The Listening Club TTRPG Special - Episode 2

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Hello again, everyone. It's your boy, Johnny,

returning once again to Gamesmaster, the second episode in our short little Magnus Archives role-playing game OneShot. And with me, we have...
It's Lurie!

It's Lori!

And Lurie, who are you playing in the Listening Club? I am playing Elodie Jones. Anusha, hello, who are you playing? Hello, Johnny.
I am playing Margot Maria Bradley. Hello, Ian.
Who are you playing?

I am playing the redoubtable Alphonse Platt. And finally, Pip, who are you playing? Hello, I will be playing Barry Knapp.
Brilliant.

So, to recap all our nonsense, last episode, everyone is playing a group of just normal people who gather together occasionally to listen to the horror fiction podcast, The Armitage Library.

You have all come together to listen to episode 100 that is just released. You have just listened to the eponymous narrator, Arthur G.

Neville, as he confronts the beast that's been stalking him for all four seasons, a terrifying creature of hair and blood.

It travels through drain pipes and sort of snakes up. It's basically a sort of a sentient, gory, clogged drain.
Oh no.

He has apparently killed it forever, but there was a little post script that was like, but maybe not.

And so you are currently deep in discussion of this episode, and indeed the episodes and the arcs that have led up to it.

I will say, there is usually a fifth member of your group, June, who has not joined you today. What is June like?

She's nice, quite organised. She was actually the one who originally gathered the group together and suggested you all meet up.
But she's lovely.

Sort of on the short side, a little bit bubbly, but the bubbliness kind of hides a certain.

She's quite stressed a lot of the time. She works very hard.
But yeah, she always makes the meetings. So we've just finished listening.

You know, the Armitage Library was produced by Moldipencil Productions. It's distributed under, etc., etc.
Got quite a lot of food for thought in that one, hey! Elodie is getting her...

well, her laptop is already out with the spreadsheet up so that she can start logging some details to like cross-reference her episodes. Which episode do you think was a really good payoff for?

Oh, 37. Mm-hmm.
I mean, it's the episode that he first encounters the drain clog monster, right? They call it Mr. Klot.

Oh, must they? Must they? Yeah.

It's pretty gross. It's a pretty gross podcast.

Good for them. I just don't know why.
They just don't kill it, right? Because it's it's obviously not dead, is it? No, it's very much not dead.

So, Alphonse's just doodling away on a pad, making strange shapes with her inkwell. But, you know, we need to get the payoff.

I mean, that was somewhat of a payoff, but obviously, you know, there's going to be another season, right?

So, we can't be killing it now because they're going to need it in season five. It's going to make a comeback, obviously.

What I can't tell is whether this is meant to be the big bad of the entire thing, or whether there's something else hidden beneath.

And the way they keep killing it off and bringing it back, killing it off, bringing it's like it's getting too obvious now, you know? Exactly. i get it it's an immortal amoeba barry will return from

picturing us in a cafe i was also picturing cafe yeah maybe like a 50s diner style booth oh sweet barry is returning from a counter with a tray with everyone's drink orders on it and we'll sort of put that down and start handing them over to people i think marg goes onto something there actually because it's not Like it's a big, a big hairy sort of blood monster, right?

But like, who's who's behind the creature? Is what I'm wondering. Because there's got to be more to it than that.
Like, where's it from? Did somebody like it's summoned, right?

Somebody has to have summoned it. Exactly.
There have been so many hints that there's something beyond it. Exactly, right? That's that's my point, exactly.
Puppeting it, I don't know.

Interesting that you were talking about someone being behind it. Elgy's gonna turn her laptop around so everyone can see the screen and start a presentation.

So I was cross-referencing all of the prime-numbered episodes the other day, and the monster, or at least this person,

a little email chime oh and it looks like you've had an email from june oh it's ray upcoming meet oh great the latest message just reads need to see you now urgent quick it's been sent to all of you early's laptop is where you you can see it but if you check your phones you have all received this message

that's strange I mean it isn't like her to miss a meeting. I'll immediately just text back like, where are you? Question mark.
Yep, you can send that message.

A few minutes pass, and there's no immediate response. Sit and wait.
I'm gonna try and ring her. Yeah.
Oh, good call.

Check she's not in trouble.

Hi, this is June. Sorry, uh, I'm really very busy at the moment.
If you leave a message, I'll get back to you as soon as possible. Thanks.

Hi, June. This is Margot.
We just got your email. We just got your messages.
Is everything alright? Um,

over.

That's kind of how she always ends messages whenever she leaves them.

Even in text, over.

