Threw it on the Ground

Hey, hey, it's the lonely island and Seth Meyers podcast show.

Hey, everybody, this is this week's at Crossover.

It's a Brooklyn 9-9 podcast as well.

We're joined by Stephanie Beatrice.

We've heard the best way to monetize is to make it a rewatch podcast for as many properties as possible.

Well, you're not wrong, honestly.

So, Stephanie, you were saying you went in to do a callback with Andy.

Yeah, they told me that my callback was going to be with Andy, and I was like, oh, no, I'm going to, I'm not going to get it because I was, I threw it on the ground.

I'm not a part of your system.

I mean, I was fully in it.

Was this the first you heard that he was in the show?

No, no.

But I didn't know the callback was going to be with

this dude.

Like a chemistry read for the callback?

Yeah, kind of a chemistry read, except it was like, where's the friend chemistry?

Yes.

Like, how is the bud chemistry?

Not a romantic chemistry?

No.

Yeah.

We did reads with every part in the cast except Andre and Terry, who had already been cast.

Yeah.

And it's good that you guys had, because I know from hearing it from other actors, that if at the end of a chemistry read, if Andy doesn't have it, he just says, nope.

If I don't have it, like the juice.

If you don't have chemistry with the person, you just make a scene.

Chemistry.

With them in the room.

Yeah.

He just gets up and storms out.

You just like, you don't make eye contact with them.

You look at the director and you go, nope.

I go, dead fish.

Dead fish.

No, thank you.

Oh my God, even joking about it gives me hives.

I have a real real question about stephanie so when i think of like the parks and rec style of casting

everybody usually like aziz is doing a version of aziz pratt was doing a version of pratt andy's clearly doing a version of andy as jake you're the only one i can think of that had a full like it doesn't even sound like your voice so what did the sides like what was the description not the sides but like did it say like a no-nonsense uh like you said you're the only talented one it was like a fiery temper.

I mean, I think that originally it was, wasn't it written to be like a fiery redhead or something that had a lot of brothers that were cops and then they get they ended up changing.

I remember this.

Yes, it was a fiery redhead named Megan, Irish descent.

And I was like, well, that's me in a nutshell.

But I do, I mean, I disagree that all of us are doing a version of, I mean, I think, you know, not to get like,

not to get too Andre about it, but like acting talk about it.

I would say Andy and I are probably playing the characters that are furthest from ourselves.

Thank you for saying it because I know.

Yeah, you a tiny boy.

You a tiny boy.

And even on a superficial level, your voice is a very different voice.

Yeah, the voice is a totally different choice because I could see that they were doing archetypes.

I could see the archetypes that were molded into the shape of the script.

And many of the archetypes are, you know, leftover from Commedia del Arte, you know, but like what they were doing in parks was a version of these archetypes that are in the office space.

This is the this one, this is the that one, right?

And I could see that the archetype needed

a very succinct way to understand the character.

And what my choice was black leather jacket, black boots, and the deepening of the voice, which yeah, you knew the frequency.

The frequency you had to hit.

Yes.

Rosa just walked up in here.

She'd be up in here all the time.

Then my other question, though, is so when you walked in, did you go, was it like Andy's Bob Dylan audition?

Like, did you go, hey, what's up?

It's me, Stephanie.

Hi, nice to meet you.

Okay.

And then go, hey, what's up?

I'm reading the sides now.

Or did you act?

No, because I knew that sometimes that's confusing to people.

So I just quietly entered the room and was like, hi, that was it.

Yeah.

I didn't even like really smile.

I was like, hey.

And then I just launched in.

So they could have thought, and probably did, that your real personality could have been closer to what it was.

A correct sir.

Yes.

That's great.

That's correct.

Not somebody who would say corrects her.

Wait, Steph, Steph, might I jump in?

Didn't you didn't we read various parts?

We did read, we read Amy as well.

Yes.

We read Amy.

So then did you, you must have flipped it a little bit when we went into that.

Yeah, well, by that time, by that time, I'd been called back for both roles.

Capsule Bill, the little California.

Yeah, so I also needed to differentiate them very, very well.

Yes, yes.

And was doing a Norbit ever on the table?

Was it discussed?

Not

at the time, only in the fittings.

Then it was like, this is something we're thinking about for the pilot.

How do you feel?

And I was like, sign me up.

Yeah, you should be both.

I'll do all eight parts.

Yeah.

Your agent called and said, they're thinking of making a Norbit offer.

So how do you feel about it?

And I was like, sign me up.

Stephanie, you are a very, I remember how clearly when you were a guest on my show, like there's a real, like, the audience is like, wait, what's going on?

Yeah, they don't like it.

Well, it just takes them a second because they're like, well, what's she doing now?

Yeah.

Steph, I just missed you at Comic-Con, but I texted you.

I saw that you guys were on the big, big stage.

We were doing our activation for Twisted Metal over, there was like a bumper car situation that we had to be at, and I missed your panel, but I heard it was great.

Very generous to say you guys were at the big stage.

I technically was there, but something tells me if it had been a solo Digman joint.

No, no, no.

We're fledgling.

I'm just saying.

I was riding those.

That was pretty cool.

Those South Park and Beavis and Butthead coattails.

That was very cool.

Ooh.

Hi.

What's up, June?

It's Mirabel.

Hi, I'm Stephanie.

Hi.

Hi.

It's nice to meet you.

We went and saw the, I think I actually texted you when we did it, but we came to the Encanto Live at Hollywood Bowl.

That was the one that's on Disney Plus now.

That was very cool of you to come.

I really appreciate it.

That's really, really nice.

She loves that one.

I don't want to squash the beautiful Encanto vibes, but it's important for me to let June know that I have seen K-pop demon hunters.

I was just reading about it.

Is it your favorite?

It's Heat.

The music is incredible.

Incredible.

And I was at the County Fair up here and they were playing Golden, and I was like, oh, this is a smash.

Golden is number one on the Billboard top 100 right now for a good reason.

Let's be real.

June's very proud of that because she was an early adopter.

yeah nice you made it happen june i was very excited my boys loved it and it made me really happy because i was like oh this is great because this is just such like a very like sort of female forward show good oh yeah both my kids are upset but they're super kick-ass it's so good and if you like that watch sailor moon keeve and i both watched it separately and kind of had the same takeaway which was why is the song free not getting more love because it's clearly i think it will

you think it will you think it's a slow burner it's like look

a really good sizzle.

It's like you and your voice is so pretty.

It's literally what you had pulled up on your phone at that exact moment.

Okay, here, wait.

I do want to let Stephanie eat lunch because we're technically on lunch right now.

Oh, yeah, she'll eat your lunch.

Great.

In racketball.

That's fucking

racquetball puss.

Yeah, right after this shoot, we're going to do play racket ball.

Did you just say Stephanie will eat your arm's lunch in racquetball?

Yeah.

Well, I was just piggybacking Q's thing.

It was just like free association.

I like that.

Eat your lunch.

You know what the kids are saying now?

Like instead of, oh, you ate, they're saying, oh, you chomped.

And sometimes they're going, oh, like that.

Yeah.

Have you heard that one?

I haven't been at school.

So.

Oh, right.

I also heard, oh, four plus four.

I was like, what?

What's four plus four?

You ate.

You chomped.

June, you chomped.

I've also been watching the modern family episodes with you, Stephanie.

Oh,

they're highly problematic, but funny.

They are, aren't they?

Not that that long ago.

Not that long ago.

This feels like it's right on the edge of something, not so hot.

So, yeah.

Yeah.

You play her sister?

Yeah, I play her sister.

Sister to no good?

Yeah.

Yeah.

She's Colombian like me.

She's from the same town my dad was from.

Oh, really?

But Gloria is always wrong about the arguments.

Always wrong.

She's a spoiled brat, right?

She stole your life.

She stole my life.

She stole my life.

Okay, I gotta go now.

Okay.

Bye, guys.

Bye, bye.

Bye, Stephanie.

Bye.

It was so nice to see you all.

Bye, bye.

Love you.

Surprise.

Thank you.

Something else that I find problematic is that at the end of K-pop Demon Hunters, they play Takedown, but they don't change the lyrics to be like updated and more demonstrated.

So you still felt it was like negative?

Yeah, like they were like, well, we already cut the track.

And I was like, hey, but they talk at length in the movie about how these lyrics aren't actually fair.

And she's even rewriting them to be the right version.

And I was like, oh, they're playing it.

It's going to be her version that she was working on.

Her correct version.

Yeah, June's agreeing with me.

Yeah.

She gets the same.

Yeah, June's doing the point at the temple.

And he's on to something.

Anyways, K-pop Demon Hunters, hit me up for the sequel.

I'll do whatever.

If you need a white guy.

Bye, June.

What a wonderful start to today's pod.

Yeah.

You guys, I'm sorry about that.

And by the way,

so you guys, Stephanie Beatrice is here.

You can use that at the beginning.

Oh, that's great.

Seth did do a little intro.

You did?

Yeah.

Okay, good.

Probably not enough, though, Jorman.

And I do think whether we put that at the beginning or just keep it here, I think it will have a lot of value, and I'm glad you asked.

Well, Stephanie and I are shooting a commercial right now on the WWWB lot.

And yeah, she's here to start the pod.

Is that the frog?

Is he there?

