MYSTICAL: The Pollock Twins

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The death of a loved one can feel unfair or even unnatural.

We say things like, gone too soon or they'll always be with us because it's so hard to believe we'll never see them again, especially when the deceased person is a child.

In 1957, a couple named John and Florence Pollock lost both their daughters in a tragic accident.

It was their worst nightmare come true, and the Pollocks would have done anything to have their girls back.

But then, just one year later, Florence gave birth to twins.

And the similarities between them and their older sisters were uncanny, suggesting that perhaps the dead aren't really gone.

Maybe they're reincarnated.

This is Supernatural.

I'm your host, Ashley Flowers.

This week, we're looking at two cases, the Pollock twins and an Alaskan boy named Corliss Chotkin Jr.

In each instance, a matching birthmark might be the key to proving that reincarnation really does exist and that death is actually only the beginning.

We'll have more on the twins coming up.

Stay with us.

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In 1940s England, a woman named Florence meets a man named John Pollock.

The two fell in love, get married, and they run a grocery business.

And on Sundays, they attend church.

Now, John was raised in the Church of England, but he converts to Roman Catholicism with Florence.

And presumably, they both believe in the tenets of Christianity, like original sin, baptism, and heaven and hell, beliefs they plan on passing down to their children.

In 1946, Florence gives birth to their first daughter, Joanna, and five years later, Jacqueline is born.

Joanna and Jacqueline are both healthy and happy girls.

And like many sisters, they rarely leave each other's sides.

They love to play dolls and comb each other's hair.

But just six years later, tragedy strikes.

By now, the family is living in the small British town of Hexham.

Joanna is 11 and Jaclyn is six.

The two of them are walking to Sunday school one day when suddenly a car spins into the sidewalk and crushes them both against a wall.

Joanna and Jaclyn are killed almost instantly.

To make matters worse, the driver that hit them was suicidal.

She didn't die, but she was later sent to a psychiatric institute.

Apparently, it came out that she just lost her own two children in a custody dispute.

And according to John, she'd specifically singled out Joanna and Jaclyn on the sidewalk, thinking she'd killed them as some sort of karmic retaliation.

Now, the Pollocks obviously are devastated.

Despite everything his church believes about the finality of death and heaven and hell, John insists that his daughters will be reincarnated.

It's not clear exactly when he begins believing this, but apparently he tells it to Florence and continues to insist.

Like he knows he's pushing her buttons and it's honestly probably weird to him too, but he can't help it.

He just has this feeling.

Florence is a bit more practical.

Of course, she would do anything to have her little girls back, but at a certain point, they need to let go.

So she packs up the clothes and toys and begins to move on.

And in early 1958, less than a year after Joanna and Jaclyn's death, she becomes pregnant.

This riles up John even more.

He's convinced that Florence is pregnant with their reincarnated daughters and that she's going to have twins.

Florence and her doctor are like, yeah, right, twins aren't medically impossible, but given her and John's genetic histories, it's really, really unlikely.

Then, on October 4th, 1958, a year and a half after the accident, Florence gives birth.

And sure enough, one baby comes out and then a second.

Two twin girls.

The Pollocks name them Jillian and Jennifer.

So already Florence is like a little freaked out.

Like how on earth did John predict this?

At the very least, it feels like some sort of answer to prayer.

And not long after birth, they notice something peculiar about the youngest twin, Jennifer.

She's got a birthmark just above her nose, which wouldn't be strange on its own, except that Jacqueline, the younger of the two dead sisters, had a scar in that

same spot.

You see, at age three, she'd fallen on a bucket and gotten three stitches, and the leftover scar looked exactly like Jennifer's birthmark.

The Pollocks also noticed something on Jennifer's left waist.

This one's a tiny birthmark, basically a mole.

But it's strange because you guessed it, Jacqueline had one in the exact same spot.

Now, John probably sees this and goes, yes, there's proof.

The twins have to be Joanna and Jacqueline.

