What my Uncle who sticks coins to his forehead can tell us about Artificial Intelligence and simulation theory
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Coach, the energy out there felt different.
What changed for the team today?
It was the new game day scratchers from the California Lottery.
Play is everything.
Those games sent the team's energy through the roof.
Are you saying it was the off-field play that made the difference on the field?
Hey, a little play makes your day, and today it made the game.
That's all for now.
Coach, one more question: play the new Los Angeles Chargers, San Francisco 49ers, and Los Angeles Rams Scratchers from the California Lottery.
A little play can make your day.
Please play responsibly, must be 18 years or older to purchase play or claim.
Gaffa at the Jack Dawes Haunted Cause, you jaundiced Anyas.
Welcome to the Blind Boy Podcast.
If you're a brand new listener, and this is your first ever Blind Boy podcast, maybe consider going back to an earlier episode to familiarize yourself with the lore of this podcast.
I've got a fuckload of new listeners now because
I did an online interview with Ash Sarkar on her podcast with Novara Media and a couple of clips.
There was like three clips and they went very viral.
They got
I think 7 million views now over the past month.
And this has brought a huge amount of new listeners.
New listeners from all around the world who are like, who's this prick with a plastic bag on his head?
I'm going to give his podcast a listen.
So I have loads of brand new listeners who are mailing me on Instagram, wanting to know why I wear a plastic bag on my head, wanting to know which episode of my podcast they should listen to first.
Well, if you listen to an episode and you like it,
then go back to the very start.
Some of the kindest messages I've ever received in my life come from people who
went back to the start and started to listen to this podcast as an entire body of work.
But also, you don't have to.
It's not strictly linear.
Not like
Fucking hell.
I told someone to...
I told someone to get into the sopranos once.
I'm like, you really need to watch the fucking sopranos.
You really need to...
I mean, look, we've all had the sopranos suggested to us.
It's phenomenal.
It was during COVID lockdown.
I texted a person and says, you need to watch the sopranos.
And then...
It's like three years ago, lockdown ended.
It was that time when we were all allowed back out onto the streets again.
And you kind of didn't know how to speak to people when you bumped into them you didn't know what the rules were so i bumped into this person and i said ah did you watch the sopranos and then he goes yeah
i fucking love it i'm watching like three episodes a day i love it and then i went brilliant excellent i know you'd like it what season are you on and then he said ah no i just i just pick episodes at random
I think I just walked away.
I don't think I even said goodbye.
I just left the conversation.
I couldn't handle it.
I couldn't handle that.
I couldn't handle someone.
Imagine, imagine watching the Sopranos.
Imagine I better text them actually.
Because that was about three fucking years ago.
I did.
I left the conversation.
I wasn't being rude.
I was just so overwhelmed with the information.
I think I needed to just walk away.
Fucking I'd forgotten about that.
Yeah, I should probably give that person a text
to explain that.
Maybe they listen to the podcast.
Keith.
Keith O'Hallerman, who grew up outside Part Teen.
If you're wondering why I walked away from you mid-conversation three years ago when we met on Upper O'Connell Street in Limerick City,
it was because
when I said to you, have you been enjoying the Sopranos?
You said, yes, I fucking love it.
I'm watching three episodes a day.
And then I said, what season?
And then you said, oh, I just watch random episodes.
It's brilliant.
And then, instead of responding to that using words, I just turned my back and walked away.
I'd like to apologize for the affrontery of my actions.
I wasn't being rude.
I wasn't being passive-aggressive.
It's just that...
The information that you've given me, I experienced it as an act of violence against art.
You can't just, having never seen the sopranos, you can't just pick random episodes.
What the fuck is wrong with you?
What are you doing?
What if you said to me, what if I met you and you said, you know what, you should eat cornflakes.
Did you ever have corn flakes?
They're a very common breakfast cereal.
Cornflakes are the the sopranos of breakfast recommendations.
But what if you recommend i met you in the street and you said oh you should give cornflakes a try and then I said to you, fuck it, I will.
So the next day, I wake up and I pour myself a bowl of cornflakes, take out some milk, I put the milk on the cornflakes, they're there in the bowl.
First thing in the morning, I'm hungry, and then I start to eat the cornflakes with my arse.
Because that's what you did.
You watched the sopranos with your arse, you did.
You climbed up onto the couch, shoved your head into the cushion, and pointed your anus at the television.
So what if I hover my rectum over the bowl and Manage to inhale cornflakes up my arse and then try to digest them that way
and Then report back to you that I enjoyed it
That's the thing
if I if I try to shove cornflakes up my fucking arse
It's not gonna go well.
It's not gonna be pleasant.
It's gonna feel bad.
It's an awful way to start the day.
I won't be able to digest that food because it's going up my arse.
That's not how bodies work.
It would be a terrible idea.
It'd be a terrible experience.
And if I reported back to you, oh, I tried cornflakes the other day, but I didn't eat them with my mouth.
I put them up my arse.
I'd report back and say, that was disgusting.
Why did you tell me to get into cornflakes?
But that's
You'd have never had to say to me, cornflakes are fantastic, right?
But make sure you eat them with your mouth.
Don't shove them up your arse.
You wouldn't have said that.
In the same way that when I said to you, fuck it, man, you haven't seen the sopranos.
Jesus, you gotta watch the sopranos.
At no point did I think to myself, better tell him to watch it sequentially.
I better tell him to go, now make sure that you start on season one and then when you watch the first episode, make sure that you watch episode two afterwards why would i possibly have to suggest that to a person so that's what you did to the sopranos keith
you ate their sopranos with your arse
and that's why i walked away from you that's why i walked away from you it was overwhelming it was overwhelming information that was too much
That was, I didn't know what to say to you.
