
"Mike Birbiglia"
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Hey guys, so if I had a dollar for every time somebody comes up to me and asks me what my morning routine is, I'd be like a billionaire. Here's what my morning routine is.
I get up
and then I brush my teeth. Welcome to SmartLess.
So, Will, So, um... Yeah.
so uh so will um uh had a dinner party the other night that uh i was invited to sean was invited
to we were both there you were invited to as well but you were working down in uh yeah in atlanta
and um about halfway through it, maybe halfway,
someone said,
yeah, Sean and Scotty left.
They're gone.
They're gone.
So now's your chance.
I haven't seen you,
talked to you since.
Did you have sickness or something?
I have this thing about the dog.
I have this thing about
leaving the dog for more than four hours.
The dog that he left for eight months in New York,
he's worried about leaving for four hours for his dinner party. Yeah, exactly, Sean.
Same dog? No, because the dog was left alone. The dog was left alone.
So when the dog was left alone here at the house... Who doesn't leave their dogs alone? I know, but not that long.
I have a thing about it. Well, you've got to get over that thing because that excuse is so outrageous.
But it's not an excuse. And it's a long's a long life you can't be tethered to your house for when you tell people i gotta go because i'm worried about leaving my dog for four hours they're just gonna think you're rude because no one's gonna believe that that's a real thing well i'm telling you it's but what if i'm telling you it's a real thing well then they should say you should go to therapy because uh it's just it's an it's don't know.
Well, what do you think people do? Have you ever seen... Have you ever seen anyone go to work? Have you ever seen real people go to a job before? You know, like an eight-hour job, which is a short...
You know all those people that you see filled on the buses and you're wondering like, fuck, why is this bus holding my lane up? There must be so many dogs dying. All those people, they're all going to real work.
All the dogs are dying while they're on the bus. All those dogs must die all day.
Jesus Christ. All those buses that are filled with people going to do real hard work.
Just a bunch of dog murderers. Well, you're rushing to go get your fucking eyes checked.
They obviously don't have a healthy relationship with their pet. They have left the pet.
You know what? It's a little lower on the list of priorities. You know what I mean? No.
Sean, if had you stayed, you would have seen me have one of my low points. Yes, well, Amanda told me.
So I told our host, I've told my host a few times, anyone that'll listen, I've probably bored you guys with it before, that my kryptonite is giving toasts. I just can't do it.
There's something about it that doesn't make, it doesn't, it's not comfortable for me. I feel very, very.
Which is why you should keep trying.
Well, you got to think about somebody else,
I guess,
is the first part.
Well, that's just,
I guess so, yeah.
Instead, I'm thinking about me
and embarrassing myself
when I should just be kind of
just channeling love
for the other person.
But that's a great note.
I'm going to use that next time.
But anyway,
I didn't think about it at the time.
Okay.
And the host drops a microphone in my hand
and I totally froze up.
No.
And you forgot where you were.
I didn't even think, I could have just bailed out and said, you know what? Happy birthday. I didn't even think that.
I thought I had to come up with a bit. I thought I had to do it like a set.
So what did you do? And I said, I literally said out loud, oh my God, think of a good dad joke. And I couldn't even think of one of the many that you've told me.
And I just looked up at him. I must have looked so horrified and pathetic.
Sweating. He looked at me with such pity and just slowly pulled the microphone back out of my hand.
No. And moved on to someone else.
Yeah, well, it's not for you. It's not your thing.
It's not my thing. I can't do it.
That's interesting. I mean, if we think about it, considering how you've been performing since you were such a little kid.
But I get it. There's something different about a microphone, a spotlight, and a stage.
I'm not comfortable with it either. Me neither.
But you know what, though? I have a good friend who forced me to, anytime I went to her house, she would make people stand up and give speeches. And at your birthday, like two, three years ago, I started the speech thing, remember, at Richard's house? Yeah.
And I was like, oh, oh get up everybody say something nice about jason and i i i do it because i'm scared of it because i'm like i have to work through whatever this is about public what's that leaning into the fear yeah leaning into the fear and every time you do it it gets better and better well i hope so because that was uh that was very humbling. Let's get our guest's take on how fucking rude Sean is and what a baby I am.
I pulled a Batgirl. Here we go.
So, guys, today we got a fellow who is funny, okay? But he's not just funny. He's also smart.
He went to Georgetown, for Christ's sake. His mom is a nurse.
His dad's a doctor. But he's not just smart either.
Guys, he also is our least favorite word.
He's a storyteller.
No kidding.
But a real one.
I like that. Some folks have referred to it as a comedic monologue.
But he's not just that either.
He's also an actor, a director, a writer, a husband, a dad.
And right now, he's our guest.
Oh, that was great, Jason.
Dudes, please welcome the man of many things.
Comedy Swiss Army Knife, y'all. Here he is, Mike Birbiglia.
Oh! Birbiglia. I think Will was just saying the other day, you know, we should get Mike Birbiglia on the show.
Wait, you've been on my list for like three years. We have talked about getting Mike on the show.
And I, Mike, hi, Mike. Hey, how are you, though? I already had him.
I'm really good, man. It's been a minute.
It's been since we were in Popstar together, I think. No, no, no, no, no, no.
It's been, I've seen you since then. Oh, no, we did that benefit for Canada.
You came in very kindly. Did that benefit.
Talk about a guy who stood up in front of people during the plandemic when you guys
were all worried about when the government was trying
to depopulate it. I forget what they were trying to do
but they were trying to do something.
The government had this crazy plan to
get us all.
Mike, kindly,
we did this charity for this hospital
in Canada and he very kindly showed up
and did a set
virtually, which is so fucking hard oh wait so you and I had such admiration for what you did you were so funny and so fucking good Mike and doing it into a camera it was honestly I loved it it was like via Zoom or something yeah yeah stand up via Zoom and all the people thousands or hundreds and thousands of people in Toronto for this thing were watching him. And he's got to do it with no crowd in front of him to the camera.
And I thought, man, that is, first of all, you got to be really funny to pull that off. Thanks a lot, man.
Yeah. It was fun.
It was very kind of you. Anyway.
