"Jake Tapper"

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Speaker 1 Hey, Will, welcome to the show today. Thank you so much, man.
Yeah, do you ever want to be a guest on the show yourself? Oh, man, what a privilege. Thank you for having me.

Speaker 1 What do you want to do? We don't have room. We're all booked.
I just was wondering if that was ever a fantasy of yours.

Speaker 1 This is a great first question.

Speaker 1 It has always been.

Speaker 1 That's fine. Hey, let's start the show.
Welcome to Smart Liz.

Speaker 1 I thought I was already on it. Smart

Speaker 1 Liz.

Speaker 1 Smart

Speaker 1 Liz.

Speaker 1 Smart

Speaker 1 Liz.

Speaker 1 I've been listening to a lot of Duran Duran lately.

Speaker 2 Why, are you dating a 70-year-old?

Speaker 1 Here we go. There it is.
I have like,

Speaker 1 my search is Duran Duran,

Speaker 1 Life on Mars, David Bowie. Why? Volcano Choir, Flaming Lips.

Speaker 2 Oh, Flaming Lips.

Speaker 1 I'm just saying it's eclectic.

Speaker 1 But Duran Duran lately has been really getting me there. Really? Yeah.
And where is it?

Speaker 2 Are you taking like a step class or something?

Speaker 1 When I say where it's it's getting me, it's getting me to, as I explained, it's getting me to like a blazer with the sleeves pushed up. Yep.
Okay.

Speaker 1 And I'm just tapping on my steering wheel as I'm blazing through the hills. A little white powder underneath.
Are you cuffing your pants? And my pants are very baggy. They've got a nice pleat in them.

Speaker 2 Do you cuff them at the bottom?

Speaker 1 And I pop out, but my hair barely moves. I got a nice one lock hanging down, but the moose keeps it so tight.
Yeah, moose.

Speaker 2 Does that one lock go over one eye?

Speaker 1 What happened to moose? I used to do so much hairspray in my hair, you couldn't couldn't even move it.

Speaker 1 I used L'Oreal Spritz.

Speaker 2 Oh, you're going to get a box of it now.

Speaker 1 Yeah, here comes. Here comes.
I don't know.

Speaker 1 It'll be tough to spray it through the baseball cap that you usually wear. I know.
Look, it's even pretty tough now.

Speaker 2 You could be totally bald and just sew in just a rim of hair around the edge of your cap, and no one would ever know because you never take off that hat.

Speaker 1 That's how I used to, my dad used to cut my hair. You literally just put a ball on my head and cut around it.

Speaker 2 Your dad, not your mom, huh? My mom always used to cut my hair.

Speaker 1 Oh, yeah? Yeah.

Speaker 2 Hold your jokes. Hold your jokes.

Speaker 1 Yeah, I've seen the pictures.

Speaker 2 It's low-level. First of all,

Speaker 1 your impression of me is really insulting. I sound like an idiot.

Speaker 2 You haven't seen the best of it.

Speaker 1 Yeah.

Speaker 1 I saw a picture of Jason today. Amanda, his wife, and I were texting this morning early on a chain.
It should be pointed out, on a chain.

Speaker 1 But the picture is of Jason in his bedroom looking out the window, trying to look at my house.

Speaker 2 Yeah, Will.

Speaker 2 Will just had to downsize to a trailer that

Speaker 2 there's a dirt road about a mile from

Speaker 2 my house. I can see out my bedroom window, and that's where he's going to park it.

Speaker 1 He can now see my house. What are you talking about?

Speaker 2 He's moving, and I can actually see his house across like a mountain range from my bedroom window.

Speaker 1 Sean, in the middle of all this craziness,

Speaker 1 you haven't even lived there very long.

Speaker 1 Well, four years, but like the crazy thing is in everything that's been going on, that we've had a lot of stuff going on, and we talk, we only talk like 12 times a day, the three of us.

Speaker 1 And I forgot to mention to you over the last 30 times in the last 48 hours that I'm moving.

Speaker 1 Wow, I didn't know that. That's crazy.
But

Speaker 2 I honestly have always, one of my favorite movies is Rear Window, and I saw it, I don't know. what, 20 years ago or something like that.

Speaker 2 And I've always thought about like, what would happen if you actually lived at a place where you could use a a telescope to to spot like whenever i'm in new york i'm i'm amazed that people don't just stare across at into other people's windows and just watch them all day long how do you like will you've lived in new york a lot how are you comfortable living in a house or an apartment without the shades down 100 of the time well where i where i lived in new york the last 10 years there was no other building right there so i was lucky in that way but i love that your instinct is like you're trying to figure out how to hold yourself back from looking into people i want to know what power telescope I need to keep an eye on you and gather information.

Speaker 1 Literally the photo that Amanda took is Jason doesn't even know he's staring at the window. So I've got that to look for.
Gauging distance.

Speaker 2 Well, so it's very early and it's got to be because of our damn surprise guest must have something pressing later on. And that's why we're up early recording this.
Let's get to it.

Speaker 1 Everybody looks great, by the way, for this morning.

Speaker 2 Real puffy in the morning.

Speaker 1 I'm still wiping the sleep out of my ass. It's not true.

Speaker 2 All right, gang, today's guest is one of America's great combos.

Speaker 1 Okay.

Speaker 2 He was as much of a print journalist as he is a current on-air one. He's Ivy League educated, but is also a down and dirty jock.
What? He owns three cats, but is highly allergic.

Speaker 2 He thinks the world is flat, but has an impressive collection of globes. He grew up around Detroit's auto industry, but rides a bike exclusively.

Speaker 2 He despises jazz, but was named after the world's famous jazz drummer.

Speaker 2 He claims to be the writer of a new book about the odds of meeting your soulmate at a disco called Devil May Dance, and he's the current host of CNN State of the Union America.

Speaker 1 This is Jake Tapper. Jake Tapper.
Yeah, yeah.

Speaker 2 Jake, is all that true?

Speaker 1 Very little.

Speaker 1 Very little of what you said is true. Very little of that's true.
I do have a book called Devil May Dance, but it's not about meeting your soulmate at a disco. Is it not?

Speaker 1 Let's read the first chapter. Let's read the first chapter.
Actually, it might be up your alley. It's about Hollywood and the rat pack in 1962.
Oh, I would like that. Oh, that's Jason's era.

Speaker 2 Can we have a free option on it right now?

Speaker 1 Did you say free?

Speaker 1 We're just going to shop it around. You can have episode one free as long as there's a 10-episode commitment and it's through your Netflix deal.
Wow, look at this guy.

Speaker 2 Is it fiction or non-fiction?

Speaker 1 It's fiction. It's fiction.
Jake, have you done the

Speaker 1 audio record for the book on tape?

Speaker 1 The first one in the series, I did the audio, and then the second one, they hired a professional. Professional.

Speaker 2 yeah you got fired from your own book read

Speaker 1 wow that's tough I did well you know the thing is also the first one has a lot of characters from history the first one takes place in 1954 has a lot of characters from history and I did attempt to do the voices of

Speaker 1 oh you did I did I don't know if they maybe they didn't like that

Speaker 1 give us a taste let's hear let's hear well there's Robert Kennedy who's really he's got a higher voice and then there's John F. Kennedy which is a deeper kind of more slightly more romantic.