I wish I got to you to
It was just after the fucking pandemic, alright and I didn't have a lot of I'd spent two years stuck inside not talking to people if it had happened now I'd have playfully used the cornflakes analogy and found a nice way to tell you that you're watching the sopranos wrong
but the point I'm making this podcast isn't necessarily like that you can begin from the start if you want but you don't have to it's not the sopranos You can eat this podcast with your R's, if you like, and you'll be alright, but it's better to eat it with your mouth.
But I've been writing this podcast for so long,
sometimes I can't remember if I told you a story or not, especially if the story is
from my childhood.
I want to tell you about the first ever five-pound note.
First ever five-pound note that I got.
I had an uncle by the name of Noel.
He's my mother's brother, a lovely man.
And I was,
I'd say four years of age.
And my uncle Noel, he was a money uncle.
We all had money uncles.
The uncle that, when they fucking visited, they gave you a small bit of money.
Alright?
Everybody had that uncle.
Magnificent uncles.
Money uncles were the best.
The next best uncle to a money uncle was a mineral uncle.
A mineral uncle was
an uncle who'd
mineral is an archaic Irish term for a soft drink
and it's interesting because it comes from our tradition of venerating holy wells.
This idea that a soft drink with its effervescence and carbonation, the tingle of it on the tongue reminds them of drinking from a sacred well, a natural spring.
water from deep under the earth that's pregnant with minerals like zinc and limestone.
So that's where you get that Irish phrase mineral but you had mineral uncles and that was the uncle that would come up and they wouldn't give you money but they'd say to you would you have a little mineral?
You have a little tiny mineral.
You have a small little tinny mineral.
You have a little mineral.
That's what made the mineral uncle the mineral uncle.
They would offer you mineral but they could never pronounce it like a normal human being.
They'd have to kill the mineral.
You have a little tiny miner.
And then the third type of uncle is the uncle that'll let you have a sip of their pint.
But my uncle Noel was a a money uncle.
He wasn't wealthy, he just
would give you money.
He was the uncle that gave you little bits of money.
My uncle Noel was
he was a large man.
Well, he was probably just'cause I was tiny.
He was
a pure country fellow from Tipperary.
A very kind and friendly man.
But sometimes
Tipperary people have a way of
communicating kindness which is violent in a way
like my da used to say about my uncle Noel
that when he'd meet my uncle Noel
that Noel had the ability Noel would give my father this wonderful friendly hello but he'd do it in such a way that he
stepped on my dad's toe, knead him into the bollocks and head-buttered him all at once and my dad would be buckled after a hello from my uncle Noel violently friendly
lovely man
and when I was a little kid whenever Uncle Noel would visit I knew he's gonna give me money and you're waiting because the thing is with a money uncle they'd never give you the money in front of everybody They'd find their little the little corner and they whisper you away and they go here you go here you go don't tell your parents But my uncle Noel used to do he had a huge big red forehead he was a large man huge big red forehead
and he used to tower above me and he'd take out of his pocket like an old 10p
an old Irish 10p
and the thing is with getting money back then I was so young that I didn't really appreciate it that This is a piece of currency and you can use this to buy things.
It's like, no, the money itself is a fucking gift.
I'm being handed an adult thing, an object that adults own.
This money thing that seems really important and I don't understand what it is, but now I've got a piece of money.
So what my uncle Noel used to do is he would reach into his pocket and he'd pull out like 10p,
10p coin.
And I used to love that, I'd love it when he'd pull out the 10p, even more so than 20p, because the old Irish 10 pence had a fish on it, the salmon on Bradon Fasa.
It was the salmon of knowledge from Irish mythology.
Cause you see, if I got that tenp coin,
then I knew my da would see me with it and he'd tell me the story of the salmon of knowledge from Irish mythology.
So anyway, Uncle Nora reach into his pocket and he'd he'd hide the coin in his hand and then he'd bring his fist up towards his forehead and I'm looking up at him, he's towering over me.
And then he'd get the tenp coin and stick it to his forehead using the natural adhesion of sweat and pressure.
The coin would just stay there on his forehead and I'm looking up going, why is the adult sticking a coin to their forehead?
And then he'd smile and when he'd smile the muscles of his face would release the coin and it would tumble down and it'd go into my hands and there I am staring at the 10p.
the 10p coin in my fist and the salmon the salmon on it and then i'd look back up at uncle noel and he'd be left with an indentation on his forehead, a round circle in the middle of his forehead where the skin in the middle is whiter because he's just pressed a coin against his forehead.
Here's the beautiful thing about the tactile nature of this memory.
I haven't seen an old Irish 10p coin in
nearly 30 fucking years, okay?
And when I think of the old Irish 10p coin in my hand I see it right now as massive almost tennis ball sized but it's not
I'm
physically remembering the feeling of that 10p coin in my tiny little hand when I was four I have a muscle memory for this coin which is probably the size of a bottle cap now as an adult but my muscle memory has memorized it as being in the context of the size of my hand back then.
So back then it's fucking huge.
And I'd stare at this coin and I'd look at the image of the salmon on the coin and that was enough.
The coin itself was enough.
Like, oh my god, look at this thing that I own.
And then one of my brothers would have said to me, or my parents would have said, look at that now, you've got 10p, what are you going to get in the shop?
And then I went, oh, okay, this thing is exchanged for sweets.
And of course, with 10p, with 10p, what I'd buy is
a Rya the Rovers bar or a desperate Dan bar.
We used to eat sweets that were a bit like plastic.
A desperate Dan bar
was orange-flavoured with these black rocks in it.
And then Rya the Rovers.
If you're an elderly person like me listening to this, you remember a fucking Roy of the Rovers.
I would give anything for a Roy of the Rovers.
It was a pineapple-flavoured bar that would make your tongue bleed.
And I'm salivating just thinking about it.
And this cost 10p and it said 10p on the fucking bar.
And that's what you do with the 10p coin.
