The Magnus Protocol 28 - Interruptions

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Speaker 9 This episode is dedicated to Nathaniel Shauva.

Speaker 9 Fear has shaped my perspective and actions for so long, but the immersive descriptions of the fears in Magnus showed me that I can choose to accept what I fear as part of myself rather than feeling shame.

Speaker 9 There is so much in this world to be afraid of, but in examining that fear, we can find wonder.

Speaker 3 Rusty Quill presents

Speaker 3 The Magnus Protocol

Speaker 3 Episode twenty-eight Interruptions

Speaker 10 And here, Minister, is the main office where the majority of the processing takes place.

Speaker 11 So I see.

Speaker 10 And this is Sam, Alice, and Celia, our primary processing team.

Speaker 11 Good to meet you.

Speaker 11 Uh, thank you, Minister. Fine work.

Speaker 11 Cheers. Lovely cheat.

Speaker 11 Pardon me, sorry. Honestly, I don't know how you managed to get anything done on such late shifts.

Speaker 10 You get used to it.

Speaker 11 Clearly, but it does seem unnecessary.

Speaker 10 The data processing and amalgamation tools are locked into a 24-hour cycle. The crawlers scrape online sources during the day.

Speaker 10 Then, once the nationals pre-publish, the data is incorporated into the caseloads. Meaning, we're locked into into this schedule.

Speaker 10 We could amend the system, but the required infrastructure overhaul would be very expensive, and I.

Speaker 11 We'll leave it as it is, I think. If it ain't broken, don't fix it, eh? Ha.
Besides, I wouldn't want to upset your team dynamic.

Speaker 11 Ooh, such a diverse team it is, too.

Speaker 11 I wonder if we should get in a photographer. Put you in some civil service promotional material.

Speaker 10 Oh, I doubt that would be necessary, Minister. We're hardly the most interesting department.

Speaker 11 Oh, well, I don't know about that.

Speaker 11 So, um, anyway, uh...

Speaker 11 Sam. Sam.

Speaker 11 How are the accident

Speaker 11 incident numbers looking? Going down, I hope?

Speaker 10 Our numbers have been steadily improving ever since you took charge, Minister. It's all detailed in my reports.

Speaker 11 Glad to hear it. The ONS has been sniffing around again, same old rubbish about overlapping responsibilities and synergistic fulfilment objectives.

Speaker 10 Well, hopefully, our latest metrics should assuage any concerns in that department.

Speaker 11 Just as long as it keeps Gorman Smith off me back.

Speaker 10 Was there anything else you wanted to see, Minister?

Speaker 11 No, no, no, I think we can move on.

Speaker 10 Excellent, Gwen. If you'll follow me, Minister?

Speaker 10 There you

Speaker 11 go. Was that it?

Speaker 11 Hmm.

Speaker 14 Something the matter, Minister?

Speaker 15 Look, Lena, I know you've had a lot of leeway running this department with previous ministers, and God knows, I prefer a hands-off approach. Glad to hear it.

Speaker 15 But it's reached a point where I'm forced to intervene.

Speaker 10 May I ask why?

Speaker 15 Because I'm hearing from reliable sources that one of your subcontractors has been implicated in a recent death, possibly even as a murder suspect.

Speaker 14 Gwen, can I ask you to wait outside, please?

Speaker 14 Minister, if I may, we both know that the rumor mill surrounding...

Speaker 15 Pete, I went to Eaton with Daniel Turner, the commissioner. He keeps me in the loop.

Speaker 14 Do you know which

Speaker 14 subcontractor it was?

Speaker 15 I'm sorry, do you hire a lot of murderers for contract and consultancy work?

Speaker 14 She simply means that outside of their specific work with us, we don't keep close track of our external workers and haven't been made aware of this.

Speaker 15 So you're telling me you know nothing about an OIAR external contract being found with the bodies of two tattooed thugs who met rather grisly ends?

Speaker 14 I'm afraid not.

Speaker 15 Then you're either lying or woefully out of touch. Neither fills me with confidence.
Minister.

Speaker 15 I was able to talk to Danny and keep this quiet for now, but I need to know there's no liability here, either legal or reputational.

Speaker 14 You have my absolute assurances, that's.

Speaker 15 No, not good enough.

Speaker 15 I need someone's head to roll. So if it does come back to bite me, I can say that those responsible have been removed from their post.

Speaker 14 Who would that be?

Speaker 12 Gwen, outside.