Speaker 1 Oh, that's pretty good. Not terrible.

Speaker 1 I'm no Will Arnett, but I didn't think it was horrible. No, that is very good.
So are you fascinated with that era? I mean, why did you want to?

Speaker 1 The whole, yeah, the 50s and the 60s up until the free love generation starts. Yeah, because it's this really, it looks so romantic, and it is completely menacing and awful.

Speaker 1 But it looks fashionable and lovely with

Speaker 1 the martinis and the bourbon and the smoking and everyone looks stylish and and it was like the birth of of of what we do now basically it feels like yeah is there a current uh equivalent to that do you think like what what area it doesn't even what industry like where where are the cool sort of martini swelling

Speaker 2 maybe associated with uh with with organized crime group of fancy pants is biomedicine it's all biomedicine

Speaker 2 are they having the swanky parties in in the pharmaceutical world

Speaker 1 The menace is all reported on now, whereas back then it was like, oh, isn't that funny, Sinatra's hanging out with a mobster?

Speaker 2 Right. And you can't really prove it.
Nowadays, you can get pretty close to it.

Speaker 1 Yeah. Yeah.

Speaker 2 Now, where do you find time to sit and write a novel when you are having to stay up to date with everything around the planet? And

Speaker 2 that's literal.

Speaker 1 Yeah, that's true. That's an accurate statement by you.

Speaker 2 Do you have a staff of thousands of people that just tell you what to say every day and you're like a robot and you know nothing about world politics?

Speaker 1 And there's nothing in between these two options. Right.
Yeah. You're just a dumb novelist and they put this copy in front of you.
I'm just one of the two.

Speaker 1 I do have an amazing staff for my show, my daily show on CNN and my Sunday show. They're amazing staff, but no, I'm not just reading what they put in front of me.
That's not accurate.

Speaker 1 Yeah, because like when I was a kid,

Speaker 1 I ran into my algebra teacher at the Kmart and I was like, oh my God,

Speaker 1 I just picture you inside your TV, never doing anything else other than journalism. Yeah.
I'll tell you something. Writing the book was a great escape from the real world.

Speaker 1 The fiction, diving into fiction and writing about the Rat Pack and Sinatra and the Kennedys was a big relief and a big escape from covering. the world as it was while I was writing it.

Speaker 2 But I'm literally curious, I'm curious about where you literally find the time.

Speaker 1 My rule is if you're writing, if you have a writing project, if you write at least 15 minutes a day, then everybody can find 15 minutes a day.

Speaker 2 But you don't need an hour to get into that 15 minutes of space. Like you can change gears that quickly.

Speaker 1 But also,

Speaker 1 the 15 minutes needs to actually be writing, not just thinking. You can't be goofing around.
Jason needs a couple hours in the trailer before he starts getting into Marty.

Speaker 1 You know, when he gets on the Ozark, he needs two hours in the trailer, an hour to yell at the assistant, and then then an hour to put on his hair, and then he's, and then he's Marty.

Speaker 1 An hour to put on his hair. Yeah.

Speaker 2 Well, no, I got one with a zipper now, so I got cut in half.

Speaker 1 That's your sport piece. Jake, let me ask you this.
I've always wondered: so you do your show every day. What is that? Because, as Jason says, you have to be up on everything.

Speaker 1 So you're constantly downloading information. You're constantly getting stuff in real time.
I imagine quicker than we are because you're right

Speaker 1 at the center of the nerve center of news worldwide.

Speaker 1 So what does your day look like? Like before we see you on air,

Speaker 1 how much before that are you in the office engaged? Are you engaged the moment you wake up? Is it a 24-7 engagement in what you do? It feels like it must be.

Speaker 1 Yes, there's a 24-7 engagement about stories and what's going on and what we're planning for.

Speaker 1 Like, for instance, I was just, I just got an email from my executive producer about stories that we have in the pipeline, stories that I'm assigning.

Speaker 1 He wanted to be kept more in the loop, which is understandable.

Speaker 1 Because, you know, I'm just like sending notes to people, like, this is a good story. You should do it.
And then they come back to my executive producer, here's the story. And he's like, what is this?

Speaker 1 What do you, what do you, I don't understand what this is.

Speaker 2 And then, and do you, are you obligated, since you're, you're one of the main anchors at one of the main news sources around the main anchor at the main anchor of the world.

Speaker 1 Great adjustment, great adjustment.

Speaker 2 Yeah, better, better said. The world's anchor.

Speaker 2 Are you obligated to go to a committee, for lack of a better word to decide what leads and what doesn't because that can affect the national discussion which could affect the priorities of policy because it's in the zeitgeist more like do you feel a responsibility to to decide what leads and what is at the end of the show giving assigning importance to certain issues um the there's a morning uh call with my executive producer where we talk about what we think will lead now obviously at 8 30 in the morning you know what is going to lead at four o'clock and five o'clock for our two hours might change, but here's what we're thinking of today based on the schedule of the day and based on what's happening.

Speaker 1 Then there's a morning editorial call where the executives share their views of what are the most important stories and what are important elements of those stories. And then

Speaker 1 it's really up to us, me and my team.

Speaker 2 Yeah, what is that process? I would be burdened by the

Speaker 2 responsibility of directly sort of implying what is more important than another thing. And how do you gauge that? How do you

Speaker 1 decide? That is the big challenge of being an anchor and running a show is like, what do you lead with? What do you, it's really more, what do you leave out?

Speaker 1 Because as long as you tell a story, like as long as, oh, this happened with veterans today, I want to cover this, but it doesn't necessarily have to lead the broadcast, but it's in the hour or the two hours.

Speaker 1 But that said,

Speaker 1 The stories you leave out are the ones that are the heartbreaks. And you're right.
It's tough. Are you ever put in a position where somebody reaches out

Speaker 1 or how often are you put in the position where people reach out, people who are, like Jason says, potentially policymakers, politicians, et cetera, who are reaching out to you and saying, hey, you should be covering this in order to serve

Speaker 1 their own needs? Does that occur?

Speaker 1 Do you get those calls where people, because they realize the power that you have? Meaning, if I called you up and I said, Jake, you need to be covering more about me.

Speaker 1 I want you to lead every hour with stuff about me to keep me in the conversation. Which, by the way, is reasonable.
That's completely different. Everyone has a surprise.

Speaker 1 And my passion, by the way, is Duran Duran. But if you could.
I got it. Yeah, I know you're hungry like the wolf.
Does that, does that, but Jason is the wolf? Do you? Teen. Teen.
I'm sorry, Team Wolf.

Speaker 1 I saw that in the theater, by the way, too. No.
I saw that in the theater. I saw a teen wolf.
I appreciate your passion. Team Wolf, too.

Speaker 1 Jake, you'll know that years ago, we used to, Jason and I and Sean played in this card game with Kyle Gass, one half of Tenacious D for many years until we all lost too much money. But Jason Sikhile.

Speaker 1 Jason Tukai. Jason's nickname was T-Dub, as in Teen Wolf.

