Folge 84: Metzgermessermörderin Katherine Knight

1h 26m

Eine dysfunktionale Familie, ein Schlachthof in einer Kleinstadt, Alkohol, Streitlust, familientradierte häusliche Gewalt und ein Metzgermesserset. Eine Protagonistin, die sehr nett ist – wenn sie nicht gerade sauer wird. Sie wird oft sauer. Dann geschieht vieles hinter verschlossenen Türen, die an einem Tag im Jahr 2000 von einem Polizistenpaar geöffnet werden. Was sie hinter diesen Türen finden, füllt später nicht nur weltweit die Presseberichte. Vor Gericht landen umfangreiche Tatort- und Autopsieprotokolle, die wir Euch im Detail ersparen. Denn: Katherine Knight lässt am Ende ihres wilden Weges nicht viel Grausames aus.


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Runtime: 1h 26m

Transcript

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Speaker 2 Hello, Georg. Hello.
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Speaker 3 the Grichtenwitch better,

Speaker 3 Ziebendreis Mal,

Speaker 3 von Von and and von Hinten.

Speaker 3 The blueboard

Speaker 3 is Aufgewacht

Speaker 3 and

Speaker 3 Siehat in the House.

Speaker 3 in the

Speaker 3 organ

Speaker 3 and that was

Speaker 3 totally

Speaker 3 in the house

Speaker 3 is often

Speaker 3 used.

Speaker 3 And

Speaker 3 for the politicists,

Speaker 3 the

Speaker 3 Schrechni wider.

Speaker 3 Wobaisida Fleischmit Offenkatoffen, Karotten, Kirbis, Rotebete, Zucchini, Kohl, Gelmen, Kirbes, and Zose, and

Speaker 3 establishment.

Speaker 3 So,

Speaker 3 what we have to do is to do that.

Speaker 3 That is all

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Speaker 3 also

Speaker 3 the way to

Speaker 3 learn

Speaker 3 and what

Speaker 3 a cold hat

Speaker 2 and

Speaker 2 Is

Speaker 3 speculation that

Speaker 3 you have to do? So that

Speaker 3 great cannibalism,

Speaker 3 but that was

Speaker 3 not hardcore.

Speaker 3 The politicist market also.

Speaker 3 The mention of the autopsy that

Speaker 3 we

Speaker 3 have

Speaker 3 is absolutely

Speaker 3 nothing. That

Speaker 3 is so

Speaker 3 important. So,

Speaker 3 a mention

Speaker 3 of the music. So, that was the context at the

Speaker 3 same time.

Speaker 3 This

Speaker 3 politician, the

Speaker 3 Finn Musten,

Speaker 3 also cringe

Speaker 3 for Haftie,

Speaker 3 and that is interesting, that

Speaker 3 was

Speaker 3 the same thing.

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Speaker 3 And she would

Speaker 3 make 2000

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Speaker 3 John Price angel.

Speaker 3 There are pledges also.

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Speaker 3 and the process that

Speaker 3 October 2000

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Speaker 3 with

Speaker 3 the children,

Speaker 3 as Ophiel mentioned, the right

Speaker 3 hand.

Speaker 3 That is a heften

Speaker 3 model and

Speaker 3 the Australian

Speaker 3 for authority, a fraudulent press, very okay,

Speaker 3 and there be

Speaker 3 no one

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Speaker 3 world where these photographic

Speaker 3 to do is not.

Speaker 3 What

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Speaker 3 officer Aufgen had

Speaker 3 orders that

Speaker 3 these

Speaker 3 truffles

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Speaker 3 in Gerichton,

Speaker 3 mentioned nothing in traumatis.

Speaker 3 So

Speaker 3 the jury would not

Speaker 3 express

Speaker 3 the fatigue of next talk.

Speaker 3 Catherine Knight

Speaker 3 played on Schuldich and the jury.

Speaker 3 So,

Speaker 2 what the right

Speaker 3 normal

Speaker 3 process will

Speaker 3 consequence

Speaker 3 and in the lages

Speaker 3 is absolutely

Speaker 3 Überhop in the

Speaker 3 world.

Speaker 3 English Walter Waldesi dissociation for

Speaker 3 the people.

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Speaker 3 also.

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Speaker 3 And this is a pressure

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Speaker 3 but

Speaker 3 it is not a very important thing to do. That is

Speaker 3 the

Speaker 3 same in the hotels.

Speaker 3 antraphell.

Speaker 3 Timothy Lyons, this is the

Speaker 3 hat,

Speaker 3 derived

Speaker 3 in

Speaker 3 the hoiten and the end.

