Feed Drop - Redacted

Speaker 1 Rusty Quill presents.

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Speaker 2 Greetings, gentlemen and gentle ladies from hell. Today, we want to introduce to you a new show called Redacted from Ethan from the show The Grotto and Jamie Petronas from The Seller Letters.

Speaker 2 Following the death of his twin, failing actor Jacob Kane assumes his late brother's life in hopes of a fresh start.

Speaker 2 Instead of finding stability, Jacob finds himself working within the Redacted unit, a covert agency tasked with containing impossible creatures and phenomena.

Speaker 2 As he becomes entangled with paranormal forces and secret agendas, Jacob begins to discover a sense of belonging in a place he never expected.

Speaker 2 Equal parts horror and workplace satire, Redacted takes inspiration from late 90s and early 2000s television like Procedural Monster of the Week shows X-Files and Buffy the Vampire Slayer, and the classic ensemble banter of Brooklyn 9-9 and Psych.

Speaker 2 Be sure to check out Redacted wherever you get your podcasts. And enjoy the episode.

Speaker 3 Hey. Hey, Mom.

Speaker 3 Yeah.

Speaker 14 Yeah, I know it's late.

Speaker 18 I'm sorry.

Speaker 22 I just wanted to call call you before the police do.

Speaker 22 There's been an accident.

Speaker 22 No, no, I'm fine. A couple of scratches, but.

Speaker 23 Mom.

Speaker 22 Are you sitting down?

Speaker 22 Yeah, I think it would be best if you did.

Speaker 19 It's Dad.

Speaker 18 He, uh.

Speaker 22 He was thrown from the car.

Speaker 22 He must not have had his belt on.

Speaker 22 Mom,

Speaker 21 Dad is.

Speaker 22 He didn't make it.

Speaker 22 Who?

Speaker 18 Who was driving? Well,

Speaker 7 I was, but it's not my fault.

Speaker 22 Mom, it's raining and the car just started sliding and I.

Speaker 24 No, no, Mom, please.

Speaker 24 Please, please don't go, Mom.

Speaker 3 Please. Thank you, Jacob.

Speaker 25 That was great, but did you prepare any of the material we sent you?

Speaker 22 So I looked it over.

Speaker 22 I just don't think that it really resonated with the character. None of the dialogue really showed the gravitas that I think he deserves.

Speaker 25 Jacob, we appreciate the care put into your craft, but production really has a singular vision for this character.

Speaker 22 Look, I get that there's a vision and all, but the lines that were sent to me were just so

Speaker 3 pedestrian.

Speaker 25 You are aware that the writer is sitting at this table, correct?

Speaker 14 Uh, hey.

Speaker 21 I am sorry.

Speaker 26 I look, I didn't mean anything by it.

Speaker 26 All writers have to start somewhere, right?

Speaker 25 Jacob, we can't use alternate dialogue. The script is locked.
We need to hear the lines as written.

Speaker 25 If you could please just start again with the provided material

Speaker 25 whenever you're ready.

Speaker 9 Okay, so you didn't do the audition then?

Speaker 22 No, I did do it.

Speaker 22 It just wasn't what they wanted. They wanted some brainless nobody to recite their amateur script exactly as right.

Speaker 20 Okay, okay.

Speaker 9 Yeah, you mean like, I don't know, an actor then.

Speaker 22 Look, if they wanted an actor, I would have heard back by now.

Speaker 9 You do realize how pretentious you sound when you get like this, right? Like, you have to hear that, right?

Speaker 22 I wouldn't call it pretentious per se. I prefer to look at it as having artistic integrity.

Speaker 9 Okay, well, yeah, all of that, whatever that is, it doesn't pay the bills, Jacob. And also, I don't think it's even possible to say per se without being pretentious.

Speaker 22 So, look, I'm not gonna waste my time reciting derivative bullshit for a part as an unnamed victim on some random crime.

Speaker 9 That character could have come back in future episodes, and it would lead to more work.

Speaker 22 Uh, no, I read the script. That character is dead before the theme song plays.

Speaker 7 Okay, fine.