But I was so young, I hated parting with the 10p.
I wanted to own the coin.
I wanted the thing.
And I wanted to own
the indentation of the coin on my Uncle Noel's forehead.
The ritual of that was part of it.
It wasn't just the coin.
It was the fact that my
everyone knew that Uncle Noel had given me 10p because he's walking around the place with a fucking a round mark on his forehead of whiter skin, whiter than the usual redness of his tipperary skin on his head.
It was a ritual.
And then one time Uncle Noel visited.
And again I'm like four years of age.
Def yeah, four, I'd say I wasn't five, very fucking young.
Uncle Noel visited
and he got as far as the bit where he's going to give me money, reaches into his pocket
and he didn't do the ritual with the coin to his forehead this time.
He pulled out a piece of paper and handed it to me.
It was a fucking five pound note.
I didn't know what it was.
I didn't know what a five pound note was.
And I was disappointed because he didn't try and stick the five pound note to his head.
He just handed me this thing.
And then I walked back into the into the room and all my brother saw me going, oh my fucking god, he's got a five pound note this was a big deal this was a huge deal five fucking pounds this was a big deal my mas started kicking up a fuss my mask started going to noel noel that's too much that's too much take it back now and then noel was like no no he can have it now to this day i don't know i reckon what happened is that noel had a search around his pocket and there was no coins and the smallest denomination he had was a five pound note so that's why he gave it to me and adjusted for inflation i think a five pound note is probably around 20 euros today this is the early 1990s lads possibly the late 80s
children weren't given large sums of money that didn't happen Celtic tiger onwards so we'll say 1996 onwards then you started to see communions and performatively large amounts of money being given to children if you made your communion after 1996 chances are an uncle came along and they might have given you fifty pounds or even 100 pounds that became normal before the Celtic Tiger.
No fucking way.
You gave kids.
A pound was a bit mad.
A pound was considered a lot.
So me receiving a five fucking pound note at four years of age, this was huge.
And I was starting to realize it because my brothers were nearly looking at it, licking their fucking lips.
Like my brothers would have been
late teens, but still they were like, he's got a fucking Fiverr.
he's got a fiverr and then i'm like oh my god i've got a fucking fiverr i don't know what it is i'm just learning so i took the fiverr it was a brownie yellow piece of paper with five pounds in it i i took it i ran up ran upstairs to my room put it in somewhere safe and then i spent ages just looking at the fiverr and holding it and
I wasn't thinking about what I can purchase with it.
I'm thinking about, I own this.
This is an adult thing and I own it, and this is mine, this fiverr, this object that contains so much power that my ma wanted to give it back, and my brothers were jealous of it.
This fiver, oh my god.
But then
I was disappointed that
when Uncle Noel gave me the fiverr, that he there was no ritual involved, he didn't try and stick it to his head.
I missed
the indentation of the the the the coin on his forehead
and then I looked at the five pound note
and on the old five pound note there was a bald man with a large forehead
and I thought to myself the forehead of the man on this fiver
looked like it could do with a coin indentation on it
I wish my uncle Noel did the coin thing when he gave me this fiver but he didn't so then I got a biro
and I drew a coin onto the forehead of the man
on the five pound note
and then I loved doing that.
I'm four.
So now I start to draw some dinosaurs on the five pound note.
I did a little attempt at a T Re I was fucking obsessed with dinosaurs.
Obsessed.
So I'd have probably done
T-Rex Allosaurus
Brachiosaurus and then Archaeopteryx which was a bird-like dinosaur and I probably would have also then drawn a little version of me in to compare myself to the size of the dinosaurs the reason I knew I did this is that I still have encyclopedias world book encyclopedias that I drew in when I was four and these were the drawings I was doing so I vandalized this five pound note.
I drew all over it because I wanted the man with the bald head and the old Irish five pound note to have the indentation of a kind on his forehead, like my uncle Noel.
So the next day,
my fiver was the talk of the house,
and it was there was debate and arguments around it.
And I remember because
I was at that age where
the adults have conversations about you, around you, as if you can't understand what they're saying.
Because
two years ago I was a baby.
But everyone is talking about me while I'm there and I'm silently listening and there was a big debate.
Does he deserve that fiverr?
Was it a bad idea?
Is it too much money for him
maybe
like my ma suggested let's take the fiverr off him right and maybe my ma would keep the fiverr and then give it to me in bits
that she would be a bank essentially and then some of my brothers were going no
this should be this should be distributed this the fiverr is actually way too much money for him it's wasted on him he doesn't understand this one of my brothers says says i've i have to get a geometry set for school he was in secondary school i have to get a geometry set which is one of those those old tins that had like protractors and triangles in it he goes i have to get a fucking geometry set for school that's like four pounds I should have the fiverr.
I'm the one who should have the fiverr.
And give him, give him 10p or 20p.
He doesn't know the difference.
He's four.
And then one of my other brothers steps in and says, no, that's not fair.
Noel gave him the fiverr.
That's not fair.
Let's explain to him what a fiver is and explain to him, ask him what he'd like, what does he want with a fiver?
And then he goes,
why doesn't he go and buy a tape?
Why doesn't he buy an album for himself?
He loves fucking music.
Now, I did.
I adored music.
I loved music.
I used to rifle through my brother's record collections.
And my favorite artist when I was four would have been T-Rex, Mark Boland, T-Rex.
I was obsessed, fucking obsessed with T-Rex.
But there was one T-Rex album, vinyl, it belonged to my brothers, and I had drawn dinosaurs all over it and probably scraped dinosaurs into it.
Like my earliest hot take,
like my earliest experience of
these two things are somehow connected and this makes me feel tingly.
My earliest one of them was
my favorite artist T-Rex is also the same name as my favorite dinosaur T-Rex.
I would get ferociously excited about the interconnectedness of these two things, the happenstance of it.