And, well, you know, the other thing about that gig, it ended up being a seminal thing for me because uh steve martin also performed yes well steve came and did a q a with
me which was also kind yeah and then i did a joke that he so i had a joke that's in my new special
the old man in the pool and i say i love pizza so much i get excited when i see the word plaza
that's a great joke because
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we're we're we're we're we're we're we're we're we're we're we're say, I love pizza so much, I get excited when I see the word plaza. That's a great joke.
Because the word pizza is exciting. It has pizza in it.
Each of the Z's is two slices. The A is a slice.
It's five slices in one word, which is a rarely used literary device I invented called Onomata Pizza. Now, the reason why I bring this up is that Steve Martin was on the Zoom with us and he wrote me a side note and he goes, hey, I love that Onomata Pizza joke.
And I immediately put it in my show and it's in the final show. And it's because of him that I put it in.
No way. That's great.
Yeah, true story. Did you grow up loving Steve Martin? Were you a huge fan? Oh my, I mean, the great, the giant.
I mean, honestly, like Born Standing Up, his book. One of the best, I read it.
Yeah, one of the few books I've read. It's so good.
One of the great books about comedy. And then when I was starting out on the road, driving around the country and listening to Steve Martin albums.
I mean, that's all I was listening to. He was in the audience for Old Man in the Pool.
And when he is in the audience, sometimes for my shows, I feel self-conscious because I'm looking at him going, I have stolen this all from you. Right.
Yeah, yeah. Now, Will, you know him a little bit.
Why haven't you gotten him on the show yet? Well, we've talked about, I know Steve a very little bit. And Sean does too.
And he's very good, obviously really close with Marty Short. And first of all, I thought, Sean, when you said, Mike, I thought you said, did you grow up loving, I thought you were going to say, did you grow up loving pizza like I did? That's my follow-up.
That's my follow-up. But yeah, I feel the same way I I love Steve as well and I read his book like you guys and was just blown away by it and just everything he says and just you know he's Steve Martin what do you say right I mean he's well that he can write he can write stand up he can write books he can write specials he can write movies he can play music but also what I love about him too is he has such a wider view there's so many people we know who do who do what we do yeah um but have such a um who really kind of that's what they are they're a stand-up comic or they're an actor and that that's kind of what they do and steve has such a broader view of the world you know he collects art he's interested in music he does lot.
And he is truly a well-rounded person. I don't think there's enough...
Why don't you save this for when you get him on the show? I was going to say, I remember when you work a little bit hard. I was going to say, I remember when you work a little bit hard.
I was going to talk to Mike Berbiglia. Because I'm saying that Mike appreciates him in the same way because he read his book and appreciates him.
And so, and I think that Mike, a lot of your stand-up also is about, not just about, it is kind of like you are a storyteller. I hate saying it.
Oh, God, I can't believe you said it. No, I don't mind that word.
You don't. Well, in this context, it's filmmakers that are called storytellers.
We have a tough time when filmmakers go, as a storyteller, you want to be? No, I'm just a storyteller. Yeah, yeah.
Okay. I get it.
But you, Mike. But you, Mike.
That's what you what you do now so uh and and and and so what that that's it's not joke joke joke joke joke it's you're you're you're walking people through a situation and in that situation are many funny things yes yeah because i think you know what happened what it started out and in when i was in college was studying screenwriting and playwriting. And then I was doing stand-up at a comedy club in Washington, D.C.
And I was working the door, and I was kind of watching all these comedians come through. And then at a certain point, I kind of merged those two things, and I started telling stories, started telling stories on This American Life and on The Moth.
And then I created what, you know, I started, my first one was called Sleepwalk With Me, one of these solo shows. And Nathan Lane presented it and it really actually kind of changed my life.
It was 2008. I love that.
What are you doing studying screenwriting at Georgetown? Isn't that supposed to be like the law capital of the world? It is. You know, it in my in my class in my screenwriting class uh was jonah nolan oh uh that sure sure went on to write the prestige and memento and all kinds of amazing stuff i'm gonna look those up i'm gonna look those up jordan ardino uh uh uh brendan o'brien wrote neighbors like a lot of people there's a lot of writers who ended up in this it was this class taught by this guy named John Glavin Way to go, JB you've offended a lot of great writers I'm just saying it's sort of a backhanded compliment I mean that place is a very difficult school to get accepted to you also have a law degree yes, exactly I also have a law degree I picked up a law degrees there but no, degree.
I picked up a law degrees there. But no, I agree with you.
Storytelling is one of those things where when you say, I'm going to tell a story, people are like, oh, God. But I think the key to it is it just has to be funny all the way through.
Yeah, I love story. I think it's a very unique skill because, and there are a lot of different kinds of comics and some who just are like we know them, some are just like absolute just a joke, just a line, just a turn of phrase or whatever and that's their thing.
But to be able to tell a story and hold people through a story and be kind of funny the whole way and then pay it off it's really satisfying as a as an audience. Now, let me ask you this.
Because it's tough to do. It is tough.
What would you say, since you've had these great one-man shows, what would be the difference considering your stand-up style is much like what one would consider maybe a one-man show would be like. What would you characterize the major differences between your one-man shows and the work that you do, the writing that you do for a stand-up set? I just think like a typical stand-up is basically built on the premise of you have a series of set-up, punchline, set-up, punchline, set-up, punchline.
My sort of like what I've learned through the years is
those jokes can be part of a five-minute story.
And if you have 10 five-minute stories
that add up to a single story,
that's really the goal of all my shows.
And if there can be an emotional payoff at the end of it,
you know, like the last show I did on Netflix
was called The New One.
It was all about how all the reasons why- Great- That's a great title. Hang on a second.
It's all about how I never wanted to have a child. And then, and then, and then essentially how I had a child and why I was right.
And then ultimately why I was wrong, you know, and that's the emotional turn of it. But I mean, that's, I've always just felt like it's kind of a matter of like,
what do you want to pack into your 90 minutes?
It's like, that's why I love movies.
Like I love movies.
One of those big, one of those big tens of caramel corn,
you know, a Star Wars movie.
And maybe, sorry, I'm sorry.
I thought you were saying,
what does Sean want to pack into 90 minutes?
It's some dumplings.
You know those big tens?
It's like a big tin and it's caramel corn. By the way, I relate to Sean going home early from the party.
You do. Oh, my God.