Speaker 15 If you can find out who that contract came from, then fire them.

Speaker 12 Otherwise.

Speaker 14 Otherwise? Gwen.

Speaker 15 Otherwise, I'll leave it to your discretion.

Speaker 14 I'll see what I can do.

Speaker 14 Good.

Speaker 14 Now, if you'll excuse me, it is very late.

Speaker 14 Good, great.

Speaker 14 I told you.

Speaker 14 I told you.

Speaker 6 You did. You didn't believe me, though, did you? Oh, no.
You all thought, oh, Alice is joking, she's exaggerating, she's indulging in a touch of comic hyperbole. I admit, I was skeptical.

Speaker 6 That was right, wasn't I? I was right.

Speaker 6 I was sure he'd at least have a vague idea about what he did. Just like the faintest inkling.
At least this way, we don't need to talk to him.

Speaker 6 Oh, that's not very fair, Sam. Not when he was so keen to spend time chatting with such a diverse group of folks.
Oh my god. I almost forgot.

Speaker 6 I personally love to be diverse, and I think they should absolutely send a photographer down to catch me diversing all over the place. Ew.
What about you, Celia? You feel like a little diverse?

Speaker 6 I don't know.

Speaker 13 Does being a woman still count?

Speaker 6 I mean, it's hardly a centrefold of civil service weekly.

Speaker 6 Pan? I mean, it's better. Are you from anywhere particularly exciting?

Speaker 12 That might do do it.

Speaker 6 You have no idea.

Speaker 6 Of course, I forgot your mysterious origins.

Speaker 6 Anyway, I reckon Gwen and Lena are going to be cleaning up after Mr. Minister for a while yet, so I'm going to bounce.
Bit early, isn't it? I've heard it. Besides, I'm grabbing some drinks with Teddy.

Speaker 6 For the morning. Ask not for whom the insomnia tolls, my dear.
Cover for me if Lena asks.

Speaker 6 Always.

Speaker 6 Alright, peace.

Speaker 6 Well, we should probably be heading back to work. Wait a second.
What's up?

Speaker 6 I know you value your privacy, and I respect that. Good.
But at some point, you're going to need to stop deflecting any time your class comes up. Don't get me wrong, it's your business.

Speaker 6 You don't need to tell me anything you don't want to, but

Speaker 6 I can only get so close with you when you keep so

Speaker 12 locked down

Speaker 6 right

Speaker 6 all I ask is you think about it

Speaker 6 I will take your time I'm in no rush and like I said if you decide you don't want to share then I won't cry good to know

Speaker 6 now if you'll excuse me I need to go check what car the right honourable ticket is picked up in Alice that meant it's going to be a Bentley you're lucky you didn't bet more I know all right

Speaker 6 see you in that

Speaker 6 sure

Speaker 6 Complete bloody shackles.

Speaker 12 Home Wilson before anyone else.

Speaker 13 Uh minister.

Speaker 4 Oh, right. Hello, uh.

Speaker 13 Gwendolyn, Bouchard.

Speaker 4 Bouchard. Not Jeremy's granddaughter.

Speaker 13 That's right.

Speaker 12 Ah, right.

Speaker 4 I see the resemblance now. How is the old bastard?

Speaker 13 He's alright, I think. We haven't spoken in a few years.

Speaker 4 I see.

Speaker 4 Well, I wouldn't say it's been a pleasure, but it's good to know there's at least one person here with some quality.

Speaker 13 Thank you, Minister. Actually, I was wondering if I could talk to you for a moment.

Speaker 4 Well, you have my office number, so you just call up and the admin girls will...

Speaker 13 Lena's lying to you.

Speaker 4 About what?

Speaker 4 This contractor business.

Speaker 13 It happened because she made a mistake. And it's not the first time either.

Speaker 13 Here, I've compiled a dossier of confidential files stretching back almost 20 years, detailing Lena's incompetence and malfeasance as head of the OIAR. It's all on this drive.

Speaker 4 And how exactly did you happen to stumble across these confidential files?

Speaker 13 They were sent to me by a

Speaker 13 concerned third party who wishes to remain anonymous.

Speaker 2 I see.

Speaker 4 These are serious accusations.

Speaker 13 I'm aware.

Speaker 11 Very well.

Speaker 4 Thank you for bringing this to my attention, Miss Bouchard. Good to see that the apple hasn't fallen far from the tree.

Speaker 12 Oh,

Speaker 12 yes.

Speaker 13 Thank you.