So my brother suggested, why don't we take him into town and he can buy a tape of T-Rex that's his.
That costs like five pounds.
Why don't we do that?
So that's what happened.
My brother was going to take me into the music shop in town so I could buy my first ever album that I owned that was mine, my first ever fucking tape.
So they said to me,
go and get your Fiverr, go and get your Fiverr.
So I went and got my Fiverr and brought it back and then showed it to him.
And they're like, oh, fuck.
He's after drawing all over the Fiverr.
Now I'd really drawn all over the Fiverr.
I'd vandalized this Fiverr.
It was still a Fiverr, but there was Biro drawings fucking all over it.
Because I haven't got it.
I don't know you're not supposed to do that.
I didn't know that.
So now there's a new debate.
The brother who wanted the fucking protractor set is very annoyed with me.
Going, I told you it's a waste of a fiver.
The fiverr was wasted on him.
And then my ma's, my ma's really pissed off, but my ma says to my da,
give him a new fiver, give him a new fiver, come on, because I'm crying at this point now because I'm realizing now that I've done something really bad to a fiver.
This is getting strong reactions all around.
And my dad goes,
No, I'm not going to replace the Fiverr.
This is an opportunity for an important lesson for him.
I'm not going to replace the Fiverr.
So my brother says, I'm going to bring him into town anyway.
I'm going to bring him into town with the broken Fiverr.
And let's see.
Because there's no internet.
Like, they're all debating.
Like, if you draw on money, does it stop being money?
Oh, that was it.
So one of my other brothers brought up that they had a fiver before
and it had split in two and they'd sellotaped it back together.
Because if you remember back then, you don't see it as much anymore, you see, because you're I'm such a fucking old man.
This is the most elderly podcast I've ever recorded.
Nowadays, nowadays, Euros and shit, they're made out of a kind of a plasticky material, so they don't break in half.
But back in the days of paper money the old Irish pounds they would rip in half and sometimes you'd find yourself with a 10 or 20 quid and it was sellotape back together and it would work in shops it would work
I think if the watermark was intact that was it
oh it's all coming back to me now my da and my brothers they had the fiverr up towards the window and I'd drawn the coin on the forehead of the man on the front of the fiver and there was dinosaurs and they were holding it up to the window and you could still see the watermark which is the drawing of Lady Laverie and my brother said you can still see the watermark if you can see the watermark it means that they have to accept this as currency it's
the watermark was the real important thing you see The IRA at the time had been flooding the place with counterfeit money, I think.
So the one thing they couldn't get correctly was the watermark.
So, the watermark was important.
So, my brothers were holding the fucking fiverr up to the window, and the watermark was intact.
I hadn't drawn over the watermark.
So, they decided, let's go into town and see if they'll take this fiverr with drawings all over it.
So, that's what we did.
And I went in on the bus with my brother.
And the record shop we went to
down what is now Brown Thomas in Limerick City,
the menswear department now, downstairs downstairs there
used to be a record shop.
And I went down those stairs with my brother and we found a tape and the tape was T-Rex's greatest hits.
And it had Ride a White Swan,
Jeepster, Get It On.
It had songs that I'd never heard.
Because we only had one fucking vinyl album of T-Rex.
So it had songs I'd never heard.
So that got me really excited.
and we found this tape and it was a fiver it was perfectly five pounds and we went up to the counter with the mad fiverr with drawns all over it and I don't remember I don't remember what happened probably
my brother
you know my brothers used to get me to wave my eyelashes They used to get me to wave my eyelashes at adults.
So probably what happened is
my brother would have said to the person behind the counter, look, he's after drawing all over his first Fiverr.
And then I would have waved my eyelashes at the person behind the counter.
We ended up getting the tape.
We ended up getting the tape, and that was the first, the first ever album that I owned was the greatest hits of T-Rex on tape that I had purchased with the vandalized fiverr that was given to me by my uncle Noel.
Let's have a little ocarina pause now.
I'm in my office.
I don't know if you could hear the seagulls in the background.
I'm in my office.
I don't have my ocarina in this office.
Keep losing ocarinas.
What I do have, I'm going to hit myself on the head with a book.
And I enjoy doing this because I get to give you a little book recommendation every time I do it.
This is, I suppose you'd call this an academic book.
It's called The Origins of Ireland's Holy Wells, written by Celeste Ray.
This is a hard one to get your hands on.
Celeste Ray is she's a professor of anthropology in Tennessee and she wrote this book which is a very authoritative book on the on the study of Ireland's holy and sacred wells.
I'm obsessed with fucking sacred wells in Ireland and the veneration of them.
It's utterly fascinating from a mythological perspective.
So I'm going to hit myself into the head with this it looks like it'll be painful so I'll be gentle.
With this book, The Origins of Ireland's Holy Wells, and you'll hear an advert for something.
I'm gonna headbutt it rather than hit myself.
Yeah, that's not nice.
Good sign of a good book, though.
Coach, the energy out there felt different.
What changed for the team today?
It was the new game, Day Scratchers from the California Lottery.
Play is everything.
Those games sent the team's energy through the roof.
Are you saying it was the off-field play that made the difference on the field?
Hey, a little play makes your day, and today it made the game.
That's all for now.
Coach, one more question.
Play the new Los Angeles Chargers, San Francisco 49ers, and Los Angeles Rams Scratchers from the California Lottery.
A little play can make your day.
Please play responsibly, must be 18 years or older to purchase play or claim.
Hey, it's Mark Maron from WTF here to let you know that this podcast is brought to you by Progressive Insurance.
And I'm sure the reason you're listening to this podcast right now is because you chose it.
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Oh.
Great fucking book.
You don't want to be hitting yourself into the head with this.
Just heavy enough to be painful, just floppy enough to have a snap.
Yeah.
Let's tap it gently.