It's kind of become a little bit of a joke between her and June. There's no um location on this email, right? No.

It looks like all the other emails that she has sent, which she normally sends from her computer.

Do any of you know June other than through the listening club? How old is she and what kind of work does she do? Mid-30s. She does like audio stuff.

She works a lot with corporate clients doing voice over editing for adverts.

I think she's probably done an ad right for the accountancy firm that Elodie works for. Yeah.

So, in which case, Elodie will probably have been over to her house once or twice because she has a little home studio. You do know where she lives.
It's near. It's near.
It's a short bus ride away.

I mean, that is not like her. My laptop's got plenty of charge.
We can just do this on the bus if we want to hop over there. Yeah, let's.
I think that's a good shout. Yeah, I think we should do that.

Can we get these to go? Yeah, I'll get them in. I'll put them all back on the tray and take them over to the counter.

Get them all transferred into.

Alphonse has already drained his black coffee. The barista is like, oh, yeah, okay.
Yeah, sorry, mate. Maybe get a marker for June.
Does the barista here like you?

You know what? I'm going to ask for a role. It's going to be a level four challenge.
It's an intellect challenge.

Is there any way I can help? I actually did write down that Margot is a barista. Oh, okay.
Yeah.

Do you have any sort of skills that might assist? I've got performance. A combination of performance and barista solidarity.
Lower that to a nine. Great, okay.

Oh, gosh. I don't know if a natural 20 is a thing in this game, but I've rolled a full.

Oh, yeah, absolutely. The baristas are all really nice to you because you're pretty sure the manager is into you.

She's always just behind the counter, like, just not giving you the eye, obviously, but maybe just giving you the eye.

The barista almost rolls his eyes when you ask for them all to be put into takeout cups and then gives a sort of look over to the manager manager who is staring at him steely faced.

You can get all your coffees to go. Cheers.
You hop on the bus.

It's the number 42 going to Didsbury, just dropping in that little local flavor that it's very important, I think, for authenticity purposes. And yeah, two pounds each.
It's B network.

It's pretty good.

And 15 minutes later, you are stood in front of... So June has a flat.
It's a three-storey building with a front door with four doorbells on it.

I mean, obviously, Ellery Ellery will remember which one it is because she's very organised. Oh, yeah, yeah, yeah.
You know, it's the third one down here. Yeah, Buzz.

Well, there is no immediate response. I'll buzz a different flat, a neighbour.
What are you doing? Well, excited.

Hello, hi. So sorry to intrude on your day.
I'm trying to get hold of June. I'm a little bit worried about her, and she's not answering her door.
June, your neighbour, your upstairs neighbour?

The one who always asked you to keep the music down because she's recording. Oh yeah.

She can't.

No, but could I come in?

I've got a package for her.

Thank you.

Actually, wait, package one.

I'm going to ask you... I like package.
I am going to ask you to roll. You need a six.
Level two.

That's a 12. 12? Yeah.
Great.

And yeah, the door buzzes and you can head on inside. Right, she's the second floor.
Great. Straight up.
So yeah, head up.

It's It's a pretty new built house, so it's got quite a sturdy fire door on the front. No windows, nothing like that.
Just the little number three on it. Knocking?

No response to a knock. Hmm.
And the door is shut, right? It's closed, yeah.

Well. We'll sort of look inquisitively at Margot.
So I know I didn't select it specifically as a skill, Jonathan.

But can I try and pick the lock, please? Oh, you didn't take lock, Becky, did you? No, I picked pickpocketing, but I think it would still be vaguely. Two picks pickpocketing, whether.

Vaguely within her bailiwick. Alright, alright.
Well, it is. I'll be nice.
It's an internal lock. It's a very standard Yale, so it'll be a level 4, so you need a 12.
It'll be on speed.

Do you want to spend any of your speed to boost it? Yeah, I think I will. So if you spend three points of your speed pool, you can lower that to a six.

Oh, I got exactly a 12. God damn it, I didn't need to lower it.
Hey, okay.

What are you using? Describe yourself lockpicking.

It looks like the kind of thing that would be used on stage for like lockpicking tricks, but it is very, very functional as a standard lockpicking kit at the same time. That was a success.

You have successfully locked the door.

Did we not? Did we not? Did no one before I started. You can unlock it again.
I'm being

101 of lockpicking is. Yeah, no, it wasn't locked.
It wasn't locked before you started. To be marginally less cruel, you spend a while tinkering with it, and then you realise it is unlocked.

Whether you tell other people this, or whether you are like, I've done it, that's up to you. That's up to Margot.
She doesn't say a thing. She's kind of embarrassed.

