar stores going away.
What is the section of people in the industry that have benefited from that versus those that are at a disadvantage now? Or is it good for everyone across the industry now that they've had a chance to kind of find some equality with some of the parts of it? It's good for the consumer. It's great for the consumer because music is so easy to get now.
When we were younger, we had to go stand and line at the record store on Tuesday to buy the new record. Now you just get it on your phone or get it wherever.
That's been great. The people who started those businesses, it's been great.
and even the record companies you know it's been great but the laws haven't caught up for the artist yet like you know the the ceo of spotify walks away with billions of dollars and we're making 0.0001 cent every time they play my song right so tell me um do you feel like some of the magic has gone because there isn't that anticipation of waiting like you were saying waiting to I remember the first record that I went and bought on my own I was 11 it was 1981 and I took the subway downtown Toronto to buy the Donna Summer album Donna Summer MacArthur no no to buy to buy ACDC Dirty Deeds Dunder Cheap that was the first record I bought I instantly regretted it but is some of the magic gone in that process oh yeah I think that feeling of waiting for that record and getting it and opening it up and reading the liner notes and looking at the pictures or whatever that's gone and the thing the thing even for artists, you're like, there's artists now,

like I still make records.

Like I still make albums that I want people to listen to back and forth.

People are just out there making singles now.

They don't, it doesn't matter.

That whole process doesn't matter.

Is it true that you have to kind of play this game of releasing the music

knowing you're not going to get a kind of monetary reward from it

because the way to make a living now is just touring and touring only?

This is the perfect explanation of pre-digital

is when we were doing our thing,

the only reason we went on tour,

like the only reason we went out and paid shows

was to make people buy our records.

That's the only reason you went on tour.

I mean, you were making money touring,

but you're making so much money selling records.

You're just out there trying to get people

to go buy your records.

And now today, the only reason you make a record

is so you can tour every year.

Right.

Isn't that amazing?

I mean – money touring but you're making so much money selling records you're just out there trying to get people to go buy your records and now today the only reason you make a record is so you can tour every year right isn't amazing i mean it's the exact opposite so basically a hundred percent of the well 90 of the income from the band is ticket sales and concessions and souvenirs t-shirts yeah then has your percentage of the gate and the souvenirs and stuff like that has that gone up or has it stayed the same? You know, it's gone up just because, you know, my standing in the music business is going up. But, you know, the basic things are still the same as they were.
So that's a negotiation point as far as percentage of ticket sales and concessions and stuff like that. It wasn't something that was put on the table as a negotiation point as sort of a make good since record sales went away for artists.
The venues and whatnot didn't say, okay, so now you can have some of the gate. It's just, it's always been the same.
And the more juice you have in the industry, the bigger percentage you get. Exactly.
Live Nation ain't looking to hook nobody up. They're looking to make money.
Right. Yeah, they don't feel bad for you.
Madison Square Garden is like, oh, Darius, you know what? You guys haven't sold that many records. So yet we're going to give you 80% of the gate.
Pat you on the head. Yeah.
But it must be, isn't that funny the way that that flipped? When was that moment? Do you remember like a year when the sales kind of went that way and became touring? When Apple Music came about, when iTunes started and people could get it on their phone. And, you know, at that point, and when, you know, Napster started and they didn't try to buy it.
They tried to crush it. If the record labels had gotten together and bought it, they would own it.
You know, they had that, they would own the technology. And that was really where it all changed.
Wasn't – I'm assuming that is a a union for these for for artists that could have and perhaps now in hindsight should have said hang on a second apple we're you're not allowed to do that we have an infrastructure and a way in which to monetize uh album sales and whatnot you can't come in and now turn it into an a la carte business and just relegate any income for bands to touring and merchandising and stuff like that. We say no as a union.
We tried, but it was such new technology. And, you know, there weren't any laws.
There was no laws governing what was happening. And was it somehow spun? Well, don't worry about it.
It's going to be beneficial. There's still going to be Tower Records, but this is going to be on top of it.
And we're going to figure it out. Exactly.
It's going to be more exposure. Exactly.
You know, we'll figure out the money. More people are listening to your music.
It's good for you guys. You know, but it's a great thing.
I mean, I'm at that point where now I'm not mad at anybody or mad about it. It is what it is, and you got to do what you got to do with it.
I still to this day feel guilty when I'm like, you know, my daughter's in the car and I say, you know, uh, what was it the other day we were talking about, uh, I don't know. She's, she's 13.
She's discovering, uh, like dad, have you ever heard this song by the psychedelic furs? Am I saying that word right? And I said, yeah. And she started, I said, have you ever heard English beat? And like, so I start pulling up English and I don't, I don't own the English beat, an English beat album, but I just could for free just hit the search bar and boom, up comes every song that they've ever recorded.
And I'm just playing it in my car for no money at all, except for this fee that I pay each month, you know, that is just on automatic. Yeah.
Yeah. And it's, uh, it doesn't seem, it doesn't seem fair.
Yeah. To, to you guys.
I mean, I get what you're saying. because it doesn't seem fair to us guys.
I mean, I get what you're saying because it doesn't seem fair to us either, you know, when we see it. But it's just the way – there's nothing we can do about it.
You know, we had a – they passed a law last year that helped a little, but it still wasn't really about. It's just the way it is, and some things will never change, which reminds me.
I just brought brought Bruce Hornsby's record this morning. Oh, my God.
And I paid for the whole thing. I love it if you just lifted up a keyboard just right now.
If he had done that, I would have been in heaven. So, Darius, I'm going to switch gears for a second here because I'm so glad you're on.
What's that? Put in the clutch. So, everybody, hang on tight.
You know, I'm so glad you're on. What's that? With the clutch.
So everybody hang