Are you kidding me? But you would have stuck around, Mike. Mike, you would have stuck around.
You're a good guy. But wait, but Mike, just to close this loop.
So if one were to go to one of your Broadway or West End or all these other places you've had such success with your one-man shows that are different than going to see you do a set at a comedy place doing a stand-up. What is the difference between your one-man show and doing like a stand-up special? So a stand-up, when I do clubs or like I'm going out on tour right now with my next show, which is called Please Stop the Ride.
And it's like 25 cities. And that'll be stand-up.
It'll be the early stages of what become my one-person shows are stand-up. It's like a bunch of jokes.
It's a bunch of stories. It's free form.
There's improv. Anything can happen.
And those shows are fun in their own way. And then at a certain point, like, you know.
It's less scripted. Yeah.
And at a certain point, like, when I first started out with these shows in 2008 with Sleepwalk With Me, I started working with this director, Seth Barish. And so over the years, like, we'll construct, we'll go, you know, he'll go, you know, what I get from what you're saying as a story is this.
And I'll go, oh, okay. I wasn't intending that.
I was intending this. And I'll rewrite it.
And it's kind of like a series of revisions and revisions and revisions until I'm actually conveying the story that I'm intending. Yeah, I got you.
What's in my head, basically. And that one, Sleepwalking With Me, was motivated, birthed by, prompted by, tell these fellas.
I've done my research. Tell these fellas what that, yeah, that's a literal title.
So Sleepwalk With Me is based on a story that happened to me, which is that I have a very serious sleepwalking disorder called REM sleep behavior disorder. I want to ask you about that.
And so it started out years ago. I was in my 20s.
I was living with my girlfriend at the time. I started having a recurring dream.
There was a hovering insect-like jackal in our bedroom and I'd jump on the bed and I'd strike a karate pose. And my girlfriend, Abby, would go...
Did you know karate? No, no. I had the books from book fair when I was a kid, but I never took it.
Okay. But I jump on the bed, and I said, there's a jackal in the room.
And she goes, there's no jackal. And I go, okay.
And I go to bed. And then it got increasingly worse.
And I had this incident. I was in Walla Walla, Washington, which is in eastern Washington.
it all happens and i was at i was at uh la quinta inn sure uh and uh that's about a trouble and uh and i had a dream that there was a guided missile headed towards my room sure and uh there's all these military personnel i jump out of bed i say what's the plan and they say plan yeah yeah I'm very action oriented in my dreams. I'm a hero in my dreams say, what's the plan? And they say, it's coming.
Yeah, yeah.
I'm very action-oriented in my dreams.
I'm a hero in my dreams.
Were you in the pose still?
I was in the pose.
I'm in the pose.
Yeah, yeah.
Fuck, man.
And they say, it's come to our attention.
The missile coordinates are set on you.
Right.
And I was later diagnosed with this thing,
REM sleep behavior disorder,
where people act out their dreams. And so I decided in my dream, and as it turns out in my life, to jump out my window so as to detonate outside the window for the sake of the platoon.
Oh, my God. Sure.
And you remember the dream that vividly? I do, yeah. I literally, it's funny you should say that, Sean, because I wrote it down that night.
I took photos of it. You know, I post some on my Instagram sometimes.
Like the actual, I jumped, there's two important details. One, I was on the second floor.
Two, the window was closed. It was January.
So I jumped through a second story window like the Hulk, like the Incredible Hulk. Yeah.
Now, this was going to help your situation in what way, though?
You said to detonate yourself?
Yeah.
That's a very great question, Jason.
It's to detonate outside the window for the sake of the platoon.
But the missile was incoming.
Yes, indeed.
Yeah, but it was coming.
But it was on me.
It was on him, dude.
Oh, gotcha, gotcha, gotcha, gotcha.
Yeah.
Okay, moving the target.
So I jumped through the window. Yep, yeah.
And these are guys that you've been in the shit with. So you want to save...
You want to save... Obviously, you guys have been through a lot.
You're like brothers. Yeah, we're like...
We're a band of brothers in Walla Walla, Washington. Gotcha.
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And now back to the show. So you decided to move the target away from whoever you were sleeping with and the other people.
Yes. And you were going to, yeah.
So you land in the parking lot? I land actually on the front lawn of the motel. Unbelievable.
And I take a, and I get up and I keep running. Oh my God.
And I'm, and I'm running and I'm slowly realizing I'm on the front lawn of La Quinta Inn in Walla Walla, Washington in my underwear bleeding. And I'm like, oh no.
But in that moment, uh, I was relieved that I hadn't been hit by the missile.
Yet.
Sure.
I remember that.
Yeah, exactly.
I thought that would have been a disaster.
At least I'm still in the game.
Wait, so the fall didn't wake you up?
Fall?
The fall sort of woke me up.
Well, hang on.
The going through the glass window didn't wake you up?
Or the big gash?
No.
No?
No.
I went to the front desk and I said,
hi.
I'm bleeding.
I'm in my underwear.
Yeah.
And I go,
hey,
I'm staying at the motel.
I had an incident
wherein I jumped
through my...
By the way,
years later,
I got an email
from this guy
at the front desk
saying,
hey,
I was the guy.
Oh my God.
I got...
I'm at the motel. I'm staying here.
Jumped through window. I'm going to need a second key.
I'm bleeding. I'm bleeding.
I need to see a doctor. I need a second key.
He goes, all right. I drove myself to the hospital.
I checked myself. I went to the...
I had to explain three times what what happened the nurse the receptionist the doctor i'm no i'm the hulk i'm the hulk i'm the hulk you know one guy was like no you're bruce banner i was like point taken you still think you're dreaming no no no at this point no no at this point i i'm kind of aware at this point he just thinks he's the hulk dude no i i so i explained what happened the doctor uh took glass out of my legs yeah literally took glass out of my legs the glass was about a centimeter from my femoral artery uh and if it had struck there i would have just bled out on the front lawn and died and then i i flew back to new york and i did what i should have done when I saw the jackal and everything.
I went to a doctor who specializes in sleep disorders and I was diagnosed with this serious thing. Fuck.
But that story, so that story in the context of my first solo show, which was called Sleepwalk With Me, and it became an independent film and everything. That you directed.
That I directed. Awesome.