But Florence isn't convinced.

For one, the birthmarks are only on Jennifer.

It's not really evidence of anything.

And also, it's got to be painful to just keep bringing up their deceased daughters in this way.

So around the time the twins are born, Florence and John agree not to talk about Joanna and Jacqueline in front of the twins.

Now, the conversation is probably something like, here, we have two beautiful daughters.

Let's just be grateful and start over.

And as far as I know, John does shut up about the whole reincarnation thing.

When the twins are infants, the Pollocks move out of Hexham to a seaside town called Whitley Bay.

It's probably just the change of scenery they need to make a fresh start.

But as the girls get older, John and Florence notice some odd characteristics.

First, it's their physical dispositions.

Jillian, the elder twin, is fairly thin, just like Joanna, the older of the deceased sisters.

And the younger twin, Jennifer, is bigger and stockier, as was Jacqueline.

When the girls begin walking, their similarities only intensify.

The older girl, Jillian, walks with her feet turned outward, just like Joanna did, which, again, could just be a coincidence, but by the time they're three years old and talking, it's not just the physical stuff anymore.

The twins actually start having memories about things only Joanna and Jacqueline would have known.

First, it's an old box of toys.

Inside of it are two different dolls, one that belonged to Joanna and one that belonged to Jacqueline.

And sure enough, Jillian claims the older sister's doll and Jennifer takes the younger one.

Then, the twins comment that the dolls were given to them by Santa Claus, which isn't true for them, but it was true for Joanna and Jacqueline.

This is just the first of the strange things that they remember.

Later, when the twins are four years old, the family takes a trip back to Hexham.

They're strolling through their town on their way to a park when Jillian and Jennifer start talking about a swing set that's inside the park and also a nearby school.

And this is before they can even see them.

Now, the twins did live in Hexham until they were nine months old.

So technically they had visited the park before and they'd probably pass the school multiple times.

But like, no four-year-old remembers things from when they were nine months old.

That's just unheard of.

To John, it's further proof that the twins aren't remembering this stuff from their own lives.

He thinks the memories belonged to Joanna and Jacqueline before they died.

As the twins get older, even their behavior mirrors their older sisters.

When they learn how to write, Jennifer holds her pencil incorrectly in her fist, just like Jaclyn had.

And of course, there's the power dynamics.

Jennifer is really dependent on her older twin, Jillian.

She basically follows her around similar to how Jacqueline had been with Joanna.

And again, like all of this could just be coincidence.

A lot of kids hold their pencils in their fists when they're learning how to write, and taking orders from your older sister is pretty normal sibling behavior.

Like, none of this is proof of reincarnation.

Until one day, when Florence sees Jennifer resting her head in Jillian's hands, the girls are talking.

And as Florence listens, she realizes it's about something that they couldn't possibly have known because it was never discussed with the girls.

They're talking about the accident that killed them.

Coming up, the Pollock twins remember their accident.

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Now back to the story.

When Florence overhears the twins, they're talking about the accident as if they actually lived through it.

I'm not sure what exact words they use, but Jennifer's head is laying in Jillian's hands.

And as Jillian looks down, she says she can see blood trickling down her face from where the car hit her.

This matches up with how Joanna and Jaclyn's accident happened.

Even though she was pronounced dead at the scene, paramedics had put a bandage right above Jaclyn's eyes.

Now, obviously, this wouldn't be quite so strange had John and Florence been talking about the accident all these years.

But remember, they supposedly decided not to discuss the crash or their two older daughters in front of the twins.

So there's no way Jillian and Jennifer should know about it.

But the memory of the crash seems to play out even in their day-to-day lives.

When the twins encounter a car on the street, they aren't just cautious, they're terrified.

And if they unexpectedly hear a car start up, they will literally grab onto each other and shake with fear.

Sometimes the the girls even cry out when they see a car thinking that it's coming for them specifically.

At this point, Florence is just as convinced as John.

The twins have to be the reincarnation of Joanna and Jaclyn.