on tight. You know, I'm so glad you're here today because being black in America right now and is rightfully so like a global conversation that everybody's having.
And I'm anxious to get your take on a question I'm sure you're so tired of, which is what has it been like and what is it like now being Black in the country music scene since you started?

And did you experience any racism, inequality, anything like that back then versus now? And what has been your overall experience with that? Yeah, overall, it's been great. When I first started 14 years ago, we did a radio tour where I went to 110 radio stations.
And it was shocking to me because I had a few guys, and I will say right now, these guys are some of my biggest supporters right now. But I had guys sit me down and tell me that I love the song.
I think it's country. I'm going to try to play it, but I don't think it's going to work because I don't think my audience will ever accept a black country song.
Wow. Just like that.
Really? Oh, yeah. Straight up.
They won't accept it, and they don't even, they're just listening to it on the radio. Yeah.
And they won't accept the notion of it. Yeah, and that's what he said.
You know, and few guys said that. And, you know, and when it went number one, you know, they all called me and said we were wrong.
Right. You know, but that was the mentality of the business at the time.
That it just, there wasn't room for a black singer in country music. Everybody wants to be the second person to say yes.
Exactly. Exactly.
And then, you know, but once it hit, and you know, now we got Kane Brown and Jimmy Allen and Mickey Guyton and all these kids out here having hits in country music that are black. And, you know, I look at it, it's just changing.

Somebody asked me early on if I thought I'd changed country music

when I started having hits.

And I just said, I just hope some kid who had a CD

would actually get listened to instead of getting thrown in the trash

because it had a black face on it, you know.

And it's great to see people having big hits.

That's wild.

Yeah, it was crazy.