Speaker 1 That's a great nickname. By the way, may I ask, is there a scene in Teen Wolf, and I haven't seen it since.
Two. When did it come out? Already Loving the Area.
Sorry, Teen Wolf 2.

Speaker 1 I apologize, Teen Wolf 2. It's worth a rewatch.
Michael J. Fox was in the first.
Jason was in the second. Teen Wolf 2.
Did that come out in 86, 85?

Speaker 2 I want to say 87 because that's the year I didn't graduate high school

Speaker 2 because I was working long hours on T-W. T-W-2.

Speaker 1 T-W-T, really? Yeah. T-Wub two.
Thank you. T-W-T.

Speaker 1 Is there a scene in that where you're in the locker room and you look down and you have an incredibly long chest hair and you're like, what the hell is this? Or is that T-W-1?

Speaker 2 No, no, it was T-W-2 and we had to cut it.

Speaker 2 You may have seen it on the DVD extras. We had to cut it because of its

Speaker 2 unclassy sexual implications.

Speaker 1 Wait, wait a second. You just established that Jake is really busy and you think he's watching the DVD extras on T-Dub?

Speaker 2 Yeah, no, he's got, he could manage his day.

Speaker 1 That was definitely the original print because I've, no offense, I've only seen the film once in a theater.

Speaker 1 So maybe at the Balakinwood, Pennsylvania movie theater, there was an errant copy, a secret unedited version. It was because of that screening they cut it.

Speaker 2 This dovetails nicely into my next question pulled from your Wikipedia page.

Speaker 2 You dabbled with the idea of maybe going into the entertainment industry while you were at sc studying cinematic fine arts that's true i went to dartmouth and then after dartmouth i went to usc

Speaker 1 graduate school in film and i did one semester there and what what happened what did you fire yourself from that too um

Speaker 1 there were a number of things that happened one of them was i found los angeles uh-oh carefully an incredibly isolating bleak place oh my god

Speaker 2 thank you for joining us today, Jake.

Speaker 1 Thank you.

Speaker 1 Well, maybe if I had been hanging out with you, Jason, maybe if you were my friend then, I would have. Yeah, I mean, and we could have been like partying with Dana Plato and Quinn Cummings.

Speaker 1 He was a very fair weather friend back in those days. You're lucky you didn't know him.

Speaker 2 I get it that Los Angeles is a tricky place to find your

Speaker 2 tribe.

Speaker 1 The truth is, I was sitting in film production class listening to the Clarence Thomas hearings on my yellow Sony Walkman, and I thought to myself, maybe I'm more interested in something else than I am in film.

Speaker 1 And also the film production producer left the class in the middle of the semester to go, I think he was the DP on Harlem Nights.

Speaker 2 Oh my God. Wow.
But you're kind of tangentially involved since your incredible books are

Speaker 2 at least one that I know of was made into a movie, what, last year?

Speaker 1 Yes, The Outpost. That's a nonfiction book about Afghanistan.
That was made into a film by Rod Lurie starring Caleb Caleb Landry Jones and Orlando Bloom and Scott Eastwood. And they did a great job.

Speaker 1 Yeah.

Speaker 2 Did you get on set? Were you involved at all in sort of the creative?

Speaker 1 Yeah, I was an executive producer and I went to Bulgaria to visit the set.

Speaker 1 And it was an interesting experience.

Speaker 2 Did you enjoy the Bulgarians?

Speaker 1 More than you'd think. More than you'd think.
More than you think. A lot of Bulgarians there.

Speaker 2 Were you involved in like

Speaker 2 kind of writing the script or looking or playing around with editing or giving creative notes on set? Like, how involved did you get?

Speaker 1 I was more involved in

Speaker 1 being a conduit between, because it's a real story, being a conduit between the people making the movie and the people who the movie's about. Right.

Speaker 1 You know, I would offer notes. I saw early versions of the film.

Speaker 1 There was a whole decision. The book takes place over a course of four years.

Speaker 1 And the movie is really focused just on like the last month. Right.
And there was a whole

Speaker 1 kind of controversial decision within the community of the people who actually served there about whether or not we should whether or not people from earlier years, their stories could be told in the same narrative, even though they never actually served together.

Speaker 1 Right.

Speaker 2 How much latitude could you take with what exactly?

Speaker 1 So I was part of that.

Speaker 1 What's that responsibility like when you're telling a story like that where the stakes are very high and you're telling very personal stories of people who are in really intense life?

Speaker 1 I don't even know how to say it. You know, just things that were, you know, stakes couldn't be higher.
What is that like? Do you feel a sort of a burden to,

Speaker 1 in that way, to really tell,

Speaker 1 make sure that your story reflects what actually happened and served all the people who

Speaker 1 sacrificed, et cetera? It's a great question. And the truth is,

Speaker 1 burden's not the word for it, but it was an immense responsibility, and we took it very, very seriously.

Speaker 1 We even had like an early screening and flew people who had lost family members at the Outpost to Washington, D.C. to see an early cut of the film.
It was almost done.

Speaker 1 There were some special effects that weren't in there yet, but it was almost fully completed. And I was a wreck.
I was an absolute wreck because I didn't know.

Speaker 1 I mean, I'd seen the movie and I knew how I felt about it, which is I thought it told the story respectfully and somberly.

Speaker 1 It wasn't gratuitous, but it also didn't whitewash what happened and the like. And, you know, and there were some liberties taken in

Speaker 1 terms of the timing, the time. People who served in 2006 were put in the narrative of 2009.
But generally speaking, it was pretty accurate.

Speaker 1 But I was terrified because, you know, A, I've never served, so I didn't know what it was going to be like for the veterans to see this.

Speaker 1 B,

Speaker 1 the people who had lost family members, I wondered, like, what are they going to feel like watching, you know, in the case of Ken and Beth Keating, whose son, Ben Keating, was killed in Afghanistan and the combat outpost was named after him.

Speaker 1 They're going to watch Orlando Bloom. play their son.
What's that experience like? And then they're going to watch Orlando Bloom as their son die. What's that experience going to be like?

Speaker 1 But ultimately, it was very, it was more of a relief than anything else. But afterwards, we went to each family member.

Speaker 1 I walked around and every one of them thought that the film had been fair and respectful and they were honored. Oh, that's great.
Did you feel that same responsibility, Sean, in Three Stooges?

Speaker 1 Yeah, I did. Thank you, Will.
I went to the families of the descendants of the Three Stooges.

Speaker 1 Where did they? Did they poke you in the eye?

Speaker 2 Let's be real.

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Speaker 2 Let's talk about Body Slam, the Jesse Ventura story, published in 1999.

Speaker 1 My first book.

Speaker 2 Yeah, what drew you to the story of Jesse Ventura? I mean, he's certainly an interesting guy, but was there one thing that was like, hang on, I need to really get in the the cave on this one?

Speaker 1 I would say Body Slam is probably the teen wolf two of my career.

Speaker 1 You should be so lucky.

Speaker 1 They came with a check, and I needed some work.

Speaker 2 It's the check part that was minus in mind.