There's just no other way to explain it.

In the early 1960s, a local newspaper gets wind of the Pollock twins and runs a story on them.

For John and Florence, it's probably validating, but it doesn't help their credibility at church.

Around the time the story is published, they start receiving nasty letters from other parishioners.

I'm not sure what these letters say or how John and Florence respond, but it gets so bad that they decide to leave their church.

Meanwhile, their story attracts attention from a doctor named Ian Stevenson.

Now, I've mentioned Dr.

Stevenson before in a previous episode.

This guy was like the king of reincarnation studies.

He spent nearly 50 years at the University of Virginia's psychiatry department as both a professor and department chair.

And when it comes to reincarnation research, he is one of the most highly respected people in his field, even for skeptics.

In fact, most of Stevenson's work was spent on separating exaggerated cases from believable ones.

So if anyone can determine if the twins are actually reincarnated versions of their older sisters, it's this guy.

Stevenson gets in touch with the Pollocks in 1964 when the twins are six years old, and he acknowledges that John's desire to see his dead daughters again might have clouded his judgment.

Like this could all be John breathing into things and getting Florence to do it too.

Besides, even with John and Florence's rule, it's possible that the twins overheard them talking at some point about the accident.

But when Stevenson watches the girls' behavior, he isn't able to observe their memories himself, because at this point, they've pretty much disappeared.

Now, this is pretty normal in cases of possible reincarnation.

According to Dr.

Stevenson, children almost always completely forget about their past lives at some point between ages five and eight.

It's all part of a broader phenomenon called childhood amnesia.

Basically, the older a child gets, the more they lose their memories from just a few years before.

In fact, it's not until about age seven that they're able to store and retrieve memories like adults.

So it stands to reason that at a certain age, their memory of a past life will just slip away altogether.

Fortunately, there's one thing of the twins that Stevenson is able to test, and that's their genetics.

Now, Stevenson doesn't run this test until 1978, when the twins are about 20 years old.

At this point, Jillian and Jennifer know the whole story themselves.

And while they can't remember that part of their childhood, they also don't discredit their parents.

And apparently, they're curious because Dr.

Stevenson arranges for them to come in for lab tests to determine whether they're identical or fraternal twins.

Now, if you're like me, it's easy to forget which is which.

So basically, if a pair of twins is fraternal, it means that they have different sets of DNA from each other.

So their differences, both physical and behavioral, can all be explained by genetics.

The same way any pair of siblings can look and act very dissimilar.

But if the twins are identical, it means they share virtually, if not the exact same, DNA.

So the Pollack family and Dr.

Stevenson all wait for the results.

And sure enough, Jillian and Jennifer are identical.

They have the same DNA.

So they should look exactly the same, but they don't.

Not only is there the birthmark thing, there's the different body types.

Now, you're probably wondering, like, what does this have to do with Joanna and Jaclyn?

And obviously, it doesn't prove that the twins are the reincarnations of their older sisters, but it does mean that the difference in their birthmarks, the fact that Jennifer has two birthmarks, whereas Jillian has none, defies the basic laws of genetics.

Like according to Dr.

Stevenson, Jillian should have the same birthmarks as her identical twin, Jennifer, and yet she doesn't.

It turns out that people sharing matching birthmarks or scars, the chances of that are really low, about one in 160.

The chances that two birthmarks occur in the same locations, one in 25,000.

In other words, Jennifer and Jacqueline's matching birthmarks are an incredible coincidence.

But in the hundreds of cases that Dr.

Stevenson's investigated, matching birthmarks like the match to Jacqueline's scar are present in roughly 35% of them.

So there's got to be some sort of connection.

And like I said before, the Pollock twins aren't the only case involving birthmarks and possible reincarnation.

And they definitely aren't the only case where a child seems to be an exact replica of a deceased family member.

This takes us now to Angoon, Alaska in 1945, about a year before the first Pollock daughter, Joanna, was born.