Gently tapping the book.
There you go, there's your fucking ocarina pause.
Hope you enjoyed your adverts.
Support for this podcast comes from you, the listener, via the Patreon page, patreon.com forward slash the blind by podcast.
This podcast is my full-time job.
This is how I earn a living.
I'm funded by my listeners and that means that I'm driven by
failure.
I'm driven by the desire to fail.
The desire and what I mean by that is
I'm not looking for a popular podcast this week.
I'm looking for a podcast where I genuinely and passionately explore whatever the fuck I'm curious about.
And what I'm speaking about this week, I'm curious about this stuff.
And if I'm curious, then I'm passionate.
And if I'm passionate, then I'm authentic.
And if I'm authentic, then I have meaning.
And this podcast brings me great meaning.
And I don't believe,
I'm not in, I don't believe in happiness, like I've said before.
I don't chase happiness as a state because I think that's...
I don't think that exists.
You can have little little moments of joy, but really
what I try to do is I try to live with meaning.
And meaning is meaning is real.
Happiness tends to be retrospective.
If you think back to a period in your life where you were like, oh I was so happy back then, I was happy then.
Really?
100% of the time you were happy all the time back then?
Or have you just conveniently forgotten the little moments of struggle and pain and frustration, the necessary inevitable suffering of being alive?
So often I think when we think back to parts of our lives we're like, I was so happy back then, really what we were is
we were experiencing meaning, we were living life in a way that's meaningful and based in the present moment.
That's what this podcast does for me.
It brings me a great feeling of meaning and present moment enjoyment to be able to write this type of carry-on and for ye to listen to it.
So thank you to all my patrons.
Thank you to all my patrons for making this possible, for making this my full-time job and for allowing me to have the time to fail and be playful and be curious.
So that's patreon.com forward slash the blind by podcast and all I'm looking for is the price of a pint or a cup of coffee once a month, that's it.
And if you can't afford it, for whatever reason, don't worry about it.
Listen for free.
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So everybody gets the exact same podcast and I get to earn a living.
Wonderful model based on kindness and soundness.
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Do it instead on the browser on your iPhone or on a laptop or whatever.
Upcoming gigs.
I'm on a bit of a break for the summer.
I'm very very much enjoying my break after intensive touring.
But this Sunday,
if you're at the festival all together now,
this Sunday, I'm doing a little quiet podcast at
12pm at noon.
Nice little Sunday.
People with hangovers.
I love that slot at festivals because I'm an elderly man now.
and I've been doing festivals for nearly 20 years.
So a 12pm slot for me is fucking perfect because I can piss off home afterwards.
But if you're at all together now, come along to my podcast this Sunday at Altogether Now 12pm.
I don't know the stage, you'll figure it out.
And uh come along
and and i if if you're a jaundice tomorrow or a ten foot declin and sit up front and let's try and create a bit of a podcast hug because festivals can be a bit of a nightmare for podcasts because you've rubberneckers who come and go.
So if you are an enjoyer of this podcast, come along to that.
What other gigs?
September, I am in Vicar Street on the 23rd of September.
That's almost sold out.
That is a lovely Tuesday night gig, Vicar Street in Dublin.
Then the 27th and the Saturday, I'm up in Derry in the Millennium Theatre.
October, teeny tiny gig up in Sligo in the Hawkswell Theatre.
A little intimate tiny little gig up in Sligo.
I love Sligo and I love doing tiny gigs.
I love doing big gigs as well, alright?
I love doing the larger gigs, but you gotta mix it up.
It's nice to be in a small room playing to about 300 people.
And then on Halloween night, Halloween night in October, I'm at the Polka Festival in Mead, which is a Halloween festival.
So hopefully I'll get a cracker of a guest for that one.
So again, this week's podcast, you know, I'm talking about an uncle sticking money to his forehead.
What I want to speak about is the nature of reality.
I haven't thought about that story in a long time.
I haven't thought about old Irish money.
I mentioned there that the old 10p coin
that used to have a salmon on it, the salmon of knowledge, which that's a story I've told a lot on this podcast.
So if you're a regular listener, you know the salmon of knowledge story from Irish mythology.
I know that story because my dad used to tell it to me and he would use the 10p coin to go, Do you know what that salmon is?
And then he'd tell me the story of the salmon of knowledge.
And that day, when my uncle Noel didn't give me the 10p,
and I was disappointed because I'm like,
A, I'm not going to hear the salmon of knowledge story now.
B, I don't get to see the magic trick with the coin on the forehead.
He just handed me this note, this five-pound note, with a bald man, a bald man on the note.
So I've been thinking about that bald man a lot recently.
He was an Irish monk.
He was an Irish monk from the 800s, the 9th century.
His name was John Scotus Eriduna.
Now luckily loads of his writing still exists.
But finding out about the person himself is it's fucking impossible.
I was trying to find out.
I wanted to know who made the decision, who made the mad decision to put him on a £5 note.
It was the Series B banknotes and they were issued between 1976 and 1992.
So my memory of this story as a kid on my first Fiverr, it definitely happened before 1992.
So John Scotus Erejuna with the big bald forehead on the Fiverr who I wrote on.
Now that's not his born name.
What John Scotus Erejona means is
John the Scot
or John who was born in Ireland.
John of the origin of Ireland and Scot there.
Scotia means Irish.
Well see Ireland actually colonized part of Scotland
ages ago.
I think 1500 years ago.
And the west coast of Scotland became the province of Dalrieta.
So, in Scotland back then, the Picts, I believe, used to refer to the Irish invaders as Scotia, meaning foreigner, Scotty.
And then, over time, in Latin, Scotty started to mean Irish.
I've tried to find out his real name, his birth name.
It's very difficult.
You're talking about someone from the 900s.