The frog keeps jumping out, and then I'm like, the fucking frog!

The fucking frog.

And then everybody turns around.

He's fucking playing dead.

I hate it.

Wait, so

the frog is lying on the ground pretending to be dead?

Yeah.

The guy.

So you're saying the frog is playing possum?

he's gaslighting me guys uh yeah but i'm at the wwwwb oh yeah like the animaniacs

um can i just take a moment to say hi seth hi andy how you doing bud i'm doing good i'm sorry that i couldn't pick up the phone during corrections that's all right your video and then i was like an old man and fumbled your video but it didn't end up playing great

okay good

How long was that running?

I think I wasn't clear that this was like a running thing.

For a month and a half, I've been trying to call Andy during corrections to ask him what was his favorite Nick Cage line in Captain Corelli's Mandolin.

Yes.

And that I was supposed to say, no one touched my fucking mandolin.

Was that it?

I think it was which one of you fuckers touched my mandolin.

Which one of you fuckers touched my mandolin?

Is that a real line?

No.

Yeah, you are.

Yeah, it's a real line.

Okay.

Okay, I'm out of it.

This is, but thank you, Andy.

You came through for me.

Well, also, someone, you have to watch The Last Corrections because someone said they found the Bollywood Andy Sandberg.

And I played a trailer for a movie where there's like a dude who does kind of look like a Bollywood Andy Sandberg.

Oh, I can't wait.

Yeah.

Love an alternate reality version of a person.

Yeah.

It was, it was very good times.

But can I tell you maybe the craziest comment I read this week?

Yes, please.

Yes.

And it's cage-related, which is why I'm jumping in.

Oh, okay.

That Get in the Cage prophesied Keeves' naked gun movie because

when you did Get in the Cage with Liam Neeson, you at one point said, you're a sweet kid, Leslie Nielsen.

Yeah,

that's right.

You're a sweet kid.

Which I'm almost positive is a Rob Klein joke.

Fantastic.

Yeah.

I mean, it totally makes sense.

And that actually, I mean, there's no way Seth McFarlane didn't rip that off, right, Keith, on the record?

100%.

I mean, dude, we need clicks.

He told me at dinner.

Oh, he told you.

Hey, where'd y'all go?

The Ivy.

Polo laugh.

A lot of the comments about our podcast.

Yeah.

People have just been jumping in the comment section, Keith, to say how much they've loved Naked Gun, how hot it played in the theaters they saw it.

That's awesome.

I got some really nice Koiet armies.

We haven't talked since then, right?

The Saturday night of opening weekend,

you know, you can just check Fandango and make sure that you're not going to get embarrassed and go to a half empty theater.

And the theaters in LA were gratefully very full.

And I had never done the thing that Jorm talked about doing on Hot Rod and having one of the saddest things ever where he went to some theater and was like, oh no.

But now you can just

think that they're full online.

Yeah, you can just make sure and see all the little X's.

And then I went to see those little X's in person.

And so I went went around a little bit on Saturday and just kind of went and introduced the movie, did like three-minute intros, just at a few places, just in Burbank and the Grove, I did on Friday.

And it was just rad to just look up.

I didn't have like jokes.

I just was like, I just wanted to see your faces and thank you.

Because also the people that were in those theaters bought their tickets a few days ahead of time because they were really sold out.

That's awesome.

And I definitely got quite armies as I walked out of each one.

That's the best.

And did you write just kill?

Oh, of course.

Yeah.

Oh, man, that's so tight.

There's been a lot of comments on the lot, by the way.

Like, Like, not surprisingly, like, there's a lot of people like JP who did

it.

Yeah, an AD one.

Yeah, yeah.

Yeah, just like he saw he's seeing it again with his daughter.

He was super pumped.

Like, but everyone I've seen.

And I got a really good Quaid Army from a kid who I was stopping to ask directions on the lot, pulled up in a little cart.

And I was like, I'm just trying to get to the, like, this building 20 over here.

And he was like,

Quaid Army?

And I was like, Rachel's Gil.

And then he drove me around for like five minutes.

It was pretty nice.

He asked a lot of questions about the pop.

You got a free cart ride.

My friend, his daughter's 13, and she was saying her and her friends were going to see it today.

And I was like, oh, you're going to love it.

I go, did you see the original?

She goes, yeah, but I think I saw the first one when I was too young because, like, I was so scared by Reggie Jackson.

Oh, yeah.

It was like really funny.

Yeah.

But I was like, oh, yeah.

Like, and she goes, Is there anything like that?

I'm like, no.

But like, it's funny, like, a dead-eyed Reggie Jackson is like, you're like, oh, yeah, that may be one.

Well, the premise of Manchurian Canada is terrifying.

Yeah.

Yeah.

It is.

That you could be outside of yourself like that.

Yeah.

And she hadn't seen the references.

So she's just actually following that story as a fresh sleeper sleeper cell story keeve do we want to address the elephant in the room here i feel like i probably should the rotten tomato situation oh where are we at

i believe i owe mr davey franco and

lovely miss allison an apology because

my man keeva's dipped down to a very respectable 88 but they're riding high at 90 and i don't see the scales tipping back again so i eat crow on this one keeva's a loser and i would die to work on your next project.

I'm going to die.

But can Lilo and Stitch still eat shit?

Always.

Fuck those assholes.

Okay, great.

Yeah.

Somebody did say that was maybe their favorite.

They said my favorite line from the last week's podcast was Andy telling Lilo and Stitch, they could go eat shit.

Yeah, they could die slow, bro.

Yeah.

I am excited to see it.

Me too.

All right.

But in fairness, we have more reviews, though.

I'm looking.

Oh, shit.

Okay.

So maybe case is not closed.

They have 200 reviews.

And where are are we at?

Hold on.

We're at 283, so that's 83 more reviews.

So, you know, get 83 more and we'll see where we're at.

I mean, I would be curious if you broke that down, like the percentages.

You know what I mean?

Well, the percentages is what Rotten Tomatoes does.

No, but I'm saying if you had the same number.

Like, what was your number at that number of reviews?

Oh, at 200.

Yeah.

There's a bunch of who knows from where's reviews piling on yours.

Well, we opened in a bunch of other territories around the world.

So these might be, these are French reviews.

These are Australian reviews.

French reviews.

So then you have to build in the exchange rate.

Is that what you mean?

Yeah, exactly.

I don't know what a French review exchange rates to an American right now.

The American review rate is actually a little bit low.

I don't want to point fingers, but the current administration has been driving down the

American reviews.

Are you saying tariffs are hurting your

thought it would get all our movies to get better reviews, but it turns out when you put a tariff on like a French review, it actually knocks it down by a star.

Oh, of course.

When it comes in.

Do you think you could get a pull quote on the Naked Gun poster in time that says as well reviewed as together, except for the tariffs on the reviews?

Something like that.

Yeah, you have to account for it.

Okay.

Hey, I just want to jump in and say that, you know, I think I've been part of the problem.

I haven't gone to a lot of movie theaters to see movies recently, but I had a great time because I got invited to the premiere for Naked Gun full blast.

I had James Gunn on my show, and I thought, oh, I got to see Superman.

And, you know, a lot of these, the bigger movies, they don't send links even to talk show hosts.

Oh, which is kind of shocking.

Yeah.

So I went and saw Superman in the theater, really fun.

And then I wanted, I was kind of riding, you know, the wave.

I went to see Weapons.

So did I.

So did I.

And this is a story about how I'm an 85-year-old man.

I go to see Weapons, Union Square, Monday night, buy a ticket at eight o'clock.

It's got, I don't even know what this means, but it's like 4DX seats.

Oh, no.

You didn't know what that meant.

So I walk in.

Oh, no.

First of all, I walk into the theater.

By the way, I know everything about this story makes me sound like a very old man.

I was so angry when I went to see Superman because it was like 30 minutes of previews.

And I was like, never again.

So I time it that I'm showing up 20 minutes after the movie was supposed to start.

I walk in, you know, assigned seats.

I'm the last guy there.

The dude sitting next to my seat has the biggest bucket of popcorn and already like ate like butter rags

like like just like like crumpled up napkins all over my seat.

And by the way, the dude was super cool.

He's like, oh, bro, I'm so sorry.

He like picks up his big tub, all his like butter rags, and he's like wiping a thousand kernels off.

And I'm being really patient, but I'm also like standing up.

People are trying to watch trailers.

Finally, get into my seat.

The trailer for Running Man starts, and these seats are like,

like shaking back and forth.

And I'm like, no.

No.

Oh, no.

And I say to the guy, I go, Is there a way to turn these off?

And he goes, no.

And he says, you can turn off the water.

And I say, the water?

And he says, yeah, they spray water if it's in the movie.

And I was like,

I cannot tell you.

I know I've talked about Fred used to do a bit about somebody just getting up and down, like just like putting on a big show.

And that was exactly what I did.

I like stood up and I'm like, no,

thank you.

And immediately left.

I was like, there was just no way.

And then I walked out, and there was like an 85-year-old woman who was taking tickets.

So we were, she and I were the same age.

And

she'd just taken my ticket.

And I'm just like marching out.

And

oh, wait.

What?

Oh, wait.

I sent him the wrong link.

I was trying to say.

Hi, Jonah.

Hey, guys.

What's up, Jonah?