There's an elderly fisherman in Angoon by the name of Victor Vincent.

All his life, he's spoken with a pronounced stutter, and in his old age, he has fairly advanced tuberculosis.

He doesn't have long to live.

Now, Victor is a member of the Tlingit people, and they have one of the most intense beliefs in reincarnation out of any other indigenous group in North America.

So it makes sense that he not only assumes he'll be reincarnated someday, but he has a belief about who he'll be reincarnated as.

About a year before he dies, Victor decides to visit his niece Irene at her home in Sitka, Alaska.

They're talking and he tells her a little secret.

He says, quote, I'm coming back as your next son.

I hope I don't stutter then as much as I do now.

Your son will have these scars, end quote.

Then, Victor lifts up his shirt and shows her two very specific marks on his body.

One is on the upper right side of his back.

It's probably from a biopsy or draining of a lung abscess.

The other is near the bridge of his nose, underneath his right right eye from an operation he had to remove a tear sack.

He says that when he reincarnates, Irene will recognize him because of these two marks.

In the spring of 1946, Victor passes away.

A year and a half later, Irene gives birth to a baby boy.

His name is Corliss Chotkin Jr.

after his father, Irene's husband.

And just as Victor predicted, the boy is born with two distinct birthmarks in the exact same location as his great uncle Victor's.

Even more incredible, the one on Coralis' upper back doesn't look like the kind of mark a baby should have at all.

Like it's elongated and has these peripheral kind of crisscrossy marks that look like faded stitches, just like Victor's.

You could say that the coincidence must somehow be attributed to genetics, but Coralis is only Victor's grandnephew.

So the chance of them sharing similar DNA isn't impossible, but it's pretty low.

And remember, Victor's own marks weren't even genetic.

They were the result of two different surgeries.

There's no way he could have passed them down through DNA.

But the marks on Coralis' body aren't the only things Victor seems to have handed down.

Because later, when he starts talking, Coralis tells his mom that his real name isn't actually Coralis.

Instead, he insists that his name is actually Kokodi.

And Irene is stunned because Kokodi isn't just some random name her toddler made up.

It was Victor's official Tlingit name.

Coming up, Coralis becomes more and more like Victor.

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Now back to the story.

When Coralis says his real name is Kokodi, Irene can't believe it.

She hadn't given Coralis a Tlingit name before this, and it's unlikely he would have known his uncles.

Later, she brings it up to one of her aunts, presumably Victor's sister.

And the aunt responds that Just before Coralis' birth, she had a dream that Victor was on his way back to live with them.

Now, this part could just be coincidence.

Like it's possible that Victor's sister was influenced by the Tlingit belief in reincarnation and that she had been thinking about her brother coming back, which is why she had the dream.

But when Coralis is two years old, he and his mom are walking to the docks in Sitka when he points to a woman in the distance.

Now, she's pretty far away.

So at first, Irene doesn't recognize her, but Coralis does.

He gets really excited, like bouncing up and down, and he starts saying things like, There's my Susie.

And sure enough, the woman is Susie, Victor's stepdaughter.

Coralis gives her a big hug and he continues repeating, my Susie, my Susie.

He even refers to Susie by her Tlingit name, which just weirds everyone out.

But sometime later, the same thing happens again.

Coralis spots a man on the street in Sitka and says, there is William, my son.

And sure enough, it is Victor's son, William.

These kinds of sightings continue over the next few years with a total of seven people Victor would have known.

Once, it's Victor's widow, another time it's his friends.

Coralis recognizes them all.

He even uses the pet names that Victor had called them despite the fact that supposedly he'd never even met them before.

A few of these incidents happened without Irene present, so we can't even say she was feeding him information on the spot.

Like Coralis actually knows this stuff.

As Coralis grows up, he combs his hair the same style as Vincent.

He's left-handed like Vincent, and he teaches himself the ins and outs of boat engines, a skill neither his father or mother have an interest in, but Victor, who was a fisherman, did.