But this fella,
whose forehead I drew on when I I was four
is one of the most
advanced thinkers and philosophers in the world
of his time, the ninth fucking century.
He was a monk in France, so he was Irish, and he went to France to work in monasteries and he
he dedicated his life.
Trying to figure out what is reality and what is God.
Like he was an Irish Christian monk.
You know, this is the pure land of saints and scholars shit.
An Irish Christian monk, but a philosopher who was trying to figure out what is reality.
Now I'm going to adjust this using modern language, but John Scott of Sirajuna,
he basically came to the conclusion that what you and I call reality is a video game.
It's a video game.
that's played by God.
Christian philosophy at the time,
like the understanding of the world, would have been, well, here's the Bible and the Bible says there's a fella called God, right?
And God came along and then in seven days God made everything.
That's what God did.
God made everything and what we're living in now is a concrete reality that God made.
and he physically made it and that's what the crack is.
John Scotus Erogina was different.
He was like, no,
reality is a theophany and a theophany is like a projection made by God, like
a hologram or a simulation or the ideas or thoughts of God.
And if you said to Eregina, hold on a minute, I can see things, I can touch things, I can hold things.
Reality is real, I'm living in it right now.
He would say, those are just your senses.
Everything is within the rules of this theophany, this simulation, this projection from God.
And then if you were to ask John Scotus Eregina, well what the fuck is God?
Who is God?
Irogena would say, well, I quote him directly.
Irogena said, God is not known because he is beyond everything that can be understood.
He is nothing of what we know.
He is above being and non-being.
And you see,
that's a pure early Irish Christianity thing.
Like even there's this 11th century manuscript called the Lower Gavala Air in the Book of Invasions, which is like a pseudo-history of Ireland, but it also contains elements of the Bible.
And it was written by Irish monks in the 11th century.
And the opening words, which I always think are gas, because they're so ridiculously Irish, are, in the beginning, God made heaven and earth, but he himself had no beginning or ending.
Which is awfully silly, but it's a lovely Irish way of saying, whatever the fuck God is, it's unknowable.
So, that there, that's apophatic theology or negative theology, which was Erogena's thing, whereby
you can only attempt to describe God
by what God is not.
It's impossible, it is not possible to have any words, senses, smells, ideas, visions.
It is simply not possible to understand
what God is
because we are entirely limited by the rules of our simulation.
Now a disclaimer, I'm not after getting into fucking religion, I'm an adult.
There's no religious,
I don't give a fuck about God or anything like that.
I'm a curios, I'm interested in the present moment, that's what I'm interested in.
But similarly, I'm not gonna ignore entire bodies of work from brilliant thinkers just because the writing is religious.
Like you know I'm fucking obsessed with Saint Augustine because all his writing is about trying to prove whether there was boners in the Garden of Eden.
Like what the fuck?
What am I going to ignore that?
My curiosity won't let me.
But anyway, John Scotus Iregina's big idea.
There's no way to understand God
because the only way you could begin to even describe God is by describing God by what it isn't.
The simplest way to understand that is...
I mean think of a fucking video game.
Like technology now is making this stuff so much easier to understand.
Think of a video game like Red Dead Redemption 2.
That's the best example.
Because Red Dead Redemption 2, it's the closest video game that we have to a simulation of reality.
There's plants, trees, animals.
a weather system, characters, a fairly advanced artificial intelligence.
Red Dead Redemption 2 is a bit of a reality simulation.
But one day in Red Dead Redemption 2
is like 20 minutes in my time.
And everything that happens in this video game is it's on a 2D screen.
It's on a screen on my fucking wall.
So even though my character in the game
experiences a type of 3D reality.
I know in my living room that that video game, it's not actually 3D.
That's fake 3D.
It's a very clever illusion of a three-dimensional space for the benefit of me to enjoy.
But to my character in the video game, that's reality.
That's their reality.
That's their world that they live in, that they die in, that they walk through.
Something which I can clearly see is just an illusion.
And if you're thinking, chill out, blind boy, you're projecting a lot of humanity on this character.
That character doesn't even know it dies.
That's the point.
Yeah.
To that character, that's death.
But that character's death to you and me is completely insignificant.
There's not even emotions involved.
Emotions don't exist within the code of the video game.
Simulations of scripts of emotions exist to please me who's playing the video game.
There is no way whatsoever.
For the character in my video game, in Red Dead Redemption 2, there is no way whatsoever for that character to understand my living room and me.
Smell doesn't exist
in video games.
Smell does not exist.
The illusion of smell might exist, but fucking smell doesn't exist.
It's not coded into it.
Like in the video game Red Dead Redemption,
and I'm playing it and I'm controlling this central character and it's in this beautiful simulation of the wild west of America.
And that's the thing, I'm controlling the character.
As far as the poor cunt in the game is concerned he's experiencing free will no i'm controlling you and i will well i'll take my character and sit down at a rock and a magnificent thunderstorm will unfold in front of me on the video game nature and animals will pop up and it'll feel very very real and then i'll sit down with my character and my character will get hungry in the game in the game my character will get hungry a digital simulated hunger that's real to that character in the game but he could never understand my fucking hunger there's no way to explain actual real hunger to that character but when my character sits down I can make them a little stew in the video game and I can see the stew cooking and I can look into it and I can see the character eating the stew and I can see the video game character being satiated by the stew and the stew in the video game
it's a chili concarny it's a chili concarnie right?
And I know it's a chili concarny because not made with mince beef but made with chunks of beef.
And one time I was playing Red Dead Redemption 2
around my own dinner time
and I'm feeding my character chili concarni in the fucking game and then I'm sitting in my living room neglecting my own hunger.
And now I'm getting hungry for chili concarny because I'm looking at the character in my game eating chili concarni.