As far as anyone else is concerned, Margot has just successfully done a master bit of lockpicking. Elodie is very uncomfortable about this.
I'm not sure if we're breaking into a house. It's fine.

And you're the one they heard on the Anticom. They'll comes straight to you.
Oh, God, Alfonso, you're right. Oh, God.
It's fine. No, it's fine.

We're checking up on a friend. That's all.
Stride into the flat. You push the door open.
Inside, it is quiet.

The lights are not on, and it's still daytime, but the curtains and the blinds have been drawn. There's a certain gloom, a certain dinge inside.
The main hallway of the apartment, it's quite narrow.

Elody, as the investigator, you notice that June's keys are still in the little bowl.

So it doesn't look like she's left. So Elody's been here before.
Has anyone else visited June before? I think maybe once. Like to inquire about some audio stuff.

You would know that there's a standard bedroom, bathroom, living room, kitchen, combination room, and a spare bedroom that June uses as a recording studio. All the doors are currently shut.
June?

June, it's listening club. Hello?

No response. I think I'd start knocking on the doors.
No response. Just going to grab a handle and open.
Which of the three doors do you go for, Ian? One, two, or three?

Right, because I don't know what they are. I'm going to go for two.
You open it, small, bit pokey bathroom, shower cubicle, toilet, pretty standard.

You don't immediately see anything out of the ordinary. Also, June's not in there.
No, no, June. Is there a particular place where she'd keep her laptop where she would have sent the email from?

She usually works in her recording studio. It kind of doubles up as an office.
Sure. I think I'd check there then.

Opening the door to the recording studio, it is slightly darker in here than the other rooms because she has a pair of like thick soundproofing curtains over the window that are currently pulled closed.

The light is currently turned off, so the only light is currently spilling in from the hallway, and it illuminates an unlit desk and a large sort of high-backed office chair that is currently turned away from you with a pair of headphones sort of just kind of hanging off the side.

I feel like I need to check if there's anything in this office chair. Are you turning the lights on first, or are you rotating the office chair first?

So I put the torch on on my phone and I kind of pull the sleeves of my very big jacket over my hands so that I'm like putting fingerprints on as little as possible.

And I go up and I kind of like, I don't push it or anything, I just kind of look round the edge of the chair very, very slowly. There is nobody there.

You do notice in the torchlight, it takes you a second to recognise them, they are Sony mini-disc players, which you recognize as the iconic media storage device used in the Armitage library.

All the horrible ghost stories are all recorded onto Sony Minidisc.

I might come into the room like after Bargo and immediately, just kind of almost off-handly pick one of these up and just at random and press play. Yep.

It's kind of garbled audio nonsense, as far as you can tell.

It's a bit unpleasant to listen to. How many are there? Twelve sort of small portable ones and two slightly larger units that will be used for recording.

I'd take a photograph of them and consider gathering them up, but I'd want to check other rooms for June 1st. As you're looking around, Barry, have you turned the light on?

Yeah, I think I will do now that we're sort of both in the room looking at these mini displayers. I'll flick the light on, yeah.

You notice that the light is slightly reflecting off one of the inner ear cups of the pair of headphones dangling over the end.

They're the sort of big, thick, wired headphones, your sort of old school audiophile style. And you will notice, if you look closely, that the left ear cup on the inside, it's shiny with

a slightly viscous dark liquid. I'll pick the headphones up by the connecting band and lift, turn the angle and see if any of whatever this is drips out.
There's not enough for it to drip. Okay.

It's hard to tell what it is. Could be blood, could be anything that's not blood.
Good to narrow it down. Everything in the world could be blood or not blood, Johnny.

I'll very tentatively just reach out and dab it with a finger and then bring it to the light. I'm very inquisitive and I'd like to know what it is.

It's red. You think it might be blood? I'll sort of put them down on the desk.
I'm going to take a photo of it. Meanwhile, Elody, where are you and Alphonse looking?

I will have a look through the kitchen living room area and I'm basically looking for signs of where she might be. Did she leave in a hurry?

And potentially in the back of my mind being like, do we need to call the police or something? Bedroom is a lot more chaotic than you'd associate with June, but not in a suspicious sort of way.

You just think that this is maybe the room where she keeps all her chaos. Elody has a cupboard where she keeps her chaos.
No one's allowed to see in there.

She was clearly working on some stuff around the podcast. She's got a whole bunch of old transcripts with bits highlighted and circled.

This is clearly where she does a lot of the work that she brings to the listening club.