Speaker 9 Then, I don't know, have you given any thought to picking up some like side work or something, you know, to subsidize your artistic integrity?

Speaker 7 You know, like a job, yeah, like a job. I don't know, man.

Speaker 9 Look, I know it's rough, but you can have a day job and still make time for acting. I mean, look, my job never stopped me from doing music.
I'm able to do both.

Speaker 26 Yeah,

Speaker 26 about that.

Speaker 22 What is it that you even do?

Speaker 9 Jacob, you know this. I'm in supply chain management.

Speaker 22 Right, yeah, I know we talked about it, but like, what does what does that mean?

Speaker 9 Is it not obvious? Jacob, I

Speaker 9 manage supply chains. Uh-huh.

Speaker 22 This whole time, I thought you supplied chains to management.

Speaker 3 What?

Speaker 22 I don't know, like, bike shops? Stuff, uh, places that need chains.

Speaker 9 You're kidding, right?

Speaker 3 I, who had the BLT?

Speaker 27 Oh, right here.

Speaker 14 Thank you.

Speaker 13 You bet.

Speaker 3 So you had the egg?

Speaker 18 That's me.

Speaker 22 The egg?

Speaker 7 Thank you. you.

Speaker 28 Of course.

Speaker 3 Enjoy.

Speaker 3 Did you just order one egg?

Speaker 9 Yeah. Just one singular egg.

Speaker 20 Struggling artists, remember?

Speaker 9 Homie, I'm buying. You can get more than one egg.
You know that, right?

Speaker 22 Look, you don't need to do that.

Speaker 9 Apparently, I do. Otherwise, you're going to order breakfast like a weirdo.
Now you're done. You're already done.
And now you're just watching me eat. No, I got it.

Speaker 22 Fine. Thank you.

Speaker 27 You're welcome.

Speaker 9 I don't mind. Honestly, it's more for me than you anyway.
I come here a lot. Like, right, this is one of my favorite spots.
And you're kind of embarrassing me with your egg.

Speaker 3 Okay.

Speaker 10 Your

Speaker 2 single egg.

Speaker 22 You might be right about that survival job, by the way.

Speaker 22 With mom and everything, I

Speaker 22 could probably use a change of pace. At least for a little while.

Speaker 22 Hey, is your place hiring?

Speaker 9 No, no, you would hate supplying chains. The links and the hooks and the hoops and stuff.
But, but I can help you with your resume. I mean, I know all the corporate buzzwords, right?

Speaker 9 We can knock it out, it'll be super easy.

Speaker 7 Promise. Thanks.

Speaker 7 Yeah,

Speaker 22 might take you up on that.

Speaker 9 Hmm. Do you need a lift to the cemetery tonight, or you said?

Speaker 7 Nah, I'll walk over later.

Speaker 22 Thank you, though.

Speaker 22 You know, it's really crazy. Mom's been gone for a week now, and it's still

Speaker 22 nothing from Jordan.

Speaker 12 Yeah.

Speaker 9 When was the last time you talked to him?

Speaker 20 About two two years?

Speaker 20 Man.

Speaker 3 I don't know.

Speaker 14 I don't know.

Speaker 22 I just thought he would show up for something like this.

Speaker 9 Yeah. So did mom.

Speaker 22 You know,

Speaker 22 towards the end, there were...

Speaker 22 There were some nights where my mom would actually call me Jordan.

Speaker 9 Well, I mean...

Speaker 9 You guys are twins, and

Speaker 9 she was really confused at the end. It it makes sense that she would get you two mixed up.
But I know it's hard, you know? Yeah.

Speaker 22 Yeah. I know it isn't right, but

Speaker 22 I would actually play along sometimes.

Speaker 22 I don't know. I

Speaker 18 thought it could actually make her proud.

Speaker 9 Okay, no, Jacob, don't you can't go there. Don't do that.
You know she loved you, and everybody could tell she was proud of you. I mean, she talked about it all the time.

Speaker 9 Don't

Speaker 22 do that. She was still different with him.

Speaker 22 She would constantly bring him up, wondering how he was doing.

Speaker 22 She missed him.