Speaker 1 Look, I had done some writing about sports, and I worked for Washington City Paper, a free weekly in D.C., and a publisher came to me and said, you know, Jesse Ventura was just elected.

Speaker 1 They need somebody to do a book, and they need it done in two months or something like that. How old were you when you've got your first on-camera journalist job? On-camera, like paid journalist job.

Speaker 1 Uh-huh.

Speaker 1 30. Were you doing some amateur stuff before? In the Valley, just some stuff for sure.

Speaker 1 It was CNN, actually. I had a...
Okay, so it was CNN. Yeah, it was a show called Take Five where five young pundits sat around and talked about the news.

Speaker 1 And they put it on, they put it, the time slot was exactly when young people want to watch young pundits talking about the news, Saturday night at 8:30. Oh, man,

Speaker 1 yeah, that's when all the cool kids are watching. That's when young people are watching TV looking for news.

Speaker 1 I love, by the way, anytime you use the term young people, you're immediately not hitting that demographic. Yeah, hello, fellow young people.
Was that thrilling? Was it like I've arrived?

Speaker 1 This is what I wanted to do. This is no, it was no, because I was still a full-time print journalist, and it was just like, this is interesting.

Speaker 1 This is fun, this is interesting. I'm sure it's all super cringe.

Speaker 1 Who are your co-hosts?

Speaker 1 Again, it was a show by committee, like a camel is an animal by committee. So it's take five, so it's five people.
Great.

Speaker 1 It was me, Michelle Coddle, who now writes for the New York Times, Robert George, who now writes for the New York Daily News. And then for the other two slots, they were rotating seats.

Speaker 1 Each seat had four people that rotated within them.

Speaker 2 You just put them like on a spinning, kind of like there was like a Lazy Susan.

Speaker 1 Lazy Susan, yeah.

Speaker 1 It was more like The Price is Right, where you bring them down on the wheel. And like, who's going going to show up.

Speaker 1 How did that not survive? John Dickens. How long was that on? Six months.

Speaker 1 It's quite a run. Six months.
And our last show, I believe, was on September 8th, 2001.

Speaker 2 Oh, my gosh.

Speaker 1 Wow. Oh, my gosh.
And then we were all waiting to find out if it was going to get renewed. Sure.

Speaker 1 And then something happened in the intervening days that made the show seem rather rather trifling. Yeah.
So, but now, Jake, you enjoy. You enjoy now that once you dabbled in that

Speaker 1 and the on-camera thing, now you really enjoy it. And it's something I love it.
I love it. Doing the news.
And I love what the stuff I love is

Speaker 1 here's a brilliant reporter who just spent a week in Myanmar and here's her story about the coup there and like how oppressed the people there. And here's nine minutes watching.

Speaker 1 And people have been pretty good. They've been watching it.
And so it's been exciting.

Speaker 2 Right. Yeah, you can feel your genuine, sincere interest in all of these things.
It is infectious.

Speaker 2 And I love your stick-to-itiveness

Speaker 2 when people try to wiggle off the hook. You keep them on it and

Speaker 2 you see if they've got two or three answers to that same question or if they've just been backed with one retort.

Speaker 1 And whether people think it or not about the separation that has been kind of put out there of Fox News is only Republican, CNN is only

Speaker 1 left.

Speaker 2 Which has always been such a misnomer.

Speaker 1 you, I don't think of us as left. No, right.
I think of MSNBC, but I know what you're saying, though, yeah. No, no, but, but you, but you, within CNN, to me, are truly center.

Speaker 1 You really, truly think about both sides. You reposition.
That's not what you said before. That's not what you said before the show.

Speaker 1 What did I say?

Speaker 2 We weren't recording that part.

Speaker 1 You said that Jake was

Speaker 1 the part that matters. The truth is, I don't think either party has all the answers.
Right. And I just, I really honestly don't.

Speaker 1 So when Governor Newsom, when your governor came on the show, I asked him some tough questions about that

Speaker 1 ill-fated meal he had. Did you ever get him to admit that he needed to sweep the forests and rake them up?

Speaker 1 Somebody needs to hold his feet to the rake on that. Nice.

Speaker 2 Well,

Speaker 2 so listen, on that,

Speaker 2 I don't want to get into a huge sort of political thing here, but we can.

Speaker 1 But given media and people know that you are behind Caitlin Jenner's campaign for governor. People are.

Speaker 2 We're going to get on that in a second.

Speaker 1 Or is it Mary Carey?

Speaker 2 Do you foresee?

Speaker 1 You don't share a hangar, right?

Speaker 1 You're in the next hangar over. Is that true? From Caitlin?

Speaker 2 Where do you park your cars and your jets?

Speaker 1 My jet? Yeah. Yeah.
In the valley with Mary Carey. Yeah, I like to keep my cars near my jet always.
First of all, that's just good business.

Speaker 2 Jake, do you ever see a time when

Speaker 2 media, or I should say news, is obligated to have a sort of a vetting system,

Speaker 2 a threshold beyond which these media companies may have to go before they report something. In other words, we do.
But it's an unregulated standard, isn't it?

Speaker 2 Like let's say New York Times, Washington Post, they have to have like two or three sources before the editor will say, yes, you can go with that story. But it's sort of self-regulated.

Speaker 2 You think there'll ever be a national or international

Speaker 2 where you know it's not fake news?

Speaker 1 No, there will never be an objective body because A, the First Amendment precludes that sort of thing. People can publish whatever they want whenever they're.

Speaker 2 But you have to label it as opinion as opposed to how they try to frame it as fact.

Speaker 1 Trevor Burrus, Jr.: Well, no, because then you would have lobbying on every side to like who gets to sit on that committee and who gets to decide that.

Speaker 1 And then ultimately, that very committee will become sullied by politics.

Speaker 1 That would be impossible to regulate. Aaron Ross Powell, the answer is no, I don't see that happening.

Speaker 1 But I understand what you're driving at because I've thought about this a lot, especially after the election lie

Speaker 1 was repeated and

Speaker 1 quote-unquote reported so often on

Speaker 1 Fox and some of the other networks, Newsmax or whatever, which is there are no standards. There is no requirement.
There's no professional organization you have to get certified by.

Speaker 1 So when you have a news organization that runs with a

Speaker 1 totally bogus story like Joe Biden wants to regulate you to one hamburger a month. Right.

Speaker 1 There goes my weekend.

Speaker 1 I mean,

Speaker 1 but it does beg the question, where's the beef? And I think that that's something that people are.

Speaker 1 You are always dropping Sinclair Peller. You always love to drop the Peller Perler.

Speaker 2 There's one of the insurrectionists is literally claiming that they're claiming literally foxitis, I think is literally

Speaker 2 what their defense attorney called it.

Speaker 2 Whereby they're trying to find

Speaker 2 an excuse because they were pumped so much information that it caused them to do that. They believe that it was true.