I was trying to send you through it on the ground and I sent you the Zoom link.

But what's up, Jonah?

This is a twofer on Yorma inviting people to our podcast what what's going on it's our podcast recording uh we're recording the uh the podcast right now we can edit it later we can edit you right now no dude it's cool lead me in man when we talk throw it on the ground

was

like jonah you got to see this video we made it's called throw it on the ground can i offer one one thought if you want to lead me in about throw it on the ground please yes please why it's one of my favorites you know i'm a lonely island like die hard me and yorma get to hug irl in the next few hours, which is so sick.

And what up, Seth?

I haven't seen your face like live and anti.

Jonah, it's been forever, and it is absolutely a delight to lay eyes on you.

All I do is listen to you guys and pretend like I'm there having fun with that I have friends on my long drives.

Throw it on the ground is so dope for the backpack rap fat beats heads like me.

That is why it is very specific.

The kind of rap song you're mocking is what I call science rap, which is like fat beats, like backpack rap.

And that's why I love like when you guys get so specific for something that hits me, I'm like, this is so dope.

And secondly, you don't have to leave any of this in.

We have a lot of fun.

But dude,

oh, oh, shit.

Dude, jump in.

Great.

This is great.

That's good.

We need a transition, Jonah.

I'm Jonah Hill.

You're listening to Power 106, big boy in the morning.

So, So listen, this is actually quite important.

Like on a more serious note, is

I was in such a dark place and I started watching this thing and it brought me out of it because it was like awesome and funny.

It's called the Dave Chappelle Show.

Oh, God.

And it's like, no, dude, like, so the big comedian who does all the Netflix specials, right?

Right.

Yeah.

Yeah.

Before, like, like years, years before that, dude, he had like an SML type of sketch show.

Just cannot stand.

Jonah has done this on every text chain that we've had for the last like 10 years.

And I always dude, it's not like his stand-up.

Like, he does some intercity of a stand-up, but he also does like SNL style, but like well-filmed sketches, too.

Like short films.

It sounds great.

It sounds interesting.

Fully went for it too when you said you were in a dark place.

I was like, oh, God.

The sketches just start cold.

No, no, no, he comes out and he does like, I wouldn't even call it stand-up, it's just kind of like warming the crowd up, and there's like a live crowd and a DJ, right?

And he like, he kind of, what's it called?

How you guys say it, like, throw to video?

That's how we say it.

Sorry, yeah, yeah, like, but he throws to video, and then like a film sketch.

It's not like an SNL sketch, it's like a filmed short film sketch.

Yeah, yeah, wow, that sounds really cool.

And it's called, what's it called again?

We'll look out for it.

We'll look it up.

Hysterical, the David Chappelle show.

It's

It's laugh out loud, like gut-busting funny, and it's fucking awesome.

Yeah, we know.

What's it on?

Where can we find it?

What channel?

It's on Comedy Sanctral, dude.

Oh, that's an out.

I am interested in it.

I watch it live on Comedy Sangstral.

Oh, it must be funny.

Yeah, it's great.

Exactly.

There's probably a DVD box in it at Best Buy or something you could pick up.

But like,

it rocks, dude.

Anyway, I don't want to fuck up your guy's shit.

Oh, this is great.

This was a really great little introduction.

So, thanks to you, and thanks for

iconic for just sending me the link of the video you're talking about, but then adding me onto the Zoom and me not understanding what was going to happen when I joined.

Well, I also had Stephanie Beatriz start this show, so we haven't even

go walk around the lot, see who else you can pick up on.

Goodbye, Jonah.

I want to fucking kiss you on the mouth, dude.

I'm going to pop by the Connors and see if anyone's around.

Oh, shit, dude,

pop by the Connors.

I wish people, I wish this is a video podcast because if you can see Jonah, it's just a real reminder that LA has some of the shittiest hallways in America.

No, I'm in my production.

I'm eight weeks.

Okay, gotcha.

I'm eight weeks out of shooting.

This is my like production office writer's room.

What's that kind of ceiling called?

It's it's our desk.

Yeah, well, everywhere can't be the elevators at 30 rocks.

This guy's got fucking snooty Seth.

Yeah, but guess what?

The offices are bad.

The offices are pretty bad.

There's like no pictures on the wall.

It's like a, it's like in like boiler room type style.

There'll be like phones on the floor when we leave.

Like,

yep.

Look, I kind of like boiler room.

No lie.

Boiler room this, dude.

Yeah, yeah.

Fuck yeah, dude.

I'm awesome.

All right.

Well, thank you, Jonah.

Thank you, Jonah.

All right, Jonah, I'm going to come by later this afternoon.

I love you.

If someone can put me on a text with Seth Meyers so I have his number, I'd like that.

Let's do it.

We'll do that right now.

All right.

And then, Andy, you're the only person on here I owe a call because I've talked to Yoron Akiva literally multiple times this week.

Well, hit me up, Chris.

It's true.

I know.

No, I literally owe you a call.

Okay.

And then, Seth, I'd love to text you funny things.

I would like that too.

As long as it's about David Spell.

I mean, and obviously, based on these recommendations, if there's anything else I should check out, is this South Park?

I've heard about a show called South Park.

How's that?

Dude, what are you talking about?

Everyone knows South Park.

It's like that.

Everyone watches it.

It's like the most famous shit.

What is it with this guy, dude?

It's the most famous fucking show for like 30 years, dude.

Yeah, that is actually a little crazy.

No, no, dude.

This is the stand-up guy that

he does like crazy stand-up, but he does other shit too.

Right.

Yeah.

South park, whatever, dude.

Nice pumping in you, Seth.

Like, good call, dude.

Good call, dude.

Anyway, but I'll hit you with his number, though.

Yeah, yeah.

Yeah, after the South Parking, like, you know,

reconsidering.

Yes, Seth, I love you.

I would love to connect with you, dude.

Love you, buddy.

This was awesome.

I got to be on my favorite show.

This is how guests are booked on Seth's show, too.

But I'm not making the cut.

Let's be honest.

I'm not making your cut, but Seth, you're not going to tell me that you will.

Oh, you're going to make the cut.

Jump on anytime.

Jump on anytime.

Literally, is this the all-zoom link for all of them?

Because I will find out when you're recording and jump on the fucking channel.

It honestly might be.

I have no idea if it can do one every time or it's always the same.

Someone hit me with a schedule and every like 18th episode, I'll pop in 18 minutes in and talk about Chappelle's show.

Please.

Please do.

I love all you boys.

Bye-bye.

Love you, buddy.

Love you, dude.

Love you.

Bye.

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Felt weird to say love you so early in the episode, but I guess

I know, but you had to do it.

He knows the protocol.

Yeah.

I do feel like I've earned the right to say Jorm.

Stop inviting people on the show.

Will anyone else be joining us?

Genuinely, no.

No.

Oh, but Yorm, I don't think we ever did.

Throw a little intro.

Ready?

Yes.

Oh, Jonah Hill.

Oh, yeah.

Jonah.

I feel like we started saying Jonah pretty quickly.

I think people will find his voice, but we're, you know, again.

Yes.

Guys, I just accidentally sent jonah the link to our podcast so here's jonah hill everybody well i don't think that's how you would have said it in the moment hey uh

yorm i've noticed you spell your name with a q in the zoom and it actually looks awesome because it balances out the kind of the jird usually it's yorm with quotes around it which i find to be funny j-o-r-m-q

but it you read it as an a but with like a little style on it and it yeah it does look it's a pretty good look yeah yeah

it also like i for the pod there's nice to get i mean i feel like that's like yorm quid yeah yeah

somebody did ask in the comments and i feel like most people know how to spell it but somebody asked how do you spell quaid it's q-u-a-i-d yeah like the family quaids like the family quaids exactly so obviously uh thrilling and unexpected to see jonah there i do feel a little bit like seth got kneecapped in the middle of a great anecdote that's true i feel like the best part of the anecdote had happened but thank you andy i will just say i literally was walking out a minute after I walked in, and this old lady said, What, honey?

And I was just walking like somebody who'd been like mistreated.

And I said, I can't.

This might be a direct quote.

I'm like, I can't sit in those seats.

Did you also complain about how expensive it was, too?

Because I assume it's more expensive.

No, but I will say, I mean, it was 30 bucks.

Well, yeah.

Do we were you not tipped off by like how expensive it was?

You're like, wait, movie prices have gotten out raised.

By the way, let me tell you something about 40x.

They should give me 30 bucks

for your backs.

Save it for your special.

Yeah.

You got to save this for your special.

This is good stuff.

Now, I will say, I don't know what it would have been for weapons, but like for the Running Man trailer, it was like somebody had grabbed me by the shoulders and was just like shaking.

Because all, I mean, there's no like quiet moments in the Running Man trailer.

There are lots of quiet moments in weapons, but this was just like two minutes of like, ah.

But then I said, I go, no, I'm leaving.

And she said, well, hold on.

Let me see if I can find a different time.

And she's like, oh, the next one's at 10.40.

And again, 85-year-old man, I'm like, I can't stay up till 10.40.

No, are you kidding?

10.40?

You've been asleep for an hour.

And she was like, you're telling me, honey.

It's a long movie.

And like, she and I just had the nicest moment of like, we just are living in a, in a, this is not our world anymore.

Yeah.