Thanks. And it was, I mean, thematically and and in real life truthfully it really was it was it's really about denial and about being in denial of the fact that i have this sleep disorder and not dealing with it do you still have it and suffer from it and what do you do and so i this is i was diagnosed with rem sleep behavior disorder i i was prescribed medication, and I still had sleepwalking issues.
And I said to my doctor, like, hey, I still have this sometimes. And she goes, well, one thing you could do is you could sleep in a sleeping bag up to your neck, and you could wear mittens so you can't open the sleeping bag.
Great. And so I did that for a period of time.
I don't really do that as much anymore.
Until summer.
Yeah.
Probably dropped a lot of water weight in there.
But, uh.
Wow.
So she said do that.
And then that worked for a little while.
And then.
So what do you do now?
And then what?
Then just meth?
Just fucking I'm not sleeping ever again?
No, no.
I've been up for two years.
Strap you down, right? I've been up for two years. I've been up for two years and fucking...
I want to fucking beat this thing. Hey, first of all, Mike, I just want to go back real quick.
How'd they, with the missile, how'd they get your coordinates? That's a great question. I mean...
Whenever... I think about that.
I think about this all the time. Like, I actually didn't, I don't watch shocking movies.
I don't watch, you know, things late at night because I worry that it's going to affect my dreams. Of course, yeah.
But that day, it's not even like I watched anything shocking. I was just driving through, like, the Cascade Mountains.
This was a period of my life in my 20s where I was performing at colleges. I was performing in, like, gym and cafeterias.
It was like a really, it was, it was, it was in the grind. And I was just listening to a, uh, like an NPR report on the radio about like missile defense.
And, and of course that's what invaded my dream. So can you take a nap and, and, and will this happen if you take a nap? And now how do you sleep? And do you sleep rest? Like do you feel rested? I sleep a lot better.
I'm one of those people where I have the thing and all my friends know I have the sleepwalking thing. And when they have an issue sleeping, they call me like I'm a doctor.
And of course I'm not. And so I always recommend this book that was written years ago called The Promise of Sleep.
And a lot of it's like sleep hygiene stuff. Like my sleep is better because like a few hours before bed, I shut off my phone, I stopped watching the news, whatever it is.
And I sort of like, I think about landing. One way to look at it is like landing into sleep as opposed to crashing into sleep yeah but but but honestly
in a real practical way is the medication that that doctor prescribed you uh sufficient adequate have there been no more episodes do you not worry about going to sleep that you're going to you know start walking around and and do stuff like this or murder someone yeah i yeah no that's definitely a it's a concern and and like i i monitor it very very closely and you know i i don't even want the truth is i don't want to take the drug you know like a few i have to like a few years like recently i actually looked up the uh the side effects of the it's clonopin you know it's clonazole oh yeah i've taken it's a drug i take yeah and it was like the side you know it was just recently it was like the side effects i looked in it was just like it was like it was like depression uh you know poor motor skills and you know something and i was like oh that's i thought that was my personality oh yeah sean you you i think you're taking too much sean yeah exactly um well but but boy but Well, but boy, but I get, what would, I mean, I would probably,
I would have to, I'd be so worried about falling asleep
that I never would be able to fall asleep.
And I wouldn't want to take that medication.
I probably would like strap myself down,
but then you wouldn't be able to roll over.
So I'd probably like devise some sort of box over my bed.
I'd like build a box, like a cage to sleep in, something like that. Talk about that more.
Talk about the cage. There's a period of time where my wife Jenny has, of course, had to deal with this for many, many years.
Poor Jenny. Poor Jenny.
I know. Jenny comes up.
For so many reasons. Jenny walks in the room.
She's, like, missing an eye. She's got, like, she's got like yeah walking on crutches she's wearing a full helmet she and I listen to the podcast all the time she's gonna be devastated that this is her mention in the podcast yeah no no no she's a poet Jenny you're a hero she's a poet in her own right how did you how did you meet Jenny I met Jenny in St.
Louis he strangled once, midnight in St. Louis, by the bus station.
Okay, okay, settle down. He jumped out of a window.
Settle down, settle down. We met in St.
Louis many years ago, and yeah, it was one of those things. For me, it was love at first sight.
We were both on work trips, and I just fell in in love with her immediately and i'm in love with her to this very day i you know it's a great thing that i loved from your mackinroe episode recently is he said this thing about he and his wife which is which is that they let each other be who they are and i was like oh that's such a beautiful sentiment i felt i said to jenny i go oh i think of that i think of us that way and Aw. She's a poet and I'm a comedian oh, that's such a beautiful sentiment.
I said to Jenny, I go, oh, I think of us that way.
She's a poet and I'm a comedian
and those are two people who don't know
how heating and electricity work.
Yeah, yeah.
I love that.
I like that he said that too
and I was thinking about it too.
You guys would agree, Jason, for sure,
Amanda lets you be who she is
and I think that that's one of the great things that makes it work for you guys. Oh, yeah.
Mike. Now, Mike, you've got a podcast of your own called Working It Out.
Working It Out. So it's an exercise? It's just at the gym.
Well, similar. And you're just interviewing trainers and the treadmill.
Similar to SmartList, working it out was a pandemic baby because I couldn't perform as a stand-up in front of audiences. And so I was like, so I started asking my friends, you know, John Mulaney and Bill Hader and Conan O'Brien, different people to work out jokes live on the show.
And so now we're 115 episodes in, and it's like a big part of my life. Like, I just love doing it.
That's great. Yeah, it's the best.
What's one of your earliest jokes that you wrote and that's tried and true, always works? From my whole career or from this show? Either this show either well it's funny like the first joke that made sense to me as like i feel like with comedians you it takes you years to find your voice and figure out like what you know what what's what's authentic to you and the and i there was a joke i did early on where I said, um, I, I'm, um, my girlfriend and I are, are, uh, uh, living together and she's starting to, uh, think about having kids, which is exciting. Cause we're going to have to break up.
Um, I've just, I've decided I'm not going to have kids until I'm sure nothing else good can happen in my life. And it was, it was one of those jokes where it was the first time where I was like, oh, it's not even a punchline.
It's just a thought that sort of has an internal twist to it. And that's sort of how I try to think about jokes is like that if they don't even have to strain credibility even, you know what I mean? The turn is authentic and the setup is authentic.