So then I start
imagining all the different smells of cinnamon and cumin
and the bang of chili pepper and all these tastes and senses that I'm bringing to my memory which I have no way I can't explain that to the character in the game he's eaten a digital chili concarny but has no there is no way it's impossible for the character in that video game, no matter how realistic it is with all those parameters,
to explain to them or for them to imagine
what it's like to taste an actual chili concarni, even though I'm watching them eating it.
So then I pause the game.
I pause
the reality.
I pause reality
for the entire world on this video game.
And then I say, fuck that, I'm making a chili concarnie.
So I go about making my own chili concarni and notice all the flavors and tastes and smells.
And then as I'm doing that, it brings brings back a specific childhood memory for me with Chili Concarney.
So Chili Concarney
when I was a kid would have been considered quite exotic.
In the early 90s Chili Concarney came in it was Uncle Ben's Chili Concarney jar sauce that had a few beans in it and you added it to mince.
And when I was a child, it'd be one of these foodstuffs alongside ballones that we would have to convince our mother to get us as a treat because she would have been like, I don't know what the fuck chili concarney is.
This is too strange, but we go, please, please, the advertisement is on the telly.
Please, Uncle Ben's, just get it in Duns the next time.
And then she'd get us a jar of chili concarny as a treat, and she'd add it to mincemeat and probably wouldn't give us rice, she'd have served it with potatoes.
But my ma would make us
Uncle Ben's chili concarni, right?
And then, whenever she'd make it, my dad wouldn't eat it.
My dad would not eat chili concarney because of the teeny, tiny bit of spice that was in Uncle Ben's chili concarni, that tiny, teeny, tiny little kick of chili.
My dad was allergic to it.
And then my dad would tell us this mad story.
He wasn't allergic to chili concarney, but my dad would only eat profoundly bland foods, the blandest food that you could imagine, and he would militantly reject anything remotely spicy.
He'd say, I can't go near this stuff, that'll cut the belly out of me.
You might as well just stab me.
That's like cutting me open with a razor.
And then he'd tell us this story about when he was a little child, when my dad was a tiny, teeny little child of about three or four.
His appendix burst.
My dad's appendix burst.
Now, this was in rural West Cork.
Rural West Cork in the late 1930s.
Okay?
And my dad was a little child of three or four.
His appendix burst.
And he started to get pertinitis, which is lethal blood poisoning.
He nearly died as a little child because his appendix burst and started to poison his blood.
That's very serious.
And the story he would tell us like rural West Cork, middle of fucking nowhere,
1930s
and my grandda had to go up on a fucking horse cause his toddler is dying and had to ride his horse along the valleys of West Cork
not to find a doctor but to find the local vet
who was closer than the doctor and he managed to get the local the vet the vet who operates on animals.
And the vet
cut my dad's stomach open when he was a tiny, teeny little toddler and took out his appendix.
And that saved his life.
And then they were able to get him to hospital.
And I know that because that's the story that my dad would tell me.
When we first started eating chili concarney in my house, my ma would make the Uncle Ben's chilly concarny under pressure from me and my brothers.
And then my dad would come out and he'd lift up his fucking top and he'd show us he had scars on his belly that made him look like he had multiple belly buttons.
A vet fucking cut him open when he was a child and he'd hold up his top and he'd say, I can't eat that stuff.
And he'd get so angry with the Chili Concarney that he refused to pronounce it Chili Concarney.
My dad used to call it Trevor Kearney.
My dad used to refer to Chili Concarney as Trevor Carney as a man.
And he'd say, I'm not going near Trevor Kearney, he'll stab me, he'll cut me open.
And I'd forgotten that.
But that memory and the name Trevor Kearney that came back to me when I was making Chili Con Kearney because I'd just been playing the video game Red Dead Redemption where my character is eating Chili Con Carney and the point I'm trying to make, right?
How the fuck do I describe that?
to my character in Red Dead Redemption who's sitting down eating their Chili Con Kearney.
No matter how real this video game looks, no matter how much of a perfect simulation of reality it is, no matter how realistic the weather system looks,
there is no possible way for the character in that game to understand, verbalize, imagine, empathize,
visualize in any way that their actions are being controlled by me
in a 3D space, in a different
expression of time.
There is no way that that character can understand.
I'm being controlled by this third-dimensional figure called Blind Boy who has this sense called smell
and this smell triggered a memory of his father calling Chili Concarney Trevor Carney because he was operated on by a vet when he was a child.
That there is kind of the philosophy of John Scott as Eriduna, who was on the £5 notes because that's what Eriduna came up with.
It's like
whatever the fuck God is,
you cannot, there's no possible way to understand it in any way because we are bound by the rules of this reality and this reality
is is an M is is a theophany of God.
It's the code in the video game.
Everything we experience that we think is concrete and real, it's not.
It's all code
that's being
dreamed about or thought about
by God.
And what I love about John Scotto Serragina's about his writings is
it's so complex that it's almost atheistic.
The concept of
God
is so impossible within the constraints of whatever this thing is right now that we're all collectively experiencing, call it reality.
The concept of God within that is so bizarre that it may as well be nothing.
How can God exist when even existence itself is within the code of this reality that we're experiencing?
I'm eating chili concarni in Red Dead Redemption 2, but I don't know what taste or smell is and I have no possible way of even verbalizing them.
Now, I'm not being religious here or anything like that.
I'm interested in this because it's profoundly interesting philosophy from someone who existed more than a thousand years ago.
It's so advanced in its thinking.
And the most important thing that John Scotus Irajuna did, as far as I'm concerned, is he inadvertently discovered ecosystems.
Instead of the old biblical way of going, oh, God created the earth in seven days and he created all these animals and plants and rivers and everything, Iriduna was like,
you can't say he created something.
Everything that you experience as reality is an ongoing projection of this creation.
And literally everything is God.
And the plants are interconnected with the rivers and the rivers are interconnected with the insects and the weather is interconnected and every single thing that you see around you that you call reality.