Speaker 3 David historic and

Speaker 3 most

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Speaker 3 detective senior constable Peter Anthony Masio.

Speaker 3 David Oxsey Lange

Speaker 3 November 2000,

Speaker 3 these art dashboards and irremangen,

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Speaker 3 The

Speaker 3 Peter McClellan

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Speaker 3 Linda

Speaker 3 and Richter McLellen

Speaker 3 Hotel that

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Speaker 3 A Furungrole Übernum had

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Speaker 3 structure

Speaker 3 and

Speaker 3 reaction

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Speaker 3 to

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Speaker 2 female

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Speaker 2 and

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Speaker 3 the dynamic.

Speaker 3 And

Speaker 3 this is

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Speaker 3 my

Speaker 3 cochle

Speaker 3 that

Speaker 3 moment.

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Speaker 2 storms, or this

Speaker 2 documentary, they also

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Speaker 2 time that

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Speaker 2 the

Speaker 2 situation

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Speaker 2 It's like a plant.

Speaker 2 Yeah.

Speaker 3 I mean, cooktops, this house,

Speaker 3 this is what the cookie

Speaker 3 is ABC,

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Speaker 2 horrified, the

Speaker 2 only Airbnb, or

Speaker 2 an art

Speaker 2 museum,

Speaker 2 as well as

Speaker 2 profit.

Speaker 3 Relative Lacuna Melde has undergone a makeover.

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Speaker 2 waiting or whatever.

Speaker 3 Yeah, I think

Speaker 3 it's

Speaker 3 a practice.

Speaker 3 So, this is also

Speaker 3 constantly.

Speaker 2 phenomenon,

Speaker 2 that

Speaker 2 we can be able to do it.

Speaker 3 So, in the sense that in Deutschland, we have

Speaker 2 to walk

Speaker 3 and

Speaker 3 represent that manner as

Speaker 3 taboo.

Speaker 2 heterogeneous, it is

Speaker 2 more so that

Speaker 2 the manner of craft is

Speaker 2 a current

Speaker 2 form,

Speaker 2 but it's another

Speaker 2 kind of

Speaker 2 thing, that's more.

Speaker 2 And the things that

Speaker 2 we

Speaker 2 feel

Speaker 2 in a global family.

Speaker 2 But the

Speaker 2 male male

Speaker 2 faith

Speaker 3 in a institution,

Speaker 3 but we can

Speaker 3 alphabet the

Speaker 2 sound.

Speaker 3 But

Speaker 3 the situation

Speaker 3 is

Speaker 3 human,

Speaker 3 that

Speaker 3 alphabet is

Speaker 3 wise western wicked,

Speaker 3 that also

Speaker 3 is

Speaker 3 these complete buildings

Speaker 3 fast. That is the kind of

Speaker 3 thing that

Speaker 3 is a problem.

Speaker 2 I

Speaker 2 think we have a

Speaker 2 it's a very important thing.

Speaker 2 And so, on the fraud, and then

Speaker 2 also,

Speaker 2 but it's not a

Speaker 2 near cause, but we can't

Speaker 3 really

Speaker 3 wig

Speaker 3 is

Speaker 3 a

Speaker 3 little bit

Speaker 3 and

Speaker 3 biography and

Speaker 2 research and then

Speaker 2 function, so

Speaker 3 australians

Speaker 3 have documentation

Speaker 3 of Bases that Burches.

Speaker 3 But I

Speaker 3 think

Speaker 3 a Doku on YouTube.

Speaker 2 It's only so long here,

Speaker 2 and the fundamental

Speaker 2 direction.

Speaker 2 And I get the food

Speaker 2 pom com slash fan and

Speaker 2 these podcasts support.

Speaker 2 About the end and what

Speaker 2 we

Speaker 2 do and the

Speaker 2 workload and the presentation.

Speaker 3 I

Speaker 3 have Ganswill link material in the show notes.

Speaker 3 I photograph

Speaker 3 that in the realm of

Speaker 3 the world. And then

Speaker 3 we have a direct

Speaker 3 post and

Speaker 3 a

Speaker 3 week,

Speaker 3 Hamid,

Speaker 3 what I

Speaker 3 understand and

Speaker 3 Auchi, and Dama.

Speaker 3 Yes, and

Speaker 3 production

Speaker 3 was

Speaker 3 completely.

Speaker 3 Thank you, Schun.

Speaker 2 And

Speaker 2 then we go in Zweiben.

Speaker 2 That's good.