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We'll see. When Darius Rucker first went solo with their first single in 2008, it made it the top 20 on the Billboard charts making you the first African American singer to reach the top of the country charts in like 20 years yeah, 25 years, yeah, it was Charlie Pryde I didn't even think about that going into it and when it hit the top 25, somebody came and said that to me, you know, and I had named three or four, like Trini Triggs and these other guys that were black country singers in the 80s and 90s, I thought might have had a hit or Cowboy Troy today.
And it was crazy to me that 25 years between me and Charlie Pride having hits on country radio. Did you see yourself as a sort of a trailblazer? Was that ever a notion that you had or no? You just wanted to make music.
And that was, and when people told you, though, you're like, oh, you were shocked. When I started with Hootie, it wasn't, I wanted to play rock and roll because I wanted to play rock and roll with those guys, you know? And then when I wanted to sing country, I was going to make my record in my basement studio with my buddies, you know, drinking beer and make a country record.
And I managed by Doc McGee at the time, and Doc didn't see things that way and got me a record deal. But you made the transition from rock and roll to country.
Yeah. That desire to play country, was that always in you? You guys were the biggest band in the world, but were you like, I'm really not doing what I totally want to do? Because you were at the top, top.
Yeah. I used to ask the guys to play country music.
Our last couple of records, I was like, let's just go to Nashville and make country record. And they'd be like, man, we're a rock band.
And so they wanted to do it. I listened to country music growing up.
And in 1989, a guy named Radney Foster came out with a record called Del Rio, Texas, 1959. And it changed my life.
I heard that record and thought, someday I want to sound just like that guy. I got to make a country record.
And I'd say it all the time and they would laugh at me and finally I got a chance to do it. And the draw for country music for you, does it live mostly in the sound of it, in sort of the unique instrumentation of it? Or is it in the sort of the lyrics, the stories that are talked about? What grabs you most? The most is the storytelling love i love how country tells the stories but you know when you get to sing with a with a real good slide guitar playing with you man or a real good fiddle playing with you man i get chills thinking about it do you like sort of the hybrid sound of it of a band like wilco too that can oh god yeah yeah i love them you know wilco and the silos back in the day and you know uh sunvolt you know sunvolt was huge for me i did that first record wow i was talking about sunvolt and about uncle tupelo with both those absolutely yep so good big for me big for me do you ever venture off and like what would be the most surprising thing you could tell me that you listen to that would be like, what?

Barry Manilow.

Yes.

I listen to Barry Manilow.

Not surprised.

He's not my guilty pleasure.

He's awesome.

He's awesome.

He's awesome.

All right.

Who's your guilty pleasure then?

I don't have one.

I mean, I don't think that way.

Everybody I love, I love.

Like, you know, Neil Diamond and Barry Manilow and, you know, I threw on a Dean Martin record

the other day and, you know, Dean is just, I mean, I love that stuff. I love everything, man.
I love everything. How much are you missing touring right now? Do you miss being out there and playing for people? I'll bet you do.
Yeah, you know, when you take a week off or two weeks off or three weeks off, you always had that show on the calendar where you knew you were playing. You always say, we're going to play in Phoenix, I'm going to play whatever.
And not knowing has shown me that I love to play music so much and I miss it so much, man. Are you coming up with songs you probably never would have or melodies you probably never would have because you're sitting there just staring at the walls for weeks and weeks? Yeah.
I've written some songs in this next record. I can't wait for people to hear this next record.
I've written some crazy stuff. Do you remember the very first song you wrote? And then sing some of it.
Goodness. A buddy of mine and I, he had written most of it, and I think I wrote a few lines for it, but he wrote it.
But I just remember the chorus was, Destiny, destiny, it's destiny. That was the whole chorus.
Okay, good. No, it wasn't good.
It was awful. It sticks with you, though.
That's the important thing. And I read that you used to like Kenny Rogers, right? Oh, love him.
Love him. Yeah, and I toured with Kenny Rogers.
Did you? We have to fit this story into every podcast we do. Yeah, go ahead.
I bet you there's a Christmas theme to it, I think. Sean, go ahead and tell you, little elf.
I played an elf in the Kenny Rogers Christmas tour in 1994. Yeah.
That is awesome. Yeah.
What happened? Or 95, maybe. No, 1995.
And we smoked pot every single show. And we played elves and we had to set up the scenery for the Christmas section of the show.
And how did you guys get around? On a bus. A what? On a tour bus.
Come on. We just took a sled.
But I remember being on the tour.

Like, I never understood the concept of enjoying.

Like, when people say enjoy being on the road,

I didn't really enjoy sleeping on the bus with 15 other guys

who were the best and the most awesome guys.

But just, like, the bathrooms and the farting

and the singing until 3 in the morning.

I was like, guys, we have a show tomorrow. Doesn't anybody, what's going on? The squeaky elf.
Guys. You know what I mean? Calling the cops on your own bandmates.
I loved the people in it. I just didn't like the traveling part just because there's no home base.

You know?

Yeah.

I just didn't enjoy that part.

Was Kenny on a jet or was he on the bus?

Always the jet.

Always on the jet.

He was on the jet and you were on the bus.