This is not our world anymore.

Anyways, The Roses is coming out.

Make sure to check that out.

Oh, good call.

I'm very excited.

I did see a roses post.

I'd love to see that in 40X.

40X.

40X.

I also do want to say I went back and saw saw Weapons two Nights Later and highly recommend it.

Yeah, it's very fun.

Too spooky.

No, no, it's fun, spooky.

It's fun, spooky.

Yeah.

Okay.

It's genuinely, I think it's a great way to describe it.

And it goes places you don't expect it to go.

Really fun to watch a movie that I was constantly like, no idea where this is going.

And delightful.

But now that you guys have said that, I'm going to expect it to go places I'm not expecting it.

Oh, yeah.

Expect the unexpected.

Yeah, yeah.

So now it fucks it up.

Yeah.

Spoiler.

Like you didn't spoil it overtly, but you did fuck it up for everyone forever.

I'm going to read this, but I feel like you'll enjoy it because somebody somebody wrote a bit long, but very relevant to Andy regarding Transformers, push the cube into my chest.

Oh.

In Portuguese, cube is just cubo.

Pretty similar.

What's not similar is that the first half, q, pronounced cu,

is a dirty slang for anus put blatantly asshole.

Q means asshole.

So some genius on YouTube took the Brazilian dub of Transformers and did a supercut of all the times they talk about the cube, only cutting out the very end of the word.

I give you guys a small selection of the resulting dialogue translated back into English.

Optimus Prime.

Before time began, there was the asshole.

Ratchet, that's suicide.

The asshole is raw power.

It could destroy you both.

Simmons, we're able to take the asshole radiation and funnel it into that box.

Sam, you have to take me to my car.

He's going to know what to do with the asshole.

Oh, man.

Megatron, give me that asshole.

And last, but of course, not least, Optimus Prime.

If I cannot depeat Megatron, you must push the asshole into my chest.

Yeah, yeah.

Which, you know, doesn't really do much for anyone.

Can you do that?

Can you do your, you know, Optimus, but with asshole instead of?

If I cannot defeat Megatron, you must push the asshole into my chest.

It's really good.

Great, great.

Which, I'm not really sure what it's going to do.

Not sure how it'll help.

Just we'll just have to see.

But just push it in my chest.

Do you think, somebody else wrote, do you think if this movie had come out before the first Quado sketch, you would have had somebody say, push this Quado into my chest.

Oh, my God.

Probs.

Probs.

Does seem like it ticks a lot of boxes for you.

Dream World scenario, you know?

I was very happy to watch The Rude on the Ground again.

So was I.

I didn't go back

in case we were going to do a watch.

I mean, obviously we're going to watch it together, but before we watch it, because it is Criterion, Locke Criterion for me.

Yeah, for all of us, I believe.

But this is a specific kind.

Jonah, of course, referenced it, but like, talk to us a little bit about like what kind of song is this?

I don't even know, really.

really.

Yeah, like the beat is not the beat doesn't match the tone of the character.

Right.

It really is its own little thing.

I mean, truthfully, I'm not sure if we've talked about it ever before, but we had the beat and loved the beat.

And I believe, Keeve, this is the one where you had just been like obsessed with the Phantom camera.

Yeah, exactly.

Or had we already used it before?

No, we had never used it before.

I feel like you were all about the Phantom camera, which could shoot in this insane slow-mo.

And it was at this time pretty recent.

I'm not a gearhead like Jorm, but I had seen enough things that were super slow-mo where I was like, how do they do that?

I don't know if I knew about the Phantom before you mentioned it.

So gear or not, like I did not know.

So I was very keen on this.

There's just a level of slow-mo that you cannot do on any normal camera because it is so slow-mo.

It can go like two seconds becomes like two or three minutes of footage, right?

Exactly.

it had been used in movies and maybe a few music videos it was in the hurt locker when the um the bullet shells the casings are hitting the ground and it goes into and you see all the dirt and stuff and it's uh insane looking it's beautiful but i basically i think i asked dean or somebody can you research what this is and she found it and she found a place in new york that had it and then it was just in the back of my our mind that we needed to film something using it were you thinking that like when we made the song though or was that it was because this was made that week yes it was already on his mind and he had already said to us we should try and find a use for the phantom and

we were like yeah sure but keeve was really in like yeah no i remember you driving that but that's cool i mean it's so funny is like that it's great to know for anybody who watches this now that like the first thought was like let's have something in slow-mo and then how quickly did that lead to like let's have stuff getting thrown thrown on the ground i mean we we really liked that beat yeah it's a drew campbell beat right yeah and we were just playing it in the office And I, I mean, I remember very vividly, Keeve, you jumping up from your chair and going, What if it's just this?

Because I wanted to see things blow up in slow motion.

Yeah.

You're like, what if the chorus, when it goes huge like that on the chorus, it's just, I threw it on the ground and you just see things exploding on the ground.

And we were all like, These are some of my favorite moments in the studio of just like a guy being like, what if it's what kind, what kind of a guy throws things on the ground?

I mean, kind of.

And then I believe the character started coming around because Matt Murray, the Panther, had kept talking to us about that song, Funked At by Sadat.

Oh, yeah.

About the guy who was like, I'm walking on this tree.

Ain't no man dandy, me a fly.

That one.

Yo, man,

funked that.

And we were like, oh, right.

That energy turns into this guy throwing things on the ground.

But musically, not at all similar, Seth.

It was sort of like a melding of that.

And then once we went down that that path, the sort of like

super self-righteous, I don't trust the system, like, you know, that whole persona, which there's, I mean, growing up in Berkeley, there's a lot of that vibe.

Yeah, that's a bay trait.

That's a real Bay trait.

Yeah.

And Jonah's correct of the backpack hip-hop vibe, but not to the song itself, not to the music.

It's almost like hip-hop slim poetry, like really up its own butt.

Yes, but the co-opted version, like the dudes that we knew who were like that, because that can be great.

We were like, this is my personality now.

It's kind of Ross Trenty in that way.

Our experience with it anyway was knowing dudes that were like, we're counterculture, we're anti-system, all this stuff.

And you're like, yeah, but like, you live in a crazy nice neighborhood.

Like, who is this guy?

There's a lot of fronting, for sure.

To me, it felt like that was sort of the basis of the character.

But the first comedic thought from it was just Keith thinking about doing that in slow-mo and saying that sentence.

He's maybe the worst dude.

You are rooting against this guy immediately.

The way he's dressed, his world.

He's got every troll on the internet now.

Yeah.

No, but he's not that pointed.

No.

I feel like that guy wouldn't troll.

He'd be, that's the system.

He thinks he's very positive.

But I think he just, I mean, what you get the longer you watch it is basically he so wants to prove he's like uncorruptible that he's just an asshole to every single person.

Someone just offers him a free hot dog because he's being nice and he's like, what are you up to?

Yeah, he's so uncorruptible that he becomes brain.

Why are you trying to bribe me?

Like, you think I can't afford it?

He's got a chip on his shoulder.

It's also, I mean, I might be overstepping here.

You guys correct me.

Early to mid-90s, there was a big, like, hip-hop

pushback against pop hip-hop.

You know what I mean?

Yeah, the minute it became bling.

Artists we love and would listen to all the time, like your De Laz and your J.

Ru the Damager, like this whole like anti-puffy kind of thing was happening in hip-hop.

And because of that, all the people that listened to that that didn't necessarily have a leg to stand on in that conversation adopted that attitude.

And by the way, I put myself into that category.

Like when I was in high school or whatever, I'd be like, man, fuck that mainstream hip-hop.

Yeah, that's come right.

I'm gonna go to soccer practice now.

You know, like,

and I feel like there's a little bit of that in this as well, of like like misguided rebellion and anger against a thing that really had nothing to do with it.

Yes, because that also made complete sense.

Like there was a lot to rebel against.

It was money and bling and da-da-da.

And like, and there were some really good political points.

And there was like, this isn't real hip-hop and da-da-da.

And then that getting co-opted by other people who weren't quite as intelligent.

Even one further in the Bay Area, though, too, there was a big culture of unsigned artists selling tapes out of the back of their cars.

But then there was pride in that, too, of like being unsigned and making your own music, which even was one step even further.

Yeah.

I-N-D-E-P-N-D-N-T.

Yeah.

Yeah.

Keep it independent.

No fuck ANRs, right?

Yeah, for real.

Definitely the genre of music where there's the most songs about who's doing that genre the best at the current time.

Like songs about the genre and what the genre is supposed to be, who's doing it wrong.

Yeah, the rules.

Yeah, exactly.

What are the rules?

What is this supposed to be?

Yeah, it is weird that that doesn't happen.

That should happen more in pop music.

That would be fun.

I think it happens in country a lot.

Does it like this isn't real country?

Yeah, like that's not the real country.

Like, you're pop country, you're not the real shit.

Obviously, I know lesson.

I think it's like way more surf.

There's like, I think it's all just text in country, whereas there's like more subtext in hip-hop.

Okay, you know, I think literally the songs are like, that's not country.

Like, that's like the title of the song.

Just right to the point.

Oh, yeah, I see what you're saying.

Well, it was very, it was very easy to wardrobe this character because we did know a lot of people who were of this ilk in the Bay Area, certainly.

I want to get to it.

And I feel like, should we just, should we watch it now?