Have you ever told a joke about something in your life
and someone in your life who's mentioned it,
obviously starting probably with your wife,
but like other people or anything like that
where somebody's going like,
hey man, were you talking about this
and that they were like put off by it? I have it all the time every time I'm on stage. Wow.
Like, in other words, like, I think about that constantly. The sort of what can I talk about? What can't I talk about? Like, I have that with my daughter, for example.
Like, because right now she's eight years old, which is an amazing age. But I'm incapable of living in the present.
And so my brain goes to when she's 15 and she's going to be like, my dad is garbage. You know what I mean? Because I'm ready for that.
Like I'm open to that. It happens, yeah.
Oh, yeah. But my dad didn't have to deal with that.
I grew up in the 80s. We know, we said it, but they didn't listen, you know? They were just like, is someone talking? But when my daughter's 15, she's going to be like, my dad is garbage, and I'm going to be like, you're so brave.
That's so true. How can I amplify your voice? You know what I mean? Amplify.
So I think about that all the time. Like, I think about, like, even I have a joke about my daughter that I've been saying recently where like I say, Jenny and I went to see my daughter, her ballet recital and we're in the audience.
We're just crying and crying because she doesn't have it, you know? And I can tell right away. And it's one of those things where I'm doing the joke and I'm thinking to myself, eventually Una, my daughter, is going to see this joke And like, what's she going to think? I don't know.
Right. I made the mistake of working my kids and my wife into some stuff I was talking about on talk shows every once in a while.
And my wife eventually just pulled me aside and said, that's no more. No more.
No more. Come up with stuff that is funny but has nothing to do with me or the girls.
Yeah. And, but that's, you can't.
That's your life. Your wife and your daughter, they can't take that off the table for you, right? I mean, you have to.
I was going to say, I go through the same thing too, and I've done it before on talk shows as well. And my kids are older, like Jason's, my older kids are older.
And so you do that thing. And a couple of times, like we've talked on the, on the podcast and I'm driving with my, and my kids are like, well, listen to it.
Are they driven? And they're cool. Like, are you like, I can, it's just a weird, because they are at that age now.
And then they're kind of like, Hey man, they're not even my, my partner. It's my kids looking at me like, hey, dude, are you talking about me? Yeah.
Sorry. Yeah.
And of course, you embellish a little bit to kind of make it funny, but no one knows that. And they know that.
But they know that. And it's, yeah.
I said this before, Mike, on the show, but I tried to do stand-up years and years and years and years and years ago. Horrible at it.
Didn't know how to write. and one of my jokes had to do with ballet my opening joke was you know they say ballet is one of the most difficult things you can do so i say just don't do it i don't i feel like i feel like the the non-laughter was intentional from jason and well yeah well we've heard that one before yeah i keep old one it's all right i keep i keep waiting and there's you know what i say to Sean, one day there'll be a punchline.
Yeah. Well, we've heard that one before.
Yeah. The old one.
I keep waiting. And you know what I say to Sean? One day there'll be a punchline.
Well, first of all, Sean, a lot of people come on the show and say they saw Goodnight Oscar and loved it. I've got the program in my office right here.
You came to the show? Yeah. And it's unsigned.
I stood by the stage door for hours. Why did you come back.
Sean doesn't like the people. I'm such a big fan of yours.
Thank you so much. I'm just intimidated.
I always feel like I'm going to be in the way. No.
I'm so honored that you came. We talked about that recently.
Mike, you probably felt it would be presumptuous for me to just knock on the door and say, hey, I'm famous, you're famous, let's talk. Yeah.
Right? But had I known, I would have invited you back. Had somebody sign it for you.
Mike, are you the funniest guy in your family growing up? Or was mom and dad, mom or dad, someone that gave you the funny gene? Close call. I mean, it depends on who you ask.
My brother, Joe, you know, a lot of times my people will ask my mom, they'll go, was he always funny growing up? And she'll go, no, no, he's, he's very serious. And, and then she'll say to me, she'll go, you know, you comedians are so serious.
And I'm like, how many comedians do you know? You know, like, are you texting Ronnie Chang? Are you on an email chain with Roy Wood Jr.? Like, what is happening here? Yeah, yeah. But my brother Joe, I feel like, has the reputation as being the funniest one in the family.
And he and I work together and collaborate on writing and everything, which has been very cool. Oh, that's cool.
It's a funny family. It is, I don't know who's intending to be funny and who isn't.
You know, growing up, my dad, my dad's very funny, but he'd get very angry growing up. He'd be like, God damn it, I'm eating pretzels.
You know, and be like, is he angry? Is he hungry? What is the emotion being expressed? There's a lot of fireworks. A lot of, there's a loud house.
Yeah, yeah. Where was this house? What part of the world were we in? Massachusetts.
Massachusetts. And how many siblings? I'm youngest of four.
So I was sort of like the, is there another child? Hang on. What part of Massachusetts?
Shrewsbury.
Shrewsbury.
Yeah.
Shrewsbury.
And what's Birbiglia?
What nationality?
Birbiglia is Italian.
Great question.
Great question, Sean.
Well, just because you're youngest of like a big, loud family.
You like to put people into boxes, Sean?
Yeah.
He's Italian.
You got it all figured out.
What kind of box do you want to put them in?
A pasta box?
Yeah.
What are you going to do?
What are you going to get?
Some elbow macaroni?
What are you going to do?
You want him to forget about the question? F you, Sean. Mike, I'm sorry.
Now, Mike, you know, being a guy who does what you do. Hey, Will, I'm not offended, just so you know.
I'm not offended. Oh, God damn it.
Doing what you do, you literally, you work alone. Yeah.
Except when you're collaborating with your brother. With your brother.
But, so when you did the directing stuff, or when you're acting on something, and it's much more of a teamwork, right? A team sport. Yeah.
Are you able to switch gears easily, or is it kind of like, uncanny? I do, I love that. I love the collaboration side of the field.
Like I started, I started when I was in college, I was cast in the improv troupe and that was sort of like at Georgetown, that sort of changed my life. And, and I know you, I loved your Mulaney episode and he was talking about it.
So Mulaney basically was cast by Nick Kroll in the same improv group that I cast Nick Kroll in like a year before. Oh wow.