Yeah, I was like, can't we just go with Kenny?

No.

Yeah, maybe if you'd rolled a joint for him every once in a while, he would have given you a ride.

But Kenny's like, I don't know extra seats.

That seat's for my bag.

That seat's for my shoes. That seat's for my hair.
That was for my joint roller. Great guy.
Great, great guy. Oh, Kenny's a great guy.
I'm a big fan and in his Country Music Hall of Fame induction, they asked me to sing Lucille. Oh, wow.
You know, standing right there in front of Kenny Rogers singing Lucille was unbelievable. Wow, that's that's a great song yeah that was unbelievable so Darius so walk me through so you guys start Hootie and the Blowfish what year was that that you guys formed 86 we started January 86 January 86 it was our first show yep in Charleston no in Columbia South Carolina at the University of South Carolina go Go Cocks.
Go Cocks. I'll say.
Sure. If I had a dollar.
He'll say. Let that breathe.
Let Sean keep laughing. And how? So you're in Columbia, South Carolina at the University of South Carolina.
You start hooting the blowfish with a couple of your buddies. Yeah.
You guys were in college together, I'm guessing. Yep, college together.
And what was the first gig? Oh, our first gig was a chicken wing joint that was right across from our dorm. Come on.
It was called Pappy's. Pappy was an old Marine.
And if he caught you with a fake ID, he banged a big pot until everybody looked and he cut your ID up as you embarrassingly walked out. And that was his claim.
And he had just a chicken wing joint, probably 50 people maybe. And Mark and I had been playing for a while, the guitar player.
We were the Wolf Brothers. And then that night we became Hootie and the Blowfish.
How did you change from Wolf Brothers to the Hootie and the Blowfish? Was something there in the chicken joint? No. I used to give people nicknames all the time.
And I sang in a show choir in college, Carolina Live. And one guy had these really big eyes.
And he looked like, you know, so I started to call him Hootie. He kind of looked like an owl.
I called him Hootie. And his best friend had these huge cheeks Like, he did the Dizzy Gillespie thing where, you know, he was a trumpet player, too, so he pushed his cheeks out.
So I started calling him the Blowfish, and one day we were playing a show with Carolina Live, and they walked into my room. I had the biggest room, so I was having a party.
And they walked into the room, and I was like, I lied to myself and said, Hootie the Blowfish, and said, man, that's a great name for a band. I lied straight out to myself and said that.
And I came home and said, Mark, we're going to name the band Hootie and the Blowfish. And he said, whatever.
And the really stupid thing, y'all, I never thought people would call me Hootie. It never dawned on me that people would call me Hootie.
How stupid am I? How stupid am I? I'm an idiot. So that's crazy.
So you go, so you name this band the week before just on a whim based on two dudes and another thing that you're doing. You go to this wing joint.
You play a show. And you guys are like, hey, this is pretty good.
You start playing more shows in Columbia. In Columbia, yep.
And then? Playing in Columbia went pretty quick. We got a crowd there

pretty quick after,

you know,

a few shows,

people were coming

to see us.

And then we started

going to other towns

and hook up with other bands.

You know,

we played shows

with Dave Matthews.

We played frat houses

with Dave Matthews.

Wow.

Yeah.

I mean,

it was,

you know,

we had our circuit.

We did the circuit

in the South

and we went to New York

and played some clubs

up there

and stuff like that too.