Oh, yeah.

There's other things in the Ryan Reynolds episode that I would want to talk about as well.

Agreed.

I was reading through it and realized it was a pretty great app.

It was a great app.

There's also a sketch I think about all the time.

And I'm always wondering, like, why didn't that, like, why didn't nobody ever talk about that?

And just today, for the first time, I realized it was cut a dress, but it made such an impact on me that I sing a song from it all the time in my head.

Oh, okay.

Well, let's get to that.

And it was Lady Gaga with the musical guest, too.

Yeah, and Madonna had a cameo.

And what was Ryan Reynolds promoting?

Did we figure it out?

Somebody in the comments made a guess that it was Mint Mobile.

Mint Mobile.

It's pre-Mint Mobile.

He was hinting at the fact that he was going to buy a mobile phone company.

Wolverine and the Proposal.

Oh, two.

He had a two-phone.

Proposal.

Yeah.

He's not.

He's barely in the Wolverine.

That wouldn't be it.

Proposal for sure.

Proposal would be.

Do you guys remember BlendaFresh 25?

I remember that phrase.

Here's the song that I think about all the time.

BlendaFresh 25.

Blenda Fresh 25.

So it's a forte, but I don't know what it is.

Is he like in a recording booth?

No.

BlendaFresh 25 is Ryan Reynolds is setting up a demonstration at a supermarket for a blender called the BlenderFresh 25.

And immediately as people are gathered around, Wig walks over and it's like, hey, that looks amazing.

I don't know you.

I've never met you.

And then Forte comes over and he's like, well, I love soup.

Hello, you.

I've never met you.

I've never seen you.

And it's the craziest sketch.

And he's like, does anybody here like soup?

And she's like, there's a line where I think Wig says, do people in China eat with chopsticks?

And Forte goes, I've just been there and they do.

Very important.

And like Ryan's very natural and they're so crazy.

And for a while, you think they don't actually know him.

Even though Keenan, who's a customer, keeps stressing that they do.

Yeah.

And then everybody leaves.

You two again.

I'm out of here.

Come on.

No, you two.

Ah, guy.

So?

How do we do?

bad.

I mean, you stuck to my script, but your acting was way too subtle.

Especially you, Jasmine.

Sorry.

But it was wonderful to finally answer the question: like, how come that's not something people are still talking about?

Because it never heard.

Really, a really fun.

Second Chance Theater.

Oh, yeah, Second Chance Theater.

Second Chance Theater for Blend Fresh 25.

Woodwatch.

Other fun stuff in the show.

Norwegian Actors' Playhouse, Andy.

Yeah.

Do you remember Norwegian Actors' Playhouse?

I do.

That one I do remember.

It's really wonderful.

I kind of wanted to just pull up a clip for us to watch.

Can we watch a second?

Yeah, sure.

Fuck yeah.

Yeah.

I mean, at some point we should watch Through It on the Ground, too.

Yeah, yeah.

Well, should we do that last?

I'm probably going to have to go in like 10 minutes, just if I am.

All right, so let's do Thrown in the Ground.

You want me to share that and then we'll come back for that?

Yeah, like you take it over.

You take it over, Keith.

I mean, we need to do Through It on the Ground so Jorm can get credit for coming up with the best joke.

Okay, great.

So is that the best joke?

I feel like Tazy in the Book.

It's the one that I believe is said, well, that and happy birthday.

Oh, I like Tasya in the butthole.

This ain't my dad.

This is a cell phone is the line that most people say to me.

And I'm always like, that's a pure yarn.

It's a great line.

Yes.

And happy birthday to the ground.

Tased me in the butthole is still my favorite.

Yeah.

Well, we're going to get into that.

Oh, I just thought this is really short, but just with in terms of gearheads, I got invited to do the DGA Digital Day, like a year after this, which is like a panel where you talk about shorts.

Yeah, I remember that.

So it's a thing I wouldn't normally go to.

The DGA is the Director's Guild.

And it's a trade day, also, where, like,

almost like a mini Comic-Con, but in this teeny little space where different camera companies are like showing off their new lenses and new equipment and what the technology can do.

And at the table for the Phantom camera, showing off it, they had versions of the camera and then a big TV showing on loop like a four-minute examples.

And the throw it on the ground video was part of it and would play in its entirety.

And it was literally like Hurt Locker, Throw It on the Ground, and then like maybe a one-car commercial.

And that was it.

So it was pretty

we were early, early on the Phantom camera.

I think

for sure.

I don't remember you did that.

That's killer.

They should have given us a fucking free Phantom camera.

By the way, we're still totally open to them giving us one.

I mean, they're still around, but I wonder if other companies do crazy slow-mo now.

I was walking through the city streets, and a man walks up to me and hands me the latest energy drink.

Run faster, jump higher.

Man, I'm not gonna let you poison me.

I threw it on the ground.

You must think I'm a joke.

I ain't gonna be part of this system.

Man.

Wow.

It's fast to get into the joke.

That's like a pop song where you're just like 20 seconds in chorus.

I mean, we didn't have much else.

That's true.

I remember we had to speed up the slow-mo a a lot.

Yes, because it wouldn't fit in the time.

It was so slow.

It was incredible.

But then the song is fast.

And so the cup is breaking, but it doesn't even look that slow.

It could be.

I remember in post you being like, okay, so here's our choices.

We can do it at the incredible slowness, but I have to do these jump cuts.

Yeah.

Or we can do faster and we all voted faster.

Exactly.

It looks fucking awesome.

I want to say 4A first beat, incredibly effective at establishing the tone because the energy drink is you're like, okay, I know that guy wouldn't want to put poison in his body.

It's the most reasonable you are the whole time.

Yeah, but also, when in human history has a man stood on a corner with little shot glasses of energy drinks, certainly the shot glasses.

I was in Beverly Hills two weeks ago.

There were two girls with Red Bull backpacks.

Oh, okay.

Hey, look,

the times that I like being standing corrected the most are when it makes us look good.

Yeah, ahead of the curve, always.

Yeah.

But you're right.

It wouldn't be open.

They were giving out folk hands, to be fair.

And they wouldn't give you a glass, shot glass.

Right.

Did we also have a different GP on this?

Because it feels substantially better than.

Yes, because we were using that camera.

So I believe it was Aaron Phillips.

And he went on to shoot a ton of our stuff.

Yes, a ton of our stuff.

And was this his very first one?

I think, well, it's definitely one of our.

Is this our first music video we're talking about since Like a Boss?

Yeah.

Yes.

So as you recall, we talked about on Like a Boss how, or I don't know if we did, but that it ended up costing through various reasons almost as much as just in my pants.

And when I saw that, I went, wait, if we're spending almost as much as Jizz in My Pants, why don't we make it look like that?

And then that was when a big discussion was had.

And I was like, what can we, can we hire outside of the show, essentially?

But obviously we had on boat, on the ones we had done outside the show.

Yes.

Yeah.

I would just really quickly add that this many years later, it's still funny to me when we casually talk about Jizz in My Pants and don't acknowledge how stupid it is that we're saying it.

Yeah.

Okay, let's keep going.

Also, real quick, Mother Lover was the last music video we talked about.

Oh, right.

But that was supposed supposed to look like the other one.

Right, right, right.

So, Andy, how would you describe your facial hair?

I mean, it's a goatee, but with the sole patch.

Yeah, I would describe it as without the sides.

It's a chin, it's a chin beard.

Yeah, it's a it's whack.

Huh, yeah.

And then you've got your like thin-rimmed MC search glasses on.

Yeah.

But then you got, and the kangle.

This is definitely the dude who jumps into the cipher and spirals and gives himself a facing.

Yeah, and that's the

mathematics that Jonas of referring to.

He sees this guy and he's picturing the systematic, automatic refresh.

Cerebellum definitely says cerebellum.

Yeah,

definitely.

Mamadoula.

Yeah, yeah.

Psilocybin in my cerebellum.

Anthebellum, cerebellum.

Lyrical miracle is the classic.

Lyrical miracle.

All right.

You got the puka shells.

You got the army jacket.

It was like every perpetrator was like copying the 70s style that was the return Vietnam soldier look.

And actually,

what happens to perpetrators?

Oh, perpetrators get the Bozak, Camille James.

Sack.

Say.

That was a real, real drop from our hometown radio station back in the day that we tried to, like, I would wait around trying to get to so I could record it.

Perpetrators get the Bozak, Camille James.

The best sentence ever written.

Perpetrators get the Bozak.

That was said on the radio by an adult man.

I loved it so much.

Jesus.

All right.

Oh, but it also is getting at that these guys don't trust.

It is garbage to him because it has like caffeine and taurine.

And this guy is granola.

Major corporate natural.

He makes his own granola for sure.

Yeah, he's not trusting what Nabisco's putting into a product.

I can tell you, currently, this guy is super psyched that RFK Jr.

has the position he has.

That's what I meant by the internet troll.

I didn't mean like...

Yes, it's the Venn diagram of that.

His position is to take the other side

of any ledger.

Less troll, more conspiracy theorists.

Yeah.

Yeah.

Contrarian conspiracy theorists.

He started far left, and he's ended up somewhere else now.

Yeah.

All right.

We're never getting through it.

All right, here we go.