Speaker 2 So when they can establish that reporting stuff that is not true will yield damaging results, you would think that shortly after that some sort of regulation would follow because somebody might get killed because of the things that people are saying well and it's happened they have gotten killed right yeah so um so what do you do about it yeah right that's the question so yes that's something i've been thinking about a lot and grappling with a lot and you know it's funny the um

Speaker 1 after

Speaker 1 uh the broadcaster in England um said something nasty about Megan Markle about how he didn't think that he didn't believe her sure

Speaker 1 um They have like an independent regulatory body that takes comment. I mean, the parliament runs it or appoints people and all that, but they have something like that.

Speaker 2 Trevor Burrus, Jr.: And Twitter had to put that in with Trump's tweets,

Speaker 2 where they had to label things as, okay, this is not true. You can still say it, but we get to put a label on it.

Speaker 2 That's just sort of like the half-measure that I would think is possible where you can vet something.

Speaker 2 I recognize a lot of news is live, or a lot of opinion shows are somewhat live or doesn't allow for as much time to vet something.

Speaker 1 Right now it's based on shame, right? Right now it's based on shame.

Speaker 1 And that obviously doesn't work if you're shameless. It doesn't work.

Speaker 1 So for instance, when CNN messes up, and we do, just like every news organization, we correct it. If needed, we apologize, et cetera.

Speaker 2 To maintain credibility, for God's sake.

Speaker 1 Right. Fox doesn't.
So what do we do about that?

Speaker 1 And I don't think that a government regulation is the answer, but I do grapple with it.

Speaker 1 I mean, one of the things that I think needs to be done is I think that there are professional media organizations, whether it's the White House Correspondents Association or, you know, just various other groups that need to,

Speaker 1 we need to start asserting ourselves within those groups. Like, for instance,

Speaker 1 there's a thing, and this is inside baseball and silly sounding, but there's a rotating pool, which is all the major, you know, Fox, CNN, ABC, NBC, CBS, PBS, we all rotate cameras if there's like an event that the government will only let us have one camera.

Speaker 1 Right. And we all rotate.
Right.

Speaker 1 Well,

Speaker 1 if one of those organizations, Fox, A,

Speaker 1 feels no compunction about lying or sharing falsehoods, B,

Speaker 1 I don't know if you saw it, but Governor DeSantis not long ago signed a bill and it was an exclusive on Fox and Friends. Yeah.
Which is crazy. That's like the definition of state TV.

Speaker 1 If one of these organizations is not behaving the way that the others are, I think it's an open question

Speaker 1 as to whether it should be treated the way all the others are. Right, of course.
Well, and the defenses also on their part is that, no, it's the five-year-old defense. No, you're lying.

Speaker 1 So it just perpetuates for eternity. That's what causes all of this.
It's like, no, we're telling the truth. No, you're lying.
No, you're lying.

Speaker 2 Right. And we're saying that eventually that perhaps somebody should be the adult and come in and like the FCC just say, okay, you don't have access to the pipe then.

Speaker 2 And if you want to get your stuff out, you have to, you have to come up just like they, just like Twitter did. Listen, we're just going to shut you off from this.

Speaker 2 You can still get your statements out, you know, if you want to like issue a press release.

Speaker 1 So Jason, if that body had existed during the Trump years, what would have happened?

Speaker 2 Which body?

Speaker 1 This independent agency, the Bateman Commission. Right.
The Bateman Commission. Yeah.
If the Bateman Commission. It's a great name.
It would have been stacked with Corey Lewandowski and Seb Gorka.

Speaker 2 Right. Well, we wouldn't let those fellas in.

Speaker 2 We'd have a big, huge community of folks to vote on it that's equally divided between left and right.

Speaker 1 But the problem is, you're talking about perspective. And even though two people can look at the same thing, they're always going to claim that they look at it a different way.

Speaker 1 Whatever it is you say, it's going to be tough to move people on that because they're so indoctrinated with these other ideas.

Speaker 1 And that might take longer than just, hey, you know, change your opinion right now. This is going to be a thing that's going to take a while to do because this is something that has been perpetuated.

Speaker 1 This other perspective has been perpetuated for so long now.

Speaker 1 I think the Bateman Commission is dangerous. That's what I think.
By the way, you mentioned the thing about that reporter who was held to account in the UK.

Speaker 1 But my favorite part was when that other coho, the guy who BBC in that or whatever it was in that morning show accused him of being diabolical as he stormed off. And I thought that was the greatest

Speaker 1 assessment. He was like, your behavior is diabolical.
God damn damn it. Not a word that you had in your pocket.
No, but I've been using it a lot. Diabolique.

Speaker 1 Am I allowed, by the way, to say, by the way, am I allowed to fangirl for a second and say that I'm a big fan of all your work, all three of you?

Speaker 2 This part will stay in.

Speaker 1 Nice to meet you. This part was definitely so in.

Speaker 1 And I just want to say to Will, the Lego show that you did brought us lots of joy. Oh, thank you.

Speaker 1 Because I got a big Lego fan, or like Lego. My son is really into Legos.
Really?

Speaker 2 Will you build, build sets with him?

Speaker 1 I used to. He's kind of aged out of it, which is, but by the tail end of it, we was just in time to enjoy Will's show.

Speaker 2 There's some really cool, challenging adult Lego sets, some of the architectural stuff.

Speaker 1 It's very Zen.

Speaker 1 It is very Zen.

Speaker 1 And we have, what's amazing is we have so many, we just finished, we got the second season coming up, is how many incredible builders are coming out of the woodwork and making them and coming on the show.

Speaker 1 And we can't believe the stuff that they do. And they all say the same similar thing, which is not only they just enjoy it, but they also get, they find it very therapeutic.

Speaker 1 We did a thing with some veterans where we were finding during the pandemic, a lot of veterans were using Lego to help them deal with certain aspects of PTSD, et cetera.

Speaker 1 And we provided a bunch of Lego sets, and that was really. You're the real hero, Will.

Speaker 1 I guess, I mean, I'm not, look, that word is thrown around a lot, but I'll take it. All his stories kind of end the same way.
Yeah. Well,

Speaker 1 they said that we don't need another hero, but I disagree

Speaker 2 nice uh

Speaker 2 jake how are you can can you give us a sort of a a breakdown of of your day and how you delegate your your your time a typical day for you what time do you get up how much time do you spend research 10 a.m out of bed 10 a.m that's

Speaker 1 seven you know seven up What happens right at seven?

Speaker 2 Do we go right for the coffee or do we go right for the paper?

Speaker 1 Right for my phone to read the newspaper.

Speaker 2 Now, are you in bed?

Speaker 1 Does that phone sleep next to you or are you disciplined about or do you have to keep it on in case something happens while you're sleeping i have to keep it on in case somebody needs to call me to wake me up in the middle of the night for whatever reason i and i did that one time by the way one time i've been only been on air at cnn for about a month and then i was in boston covering the boston marathon bombing and they had not caught the tsarnaev brothers yet and then it was like 11 30 or 12 at night and i was just sitting in the hotel room online and then people people start tweeting at me the web address of the Somerville, Massachusetts police radio scanner.

Speaker 1 And anyway, long story short, I spent the whole night up on air.

Speaker 1 And there were people, I still hear from them every now and then who went through this experience with me, where we're like, we were getting these reports.

Speaker 1 And obviously, this was the confrontation where one of the other, one of the brothers got killed, and then the other brother escaped and then hid in the boat and all that.