But then all of a sudden,

you know,

after nine years of being the biggest band in the Southeast without a record deal, we got a record deal. I guess eight years.
Wow. So that's 94, whatever, something like that, early 90s? Yeah, around 93 we got signed.
And what happens after you get signed? We get signed, and a guy at our label tells our label president that he puts a cracked review out that Atlantic will be laughed out of the record business because grunge was so big and it was a mistake to put it out. And we put it out.
And then the Southeast was doing fine. Our single was doing good.
We were selling in the Southeast. But, you know, that doesn't translate to records unless it's everywhere.
And the story goes, it was Tuesday afternoon and the only time the station played the song, the only reason they played it is because the DJ liked the song. I think it was K-Rock in New York, but he plays Hold My Hand and Letterman's driving home after the show and he hears Hold My Hand on the radio and he pulls over at an area or something and he calls his booking agent and says, I want Hootie and the Blowfish on my show this week.
Wow. That's cool.
And we played that Friday. No kidding.
That was a Tuesday and you played Friday. Dude, we played Friday, got in a private jet to fly to Columbia because we had a show in Columbia that night.
And Friday, we were a band struggling but doing well and still making money. And by Monday, we were about to be the biggest band in the world.
It took off that quick. Because of Letterman.
Letterman. Wow.
Do you realize there was a year period where he said the name Hootie and the Blowfish on his show every night. No way.
He would come back from commercial, look at the and just go, Hootie and the Blowfish and just go on with the show. Almost a whole year.
Wow. You and I have something similar that your mom raised all of you.
Yes. And five kids in my family.
How about you? We had six. Yeah.
It's not a competition, guys. You win.
You win. And so there's part of that, because for me, growing up in Chicago, no heat, one winter, the car repossessed, the house almost going away, could barely feed ourselves, blah, blah, blah, all that stuff.
It does drive me incredibly sometimes to a fault, but I don't mind, to never want to go back. And so is some of your discovering your spirituality and coming into that and your drive to success, does it come from any of that? Is any of that a driving force it comes all from that yeah my my whole work ethic and my whole having to be successful and having to go out there and when my mom died hootie and the bofins went from something i really wanted to something that i had to make happen sure because i was second to the youngest kid and and you know i was you know you're basically raised by your siblings because your mom's working all the time and just like you, you know, sometimes not knowing if you're going to eat and sometimes, you know, we never had air conditioning and you're living in South Carolina where it gets into 105.
Same, Chicago, no air conditioning. My mom goes, well, just put a bowl of ice in front of the fan because that's safe.
And by the way, it doesn't work at all. It's like on you it's like exactly and with that growing up that way success for me and it wasn't just for me it was from my my brothers and sisters too you know it was it was for my family my cousins it was it was to go out and to show my mom that all of her getting my back as a kid when my brothers and sisters would tell me, you listen to that white boy music.
Why you listen to that white boy music? And she'd tell him, leave him alone. He can listen to whatever he wants to listen to and kick him out of the living room.
You know, to show her that those days weren't for nothing, I had to be successful. Yeah.
So when you grew up, you only listened to country music? No, I listened to everything. I listened to rock and roll, country.
But to the family? Oh, no. No, just me.
Wow. No, they listened to R&B.
All we listened to when we were around as family was R&B music. But when I was in alone, I used to tune in the Grand Ole Opry on Saturday night.
You could get WSM late night on AM radio. And it was, you know, my mom always had my back.
Well, always until she couldn't take it anymore. Like when I went through my Kiss phase and I was playing Kiss all the time, she'd listen to Kiss Alive 2 twice and then she'd walk into the living room and go, hey, honey, let's listen to this for a minute.
She put an Al Green record on. Yeah, sure.
Kiss phase was a bit much. So do your kids now, like, appreciate what you do? Like, are they into it or are they just like, oh God? They like country music, you know, but no, I can't say they listen to my records when I pull them out.
That's so wild to me. You know, I got a single coming out and my daughter, I sent it to my daughter and it's a great song.
I think it's going to be one of the biggest songs I've ever had. And the only thing my daughter said to me was my 19-yearold was, Dad, I just don't think you should say flip-flops.
I don't like the word flip-flops. I was like, you just listened to that song, and what you got out of it is the word flip-flops.
Let me tell you something. My good friend Jimmy Buffett uses flip-flops in half his songs, and they do very well.
He does very well for himself, absolutely. When I die, I want to come back as Buffett.
Trust me. He's a great guy.
Do you know Jimmy at all?

I do.

He's a great guy.

He's a great dude.

Oh my God.

Awesome.

And by the way,

I just want to say this

to you guys

before we get any further.

When Sean asked me

to do this podcast

and my exact words

were to my manager was,

those three guys

don't even know who I am.

What are you talking about?

What are you talking about?

I'm a gigantic fan.

I literally had all your albums. I'm such a major fan of you guys.
And it was, I was like, man, this is the greatest thing anybody's ever asked me to do. I was so honored that you're here, man.
You have no idea. You have no idea.
I truly, truly, I'm not making that up. I used to sing to your songs all the time in the car, the CDs.

