The Christmas Tree (1991)

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Limit one per transaction, exclusion supply, full eligible tool list in-store and online. Finally, a Christmas movie unsuitable for the entire family.

We saw the Christmas tree, so you know what that means.

Let's follow in the mediocrity

Hello, people of Earth and welcome to How Did This Get Made?

Boy, oh boy, we got a doozy for you today. We are talking about the 1991 animated feature, if you can call it that, the Christmas tree, coming in at a tight 45 minutes,

not to be confused with the TV movie The Christmas Tree in 1996, which was Sally Field's directorial debut, that very different films.

Yeah. Yeah.
So there you go. Should we watch all the Christmas trees? I would love to just

take all in. The Christmas tree.

This movie, I would recommend people watching because it is free on YouTube and it's only 45 minutes.

And that's interesting. So you would say that people should watch it.
I think that you need your eyes need to see it. And if you say people.
Your eyes need to see it.

Your eyes need to see it and your ears need to hear it.

That should be the motto of the show. Your eyes need to see it and your ears need to hear it.
How did this get made?

Let me just say something

because

everybody, this whole How Do This Get Made team is really selling me on the 45 minutes of it all. Like a lot of you must only 45.
Get ready.

43, June.

43 is 43. It's for it's going to be so quick.
Good news. Good news.
Only 43. Here's the link: 43.
I felt those minutes. This was interminably long.
It did feel about 90.

I did look at the watch. When we do that thing where you pause it to see how much is left,

every time I had only gotten like three more minutes in, and it felt eternal.

I was at one point

like checking my own self because I was like, wait a second, is it not 45 minutes? Yes. Because I was watching it.
It all lied to me. The brutalist went by quicker.

Here's what I will will say.

I've taken more notes on a 43-minute movie than I've taken in recent memory

on much longer films.

Well, I would think the really distressing part, I'm sorry to interrupt Paul, but we were in kind of a time panic was also because about 15 minutes had gone by when the narrator announced, so let's begin our story.

Yes. That really, I was like, uh-oh.
So much table setting for a 43-minute movie in a way that I was like, I don't,

not only that, but like, even now having watched the movie in its entirety, I believe,

I still am not sure the story the movie's telling. You know what I mean? Like, no,

so little happens in the movie.

I mean, and yet so many things happen that are

terrifying. The kids do get lost in the wilderness.
A girl falls off a cliff. Yeah, that's true.
A bear does attack them. Yeah.
Yeah, I guess they'll actually take it back. A lot does happen.

Here's what I just will say for those of you who have not seen the film. Of course, that's Jason and June.

You don't need to introduce the show.

Well, you know, this short.

If you've not seen the Christmas tree, this is how IMDB describes it. The heartless Mrs.

Mavilda runs an orphanage where kids live in miserable conditions because she keeps all the donation money for herself.

She hires a new assistant who, along with Santa, helps the kids finally have a Merry Christmas. Now, that very much buries the lead.
We'll get into all the reasons why, but I do want to start off with

just the opening sequence because this is a film that we both, we all agree is interminably long, but yet the narrator is rushing through it. Like the narrator is like the micro machine guy.

Like, here's like that opening narration. Mrs.
Mavilda was a very tricky person. She didn't really take good care of the children, but she made people think she did.

For example, she had a pretty dress with bows and lace and a new pair of pants and a sweater to put on whichever child she was going to show off to the mayor.

This way, every time the mayor came by, he always thought that Mrs. Mavilda was taking good care of her children.
But after he left a donation collected by the townspeople for the orphanage, Mrs.

Mavilda would immediately take off the child's clothes and put them away in a closet for the mayor's next visit. That is insane.
The speed in which he is reading that is very quick.

Do you think that's just because they were like, oh, we got to fill the plot holes?

We don't have enough money to animate the whole movie. So we'll just have the narrator.
It's good though, because at times I did feel like the voices were being sped up.

And then there were times I felt like the voices were being slowed down. And the scenes felt like the scene is over.
The scene has been over for minutes. Why are we still in it?

What is this? They didn't. Animation is expensive.

The opening sequence shows you just how cheap this movie is because as they're flipping through this Christmas book, it looks like sections of the book are redacted.

It's like the Epstein files in book form. It's like they're not even fake text.
And when they finally land on the Christmas tree story, the story that we are about to hear, it's a blank page.

There's not even a semblance of writing on this page at all. And I was like, that seems like Yeezy animation.
You don't have to move it.

You just, which is also shocking to me, and I mean this truly, shocking when you said 1991, because this is 1970s or 80s level animation and voice work.

This looks like the kind of movie that I would have watched as a child around Christmas simply because it was on TV. It was on TV.
Pre-VCR. Pre-choice, you know.

Yes, when there was only four channels plus three, you know, UHF channels, you watched shit like this because it was there.