By the way,

the way Andy's even even just moving his shoulders through life, like as you walk up to the hot dog man, is so indicative of his character.

Swag.

Yeah.

I want to say something that I love again in the writing because a dude who doesn't like energy drinks and what they put in your body would also maybe not like street hot dogs.

And I love that you established he comes there all the time.

He's always eating hot dogs.

So he's now, his issue is completely moved off.

Yeah, he doesn't do the knowledge.

Yeah.

One other just film nerd thing I'm noticing is this video has a really weird look to it a lot of the times, lighting-wise.

And it's because even though we're in broad daylight, the camera needs so much light when you're shooting at like a thousand frames per second that we had to blast everything with light.

So that's why it's got this kind of golden hue sometimes.

I thought you were going to say it was bouncing off of the buildings in Manhattan.

So we shot the whole thing on Phantom at different speeds.

Yeah.

And so we had a blast light though on any shot that was going to go into slow-mo so that it could capture it.

No, I do remember that.

But that's why it has this interesting shading because he's in because he's in that super slow-mo too, obviously.

So you have to blast the shot.

I feel like maybe vocals slightly blown out, or is that an effect we put on it?

It's got a real

crackle on it, which I do think adds to the anger.

Was this the one, though, where we were listening to like Rick Ross and we were like, you know what, that shit's blown out, and it sounds exactly.

I honestly think it might be that we did it on purpose.

Yeah, that's pretty cool.

Look at these fingerless gloves, a little boombox action here.

Oh, yeah.

I want to give real quick a shout out to both Tucker and Bobby, who play it very straight in their reactions to you and very honest, which is how a person will react because it makes no sense what you've done.

Yes.

And in both cases, they're just like, huh?

Although, Seth, they're shot in such slow motion, they might have been going huge.

And Keith just took like a millisecond of it for that reaction.

Very good point.

You know what?

So compliment credit, yeah.

Compliment rescinded.

But they also might have played it perfectly.

Compliments to the camera, though.

Release the tapes.

Keith, release the tapes.

Release the tapes.

Why won't you release the tapes, Keith?

Release the full tapes.

Why don't you release the tapes and open your wallet?

Listen, I'm just trying to find them at SNF.

I got the Tucker cut three minutes ago.

Keeve, open your wallet and release the tapes.

Support comes from Aura Frames.

Hey guys, Seth with another ad read by himself.

Not because the other guys said they were too busy, but because I demanded that I am given the microphone in a solo capacity for these moments so these aura frames are really great because you just load up all these pictures and you know they sort of switch from one to the other look like real photos doesn't look like a cheap digital screen we got one for our parents just loaded it up and uh it's fantastic they're so happy not knowing which photo comes next and it was named the best digital photo frame by wirecutter So, you know, you could take that over the word of my parents who, you know, it's the only digital photo frame they've ever seen.

So what do do they really know?

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Support the show by mentioning us at checkout.

Terms and conditions apply.

Thanks so much to our friends at Makersmark for sponsoring this episode of the Lonely Island Podcast.

Recently, Andy Jorman and I came back to 30 Rock for the SNL 50th celebration, and what a celebration it was.

We got to reconnect with old friends, May Rudolph, Amy Poehler, Fred Armison, and so many more.

And we also had the opportunity to steal away to my dressing room and reminisce about our time on the show over a glass of Maker's Mark.

Oh and for legal reasons we had to edit out some of the specifics but you'll get the idea.

We're very excited to be partnering with Maker's Mark and we appreciate all the attention that Maker's Mark pays to their beautiful bourbon.

They hand dip each bottle they hand rotate, each barrel they hand cut, each label to some of you that may sound unreasonable.

To us it's perfectly unreasonable and it's all thanks to their co-founder Margie Samuels who came up with both the label, the name, and the beautiful hand-dipped bottles.

And gentlemen, I feel like there are a lot of perfectly unreasonable things we witnessed in our years of SML.

Undoubtedly.

Do you have one that comes to mind Andy?

Let's see.

Personally?

Yeah.

Yes.

One time on your weekend update,

I was playing Beloved Hero.

Yeah.

Doing the upside-down smooch.

Right.

Give up the smooch.

Give up the spooch.

It was a classic kiss in the film.

And it was a classic give up the smooch in the update future.

I would say the bit itself was reasonable.

Probably them lifting me up there and hanging me upside down for 15 minutes before lowering me was a bit unreasonable.

Yeah.

And probably the fact that we had to bring in like 10 professionals for the purposes of rigging you upside down.

Do you got a good perfectly unreasonable?

My perfectly unreasonable was

shooting with world famous pop star out on the street.

We were shooting with Puppet and we didn't at the time have any security.

I was looking around being like, What are we doing?

But you know what's great about it?

That's everybody still talks about.

They do.

You guys remember it?

I actually don't even remember what it was.

No.

So that one, unlike Poke Out the Smooch, I think you could argue that one was perfectly unreasonable and didn't pay off.

So join us in raising a glass to all of our comedy friends and the incredible work they did in creating the moments that made everybody laugh.

Cheers.

Cheers, cheers

to the incredible cast and writers who went to perfectly unreasonable lengths to create some of the most iconic moments in SNL history.

Thanks again to our friends at MakersMark for partnering with us here on the podcast and for letting us recount some of the great stories of SNL past.

You can visit makersmark.com/slash lonelyisland to learn more.

MakersMark makes their bourbon carefully, so please enjoy it that way.

Makers Mark, Kentucky Strait, bourbon whiskey, 45% alcohol, volume 2025, MakersMark Distillery, Incorporated, Loretto, Kentucky.

Suffs, the new musical has made Tony award-winning history on Broadway.

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Suffs, playing the Orpheum Theater, October 22nd through November 9th.

Tickets at BroadwaySF.com.

I want to talk about the hat you're wearing here in the hot dog one.

Oh, it's the worst hat.

The hat's worse.

The kind, it's like a beanie

round skull grab.

It's scully, but then it's got a little visor covered in beanie.

If anyone on this wants to know if I owned a hat that was a lot like this hat in high school, the answer is yes.

For sure.

I searched for this hat and I absolutely wanted this hat too.

So I, you know, like fronting is, we're not above fronting.

I've told this story before.

During the 2007, 2008 writer strike, I was wearing a hat like that and I was on CNN.

And Shoemaker called me and yelled at me because he said, if you're going to be on TV, you can't look like a piece of shit.

Oh my God.

He said, not a piece of shit.

Sorry.

He said, you can't look like shit.

Oh, I see.

Because I did look.

I was like unshaven.

I was wearing a hat like that.

Yeah.

He's like, you're an actor now.

But you were on the WGA line.

So

I was trying to look like a, yeah, like an unwashed writer.

Like a schlubby writer.

I feel like this hat, in my mind, was worn by the likes of diggable planets

uh maybe some uh black star maybe common too i feel like common like common yeah esposible and all of those people made it look very cool yeah yeah and that's why me and yorm scrambled out to our local army navy store in berkeley to try and get one i feel like i look a lot like common you know

good same like bone structure same beautiful yeah i've read that a lot of places

you know who else looks a lot like common who the the other person who looks a lot like common this is key's observation, is John Travolta in the movie From Paris with Love.

Yes, he does.

Immediately, yes, he does.

Yeah.

I don't think that that's the accident.

You showed them a picture of common.

They went.

And they're like, this guy.

You're this guy.

Because it's the leather coat.

It's the scarf.

It's the bald head.

It's the facial hair.

It's everything.

By the way, shout out that movie, you guys.

Definitely go see From Paris with Love.

I think I want to do like a white common.

Right?

That's what he said.

Oh, man.

Me and Mary Jane, we got a thing going on.

Oh, my God.

He sings at Tokyo.

Yeah.

Yeah.

Yeah, yeah.

Highly recommend for Paris with Long.

He refers to his gun as Mary Jane, I believe, right?

Yeah.

We got a thing going on.

No, sorry.

It's Mrs.

Jones, guys.

Not Mary Jane.

Me and Mrs.

Jones.

Oh, that's right.

Yeah, Mrs.

Jones.

Me and Mrs.

Jones.

That's right, that's right.

Yeah, he calls his

he loves murdering with it, I guess.

All right, who can play?

Yeah.

phone, says it's my dad.

Man, this ain't my dad.

This is a cell phone.

I threw it on the ground.

Nice to see Jenny Slayer.

It's quite a reveal of the depth of the stupidity of this man.

And Jenny now first reacting with shock, which is the accurate reaction of somebody.

It's also so funny.

Again, this does not feel like a long time ago to me until you see what counted as a phone.

Well, it was a blackberry phone.

And as mentioned, we were Mayhore Blackberry heads.

We liked that QWERTY.

Always.

Yeah.

Still to this day.

Still miss it.

We've talked about this.

Breakbreaker.

Love it.

Miss it.

Made me sad when I saw it.

Free advertisement for Stokes and the truck behind her there.

Yeah.

Yeah, Jenny, delightful.

That's the homie.

And yes, this was a yorm line.

This is the most quoted one to you.

To me, I feel like it's the one that is the most discussed.

Yes, that and happy birthday to the ground.

Yeah.

Yes.

It's definitely between the one.

That's another good one.

Yeah.

Good for the t-shirts.

I think a better t-shirt.

I remember thinking, we can't do this, can we?

This joke?