Yeah.

Just put them in the little slot, play the CD, and try to sound like you so badly.

It was so embarrassing.

I'm sorry.

Do it now, Sean.

Should I try a little bit?

Yeah, give me a little bit.

Just a little bit.

No, I'm not going to do it.

I'm not going to do it.

You have to.

No, because I'm already laughing at myself trying to do it.

When you feel it later on, you can just do it totally impromptu. Right.
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Hey guys, everybody should have a support system, right? Who's your support system? My support system, as you well know, talk about it all the time, is Scotty of course, my two besties, Will and Jason. Whenever I have a problem, an issue, I talk to them about it.
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Darius, I always wanted to know too, what made you, what inspired you to go from Hootie to solo? Why do you think you're successful at it? Because when so many people aren't making a crossover from genre to genre, because what would Hootie be? Like folk pop? Yeah, you know, we were a rock band at first, but we were becoming more of an Americana band, I think. Folky, more band.
And then what do the guys think, too, when you decided to do all that? A lot of questions in there, sorry. Yeah, they, well, I thought Hootie was going to tour every summer for the rest of our lives that's just what we did and we were touring and uh our drummer got remarried actually married our guitar player's ex-wife and uh he uh no yeah yeah it came in the bus one day and said he didn't want to be a touring band anymore i mean we're on on the road and i get called in the meeting and that's what he says and it shocks us because that's was like effective immediately or at the end of the tour? We're in the road, and I get called into a meeting, and that's what he says.
And it shocks us because that was our livelihood.

Like effective immediately or at the end of the tour?

We're in the middle of the tour.

He's like, end of the tour.

You know, I'll tour next year, but that's it.

And this was after the marriage.

So it's Yoko that didn't want you guys to keep going out there, right?

Yoko said, no, no, no, no, no more.

Don't quote him on that.

No, that's not what I said at all.

He did not say that, Jason.

I kind of did the math myself.

Yeah.

So wait, so it was the drummer that wanted out. It wasn't the guitarist saying, I won't tour with this son of a bitch anymore because he married my ex-wife? No, no.
I want all the dirt, Darius, right now. That's, you know, the drummer.
He said he wanted out. And my first thought was, I guess I'll go make my country record now.
Your first thought was not, we'll get another drummer? No, I guess i'll go make my country record now your first thought was not we'll get another drummer no i guess i'll go make my country record no we would never do that the four of us are the band we would never go get another drummer like right that's not that wasn't even an option once he's gone that's the end of the yeah once one guy leaves that's the end of the band but weren't you like scared to just be like well that's it so i'm gonna like, the odds of you succeeding at country were probably, like, so low. Absolutely.
I mean, and then you just broke through like a rocket. I didn't expect any success.
I really didn't. Like, even when I got a record deal, my whole thought was, man, I'm going to make a good enough record so they'll let me make another record.
Uh-huh. I was looking at the picture, looking at the picture of being a black guy, being the guy coming from pop over to country music.

That never works.

And that's just strike one and two.

And you go in and you think it's never going to work.

But I'll be honest with you. I signed with the president of the label.

And he said he called 13 people the day he decided to sign me.

13 that he thought were the tastemakers in Nashville.

And 12 of them said it will never work.

Ever.

Wow. Wow.
Wow.

Wow.

Wow.

Wow.

Did you have trouble creating a band,

grabbing musicians to create your recording band?

No?

Not at all.

Everybody wanted to play.

Like, we had auditions and people were shocked

because you don't do that in Nashville.

What's that, auditions?

Yeah, you don't do auditions in Nashville.