No way. Yeah, so Nick and John and I have been friends for years and years.
And then when John moved to New York, he came on tour with me. And so we've just known each other forever.
But the improv community, like, I feel like that sort of formed my entire approach to creativity and creation and all the rules of yes-anding everything. And, like, I made a movie about it.
It's called Don't Think Twice with Keegan-Michael Key and Gillian Jacobs where it's a bunch of best friends in an improv group. And then one of them gets cast on sort of a Saturday Night Live type of show and the rest of them don't.
And it's sort of about what happens in life when people realize that not everything's fair. What kind of, were you guys doing like heralds and that kind of thing? Yeah.
Okay. We believe in it.
Yeah, we actually, when I was in college, we were doing heralds. There was ImprovOlympic actually came and did workshops with us.
There was a group across town at GW called Recess. And UCB4 with like Amy and Matt and Matt and Ian came and did workshops with them.
Oh, they did. Who came down from ImprovOlympic? So it was this group called Frank Booth, and they were fantastic.
And it was, you know, so Sharna Halpern came. Oh, Sharna, of course.
And Liz Allen, who ended up years later being, we hired her as the coach of our fictional improv group in this movie don't think twice and uh and so yeah i i the collaboration like i love and uh well now well speaking of that mike you know like you're so funny and so such a brilliant writer and such a brilliant performer truly do you have any um aspirations what's that there's's a butt but but you seem like a dick like a dick like a dick a real dick but like other Italians I've met is that where you're going Sean? for fuck's sake wait Sean as a fan of the show can I ask Sean something which, which is, are these guys ever too much on you? Are you joking? We get pages of texts afterwards like, do you want to know what, you guys? When you, I feel. It's all bad.
It is true. It is true.
A lot of the time. Yeah, it's pretty bad.
And we will be right back. there are a lot of the time.
Yeah, it's pretty bad. And we will be right back.
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All right, back to the show. I'm sorry, Shuffle, what was your question? I apologize.
I'm probably, wait, can I do it? Have you ever forgotten a joke when you were on stage? Did you ever go up? Did you have somebody have to throw you a line? You have a podcast. Have you ever forgotten your question during your podcast? What's your funniest podcast? Sean, these are great questions.
These are really spot on nomination worthy. I'm crossing them off as they say them.
No, have you? If this was the 80s or 90s and you were as brilliant as you are now, they'd hand you a sitcom, right? And now people aren't really doing those, that kind of thing anymore. Yeah.
So are you doing the dream that you've always, which is stand up and writing and touring and all of that? Or is there more that you want to do that you haven't done? First of all, I auditioned once for the role of Buster. They gave it to somebody else.
Tony Hales, Buster? Yep. Yeah.
So Jason and Will, just sorry to put you on the spot, but do you feel like they went in the right direction with that one? Absolutely not. The show would still be on the air if you played Buster.
Well, I'd love to see, I mean, I don't know because I don't know what you did and if you're prepared, if you remember at all what you did, I'd love to see it, Mike. Let's improvise a scene right now.
Will, you play Joe. I'll play, was it Michael? Yes, Michael.
There he is. There's Busty.
What are you doing? And Michael. And there's, hey, Buster, Bud, could you please take your shoes off before you bring that mud inside the house for us? Oh, I don't know.
I don't know if I can. I think I'm already inside the house.
Of course you're inside. Look around you.
What is this? Your first time in a building? Sorry, Mike. Oh, I seem to have taken off my shirt.
Yeah, no. Shoes, please.
Just undo the velcro and take them off. There go my pants.
And, Job, what are you upset about? Did your segue run out of gas? See? Okay, sorry. But to answer, John, to answer your question, yeah, like I auditioned for, I auditioned to play Jim on The Office.
I auditioned to play Jonah on Veep. I auditioned, you know.
Wow. I don't know what happened to any of those shows, but I'm fine with it.
You're doing just... You're doing just...
Yeah, you're doing great. You know what happened to all those shows, Mike? They all went off the air.
You know who's not off the air? Eventually, yeah. You know who's not off the air? You.
Who? You. You.
You're filming me on the air. Well, truthfully, like, when I was in, like, 2008, I got, like, a CBS sitcom, and I think that if I had had my druthers,
it would be like something like Arrested Development where it's like off the wall and improvisational and nuts. And at CBS in 2008, that was not on the menu.
No. Right, right.
And so it became a very watered down Mike Birbiglia. And by the end of it, I was just like, we shot the pilot.
And the cast was incredible. Nick Kroll played my cousin, and Bob Odenkirk played my brother.
And it was as good as we could do within the constraints of network TV at that time. But then it didn't get picked up for air.
And honestly, it was the best thing that could have ever happened to me. I was crushed at the time, but then I went back to New York, and I mounted my first solo show.
Then I went on to make, you know, all these solo shows. Right, and you were doing something that was an absolute bullseye for you and your sensibility as opposed to the other show wasn't, right? Yeah, it was sort of watered down.
Everything happened for a reason reason that way i had a similar experience doing a doing a multi-cam that was a gonna would have killed me and i had a similar experience and it which one was it the one was it the one before right before rest of development yeah and it had that happened the michael malley no no no no it was this other one called uh still Standing that I did. Anyway, and I got fired after the pilot.
And I was so upset.
You would have been unavailable for...
I would have been unavailable for Arrested Development.
And at the time, Brian Callen said to me at the time when I got fired,
because I knew Brian from way back in the day,
and he goes, oh, wait, you're mad that you're not the fucking fifth lead
who every other episode walks in and goes,
hey, what the hell happened to my couch?
He goes, okay?
He goes, you're fine. Just be happy and don't fucking worry about it.
Literally, he was like, God's doing you a favor in fucking six months. Anyway.
Now, Mike, when you went in and helped out our friend Jimmy Kimmel and you hosted his show for a week when he was suffering from COVID. He got an attack of the summers.
Yeah, yeah.
Vicious.
You're a great Mike in that.
Now, did you, was it, how was that taste?
Is that something that you would want to do maybe?
I loved it.
I mean, Jimmy is the greatest, obviously,
and I was flying from.
No, no, Fallon.
He's talking about Fallon now.
Stay on my question.