But to me, the weirdest and most convincing part is that Coralis speaks with his uncle's exact stutter.

Remember, Victor had said, quote, I hope I don't stutter then as much as I do now, end quote.

And just as Victor had wished for, Coralis' stutter fades as he gets older.

It mainly shows up when he gets excited.

Like the Pollock twins, Coralis' memories of the people and nicknames from Victor's life pretty much disappear by the time he's nine.

Dr.

Stevenson is able to interview Coralis as a teenager, but by then, he doesn't remember what it was like to recognize Victor's family and friends or thinking his name was Kokodi.

And Dr.

Stevenson can only track down one of the relatives Coralis spotted as a little boy.

The others have either passed away or declined to comment.

Which, okay, that's like a little suspicious, but there's still the birthmarks.

The one on Coralis' back has gotten darker, and the one on his nose shifts down a little bit with age.

But other than that, they're the same.

Now, I said this before, out of the hundreds of possible reincarnation cases Dr.

Stevenson studies, over a third involve birthmarks in some way.

Unfortunately, there's no proof that matching birthmarks exist because of reincarnation, but there are other theories.

It has to do with an ancient belief called maternal impressions.

Basically, this is the idea that a mother's emotions during pregnancy can imprint on her baby, causing birthmarks and other physical abnormalities.

The ancient Greeks went so far as to believe that if a mother looked at a figure, like a painting or a statue, for long enough, her child would grow up to look like it.

So like if Irene Chotkin spent enough time looking at or even thinking about her uncle Victor, his scars would imprint on her fetus.

Of course, his idea has been used in misogynistic and ableist ways as a way to blame mothers for their children's disabilities.

And obviously obviously there's zero science behind it.

Like there's even an old superstition that birthmarks are the result of ignoring your pregnancy cravings.

So like if you're really hungry for pizza and you don't eat any pizza, your child could come out with a birthmark in the shape of a New York slice.

What we do know about birthmarks is that they usually come from an overgrowth of cells or blood vessels in the womb, but we really aren't sure about much else, making reincarnation just as good of an explanation as any.

And if popular opinion is any indicator, it's totally possible.

Hinduism is the world's third largest religion.

Over 1 billion people believe in it.

And reincarnation is a central belief.

Basically, the goal in life is to create good karma in order to advance to a higher, more elevated stage in the next life.

If you have good enough karma and you keep advancing, then eventually you'll die once and for all, achieving ultimate blissful union with God.

The process takes many cycles, some estimate up to 100.

So until then, whatever you don't achieve or accomplish in one life, you'll bring to the next.

In other words, you get a second chance.

That may sound almost too ideal, especially in cases like the Pollock twins and Coralis Chotkin, where supposedly they return to their own families.

But according to psychiatrist Dr.

Walter Simku,

this is how it's supposed to happen.

Dr.

Simku is basically the follow-up to Ian Stevenson in terms of well-respected reincarnation researchers.

He believes that when our souls reincarnate, we do so intentionally with members of our so-called soul group.

In between their last life and the next, soul group members will actually meet up and coordinate the location of their future reincarnations so they're sure to cross paths on earth.

So like you and a loved one could actually be members of the same soul group who planned to reincarnate as like best friends or even siblings.

In other words, death isn't the end of our families or relationships.

And think of how comforting that must be, especially if you're a parent like John Pollock.

Your young daughters have died in a tragic accident, but you can picture them together, deciding that they'll be reborn back into your family.

Who knows if that's true, but if you think about it that way, maybe death isn't as unfair or unnatural as it feels.

It's literally just our loved ones going on before us as planned.

And when we say they'll always be with us, we're right.

Thanks for listening.

I'll be back next week with another episode.

For more information on the Pollock twins and Coralis Chotkin Jr., we found Dr.

Ian Stevenson's book, Children Who Remember Previous Lives, extremely helpful to our research.

To hear more stories hosted by me, check out Crime Junkie and all AudioChuck originals.

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