You know guys can play and you pick guys

and you say, come play with us, you know. But everybody came to the audition and we picked their band.
Oh, that's cool. And do you ever get tired of playing the hit songs? Because we never tire of hearing them.
But do you ever get up there and like, oh, God. I'm one of those guys that when I start the opening line of Let Her Cry, I'll hold my hand, and you hear that hit from the crowd.
Yeah'll play it the rest of my life. Oh, wow, yeah.
Every night for the rest of my life. That's great.
Absolutely. That's great.
And here's something that you've done that's amazing that maybe not a lot of people know is your charitable efforts with the St. Jude's Children's Hospital.
You raised over $2 million so far. Wow.
Yeah, which is crazy. And Will raised like, what was it, 25 bucks for some new headshots? Oh.
It's a GoFundMe. I didn't raise the internet.
You raised a GoFundMe. They voted on my headshots were terrible.
Okay. It should be known that they were terrible.
Oh, sure. Otherwise, you wouldn't have raised all that money.
I wouldn't have raised all the money. Right.
Well, you get what you pay for. Yeah.
why saint jude's uh hospital why what what's important about that one which it is for obvious reasons but why to you sean why do you hate kids so much exactly that's just i don't have any i don't want i don't want to look at them i don't want to have them what darius why saint jude's according to the internet saint jude's helps kids and recover from terrible diseases whole lives ahead of them why do you choose them why wouldn't you choose them i meant to you personally personal connection well i went to visit there and uh with dirks bentley and i went there one day and when i started talking to the people and i was talking to one of the doctors and the thing that really got me was how no one has to pay anything. I mean, I know when, when poor folks, kids get sick and they go into hospitals, they don't just come out of the hospital with their kid being better.
They come out of the hospital with this bill that is going to be around their neck for the rest of their lives. And you know, St.
Jude's, no one ever, they fly the kids in, they put the parents up, they feed the parents every day. That was amazing.
And the price of that is crazy. And then the thing that took it over the top was when the doctor told me, if we found a cure for cancer today, we would put it on the internet tonight.
Right. And I thought, that's unbelievable for a hospital to do that.
To put all their cures on the internet so other hospitals could just go use them. I thought that was amazing.
Yeah, well, bless you. That's a lot of money for them and bless you for raising that thank you thank you amazing thank you jason just quickly googled the word charity yeah i'm saying there's a uh there's a sweet charity there is um sweet charity so did you just perform a bunch of songs from that musical show? Is that what's talking about Yeah If they could see me now Actually that's something you guys If I ever do it again I'll let you guys know Because I've done it in LA before The southeastern guy for Sinatra His name's Peter Graves He was Sinatra's southeast guy for like 30 years And I do it it maybe once every other year, but I do a big band show.
He puts together a big band for me. And we do all like standards.
Louis Prima and Sinatra. I love that.
It's fun to watch. If I do it again, I will let you guys know when you get invited.
I would love to see that. It's a lot of fun.
A lot of fun. Is Jason stuck again? No, no.
I started to fantasize about my father-in-law's Paul Anka. And I started thinking he probably would jump up on stage there and do all those standards.
I would beg him to jump up on stage. Oh, yeah.
Make this happen. You guys would be awesome.
But with all that you've gone through and everything that where you come from, where you are, the good fortune that has come over you your whole life with your family

and music. What is the best advice you've ever gotten or given? The best advice I ever got.
When I came to country music, Brad Paisley said to me, be yourself. And he said, don't be what you think they want you to be because they don't want you to be that.
And, it was something I probably would have done myself but the way he said it was just I really took it to heart that's great he's a good friend of ours oh he's awesome yeah and the best advice I give he gave us some advice he said keep your day job and we're not sure what that meant but he said to me find a different persona he said find that we understood completely different persona and go with that. Yeah.
Don't trust your instincts. He was very helpful.
I love that guy. Well, you are a true rock star in life and in everything else.
So thanks for being here, Darius, today. Thank you guys for having me.
Thank you very, very much, buddy. And please let us know next time you come out West when this damn virus goes bye-bye.
I will, man. I'd definitely love to hang out with you guys.
That was a lot of fun. And really quick, I just want to say because I was such a huge fan of Hootie and because I was such a big fan of you there, I followed you over to the country scene where I don't usually roam.
And I'm a full-on supporter and a huge fan. So thanks for inviting me over there and, and sharing your stories through your music,

which I love.

Thank you for saying that.

Thank you guys.

Great to meet you.

Thanks.

Very cool.

Thanks Darius.

All right.

Take care,

pal.

Take care.

Peace.

Bye buddy.

God,

he was great.

He was great.

Wasn't he?

Yeah.