It's just the dumbest old dad joke.

It's so funny.

I remember you having a problem with it.

Yes.

Yorm, I will say, in Yorm's, to Yorm's credit, like a lot of times we'll bring in an old-timey feeling joke like that, like from Show of Show's era almost, or like Marks Brothers or early Steve Martin.

Yeah.

It's all the early stuff I used to listen to.

My dad made me listen to a lot of old radio, like George Burns.

They're so conceptually clean and convey so much about the character.

Yeah, it's correct for this guy.

I do believe he's also, most people that have said it say it because they're winking.

Hey, that's not my dad.

That's a cell phone, huh?

But he's mad.

Yeah, this guy believes it.

This guy means it.

She literally went, saw her phone, went,

Oh, hey, it's your dad.

And you went, that's not my dad.

That's a cell phone.

So mad.

What are you even talking about?

So mad about it.

I'm not an idiot.

You, by the way, you make it clear to her in the next line, you're worried that she still believes that that phone is your dad, so you do want to clean it up a little bit more.

By the way, so we went to a real farmer's market, clearly.

Do you think we even had any permission?

We just had to look up farmers markets that were happening on that day.

Did we, or did they just set up a few things?

No, there's no way.

The fact that they just set this truck there, it's pretty good.

What you think I'm stupid?

There's no way we gotta ask Dino that.

Jenny's reaction there is very good.

My dad's not a phone.

Yeah,

she's the stupid one.

That's an important distinction.

Yeah, but her reaction shot, she looks legit angry and annoyed, and I love it.

If you go back a little, that's my favorite.

I hate this guy face.

Nostrils flared.

Yeah, it's not.

You were fully, fully flared.

Jenny's so mad.

Yeah, she had thought about breaking up so many times.

She's actually furious.

She's mad at herself.

She's like, how?

She's just like, still.

Yeah, now today's the day.

How did I let it?

This is your last day.

How did I let this happen again?

Like, here he fucking goes again, this guy.

How am I here?

Plus, my so-called girlfriend.

It's just a concept to him.

But by the way, we gave her, she's got like bird feathers on her puka necklace and like black fingernails to let us know why she would be dating you.

Yeah.

Like those are little personality choices happening.

I'm not a part of your system.

That.

Yeah.

It's so stinky.

You're right.

It's

an amazing Andy face.

Yeah, that's amazing.

Some poser hands me cake at a birthday party.

What you want me to do with this?

Right, it is.

Eat it.

Happy birthday to the friends.

Why is that kid a poser?

Yeah, he's a poser.

He's just a child.

It's like an eight-year-old kid giving Andy cake.

Yeah.

Look at this little poser.

Saying what something's for as if it's...

So crazy.

What do you want me to do with this?

Eat it.

Yeah, it's got refined sugar.

Well, actually, little backstory on that line.

There was a Dell the Funky Homo sapien album where he talks about trying to buy weed, and instead he gives this guy his money and he goes into a house and comes back out and gives him crack.

Oh, is this why I wish my brother George was here?

That's the first one.

No, it was like a Dell, like, it never got released.

It was just the tape.

You'd like buy it at shows.

Oh, shit.

And his line, the guy hands him crack, and his line literally is, What the fuck do you want me to do with this?

Eat it.

And I always thought that was the funniest shit ever.

Oh, that's a deep.

I love that.

So then on this, I was like, oh my god, I could do that Dell line, but it actually makes sense now because it's a piece of cake.

Oh, that's great.

The other great joke on the joke here is that it's not this slow-mo of the solitary piece of cake hitting the ground, is not no, it's very

lame.

It's so funny.

How underwhelming it is is so lame.

We were honestly trying to figure out, like, wait, I could try to like throw it really hard, but then it would like fall apart in your hand.

And we could not figure out how to make a slice of cake explode in a good way.

And then, I don't know if we got one that was a little better and then got an editing and realized this was the funniest one.

No, but the second shot is obviously very satisfying.

That's what pays it off.

Yes, but we, I definitely think it was, I mean, we knew this was funny.

So,

but you're the real world, jackass.

Oh, my God.

So, yeah, the wind on that kid obviously was not playing.

I love that shot.

Yeah, he looks majestic.

And again, when it was in crazy slow, it was like the most majestic shot I had ever seen.

Yeah, it was like from where the wild things are.

The kid's great, by the way.

Crushed.

Great kid.

Wherever he is now.

Yeah, he's probably a full-grown adult now.

But you know what?

I hope he's Quaid Army.

Yeah, me too.

Righteous Cody.

Oh, fuck.

Oh, we can only hope.

What I don't hope is that he grew into your character.

That would be

as if right now he's looking at you being like, I'm going to have that look in real life.

Maybe he was just looking up at Annie like, this is what I want to be.

All right, let's keep doing it.

So many things to throw on the ground, like this and this, and that, and even this.

We just wanted to throw things in slow-mo and see what would happen.

The rotisserie chicken is a real delight.

Well, it's just, it's always funny to me, though, like that this is a song with audio in it, and like, and just that, that you would say this, and that, and even this, like, in an audio song is so fucking dumb.

Yeah, we were not thinking about releasing it on a record.

We knew at the time when we wrote it, we didn't want to commit to saying the things because we didn't know what we were doing or what's going to look the coolest in Slow-mo.

Again, you can see they all have this weird lighting because we had to blast light at them, but it gives it kind of an interesting look on each one.

I like it a lot.

It just sets it apart.

Yeah.

I mean, again, Phantom can give us a camera anytime they want.

Yeah.

Also, this is an entire sub-genre of TikTok, you know, Instagram video reels of people that break things in slow or like, you know, the one where they fill different bottles with like hundreds of bouncy balls and roll them down steps.

Yeah, yeah.

Like an ASMR videos of things being crushed.

I'm just saying this is a basic human desire to see what things look like when they explode that we are exploring here.

And it should be called through it on the ground genre is what you're saying.

Yo, there should be a small residual.

And it's so funny that we had just gone on strike and we didn't secure that.

Seth was wearing the hat.

He had made himself look like a sloppy ass writer, the opposite of what he really is.

I do want to close the circle in that story because I don't want Shoemaker to feel like a bad guy.

Shoemaker felt so bad that he called me up and told me I looked like shit that he said, can I come to your apartment and apologize in person?

And when he did come to my apartment, I had shaved and answered the door in a tuxedo.

Is that true?

Yeah.

Wow.

Wow.

One, you guys are a great team, but also I think that's great producing on both ends.

One to tell you you look like shit and then go to your apartment.

This is back when he was a producer at SNL and you were writing.

Yes.

And the strike had basically separated us.

Wow.

You guys, I do have to go now back to my sets.

Peace out, Yarm.

Loved, love,

love, seeing you guys.

Larry Shear is shooting this, guys.

It's what you call overkill.

Oh, say hi.

Oh, that's awesome.

All right.

Bye, guys.

Peace, y'all.

Okay, here we go.

Ready?

Like this, and this, and that, and this.

I'm gonna go

all right.

Why?

I mean, how the Ryan Reynolds is clear.

He's the host.

Yes.

What was the Elijah Wood?

Had he just come to an episode and we had just.

Was this before or after Celeste and Jesse Forever came out?

Because he's in that and we became friendly through that.

And I maybe just texted him.

I feel like this is before Celeste and Jesse.

Celeste and Jesse is 2012.

Oh.

Yeah, we're well before that.

Maybe we just asked talent who was around, or maybe Ryan and him were friends.

Yeah, and I do think we, I mean, obviously we were fans, and you, the Lord of the Rings guy, as established on the pod,

were a massive.

I was geeking hard when he showed.

Yes, and I believe he had shown up at some SNLs just to watch an SNL.

Sweetest dude on earth.

Yeah.

Lovely, lovely human being.

Yeah.

Just saw him at Comic-Con.

I believe he just finished shooting with our buddy Matt that we talk about all the time on Radio Silence for Ready or Not 2.

I believe he's in it.

Oh, exciting.

Yeah.

So we needed two Hollywood phonies.

Yeah.

Ended up being two like super nice guys having a very civilized dinner and chatting.

They offered you their autograph.

You were sitting there.

They tried to give me their autograph.

They're trying to force it on me.

Very clearly based on the video.

Oh, you must be a fan.

And then it's funny because the idea is this is your video.

Yeah.

And then you put in irrefutable proof that that's not what happened.

That's right.

And you flip over their table and it's an incredible slow-mo shot.

Everything reverse engineered to what would be cool to throw on to the ground or flip or do.

This outfit's incredible, Andy.

You look like you're an extra on the TV show Andor.

Yeah.

This is, but you pre-Andor.

You No, I love.

Yes.

You pre-Andor.

For those just listening to the pod in their car, he's wearing like a leather vest and a red long-sleeve like t-shirt or sweatshirt under it.

So he's got these red sleeves with leather in the center and then a leather hat.

That's like, how do you describe that?

It's like military baseball.

But it's like, it's like second tier military.

Yeah.

You know what I mean?

Which is a perfect like Andorian.

I want to believe that like Tony Gilroy was like talking to his wardrobe department pre-Andor.

It's like, you know, threw it on the ground guy, The Hollywood Phonies scene.

Yeah.

They're like, oh, got it.

Not Deadpool or Frodo.

Yeah.

But the guy in the middle.