Speaker 4 This is my direct number. Don't bother with the office.
I'm never there. You see anything else malfeasant?

Speaker 2 You give me a call.

Speaker 13 Understood.

Speaker 4 I'll be in touch.

Speaker 4 Oh, Christ,

Speaker 4 Trevor, Herbert, and D.

Speaker 4 What do you drive?

Speaker 4 Ah, damn it,

Speaker 4 Gwen,

Speaker 4 Gwen

Speaker 4 damn it!

Speaker 4 Brilliant!

Speaker 12 Absolutely...

Speaker 12 The first time I ever heard of the Magnus Institute was from my parents.

Speaker 12 I remember they were beaming, full of pride and satisfaction as they read out the letter. Selected to apply for our gifted child program.

Speaker 12 I

Speaker 12 was so happy

Speaker 12 that I had pleased them.

Speaker 12 That I was what they had wanted.

Speaker 12 That I was

Speaker 12 special.

Speaker 12 I was so excited.

Speaker 12 It was my first ever train trip alone. Alone apart from Saul and Joy, the two other children invited from my school, and Mrs.
Leng, who was supervising us for the trip to Manchester.

Speaker 12 The journey from London was magical. A whole two days off school with nothing to prepare or study or revise, since the Institute wouldn't say what kind of tests we were going to be doing.

Speaker 12 I talked about Spider-Man with Saul on the way and compared Bogs, although the train was too bumpy to actually play. Joy wanted to play as well, but she was a girl and that was a big deal.

Speaker 12 I still feel bad for that, but it wasn't like we were mean to her or anything.

Speaker 12 The thrill of the journey vanished the moment we arrived at the Magnus Institute. My school and the estate I grew up on were both built in the 60s, all decaying concrete and decayed optimism.

Speaker 12 But this...

Speaker 12 this felt old, like I had only seen in movies. I'd learned a new word that week, austere.

Speaker 12 This felt austere.

Speaker 12 And as we stepped into the building's shadow, I tried to hang back, so Mrs. Lang had to gently pull me by the sleeve to get me to go in.

Speaker 12 It smelled funny, sort of like my local library, but more proper, and the tall, barred windows let in little light. The place weighed on me like a heavy winter coat.

Speaker 12 We were met at the entrance by a man called Gilbert. He was very thin, with mousy brown hair and a young-ish face, even though he was dressed like a headmaster.

Speaker 12 He spoke with a big fake smile like a kids TV presenter and led us into a large room full of big chairs and old sofas which was packed full of other kids.

Speaker 12 It seemed so strange to me that such a grand room would be filled with so many screaming running children and I think all the adults felt the same.

Speaker 12 Gilbert left as quick as possible after showing us in.

Speaker 12 I was one of the first to be tested, and I was especially nervous when I met the pair of stern-looking older women.

Speaker 12 They looked me up and down with thin lips and arched eyebrows, and I felt like I'd already failed without even taking the test.

Speaker 12 They sat me down on a carved wooden chair that was far too big for me, my feet dangling over the edge uncomfortably. Then they began to ask me questions, but not like I was expecting at all.

Speaker 12 It wasn't maths or reading or history or science. It was more like when I was sent to the school nurse in year two after biting another kid in an argument.
Was I happy at home?

Speaker 12 What do I do when I feel angry or upset? When is it okay to lie?

Speaker 12 I answered as best as I could, but the women looked unhappy and it felt like I was getting it all wrong. And I started to feel cold and small and stupid.
Then I started to cry.

Speaker 12 I couldn't help it. I knew I shouldn't, that I was messing it up, but all the bad feelings that had been growing inside since we arrived just burst out.

Speaker 12 The women looked even more annoyed, and so I leapt out of the chair, still crying, and ran out of the room before they could yell at me.

Speaker 12 I ran and ran through the winding corridors, with no idea where I was going or what I was going to do. I didn't want Mrs.

Speaker 12 Lang to see me like this and tell my parents I'd been bad, but I didn't want to be on my own in this strange, horrible building.

Speaker 12 Finally, I stopped in a dark corridor with no windows, no sign of the overcast day outside.

Speaker 12 I was lost. I was lost and I was alone and I was in so much trouble.

Speaker 12 I had to find a grown-up.

Speaker 12 So I started trying doors but they all seemed locked. Then I turned a corner and found an open door with the name Dr.
F. Welling engraved on a brass plaque and bright lights spilling out from inside.