Isn't it wild that all of his songs,

when an artist can achieve the,

when their songs are part of us, that we know all the words, even if we don't know we know them. And I want to be with you.
Yeah, we just... I know.
Don't ruin a poem. It's so rare to achieve in songwriting that level of success where people just know your songs.
Right, they're just part of our unconscious. Yeah.
They're just always there. And he's one of them.
I know, it's incredible. And he's one of those huge.
But that's why it's so interesting to, you know, that moment. Like he talks about that week where on a Tuesday they're nowhere.
They get a phone call because Letterman happened to hear them on the one play on the radio. Yeah, that's nuts.
By Friday they're on the show. And by Monday their album is – and their lives change forever from that moment on.
It was great to hear him say that when he starts playing one of the hits, he gets that kind of reception from the audience. He's accepting that.
He's saying, you know, this is something that I created that is sort of always going to be there. And he doesn't see it as like a, you know, some sort of anvil around his.
Right, because I think one of the biggest mistakes artists make is to run from the thing that made them famous. Yes.
Right. Is to not embrace it because I did that.
I made that mistake when I was younger and I was like, I can do other things. I'm never going to do magic again.
Yeah. Well, you know what, man? Sorry.
Was it nothing? Yeah, man. No, but, and it's not until you realize, oh, you have to be grateful.
Our fans are the reason we are, you know? We are in the business. Sean, the magic dig was a dig at me, and every day you reveal.
Oh, I thought you meant me going back to magic. No, you reveal in a different way every day how much you've not watched Arrested Development.
Like none of you have not watched it.

You haven't watched it with prejudice.

Let me just stop you right there.

I told you guys I've seen Arrested Development.

I've seen the first two episodes.

Now, here's the problem.

Try watching it without a sneer on your face and an alcoholic beverage in your hand.

It's unbelievable, Sean.

How many episodes have you watched it?

Why won't you look us in the eye?

How many episodes have you seen of Will and Grace other than the ones you were on? I've watched one. Okay, there you go.
It was the one I was on. That's not true.
I've watched so many episodes of Will and Grace. With the two, obviously I watched it.
I loved Will and Grace. And the guy and the bartender in Boston, and you guys all worked in the bar together.

Yeah.

Is it New York?

Everybody wants to know your name.

Please don't ask me.

Please don't ask me.

Please don't ask me.

I love Will and Grace.

Please don't ask me.

Please don't ask me.

Jason, what's your favorite episode of Will and Grace?

Oh, Jason.

What's your favorite?

Oh, Jason.

Please don't ask me.

Did I say that out loud?

Oh, no. Please.
Somehow this mic is inside my brain. You know.
Listen, I love Will and Grace. I mean, who would have ever have thought to place a sitcom in a church? In New York.
Will and Gracie and Frankie. I love that show.
It's so good and you and jane fonda and everybody yeah so the show it's almost like they were best friends and they were perfect for each other except for he was gay so like they were like they couldn't be together but in a weird way they were kind of like the perfect kind of like a modern odd couple modern odd couple all right dari was great. What a great...
We love him.

You did not know him before?

Me?

No, I never met him.

Never met him.

No, but I'm a huge fan.

Yeah, of course.

So you just reached out, just cold call.

Well, I drove by his house.

I had a mask on.

Not like a surgical mask, like an actual Halloween mask.

I had a Mike Myers from the Halloween mask on. You did not sing to him.
No, I didn't. Do you feel like you can now? Yeah.
Hold my hand. Oh, God.
If you closed your eyes, would you think you were listening to an album? I think somehow your grandma got a hold of your mic. Who's been dead for a long time thanks a lot no i knew that part

that's how bad it was it sounded like a dead woman in a box it's like sitting on her chest

and that was the air that came across her lyrics you know what i mean woman in a box is the name

of my biography okay okay me wheeze you're making me wheeze okay guys that was great

Thank you. Okay.
You're making me wheeze.

You're making me wheeze.

Okay, guys.

That was great.

Talk to you later.

Bye.

Bye.

Jason's still bummed that we...

Guess what?

The audience is bummed about that, too.

They are finding...

They're getting their thumb to the stop button before we get...

That's our trademark goodbye. Bye.
Bye. I thought that it upsets you so badly.
You ruin every show. Every show.
Ruined. Smart.
Nice. Smart.
Nice. Hey.
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