Speaker 1 And we were all getting all this weird news in the middle of the night. Anyway, so just in case that were out to ever happen.

Speaker 2 But so you have to sleep, getting back to this, because it's like right out of a movie, right?

Speaker 1 Phone's right here.

Speaker 2 But you're not, it's not, it's not buzzing or beeping every time an email or text. So you have a specific number that is, that's the only one that will bleed through and wake you up.

Speaker 2 And that would be a hotline from your...

Speaker 1 No, it's just my phone's on. I mean, if somebody wants to call me.
It's just your phone is on. They could wake me up.
Anybody could. You could, Jason.
You have my number.

Speaker 1 How often do you erroneously have your flashlight on? And you have to be told, hey, granddad, turn off your flashlight.

Speaker 2 Oh, Jake.

Speaker 1 Jake, does that happen a lot? We're all getting old. It's okay, Jake.
Admit it. If that happens, am I the oldest one on this call? Maybe.
I'm 52. I might be

Speaker 1 the youngest.

Speaker 2 Are you older than 52? Because I think I'm the oldest of the three of us, right?

Speaker 1 I'm 52.

Speaker 2 You're 50. When's your birthday?

Speaker 1 March.

Speaker 2 Okay, then I'm in January. So I'm the oldest.
You're the oldest.

Speaker 1 Interesting.

Speaker 1 Do you want to know my day? My day is this. I get up early.
I read, I read, I read.

Speaker 1 The kids leave the house at 8. I talk to my executive producer at 8:30.
And then from 8.30 until

Speaker 1 1, 1.30, I'm doing a combination of interviewing, talking to sources, reading, exercising, and getting to work.

Speaker 2 Now, are you doing work while you're exercising? When you're exercising, I'm imagining cardio on a treadmill, and there's some sort of either computer or in front of you or a phone.

Speaker 1 Don't answer yet. Don't answer yet.
Sean, you also guess the exercise, and then I'm going to guess too.

Speaker 2 Okay, so I've got him on a treadmill.

Speaker 1 So You said treadmill, Sean. What do you think, Jake does it?

Speaker 2 High-pace walking, high-hands walking. Sean, what do you think?

Speaker 1 It's a Peloton thing. I don't know.
It's a Peloton. Okay.

Speaker 1 I think elliptical.

Speaker 2 Okay, so he's got both hands moving forward.

Speaker 1 Well, or he could do also just the steady hand. He doesn't.

Speaker 1 No, I want to change my answer. I think he just sits on a yoga ball and he calls that

Speaker 1 exercise. Four strength.
And he calls that access. Okay.
And he calls that exercise. Jake? First of all, the implication is none of you think I look that good.
No, you don't. I said elliptical.

Speaker 1 You look incredible. I mean,

Speaker 1 elliptical thin. Yeah.
Wait, wait, wait, wait, wait. Shit, shit, shit.

Speaker 1 Rowing is rowing machine probably. I think he's a row machine guy.
How dare you? I'm switching. I'm switching before.

Speaker 1 With the Erg machine, the people, those, the crew guys in college always look so good. That's what I thought because I thought Pennsylvania, you might be like a crew guy.
Okay, go ahead.

Speaker 1 So before the pandemic, it was like a, I had a trainer. I went to a gym.
It was like a lot of stuff. You did look great before the pandemic.

Speaker 1 So pandemic era, which is what we're in, I will just answer that, which is you should have kept with peloton sean because it was peloton okay okay um and i watch a movie watch a movie i'm making my way through the marvel cinematic universe now headphones or speakers it's just speakers that nobody's nobody's in i have a little gym room yeah because headphones get sweaty what are you shaking your head jason's disappointed in me for watching i'm thinking about will and his sweaty headphones i i just i i just i can tell there's probably just sets and sets of i watch teen wolf 2

Speaker 1 that'll make make you sweat. With the long hair.
You're writing a book. You're doing the thing.
You're reading it out. You're exercising.
You're going to the...

Speaker 1 Like, is your family like, hey, remember us? Good question. Like, do they ever go like, hey, can you working way too much? Because to me, you just, you work so much.
But the kids are at school.

Speaker 1 Where's mom? The kids are at school at this point. Mom is working.
She does some freelance consulting and stuff. I mean, I spent time with the kids in the morning.
Quick, what are their names?

Speaker 1 Hey, listen, why did your voice go up? We're not accusing you of anything, Jay. Yeah, you sound so defensive.
Alice is 13 and Jack is 11.

Speaker 2 Can you remember their middle names?

Speaker 1 Alice Paul and Jack Raymond. Good for you.

Speaker 1 That's really, really tight.

Speaker 2 Will, quick, what are your kids' names?

Speaker 1 Starting with direction. And Sean.
Yeah, I sold mine. Okay.

Speaker 1 Tell me

Speaker 2 where illustration, cartoon drawing, and all that stuff still lives or not in your world.

Speaker 1 You know, so I wanted to be a cartoonist. That's what I wanted to do.
And I spent years and years trying to be the next Gary Trudeau.

Speaker 2 Or the next Jimmy Kimmel. You know, he's got a pretty good pen on him.

Speaker 1 I know. He's an excellent artist.

Speaker 2 There's a better way to say that.

Speaker 1 He has a cartoon that I drew of him, and I have a cartoon that he drew of me in our homes.

Speaker 2 Nice. Cue the love music.

Speaker 1 I love Jimmy. Jake, were you the one who provided the video recently of Jason on his first appearance on The Tonight Show? On The Tonight Show, yes, that popped up.
It really

Speaker 1 made its way into an extended chain, text chain that we have, and Jason took heat for like

Speaker 1 an hour and a half of Joseph Bateman, Joseph Bateman's first appearance on the tonight show oh jose

Speaker 1 do you see how

Speaker 2 a moment of self-indulgence do you see how obnoxiously calm and confident that douchebag i was at 15 like why why was i so comfy there in front of johnny carson i i mean there's so many we know why

Speaker 1 everybody everybody thinks you were two weeks removed from what oh yeah i

Speaker 2 uh well i i became sexually active at 15.

Speaker 1 you just uh to put it uh

Speaker 1 You had just, like, two weeks before, lost your virginity before you went to Carson?

Speaker 2 I believe that about time's out.

Speaker 1 No wonder you were smoking a cigarette. Yeah.

Speaker 1 I was beat. Yeah.

Speaker 2 But no, God, were you guys, do you guys remember being as fond of yourself at 15 as I was? I mean, there's.

Speaker 1 Well, none of us remember being on Johnny Carson when we were doing it.

Speaker 2 No, but there's a blissful ignorance at that age, right?

Speaker 1 But that was your whole.

Speaker 1 thing at that time. It's your move, right? That was what you were selling on the show.

Speaker 2 Naively, I thought it was never going to descend.

Speaker 1 God, we loved. I love that show.
Did you guys love that show as much as it was? It was a great show. It was so good.

Speaker 2 I don't think it holds up.

Speaker 1 Sean, did you love it? You loved that it's your move, right? I loved everything Jason Bateman has ever done.