You're an investigator, so I'm gonna say you do notice that on a couple of the more recent transcripts that she's been going through, she has quite heavily circled the public address of Moldy Pencil Productions.

Alphonse, looking through the kitchen and living room, you can't see anything immediately like there's no body there's no splatter of gore it looks like the food in the fridge is fresh it looks like she was here until pretty recently okay although none of the appliances show any use of immediate use you know the kettle's not warm anything like that on the small coffee table in the living room is an open letter that just reads dear june thank you for getting in touch We really appreciate it.

Please find what you requested enclosed. AGN.
I'm going to look in the envelope. Is there anything enclosed in there? Is there.
No.

It's a slightly bigger envelope than you would expect from an A5 letter.

But whatever was in there, it's not in the envelope or on the table currently. Yeah, so gang.
Huh? She got a letter from Arthur. She's been writing to him.
Oh.

She's been like highlighting Moldipencer Productions' address as well. I'm actually quite impressed with the level of.

Sorry, anyway.

I think maybe I'm just gonna give them a call. Like, is there a phone number for Moji? I'm gonna Google to look for a phone number for Moji Pencil Productions.

LED, they have an email address, they have social media handles, they don't have a public-facing phone number, from what you can see.

I will say you can send whatever email you like, you will receive what seems like an automated holding email.

And if you get a response, you would not expect to be getting a response within the next few days. One of my skills is tracking.
Can I argue that I could find an illegal website or something?

Absolutely. Could you make me an intellect roll? I'd say you probably need a nine, but I'll lower that to a six because of your tracking.
Great.

13. They don't have anything immediate in like their public-facing stuff, but there's all sorts of official documentation that you have to file to be a company.

That is stored various places that if you know where to look, you can find it.

And you can indeed find a phone number that is the official phone number that has been given to various regulatory bodies and official organisations for Moldipencil Productions.

I mean she's calling that. I'm just calling Moldipencil Productions, just so everyone knows what she's doing.
Good, I'm going to check this laptop. This number is not in service.

This number's not in service! Great, there's a laptop!

Incidentally, your research is into Moldipencil, they have a lot of like behind-the-scenes photos.

They apparently have about 12 people working for them, all of which have like a really nice sunny profile about how much they just love listening and microphones.

From the page, it looks like they've got like quite a nice little office space. Anisha, you can open up the laptop.
There is a password screen.

Do you want to take a crack at what the password might be? Yeah. Hmm.

Give me a pitch of four passwords Margot might try. Okay.
Does the password have to be a particular length? No. I think she would try testing, testing one, two, three.
Is in typing out. Yeah.
No.

Not moldy pencil, moldy pen, because that would throw people off. Nope, not moldy pen.
This is my password. Kind of upper and lower case to.
Nope. And I think she'd try...
I love llamas

27. June does love llamas, but that's not the password.
I'll I'll give you an intellect roll. You only need a nine.
Do you have any skills that might help? I mean, I've got an intellect edge of one.

Yep. You can lower it to a six for two points if you want.
I've got discerning motive. Isn't this also lockpicking, but just electronic? Yeah.
Yeah.

You know what? I was going to give you discerning motive, but Ian ruined it by trying to get lockpicking. What a song.
So for being cheeky, no, you don't have a skill.

I will let you spend two intellect points. I wasn't even cheeky.
That wasn't on me. No, but Ian was cheeky on your behalf.
As a team.

Collective punishment, as expressly forbidden by the Geneva Convention. I'll spend two instead of three, because I have my edge.

So you need a six. And that is a 17.
Nice. 17.
Perfect. It's Armitage, but the A is a four.

Oh, okay.

A lot of her stuff is to do with work.

You are very clearly breaking quite a few NDAs looking through her laptop, But a lot of her recent internet searches, there's a lot to do with Moldipencil Productions, a lot of address searches, and trying to find out a location.

It seems like she doesn't think that their official address is their real address.

She's searching a lot of stuff about audio distortions, audio, strange thing aspects of the audio, sit like on various message boards, seeing if anyone else has come across anything.

And she recently downloaded what seems to be a sort of audio clean-up program, like a custom piece of audio clean-up software. I'm going to choose one and I'm going to give it a listen.

That's just listening to it, like, straight off the mini-disc. I'm showing my age here by asking how mini-discs work.
Okay, so mini-discs, they're like...

Is it like a record where you can take it out, flip it over? You've got a... No, they're like little CD cartridges that you use to slot into a player.
So more like a cassette tape.

Like, imagine a cassette tape, but there's a CD in it. Oh, no, no, nothing, nothing like a cassette tape.
Nothing like a cassette tape. I won't draw that parallel at all.