We're talking about Jimmy Kimmel. Okay, if you say so, Mike.
I don't know. I debate him.
Get Kimmel in here. So I was in Chicago.
As a matter of fact, exactly the same time Sean was in Chicago with Goodnight Oscar. I was at Steppenwolf, and they called.
I was going to fly out to be a guest and I was on Southwest Airlines and I get a text from Jimmy Kimmel and he goes- I'll switch you to private if you host for me. Yeah, exactly.
He goes, I might have COVID. And then five minutes later, he goes, you're going to be the host instead of the guest.
And then five minutes after that, he texted me, you're interviewing Tom Cruise. And five minutes after that, he texted Tom Cruise has canceled.
Oh, my God. Which means apparently he's not willing to do all his own stunts.
He's not willing to go the distance from Kimmel to Birbiglia. Sure.
Right. No.
Well, they should have allowed Matt Damon to finally get on the show. Yeah, right.
No, they still bumped him, huh? But I loved it. I mean, yeah.
I mean, he's, I mean, Kimmel's amazing. But doing a talk show, hosting a talk show and being able to improvise basically with guests, even though, you know, a lot of that stuff is sort of predetermined what questions are going to be asked and roughly what answers are going to be given.
You still, I would imagine, would just soar in that environment. I appreciate it.
I mean, I love being able to do working it out as a podcast and then also do my stand up and solo shows and touring. Like I like the I don.
You're good. Thanks.
Like, I feel like I'm lucky, especially like I live in... Mike, just say you want to do the late night show for Christ's sake.
Yeah. Yeah.
Okay? Why are you fighting this shit? What's wrong? You come in, you're combative. Because it's CBS.
Just say, yeah, it's never going to work to CBS again. Take the late night gig.
I don't get it. What's your game, Babiglia? Mike, I...
Do the late night gig. First of all, Will, first of all, Will, I'd be remiss if I didn't mention that.
Will and I were in Popstar together and this is something, Will, you'll never hear because you're you, but I lived, at the time, The Lonely Island was making that movie. I lived next to Yorma Takone from The Lonely Island.
And he was writing that movie with those guys, with Andy and Akiva. And he said to me, he goes, we're going to get, you know, he gets riled up.
Yorma, he's like, we're going to get the funniest guys to play this group that's like a TMZ kind of group. And it's going to be like this person, this person.
And one day he came to me, he's like, we got Will Arnett to play the Levin character.
And he was so happy.
And then on set,
I don't know if this is,
I don't know.
But then,
but then,
no,
on set,
and I feel like you got to take this compliment.
You broke a lot of takes because people were laughing so hard on the set. I need to see that movie and then I want to watch Hot Rod too.
We should do a double bill. I thought you were going to say that Yorma, whom I adore, Yorma is one of the all-time greats and you know you're his neighbor and friend and such a funny dude.
I love all the Lonely Island guys. But Yorma...
Let me finish on talking about Yorma. Yeah, no, no.
It's been a while. Sweet Yorma.
Sweet, sweet Yorma. Hey, Sean, cool it, huh? Mike, I thought you were going to say, Yorma said we're going to get the funniest guys to play these guys at the TMZ, and then the next day he goes, okay, the funniest guys weren't available.
We do have. Mike, first of all, I'm just remembering we DM'd each other after my show.
Fucking cool it, dude. And you picked clean, all right? Oh, I wasn't going to bring it up.
I wasn't going to bring it up. Thank you.
And thank you for saying such nice things about it. But I did want to, because it's me, I want to say worst heckler, worst experience ever.
Worst heckler. Oh, God.
I feel like, honestly, you know, speaking of Steve Martin, like, I feel like his Born Standing Up and, like, interviews he's given over the years are the best advice about dealing with audience gone wrong stuff. And he always says, like, just react honestly in the moment.
You know, like, if someone, you know, shouts condom or some bullshit you know just like why sir uh uh you know i i'm doing a show and thanks for being here but that's actually not helpful i have something prepared and like and like that's sort of and what i find is that when you do that is that it really just it ends the thing because people just go like no i know oh yeah that guy's the asshole and this guy knows what he's doing let's move rather than rather than challenge or be challenging or aggressive back to him you mean yeah and i early in my career i was not good at this i mean i remember like you know i you, 20 years ago, I remember performing in a casino and there were these two guys in the front row who looked like maybe some kind of organized criminals and they weren't smiling or laughing. They were very, very angry and they were with these two women and they were just talking and talking and talking as though I wasn't there, as though there wasn't a show of any kind.
And so I kept being like, hey, maybe don't talk. Maybe go talk somewhere else.
And they just kept talking and talking. Finally, I didn't know what else to do, and I was inexperienced.
And I said, hey, gentlemen, I feel like— Condom! Yeah. I said, gentlemen, I feel like maybe you should take your prostitutes.
And I'm not standing behind this story. This is not—first of all, it's nothing I would say today.
I won't recommend this. Wow.
And the guy looked—and maybe you guys should leave. and the guy looked at me in the eye and he goes, I'm gonna fucking kill you.
And no one laughed. I didn't laugh.
He didn't laugh. The audience didn't laugh.
We were all uncertain of what was about to happen. And then they escort this guy out.
I'm with my brother, Joe, after the show. We're gambling at Blackjack table.
And Joe yells at me. He goes, Mike, you can't do that.
It's dangerous, you know? And you can't say that to people. You can't say people's wives are prostitutes.
And I go, Joe, it wasn't my best moment. I get it.
And at that
moment, these two women come over
and they go, are you guys looking for dates?
And they're the two women
from the front row of the show.
Oh my God. No way.
A couple of professionals. Yeah.
Wow.
So you'd called this guy out.
And maybe
I was indeed about to be murdered.
Mike, have you always had an eye for hookers? Yeah. Sorry.
Be able to just pick them out of a crowd, literally. Just because it seems like people have a savant for different things.
Mike, didn't you have a show called Spot the Pro for a while? Spot the Pro. It's awful that he said that, but it's kind of fun to say.
It's fucking great. I'm going to fucking kill you.
I'm going to fucking kill you. I'm going to fucking kill you.
When somebody says I'm going to fucking kill you. I'm going to fucking kill you.
It's unbelievable. It's horrible, but it's fun to say.