Speaker 1 It's your move was really good, but I don't recall it lasting that long. Am I wrong about that?

Speaker 2 No, it was less than a season. Yeah.
You know what, guys? I love it when I can shape an interview into something about me.

Speaker 1 I end up doing this quite a bit. It's a talented thing.
Well, Will started it because I'm the one that, and it's my fault because I sent that Johnny Carson clip to you.

Speaker 1 It was like wildfire. Yeah, you did seem like a douche on Carson, though.
That's true. Well, you know why?

Speaker 1 Because I pointed out in our chain the other day that he was, he was a douche, because he was knee-deep in Valley Beave at that point. And so he was,

Speaker 1 so he just had that confidence.

Speaker 1 Valley Beave. Oh, man.

Speaker 1 And also what was so amazing about it was, well, first of all, I thought Carson was kind of, I thought the questions were kind of tough. He's asking you about whether or not you believe in past lies.

Speaker 1 You're 15.

Speaker 1 You're 15. What the hell? Like those are some real crazy questions.
And then would you ask, you'd never ask somebody on your show if they believed in that.

Speaker 1 The question was based on the fact that he had fucked up Jason's name. He'd called him Joe.
Yeah, I know. And then to try to crawl out of it.

Speaker 1 By the way, I revere Carson and everything, but to try to crawl out of that, all of a sudden he's like acting as if perhaps he was actually Joseph Bateman. And like, do you believe in other lives?

Speaker 1 Do you believe in past lives? It's just

Speaker 1 fucked up the name, man. You got to admire, you got to admire the bailout, the attempt to get out of it with that.
I mean, that's a pretty deep way to get out of it. Yeah.

Speaker 1 Did we even say that he, when he introduced you, he said the wrong name? I don't know if he ever said that.

Speaker 2 Yes, yeah, he did. Introduced me as Joseph Bateman, and then I.

Speaker 1 Oh, no, we said it on this. Yeah, yeah, because our phone lines were lighting up from Wisconsin.
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Except now, the dastardly desk clerk is saying he can't confirm you're connecting rooms. Wait, what?

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No, we cannot be five floors away from our kids. The doors have double locks.
They'll be fine.

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Speaker 3 Hilton, for this day.

Speaker 1 Do you think that this big lie has sustainability and will

Speaker 1 go all the way to the next election?

Speaker 1 Because

Speaker 1 I think the hardest hitting question for a moderator in the next presidential debate is going to be directly at the Republican candidate and saying, do you believe that this happened?

Speaker 1 But we'll know the answer to that already because that question will have been asked and answered.

Speaker 1 And what I suspect is you will either have somebody who is a full-blown election truther and says the election was stolen,

Speaker 1 or you will have somebody who tries to walk the line and say things like,

Speaker 1 I have a lot of questions about the election. A lot of states passed emergency legislation that I, you know, I thought was in violation of their state's constitutions.

Speaker 1 And I have a lot of concerns about it, which is why we passed such and such in my state. But I want to look forward, blah, blah, blah, blah, blah, which is basically

Speaker 1 not

Speaker 1 denouncing the election lie, not fully embracing it, trying to walk a line.

Speaker 1 And I suspect the next Republican nominee will do that and beat up reporters enough so that they stop trying to get a definitive answer.

Speaker 2 That it didn't work. I mean, you can follow Trump and assume that there's enough voters out there for it to work, but it's been proven now twice that it's just simply not enough people.

Speaker 2 They got to put a different candidate up, right? Or have a different

Speaker 1 ideology. I don't know.
I mean, as a general note, I agree with what you're saying, that the future of the Republican Party needs to be more expansive.

Speaker 1 They can't be kicking people like Liz Cheney and Mitt Romney out of the party. They need to, you know, embrace facts and

Speaker 1 truth and, you know, share their opinions and their views.

Speaker 2 But I don't know that they're going to do that.

Speaker 1 And I don't know that that's the only way that they can win a presidential election. I don't know that.
I mean, we'll see. I mean, it's possible that

Speaker 1 Democratic voters are not necessarily hugely reliable. I mean, they are where you guys live in California, but like in battleground states, they're not.
And we're Hollywood elite, by the way.

Speaker 1 We're liberal elites. So you don't like it when I just

Speaker 1 say California. You want to make sure that I'm identifying

Speaker 1 Malibu. Malibu.

Speaker 1 By the way, by the way, I'm from Toronto. Sean's from Chicago.
And Jason's from the Valley, which is about as, you know, which is at least a 40-minute drive. In rush hour, forget it.

Speaker 1 And I'm not coming.

Speaker 1 You're from the city of Toronto? I'm from downtown Toronto. I grew up, yeah.
Yeah. Yeah.
It's a good good town.

Speaker 1 I feel the rough Scrabble roots in your voice. Yeah, yeah,

Speaker 1 the hard-nosed streets of T.O. T-Zero.
I said something critical of Prime Minister Trudeau on TV and on Twitter. And

Speaker 1 you got to be Canadian.

Speaker 1 Those Canadians can be impolite. I learned that.

Speaker 1 They're very impolite. And also, I will say this, as a Canadian who moved down here almost 30 years ago, more than 30 years ago,

Speaker 1 when I came here, I had such a chip on my shoulder because you feel like you're the kid brother of the U.S.

Speaker 1 And so you have that thing. And if any, you're so, I was so defensive about Canada for so long.
And I'd be like, well, we do this and we do that. We've talked a lot about it.
We have William Shatner.

Speaker 1 Yeah, we have

Speaker 1 constantly calling out everybody who's a famous Canadian. Like somebody will go, yeah, so I actually saw this great movie with Mike Myers.
He's Canadian. We're like, yeah, we know, man.
We got it.

Speaker 1 And, but there is that thing. And so I think that they're very, they can be very defensive.
And I get it because I went through that myself. You do feel.
Are you an American now? I am both. I'm both.

Speaker 1 But

Speaker 1 I'm dual. And it feels like

Speaker 1 I'm bi.

Speaker 1 But don't hang up, everybody. No.
No, no, sorry. I'm not saying bye.
No, no, no. It's just I'm bi citizen.
But you feel like, and to make a hockey analogy, we feel like

Speaker 1 we're very similar in a lot of ways culturally, but we're up against the glass kind of looking in, like right at center ice. We got great seats.
We got great seats. I like us.
Yeah, yeah.

Speaker 1 And Canada is an incredible country. you guys like hockey are we still talking about toronto oh sorry did we want to bring it back to teen wolf too for sake we only did 11 minutes

Speaker 1 jake i'm so sorry to have taken your time i was anyway my only point was i was amazed that prime minister trudeau's fans were

Speaker 1 as

Speaker 1 loyal and devoted no but they're not here to him as they ought to as trump's fans or obama's fans are jake jake this is my point they're not they those same people in the

Speaker 1 conversation. I'm an American and I said something.
Because you're American and you said it, then they're defensive. And that's true.

Speaker 1 And any Canadian who's listening to this who disagrees with me, you're lying.

Speaker 2 Jake, Eagles or Phillies?

Speaker 1 Why do I have to pick?

Speaker 2 You have to pick. You have to.
Guns to your head.