Speaker 22 I still miss him.

Speaker 18 He's still my brother.

Speaker 9 I know. And I'm...
I'm sorry.

Speaker 14 Really.

Speaker 9 Oh, it's looking

Speaker 9 pretty bad out there, dude. You're sure you don't want to ride?

Speaker 22 Dude, I'll be fine.

Speaker 9 I'm not a child. Are you sure? Because you sort of eat like one, so.

Speaker 14 Oh, shit.

Speaker 25 Oh, who is it?

Speaker 9 Casting, maybe? Maybe you got the part? Possibly? Nope.

Speaker 3 Landlord.

Speaker 7 Oh, that's that's awesome.

Speaker 9 I didn't even realize you auditioned for a landlord.

Speaker 3 That's that's that's incredible fucking idiot.

Speaker 22 My landlord

Speaker 26 Should I pick it up?

Speaker 14 Um, yeah, probably

Speaker 22 Jacob Kane

Speaker 22 Hey Phil, how are you?

Speaker 26 Whoa, whoa, whoa, whoa, whoa, slow down.

Speaker 22 Take it easy. Yes, yes, that is correct.

Speaker 18 He sounds mad.

Speaker 22 Look, I'm sorry, okay.

Speaker 22 I'm a few months late.

Speaker 18 I'll have your money soon.

Speaker 22 Jacob, I actually had a big audition today that I think went really shitty well.

Speaker 3 It did not go well.

Speaker 7 I'll have the rent in no time.

Speaker 14 Will you?

Speaker 11 I don't think you will.

Speaker 22 Whoa, let's not get too hasty, Phil. Please.

Speaker 26 Calm down.

Speaker 21 Okay.

Speaker 21 Okay.

Speaker 22 I'm on my way. I'm right down the street.
I'll be there in one minute.

Speaker 12 Don't do anything.

Speaker 22 Bye-bye.

Speaker 22 So.

Speaker 9 How do we think that went?

Speaker 4 Oh, great.

Speaker 22 Just great. He said he's about to chain up the door to my apartment.
Wonder who supplied him with that?

Speaker 27 Okay. Fucking asshole.

Speaker 22 I need to go.

Speaker 9 Cool. Do you want me to, I don't know, order you an egg to go? Maybe, maybe you'll get hungry later.
Or maybe he wants an egg. I don't know.
He seems like an egg guy, possibly.

Speaker 23 Wait, stop.

Speaker 11 There. No.

Speaker 22 I ate. Yeah, my food.
I'll talk to you later, okay? Thanks for the feast. Yeah, see ya.

Speaker 9 Wait, Jacob, before you go,

Speaker 9 you know I have your back, right?

Speaker 9 Like, no matter what happens, I'll

Speaker 25 cover for you if need be.

Speaker 9 You know that, right? Yeah.

Speaker 21 Okay.

Speaker 22 Fuck this slow-ass elevator.

Speaker 22 I don't have time for this.

Speaker 3 Whoa, whoa, whoa, whoa, what are you doing?

Speaker 14 What does it look like I'm doing?

Speaker 3 Changing your locks.

Speaker 22 Yeah, I can see that, but why?

Speaker 14 You know why.

Speaker 22 Look, I'm really sorry. Just give me...

Speaker 14 Give me a little more time.

Speaker 12 You know I'm good for it.

Speaker 14 It's quite evident that you are not good for it.

Speaker 12 You're behind three months.

Speaker 29 I know.

Speaker 12 I've just been dealing with a lot.

Speaker 3 My mom.

Speaker 14 I don't care about your mom.

Speaker 12 But she's dead.

Speaker 14 Unless she left you a little cash to pay the rent, I don't give a shit.

Speaker 14 That

Speaker 14 I didn't mean it like that.

Speaker 12 I am sorry for your loss,

Speaker 23 but

Speaker 14 that doesn't change anything with this.

Speaker 12 Come on, quit looking at me that way.

Speaker 27 Fine.

Speaker 23 You know what? Fine.

Speaker 14 I'll give you two weeks.

Speaker 12 Two weeks.