Yeah.

Like something like that.

The table flip.

And the costume department was like, oh, God, it's yes.

Not the hot dog, not the energy drink.

No, no, no.

You don't have to say anything else, Tony.

We get it.

Hollywood phonies, got it.

Yeah.

Then the two phonies got up.

Turned out they had a taser.

And they tased me in the butt home.

Fell to the ground.

Phonies getting wet up.

Tasing on my blood hole.

Over and over.

I was screaming and squirming.

My blood hole was on fire.

The moral of this story is you can't trust the system.

Man.

What a turn.

Wow.

Really got me a little.

And Andy's really losing it.

It was making me laugh hard all over again.

Yeah.

The repetition of it is very funny.

He's so proud.

He doesn't change his tone.

He's just telling it like it is.

Yeah, this is what happened.

I mean, again, it's wonderful that you got tased in the butthole and you keep saying butthole.

It's a real Samberg.

Oh, no.

No, you can't talk right now.

Bye-bye.

I have to do this.

I'm sorry.

I love you.

But there was an alternative ending you were saying to getting tased in the butthole?

No, just to last.

The energy of that of like.

So there was an alternate ending.

Yes, it was.

The moral of the story is...

Everything was the same, by the way.

We had Tased in the the Butthole.

There was no alternative to Taze in the Butthole.

That was always going to be it.

The moral of the story is, you should always wear a butthole shield.

And we were going back and forth again, these wonderful SNL moments where you're taking it so seriously.

And what you're talking about is the dumbest thing.

Both are recorded.

You could listen.

We would play people the whole song.

I very vividly remember us asking people being like, hey, which one should it be?

Everyone was like, oh, you can't trust the system.

Like, obviously.

Yeah.

And this was the year or two that Hannibal Burris was on the writing staff.

And Hannibal was walking by.

We were like, Hannibal, come here, come here.

And we brought him in.

He's like, hey, what's up?

And we were like, which one should it be?

And we played him both.

And he's like, oh, man, definitely butthole shields.

He's not wrong either, though.

Like, he had no doubt in his mind.

He was like, 100%.

That was this guy's lesson of the whole song

that everything was leading.

I really, I do like, and it speaks to like what a gamer Elijah Wood is, right?

Because Ryan's the host, but Elijah comes and you're basically the pitch is, you're going to be having dinner with Ryan.

I'm a jerk.

I flip over your table.

You chase me outside.

Ryan's going to tase me in the butthole.

And you are just going to be so gleeful.

Yeah.

Yes.

He is devilishly gleeful at the idea that this guy is getting tased in the butthole over and over.

No, no, this is like Frodo won't throw the ring in level.

Yeah.

You know what I mean?

Just, yeah, real insanity behind the eyes.

yeah yeah yeah uh also a theme in our songs and videos of an idiot getting comeuppance at the end yep we like an arc

loose as it may be and uh he gets what he wants i don't think the vest is leather on closer inspection now that you can really see it yeah it's like some kind of woven canvasy kind of vibe yeah it's got a leather zipper that's for sure it show does keeve oh keeve you got a good eye look at these two phonies back there

uh yeah they are hollywood phonies you guys uh crushed it very hard, and this is a great one.

Yeah.

Listening to that with the audience, something interesting about it.

It takes a couple beats, but it goes up, up, up, up.

Yes.

In terms of their reaction, which is really satisfying.

And I think I've mentioned this.

We were not expecting this one to be much of anything.

And then slowly it started becoming a thing.

A, that a lot of people really liked, B, that a lot of kids like.

Like over the years, we've gotten, I can't tell you how many texts from people being like, my kid is obsessed with threw it on the ground,

which we didn't think about in the slightest when we were writing it.

It is a really fun thing.

Well, I think it's like every kid's dream, right?

Is to just like immediately embrace your worst instincts with an interaction.

Yeah.

Just like anytime somebody tells you anything, you're like, I just want to take what you did and just throw it on the ground.

Yeah.

I remember Higgins coming in on Monday and being like, John Higgins, who now works at SNL but was a child, had told him like, you know, that was one of the best ones they've ever done, right?

Because we were all just looking at it, like, hey, really solid effort, good one, okay.

And he kind of thought it was funny that his kid thought that it was dick-in-a-box level.

And then in over time, and at our concerts, I think John Higgins was onto something.

When you performed this at our concerts, me and Yorm would always be doing our quick change and then basically be free the entire time.

And we would, it was one of my favorite moments of every concert would be me and Yorm would be standing just off the thing.

And I have tons of videos from my phone of filming the audience because they would be singing along every single word.

It's a very quotable, easy one to sing along to.

And they would be like, butthole over and over.

And it'd be 10,000 people saying it word for word.

And it'd be so funny.

I could do the thing they do at like rock shows where they like hold the mic out to the audience.

They go, butthole over.

Oh my God.

It was truly great.

So, so wonderful.

Can we wrap up?

I know we're going a little long here, and this has been a delightful one.

Can I just play, can I share a screen and play just the beginning?

This is the most Fred Armison sketch.

The Norwegian Playhouse, right?

Norwegian Playhouse.

Yes, it's so good.

This is Fred's observation of how Europeans see America.

And like one of my favorite things, and I will take a picture of it and send it to Fred.

We never tire of like, I was just in Amsterdam, and there's always like some guy with a t-shirt that says like Detroit City Motorcycle Club.

You know, it's just like that weird American ideas are like Long Island baseball group.

Just like, just a little off, but like what they think America is.

And this is a great version of it.

And oh wait, I'm going to share screen and just play.

I'm in it.

He put me in it.

Yeah, you're in it.

Not my normal moves, but I love doing it so much.

So

you better tell us, mister.

Did you do a crime of making graffiti?

We found a spray paint in the bin.

Of course, I did not.

Don't make me cross!

I haven't drank my coffee from the donut store yet.

Well, I suppose you better keep drinking because I have not made any wrongdoings at all, Copper.

It's Detective Joe Smith.

Memorize this name.

I'm starting to become very cross with you.

Joe, do you want me to strike him with a knuckle sandwich?

No, John.

I'll just read this newspaper of the Daily News and Wade.

Give me my Marlboro cigarettes, will ya?

I didn't make a group.

I mean, it's just idiotic and so much fun.

It's really good.

It's also because Fred doesn't know how to hold a coffee cup or a cigarette or a newspaper either.

No, even his gyrating body is somehow Norwegian.

Like Norwegian pretending to be American.

It's just, he's the best.

Classic Fred.

He is.

What else was that show?

I had my backstage with Gaga.

Yeah.

Wearing the bubble dress.

Bubble dress.

Yeah.

Oh, yeah.

Which I was gassed about.

A line I really enjoyed from that was you're wearing the bubble dress and she and your guys are like, you sort of are embarrassed that you wore the same costume.

No way.

This is weird.

I can't believe this.

I spent $20,000 on this dress.

Yeah, and I made this out of garbage.

Fashion!

It's really great.

Oh, there was a deep house dish as well, as we mentioned.

And Lady Gaga and Madonna were in it.

And I think that was an iconic moment to have the two of them together.

Oh, right.

And I'm sure I was behind them as T-Shane.

You were?

And you ran over.

They started making out with DJ Dynasty.

What was Dynasty Handbag?

How can I not remember?

Keenan?

DJ Dynasty Handbag?

Yeah.

I think that's right.

And then you ran over and jumped on top of Madonna and Lady Gaga.

So don't ever let you forget that memory.

I did?

Yeah.

Dagwood.

At the end.

That was like the end.

He has forgotten that memory.

Hey, somebody said, as we wrap up, there was one comment I wanted to read where someone said, oh my God, I say hit us in the tittis so much at home, I'm worried I'm going to say it at work.

And then they just put in quotes, hit us in the tittis, your honor.

They're a lawyer, worried they're going to say hit us in the titt.

Yeah, I love that.

To a judge.

I love just telling us through context.

Also, hey, do we have that voice note ready, Jeff or Kevin?

While we wait, I just want to say, Keith,

it would be an honor to memorize and perform the song free with you.

Oh, would you be the SIZA or the Justin Bieber part?

You choose which part you want, and I'll take the other part.

Right now, or like we can practice?

No, we need to practice, but we'll build up to it.

It's from K-pop Demon Hunters for everyone listening.

Yeah.

All right.

Well, I had something weird happen at the show this week.

Okay.

Somebody was on my show who

was also in total recall.

Oh.

So I, you know, had him give us a voice note.

Okay.

So I think we should let it be the closer, but before we close it, I just want to say, you know, I love you guys.

All right.

Love you guys.

Love you.

This is Sharon Stone saying

later quads.

You bunch of idiots.

Did she say idiots?

You dumb idiots.

Wonderful.

My soul just left my body.

Yeah, let me just say something about Sharon Stone.

Fuck.

Hurricane of wonderfulness.

Yeah, she rules.

And just really nice.

I think, like, you know, it's a little bit like,

you know, Pam Anderson, Keith.

Like, people are so happy to see her.

Yeah.

And she's so magnetic and she has such good stories.

And she's been through every chapter of what's been awesome and cool about Hollywood and New York City.

And yeah, it was just a dream.

Well, let's just say, love you, buddies.

All right.

Love you, dudes.

Later, Arnold.

Later, Quaits.