Have anybody, have you guys ever been threatened? Has anybody ever said that to you in that way?
Or something close to that?
I think I've seen that said
with someone's eyes,
but never verbalized. I had a guy
once, this is a true story, I was a
teenager and I remember I was in a McDonald's in Toronto
and there was a guy, there was a
big line, two lines for the fuck, it was
pre, you know, whatever, 100,000
years ago, but there was a guy in the other line, but ahead of me. And he was, there was something about him.
He had the worst energy human I'd ever seen up to that point in my life. And he looked like he was just like, gonna fucking, there was something up with the dude.
And I was talking to my friends and I remember this like it was yesterday and I was looking at him
because I was like
in my mind I'm thinking
this guy's a fucking murderer
like this guy's fucking
just the craziest looking dude
and I swear to God
I don't know how
he was looking
he was facing forward
I was behind him
he turns around and he goes
don't fucking look at me
and then turn back around
and I almost
for real
for the first time in my life
I almost shat in my pants
Thank you. He goes, don't fucking look at me.
And then turned back around. And I almost, for real, for the first time in my life, I almost shattered my pants.
He said, one happy meal, please. Yeah.
Yeah. It was, I remember to this day, don't fucking look at me.
Can you imagine what kind of nightmares Mike would have had if that happened to him? Oh, my God. Oh, man.
Mike always had nightmares. Taking himself out of top floor, not a second floor.
Oh, jeez. Oh, Michael.
Mike, we've kept you six minutes over. We apologize.
God, Mike, you're fun. You're fun.
You make the time go so fast, Mike. Huge.
Huge fan. You guys are, this is a dream come true.
I listen to the show with my wife, Jenny, and it's like listening to your three funniest friends and you don't have to talk. And today, I got to talk, which is cool.
But barely. While you were listening with her, little did you know, we had plans to bring you on here.
Yeah, little did you know that we had talked about. And hopefully you're listening to it now with Jenny.
And just, again, we want to say hi to Jenny. She's a fan.
Yep. We love your poetry.
And we love your poetry and we're a fan of yours. And so.
And Mike, I mean it when I said you truly, truly have been on my list too for like a couple of years now. Surprise.
And Will, where were you on that? Yeah, Will, I'm going through a canyon right now, man. Can you not hear us? You're kind of breaking up.
You're kind of breaking up. We'll call you back.
We'll call you back. Mike, thank you.
I knew you were on somebody else's list. You don't know who's on whose list.
Wait, wait. Let me say one more thing, too, because I listened to the show.
In my special, The Old Man in the Pool on Netflix, I talk about how my family wasn't an I love you family growing up. Like we didn't say I love you.
We said take care, which is sort of like a passive aggressive command. Like I'm going to need you to do something for me.
Take care, you know. But you guys always say I love you to each other and I find it so sweet and meaningful.
Well, it's true. I just want to say that.
Oh, that's true. Well, you know what? We love you now, Mike.
You're part of the thing. Oh, I love you too.
We sure do. Anything you want to say to Tracy? I mean, if you know the show, is there anything? Yeah.
Tracy, I could recommend some of my Netflix specials and my movies. And thank you for supporting Sean all these years through all that he's been through yeah she's the best i love her uh mike do you have a recommendation for us for a good word to work into our by um because oh we've never done this yeah we're pretty tapped out and since you're a listener of the show uh you ever thought why don't they ever use this word That would be would be easy.
Like, you know, you all have children, right? Sure, sure, sure. So I would just say, just think of your favorite song or Lala.
Yeah. Oh, I got it.
Okay, that's good. We'll keep that in mind.
We'll keep that in mind. We're not going to do it yet.
We're not going to do it yet. Michael, goodbye.
We love you.
Love you.
Mike.
Bye, Mike.
Love you.
Love you, Mike.
You're the best.
Love you, Mike.
Love you.
Goodbye.
Goodbye.
Bye.
We are clear.
Mike, per biglia.
Oh.
Oh.
Good.
Oh.
Very good.
It's per biglia.
I'm just saying for the bye.
Oh.
Oh, shit.
Bye, you stupid ass. I'm so stupid.
Fuck. Okay.
You're dumber than me. Good, you know what? Stupid ass.
Then I get to say it then. Okay.
Oh, okay. Okay.
If I'm so stupid. Let's see if you can work it in smoothly.
If I'm so stupid to you. I love that guy, Jay.
I love him. He's so funny.
He's so fucking funny. Yeah, I mean, I watch his stuff all the time, and I'm like, oh, it's like new but old school, like his comedy, like you were saying, like storytelling stuff.
Sean, I'm going to call you out on this, and I don't want to do it on the show because Mike's listening, but that's not true. The other day I said, hey, do you know Mike Pabilian? He said, who's that? On trips.
And I showed you a special, and you go, what am I watching? And I said, you're watching Mike Perville's special. And you said, I don't see anything.
He's invisible to me. He's worthless and talent-free.
Turn it off. No, he is so fucking...
I've been such a fan for so long. I agree.
He's so fucking funny. But a lot of comics Don't do that anymore I mean some of them do But he I love that he does The one man shows On Broadway I think it's really Fucking cool Really cool I think it's And it takes That'd be fucking Hard as shit Think about it Sean You just got off Broadway Imagine doing a One man show Every night I mean forget Can't do Did it? Don't want to do it again.
Yeah. Jay, you were just saying.
You're gonna do it. You can't even make a speech at a fucking good friend's birthday party.
Well, but a one-man show. Nah, you can't make a speech at a good...
Nah, you can't. I'm not good on my feet with a microphone in my hand and a spotlight in my face.
That's it. Jason and I, Will, the other night at this party, ran into Gustavo Dudamel.
Did you really? Yeah. Who orchestrated that? Oh, wonderful.
Aren't you good? Wow. Somebody took a nap and somebody's home from Atlanta.
Uh-huh. Am I happy or not?
You know what?
But he's going to be tired soon,
and then hopefully someone is just going to put him right to bed
and sing him a nice, long lullaby.
What?
And you know who I hope the person who sings it to me is?
Who?
Mike Berb...
Bye-bye.
You got a double bye. You got a bye-bye today.
I got it from somebody else. I got that from somebody else.
Double bye-bye. Double bye-bye.
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