Speaker 14 For two weeks to get me everything you owe.

Speaker 22 That should not be a problem.

Speaker 7 Not a problem at all.

Speaker 3 Thank you so much.

Speaker 22 I'll have the money for you very soon.

Speaker 14 No worries at all, Phil. Not a problem.

Speaker 14 Yeah,

Speaker 14 right.

Speaker 12 Two weeks. Two weeks.

Speaker 23 Two

Speaker 14 weeks.

Speaker 30 This

Speaker 14 is going to be a problem.

Speaker 9 Hey, mom.

Speaker 22 I'm gonna have to cut this short.

Speaker 23 Really sucks out here.

Speaker 22 I brought flowers this time,

Speaker 22 but they're just

Speaker 27 gonna blow away.

Speaker 22 I'll bring them back next time.

Speaker 22 Should have taken Eli up on on that ride.

Speaker 22 I had another audition today

Speaker 9 and got

Speaker 22 another rejection.

Speaker 22 They were a way tougher audience than you were.

Speaker 22 I'll never forget how I used to film those stupid little plays I would put on in the living room. You'd tell everyone I was going to be the next De Niro.

Speaker 22 You were always my biggest fan.

Speaker 7 And look where I am now.

Speaker 22 My biggest role is still that car insurance commercial where I had that one line.

Speaker 14 But what about my deductible?

Speaker 21 I think I need a reset.

Speaker 22 I don't want to be known as that guy who almost booked the Hulu show or Jacob who needs a loan to cover rent.

Speaker 22 I keep trying to convince myself this is just a rough patch.

Speaker 31 But maybe it's just.

Speaker 9 Maybe it's just my life.

Speaker 22 Eli is still trying to convince me to pick up a steady day job, as agonizing as that sounds.

Speaker 22 I'm just not sure if that will be enough.

Speaker 22 Hello?

Speaker 22 Who's there?

Speaker 3 You.

Speaker 23 Hey! Stop!

Speaker 22 I know it's you!

Speaker 14 Talk to me, damn it!

Speaker 22 It is you! I knew I saw you!

Speaker 29 You need to get out of the car now.

Speaker 22 Are you kidding me, Jordan?

Speaker 7 Jacob,

Speaker 22 get out! I can count on one hand the number of times I've seen you in the last seven years, and all you have to say to me is get out.

Speaker 22 Why are you even here? Is your guilt finally catching up with you? I didn't. She kept asking for you, you know.

Speaker 20 Where's Jordan?

Speaker 22 Is Jordan coming?

Speaker 24 I had to lie to her.

Speaker 22 Tell her you were on your way, that you got held up.

Speaker 27 Hello?

Speaker 22 This is the part where you explain things to me? Where the fuck have you been?

Speaker 12 I'm sorry, Jacob.

Speaker 7 Oh, well, okay, then.

Speaker 22 I guess if you're sorry, I'll just hop on out and go back to taking care of everything on my own.

Speaker 22 That beard looks stupid, by the way.

Speaker 14 Just get out.

Speaker 3 Shit.

Speaker 5 Kane, we just want to talk.

Speaker 15 Roll down the window.

Speaker 22 Uh, who are these people? Listen to me.

Speaker 3 Whatever happens next, keep your face down.

Speaker 29 Don't tell them your name.

Speaker 14 Don't tell them. Hell you talk.

Speaker 29 Whatever Hargrove wants, it can wait.

Speaker 27 Hargrove disagrees.

Speaker 4 You're out of time.

Speaker 3 Oh, did this guy bring you flowers?

Speaker 3 We're in a cemetery.

Speaker 3 That's all. No, no.
That kind of name-calling is uncalled for.

Speaker 30 Who's this with you?

Speaker 29 He's nobody.

Speaker 29 A friend of a friend. Who knew my mother.

Speaker 11 A friend of a friend. Really?

Speaker 3 Hey, buddy.

Speaker 18 Who are you? Is your belt on? What?

Speaker 29 No, it's not.

Speaker 14 Christ Jordan, did you just run him over?

Speaker 27 Jesus fucking Christ!

Speaker 3 Oh my god, oh my god, oh my god.