Speaker 12 I should have known that the color of the light was wrong. I should have known from the chanting inside that this place wasn't for me.
But I was alone, and I was afraid, and I needed a grown-up.

Speaker 12 There was an old man in a tweed suit stood muttering in front of a table, and on the table was a person.

Speaker 12 I couldn't see their face, but they were naked and pale and still.

Speaker 12 Beside the table was a pile of weird machines and strange-shaped beakers bubbling and hissing and whirring.

Speaker 12 Large chunks of stone and metal hung slowly twisting in the air and the sickly yellow light seemed to come from everywhere. I stepped forward and spoke with my smallest indoor voice.

Speaker 12 Hello?

Speaker 12 That was all I said.

Speaker 12 That was all.

Speaker 12 I couldn't have known.

Speaker 12 He wasn't expecting any interruption, and I could see the surprise run through him, disrupting his concentration and making him stumble over his words for just a moment. It was just a moment.

Speaker 12 But in that moment, the glass exploded, the rocks fell, and the yellow light vanished, sucked away as though into him.

Speaker 12 We were thrown from dazzling brightness into deep darkness, but I could just make him out as he turned towards me.

Speaker 12 He looked at me and opened his mouth, and I cowered, waiting for the yelling for the punishment But no words came out He just opened his mouth wider and wider as if to scream then reached out towards me But the flesh of his arm the skin and muscle it didn't move

Speaker 12 It was the bones

Speaker 12 The bones that pushed and strained from inside as though they were a person trapped in a fleshy suit.

Speaker 12 His skin strained for a moment, then erupted in a spray of blood that swept across the floor with a single drop, landing on my new velcro shoes.

Speaker 12 The skeletal arm flailed outwards, held together by a few dripping ligaments and leaking that awful yellow light from the joints.

Speaker 12 Then it bent, reached back, and dug its bony fingers through the man's clothes and into his chest, ripping off a gory chunk and hurling it to the floor.

Speaker 12 In the silence of the room, I heard the wet slap of the meat on the polished wooden floor, and looking up, I could see in the man's eyes that he could feel everything,

Speaker 12 even though he didn't make a sound.

Speaker 12 I stood there, frozen in shock and terror, and watched as the other arm thrust itself free from its meat, reached up, and tore away his face in a single swift yank to reveal the ecstatic skull within.

Speaker 12 The last thing I saw was its dripping red smile before I turned and bolted from the room.

Speaker 12 I don't remember much after that. The stern ladies found me crying in a corner and pulled me back to the room with the other children.
They gripped me too tightly, but I didn't say anything.

Speaker 12 I never told anyone what I saw. My parents just assumed I was upset after being rejected from the program, same as them.

Speaker 12 They were so disappointed, so sad to realize that I wasn't Magnus Material.

Speaker 12 Just me.

Speaker 12 Nothing special.

Speaker 12 I couldn't look at them, but not just because of the shame.

Speaker 12 But because whenever I saw their faces, I could see the outline of their skulls beneath, still grinning at me.

Speaker 12 And now

Speaker 12 I'm going back

Speaker 12 to find

Speaker 3 The Magnus Protocol is a podcast distributed by Rusty Quill and licensed under a Creative Commons Attribution Non-Commercial Sharealike 4.0 international license.

Speaker 3 The series is created by Jonathan Sims and Alexander J. Newell and directed by Alexander J.
Newell.

Speaker 3 This episode was written by Jonathan Sims and edited with additional materials by Alexander J. Newell,

Speaker 3 with vocal edits by Lorian Davis and Nico Vitesi, soundscaping by Tessa Vroom and mastering by Catherine Rinella with music by Sam Jones.

Speaker 3 It featured Billy Hindle as Alice Dyer, Shahan Hamza as Samana Khalid, Anusha Battersby as Gwen Bouchard, Lori Ann Davis as Celia Ripley, with additional voices from Beth Ayre.

Speaker 3 The Mangus Protocol is produced by April Sumner with executive producers Alexander J. Newell, Danny McDonough, Lynn C.

Speaker 3 and Samantha F. G.
Hamilton. and associate producers Jordan L.
Hawke, Taylor Michaels, Nicole Pillman, Cetius DeRaven and Megan Nice.

Speaker 3 To subscribe, view associated materials, or join our Patreon, visit RustyQuill.com. Rate and review us online, tweet us at the RustyQuill, visit us on Facebook, or email us via mail at rustyquill.com.

Speaker 3 Thanks for listening.

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