Of course. Completely different.
Cassette tapes you can turn around and have a difference, so it's not that. They are digital rather than analog, but they are digital physical media.

I thought I might have some here, but I can't find them.

For those listeners who weren't around, the next big audio storage tech after CDs was mini-discs, which were these like little sort of CD cassette things. Oh, okay.

That were were very much pitched as the next big thing, and they are a fun little bit of obsolete technology.

In terms of using them, they are similar to a tape or a CD, but they are digital media, so you can't really, you can't like wind them like you can with a tape.

Okay, I think she'd go through and listen to all of them.

They're all a bit garbled, but you do notice one of the larger sort of player recorder units does have a cable coming off it, which has been plugged into what looks like a USB adapter.

Okay, I'd like to plug in the USB to the laptop and see what comes up.

It looks like it's taking the audio from the mini-disc and converting it into a file that can be fed into the various audio programs on the laptop.

Okay, I'd like to try and retrace the steps that June is taking here and see what programs she has, see what I can feed into what.

Yeah, the most recently used program, it's called Open Ear, a custom program designed to sort of de-scramble and denoise audio.

Currently, you can do it, and it definitely looks like it has done something to the audio track off the mini-disc. Whatever it is is coming out of the headphones, though.

I'm staying far away from the headphones, but I'm turning the volume on the laptop up to where I could just about hear what's coming out of the headphones. And I'm pressing play.

So I can just about hear if it's garbled or not. It's definitely not garbled.
There are definitely words. And something slightly weird about the way the words sound, but you can't make it out.

Okay, I press stop and I call the others in. Come in.
I'm holding this envelope, but I'm coming in. When everyone's there, I explain about the headphones that, according to Barry, have blood on them.

I explain about this process that Juna's been going through trying to clear up some audio on these discs.

There are coherent words coming out of the tracks that are able to be listened to and made sense of, but I'm very concerned that if I listen to them too closely or too loudly and I kind of just gesture at the headphones as a case in point, that could be blood, this could be bad.

I don't know how to proceed at this point. Does anyone have ideas? She might just be hurt, right? Like, it's suspicious, but I feel like something in this might have.

I kind of flick my own headphone to right.

What, like, like in the show? Yeah, like in that one episode. Yeah, no, I know the one you mean.
It's a good one, but like. 24, yeah, worm, yeah, it's great.
Uh-huh.

Yeah, there was an episode where there was a ghost that, like, basically reached out of the receiver of a phone into your ear and like squadged your brain.

Maybe not that exactly, but. Yeah, Alphonse goes over and puts the headphones on.
Is it still playing? They're covered in blood.

Oh, well, that's unhygienic. They're not covered in blood.
There is a little bit of blood on them. Alphonse has put the headphones on.
It's a bit blood.

Yeah, I'll try to warn you as you go over. Oh, nasty.
And we will find out what Alphons is in the next episode.

Thank you all very much for joining us for this most second episode of the Listening Club Magnus Archives tabletop role-playing game. We will see you next week.
Bye-bye.

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Thanks for listening.

Hi, we are here to talk to you about Sucrabay, a perfumery we love so much, they have not one, but two official The Magnus Archives perfumes, one inspired by John and Martin, and another inspired by the mysterious Ex Altiora, a book from the library of Jürgen Leitner.

Sucrabay also make official perfumes for our friends over at Old Gods of Appalachia, including Blood and Bone and Unknown Roads. You should check them out.

Sucrabay is a women-owned and operated perfumery that is vegan and cruelty-free, witchy and sometimes irreverent.

Expect perfumes like You're in a Cult, Call Your Dad, or Vodka and Swearing, the ever-popular chloroform, or Papa's Waffles.

Sucrebay do a range of exciting and unique fragrances you won't find anywhere else. They broadly fit into the following five categories.

Classic scents that pass the test of time, goth scents for those who like it dark and mysterious, witchy scents that are mysterious and potiony.

Nerdy scents for all the self-professed nerds out there. And femme scents, the classically floral and sweet scents, but we recommend them for anyone of any gender.

Sucrabay's small batch perfumes are not like any other. You can find out more by going to www.rustyquill.com forward slash perfume.
That's rusticwill.com forward slash P-E-R-F-U-M-E.

Also, you can join the supportive and kind Sucra Bay community with over 18,000 members on Facebook at facebook.com forward slash groups forward slash Sucra Bay. That's S-U-C-R-E-A-B-E-I-L-L-E.

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Hi folks, it's Mark Bittman from the podcast Food with Mark Bittman.

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