Speaker 14 you just fucking hit that guy! What do we do? What do we do?

Speaker 3 Oh fuck, oh fuck, oh fuck, oh fuck.

Speaker 14 What the fuck is going on, Jordan? Listen to me carefully.

Speaker 29 I need to drop you off somewhere far away from here.

Speaker 14 You cannot come back. What are you talking about?

Speaker 3 Who are those people?

Speaker 29 There's no way I can explain it to you.

Speaker 14 You need to trust me.

Speaker 29 This is for your own good.

Speaker 3 Trust you?

Speaker 12 I barely even know you.

Speaker 29 There's about 800 bucks in cash below the seat.

Speaker 29 Use that to get away. Stop.

Speaker 14 I'll drop you off it. Tell me what's going on.
I told you I can't. That isn't good enough.
I want to fucking just. Stop interrupting me.
Tell me what's going on.

Speaker 30 Look out.

Speaker 3 Fuck.

Speaker 21 Jordan.

Speaker 7 Shit.

Speaker 27 Are you good?

Speaker 7 God damn it.

Speaker 3 Oh, fuck, Jordan.

Speaker 3 Jordan!

Speaker 3 Help me open this.

Speaker 3 Shit.

Speaker 24 Hang on. The door's stuck.

Speaker 24 Jacob.

Speaker 24 You need...

Speaker 27 Stay with me.

Speaker 22 I'm gonna get you out of here.

Speaker 7 Can Can you roll down the window?

Speaker 30 You gotta watch your back.

Speaker 30 My job.

Speaker 30 Fuck.

Speaker 7 This is all my fault.

Speaker 22 My job. Okay, it's fine.

Speaker 7 I'll use your briefcase.

Speaker 27 Look away.

Speaker 27 Stupid fucking window. Come on!

Speaker 27 I'm sorry. No, don't apologize.

Speaker 22 You can apologize after we get you out of the car.

Speaker 3 Jordan, you still haven't told me where the fuck you've been.

Speaker 14 You can't just get out of it,

Speaker 14 Jordan.

Speaker 14 Jordan, please. Jordan, wake up.

Speaker 27 Jordan, wake up.

Speaker 14 Jordan, please. I just got your back.
Just wake up, please.

Speaker 32 VPS searching is multiple laboratories, possibly more dark.

Speaker 30 VPF-90 was a single fall for a frame.

Speaker 30 Target will run for enemies with flat-mounted trainers. Let's get them on 50 meters or two and prep for each of the stats dropped below 92.

Speaker 30 Where...

Speaker 3 Where am I?

Speaker 4 Sir, you were in a serious accident.

Speaker 14 You're lucky.

Speaker 4 Most folks in a crash like that would be done for.

Speaker 4 The only thing we recovered was your briefcase, officer.

Speaker 27 What

Speaker 3 the only thing?

Speaker 27 My brother.

Speaker 20 My brother was driving.

Speaker 7 I have to get him. I

Speaker 16 sir, you need to sit still.

Speaker 33 You're in an ambulance.

Speaker 16 You're safe.

Speaker 16 Take a deep breath with me.

Speaker 3 Okay.

Speaker 3 Okay.

Speaker 21 Shit.

Speaker 33 Hi, I'm Jody. I'm an EMT.

Speaker 33 We're taking care of you. We're in the ambulance on the way to the hospital.

Speaker 33 Sir, can you tell me your name?

Speaker 7 My name?

Speaker 3 Jordan.

Speaker 18 My name is Jordan.

Speaker 9 Athen as Eli Reyes, Dan Morris from Fearzine as the strict producer, and Jeffrey Reddick from Final Destination as the anxious screenwriter.

Speaker 9 Karen Neat as the server, and James Sperney as Phil the landlord. Nathan Lunsford from The Storage Papers plays Jordan Kane.
Harlan Guthrie from Malevolent plays one of the thugs and Zoe D.

Speaker 9 Lee plays the other thug. Ben Akira Spencer is the officer and Joanna Descalite as Jodi the paramedic.
Thank you for supporting the show. Part two starts right now.

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