Because this is all interconnected and there's no such thing as separate parts, it's all one,
this is because that this is the theophany, the imagination, the code, the simulation, the video game of God.
But you can just replace God there with nature.
Biodiversity is a thing.
Ecosystems are a thing.
From the mighty animal known as the human being,
we would crumble tomorrow if the tiniest fungus disappeared on this earth.
Everything is interconnected and dependent on each other via nature.
But John Scott of Zerojuna, he didn't say nature, he just said God.
So
he discovered ecology, I suppose you'd say.
I'd go one step further.
I think John Scott of Serajuna is the originator of simulation theory.
The idea that we're living in a simulation, that we live in a type of artificial intelligence, a type of video game.
We don't know who created it or why, but most likely reality is several layers of simulation.
I mean the goal of artificial intelligence is to be able to create a reality simulation.
That's what
the people who are making artificial intelligence now and are trying to make it more and more powerful.
They want to be able to create a fake type of reality so that we can test things out
and better be able to predict things in our own reality but if that simulation is incredibly accurate and within that simulation you have little artificial intelligences that have consciousness of some description then as far as they're concerned the simulated reality that we build that's their fucking reality but they will have and they'll be trying to wonder what the fuck we are but they can't
i i know some of this sounds like the type the type of conversations you have at four in the morning after taking yolks but like
i'm curious about this shit i i think it's deeply deeply relevant right now because of where we're at with artificial intelligence right now i'm confused by it i'm frightened by it and i'm obsessed
with
very early religious text, philosophical text, mythologies that appear to be describing artificial intelligence i'm obsessed with it i'm not going to go into it again you can listen to my podcast from two years ago i think it's called greek mythology and simulation therapy theory but like i've told you before about the prometheus prometheus in greek mythology prometheus and zeus created humans then the humans got out of hand they were going to get more powerful than the people that the gods who created them so zeus had to create mental health issues within the AI known as humanity in order to limit the capacity and capabilities of humanity.
I'm fascinated by how a story that's 2000 years old is so relevant to what's happening right now with artificial intelligence, as we are definitely on the cusp of possibly creating something that's smarter than us.
And the people who are creating the artificial intelligence, they know this shit too.
This week, Meta, the parent company of fucking facebook announce a new
super intelligence that they're launching it's going to be it's this massive cluster of computers that's going to contain a super intelligent ai and it's the size of manhattan and meta announced it you know what they're calling it prometheus they are calling their artificial intelligence Prometheus.
What is Prometheus by Meta going to be?
They're trying to make make an artificial intelligence that is more, that is smarter than the humans that created it.
The other super intelligence that they're trying to make is called a Hyperion.
Hyperion in Greek mythology is...
Again, he's a Titan, which is...
Hyperion was like the representation of the light of the sun.
And the clusters of supercomputers...
that Meta are building, right, are known as Titan superclusters.
Both Prometheus and Hyperion within Greek mythology were Titans.
And again, Titans in Greek myth.
Titans were like the parents of gods.
If the gods were a simulation, the Titans created the gods simulation and then the gods created the humanity simulation.
The people that are making our AI, the AI that we're all really frightened of that's in the news right now and we don't know what it's going to do, these people, instead of looking at the stories from Greek myth and seeing them as cautionary warnings are instead going let's name let's let's actually not look at it as a warning at all let's name our super intelligence after Prometheus Prometheus and Zeus created artificial human life Zeus was like I don't trust the fuckers we're after creating something powerful here I don't trust it Prometheus went no I kind of like it I think I kind of love this artificial intelligence we've made.
Prometheus gave the AI, humanity, fire.
That created super intelligence as in something possibly more powerful than the gods that could destroy the gods.
It wasn't a good thing.
Zeus then freaked out and said, what the fuck have you done, Prometheus?
They're going to kill us.
This AI that we've made is going to kill us.
So then Zeus said, we got to stop them.
And then he invented mental health.
He invented mental health issues and gave that to the humans via Pandora's box.
You're sick of hearing that story from me, I know.
Okay?
But I had to fucking say it because Meta are after naming their AI Prometheus.
Instead of being frightened by the warning, they're going, this sounds like a good idea.
So anyway, this week's podcast was about...
I'm not too fucking sure what this week's podcast was about.
John Scott is Arajuna
and his placement on the £5 note and how a childhood memory of that five pound note is very relevant to my curiosity right now about reality and I think John Scott or Zara Juna's theories on what reality is they're they're very relevant right now as humanity embarks upon creating
artificial intelligence that might be smarter than us and reality simulations and sometimes in order to have these conversations you need to you need to sound like you took a couple of yokes and you're talking at four in the morning and the sun is is coming up, alright?
I'm aware of that.
I know those types of conversations.
But it's where we need to go sometimes.
I'd also intended, I wanted to speak about the entire Old Testament via simulation theory.
I wanted to start with the Garden of Eden and end somewhere around Sodom and Gomorrah.
No, Abraham and his son.
But
we're over an hour into this.
I'm not going to have time to do that this week.
So I'm gonna revisit the Old Testament.
I'm not nothing to do with religion.
Like this is mythology.
I am very interested in fucking mythology.
At the end of the day, the Old Testament, you're talking about stories thousands of years old that are so good, we still have them.
So of course I'm gonna be fascinated by this.
And I can critically analyze these things and be curious about these things without a religious bone in my body.
I'm interested in the present moment.
That's my spirituality.
The present moment.
How can I live meaningfully in the present moment?
How can I meaningfully have emotional literacy so that I can respond to my present moment and not react to my present moment?
That's my spirituality.
That's my religion.
Alright, God bless you, glorious cunts.
I'll catch you next week.
In the meantime,
wink at a kestrel.
Blow kisses at a caterpillar.
Wish good tidings on a dragonfly.
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