Speaker 1 The gun is right to your head.

Speaker 1 Well, you know what, Sean, you go first. Sean, you go first.
Eagles or Phillies?

Speaker 2 I'll give you an out there. I will say for 2021, which are you more bullish on?

Speaker 1 Phillies. Phillies? Okay.
Yeah, I'm really worried about the Eagles right now. I feel like everybody that took us to the Super Bowl is gone.
I am, too. It's tricynchic.

Speaker 2 Sean, you share his concern, Sean?

Speaker 1 Oh, God, yeah.

Speaker 1 Bobby Clark or Eric Lindrose?

Speaker 1 Lindros. Really? Okay.
Well, because I know Lindrose. Of course.
Do you? Of course. I went to an Eagles game and met him.

Speaker 2 What's Eric Lindrose doing nowadays?

Speaker 1 He's up in Canada. He's...

Speaker 2 Do you know what he's up to?

Speaker 1 Maybe 280 to 298.

Speaker 1 That's what he's up to? I don't know.

Speaker 1 By the way, just kidding, I'm sure he's in great shape, and I don't want him to beat me up. Jake, what does the rest of your day look like? It's Saturday.
What are you going to do today?

Speaker 1 Write a couple more books? Right after this, I'm doing an interview with the White House director of COVID. Oh, my God, say hi for us.
Jeff Ziance. That's going to air on Sunday morning.

Speaker 1 Say hi for us. And then I come back and I'll prepare for tomorrow's show and play with my son.

Speaker 2 Is there a part of you? I mean,

Speaker 2 I'm such a fan of politics. I just, I love watching politics on the news and reading about it.

Speaker 1 Then, by the way, you should read The Devil May Dance, which is a new book. Oh, what is that? Is that a new book? It has a lot of politics in it.

Speaker 2 This is about finding your soulmate in a disco.

Speaker 1 It's not. But I know it's a book that you're recommending all of your listeners to purchase.
Is it a book that's available now? It's available now. Yes.
At fine bookstores. You can get it on Amazon.

Speaker 1 You can get it Barnes ⁇ Noble. You can get it on jake tapper.com.
You can get it. Jake, I'm going to read it.
Of the three of us, I'm the only one who reads, and I'm going to read that book.

Speaker 1 And I'm not going to have any notes for you. I'm just know now.
I pretty enjoy it.

Speaker 2 You got a rave review in the New York Times.

Speaker 1 I got a New York Times Rave Review. You never get that.

Speaker 2 No, and I'm going to tell you.

Speaker 1 I think you guys actually would like it. It's about Hollywood in the 60s.

Speaker 2 Let me tell you why you would like it.

Speaker 1 I don't like Hollywood now. Why would I like it best then?

Speaker 2 Per the New York Times. The New York Times says, the gears of this thriller move expertly and fast.
The seriousness of this book never gets in the way of the breathless fun.

Speaker 2 Tapper obviously enjoyed sourcing it, writing it, and using Can You Stop This Gamesmanship from start to finish?

Speaker 2 Just when you think he's pulled the biggest rabbit out of his hat, he turns out to have been hiding something even bigger.

Speaker 2 He also makes Margaret a wonderful role model for many people who will enjoy this buoyant book.

Speaker 1 By the way,

Speaker 2 good for you, Jake. Come on.
New York Times doesn't just hand out raves.

Speaker 1 They don't.

Speaker 1 My review is: be careful about wanting to tango in hell because the devil may dance.

Speaker 1 Oh, and that's going to end our interview today, Mr. Tapper.
I'm happy to send you all copies. Jason has my number.
I would love that book. Oh, my God.

Speaker 2 You're going to get on a thread. You're going to want to leave immediately.
Sean sends the greatest videos of little kitties on skateboards.

Speaker 1 They'll keep your day moving.

Speaker 1 Kittens and puppies. Kittens and puppies.
I'm happy to start like a, you know, a text chain. Oh, you got it.

Speaker 2 Be careful what you wish for.

Speaker 1 I mean, if you want, if you want to do it, ready.

Speaker 2 Mr. Tapper.

Speaker 1 Toronto Maple Leaf News 24-7.

Speaker 1 I'm so excited i appreciate your time because we've established it's very valuable and very crowded so thank you for sharing this uh this bit with us today by the way i apologize that it was so early but i i just like to complain when my assistant told me we were doing this at 8 a.m pacific time i said that can't be right because i'm pretty sure they'll all be sleeping well at least will's face is in a jar of ice still um

Speaker 1 that's why it's so beautiful and they're you know thank you jay i've been up since 545. i've been up since 545 because I was watching Leeds, Tottenham, and Formula One qualifying from Spain.

Speaker 1 And wow. Huh? Okay.
Thank you, Jake.

Speaker 1 Jake, wow. Thank you.
Thank you, man. All right.
Hit me up on the thread. Talk to you.
Bye, buddy.

Speaker 1 Bye.

Speaker 2 That Jake Tapper, you know, he seems like such,

Speaker 2 he is such a, again, I use the word adult. Like he knows all, he's so smart.
He talks to all these world leaders.

Speaker 1 But when you talk to him like in this forum, he's just such a regular guy and he's got his little hoodie on and his hair's all messed up and he's that's what i was talking about too jason was like it it to it that teacher reference right when you're a kid and you see your teacher outside of their environment in school it's like oh you see there's jake tapper with a hoodie on and like a regular person it's it takes a while to add it up yeah he's i can't believe he smoked weed the entire interview too because i thought that was a guy who covers the news that much weed he kept his wits about him yeah and he kept he kept saying i got this sticky BC.

Speaker 2 But, you know, in all honesty, he would, like, he will, and I hope he doesn't get mad at me for revealing this. He will, he will text me the most inane stuff in the middle of his show.

Speaker 2 Like, he's able to juggle so many balls or spin plates or whatever the phrase is. He's just, I don't know how he's able to do it.

Speaker 1 By the way, that's maybe someone like him because he has to do that. He has to text you that.
Like, he's got to keep everything moving all the time because if he doesn't,

Speaker 1 then the bottom drops out and then he's in the corner in in the fetal position in tears that's what i want to see and i want it's same here i want to see jake tapper in tears but in the studio on camera i want to see it great wouldn't it be great yeah yeah and you'd see all of his mascara running oh my god not a lot of people know he wears heavy eyeliner he wears a lot of mascara and the eyelashes are fake too are they that's the majority of his time in the makeup chair he's gluing on the eyelashes they make his eyes pop i'll say that they really make his eyes pop what a gig though what a gig his His whole makeup is great.

Speaker 1 I guess one would refer to that as the uh-oh, here we come. Viola.
No. Bai'lla.
No, no. You know what? No, we've been calling federal a couple times, and I refuse that too.

Speaker 2 I'll tell you, the one already, you did, you did use one in the interview that maybe we can revisit now. Yeah, about your citizenship.

Speaker 1 Yeah, that I'm not a dual citizenship. I'm a bai

Speaker 1 citizen.

Speaker 1 Smart.

Speaker 1 Laws.

Speaker 1 Smart.

Speaker 1 Loss.

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