Now, I just want to talk about the basic, the premise of the movie. Sure.
And because I actually don't think that that log line from IMTB got, got to the heart of the matter, which is really

about this tree

named Mrs. Hopewell.
Oh, boy.

This is, I will say that this is probably the thing that upsets me the most about this movie that these orphans are so longing for companionship, even though they have each other.

They have each other. Okay, that's what I wanted to talk about, actually.
Yes, Paul. That right there.

They describe this tree as their only friend, as the only, the branches being the arms that wrapped around them, the tree being a place where they could finally connect.

Now, they all seem like nice kids. They never turn to each other.
Right. Not only that, not only do they never turn to each other, find solace in each other, find

community with each other. They're putting it so much on the tree that when the center,

I would say the central threat in the movie is the chainsaw to the tree. During this scene, there is a missing little girl in the wilderness.
She has been, she is gone. But

her mother has announced she's gone. We care more about the tree somehow.
As does her mother, Jason. Yes.

Her mother stays for that scene instead of going to find yes instead of going to find her child i will say for eagle-eyed viewers when the chainsaw is pulled out lily the missing girl is in the crowd of children so she oh god

so like don't be don't be alarmed they might have run out of some animation cells they had to use the one where lily is in it even though technically in that part of the story she is missing if this was a feature length made as a feature length movie then was cut down to this because then they would understand its choppiness.

There's only one version.

And it premiered direct to video in September of 91. It played on the USA network a handful of times

and it re-aired in 92 and 93.

And it was picked up by some small independent Christian television stations.

Of course. Well, that's okay.
Okay, so just to go back to the story for a second, Mrs. McVilda, whatever her name is.
Mavilda, not a real name. Movilda is a kind of Portuguese for evil and wicked.

Okay.

So Mrs. Mavilda is taking the money that the mayor is giving her to run this orphanage because she's dressing the kids up very nicely when he arrives.

And so he thinks everything's great and gives her, you know, bags of cash. Two big bags.
Big bags of cash. I was also interested in the portrayal of the mayor, like not usually seen as like generous.

You know. Well, the mayor is running the town because when two people arrive in town, they they go, if you need a job, straight to the mayor's office, straight to the mayor's office.
But, but Mrs.

Mavilda, she's using that cash.

This is what I was fascinated by, this choice, not on herself to buy, you know, luxury items, to buy herself beautiful clothing, to, I guess she is eating well.

We see that scene of her at the dinner table with a giant turkey, but she's mainly using that cash to bet on card games, to play cards. She's gambling.
She's gambling with it.

But she does, I guess my point is,

she doesn't seem to be doing well at it.

No, she's a bad gambler.

She loses the money.

I mean, like, you know, like, no wonder she's still running the orphanage after all these years. That's an interesting choice, though.

You rarely see a female gambler. Yep.
We're not, that's usually not our vice. Well, here's what I will say.
I feel like she was losing to torture the children.

Like her losses were so egregious because she's like, you know what? I don't care. They'll go hungry.
Oh, really? Yeah, because at one point she puts in all the money.

She goes, oh, here goes the children's money again.

She's enjoying putting the money forward because she's like, it's, it's

fun money to lose. Yeah, I agree with you.
She's not taking it seriously. She's enjoying the game, but I don't think she's trying to lose it so that she doesn't have to spend it on them.

But I am curious that she doesn't want to keep it for herself. She just, she wants that thrill of the game i'm also freaked out about this house that she lives in because the house

seemingly that well it's it looks like a nice house she has a bedroom that looks like it's maybe in a mansion that would be on like you know a very you know like a a bravo show and and her office also shining but then the kids live in abject filth like wooden floors like like well i think here's the question i guess and i'm dead ass right now when i say this dead ass okay

Here's the question. Yeah.

If she didn't have a gambling addiction,

would she be taking care of the children? No. Meaning, which comes, okay, but really think about it.
Oh, do you think we do that?

Do you use the framework of just like through the lens of this is a story about addiction? Okay. Right.
Okay. Oh, wait.
No, you're giving this movie way too much credit, I think.

I think that you're saying that. So you think she took the job at the orphanage in order to have access to petty cash

that she can use to fuel her gambling? Who would like I don't think she started out a good orphanage runner? You know, um, what's you know, this is she's like, what's the villain's name in Annie?

Carol Burnett. Um,

Hannigan, Hannah.

Jesus, wow, that was wild. Anyway, you know, this is, how come, let me ask you this.
How come we don't make orphan content anymore?

How come we don't seem to care?

Let's be clear, there are certainly so many orphans, but we don't make any modern content set in orphanages about orphans that's about the plight of orphans that is aimed, let me be very clear, at children.

To be honest, I think a part of that is because there aren't really any American orphans.

It's a foster care system and it's deeply, deeply flawed. And we fund foster care instead of like funding services for biological parents to actually be able to keep their children.

That's a fucked fucked up system in and of itself. Well, here's what I will say.
I feel like orphan movies went through this kind of like euphoria cation.

Like, you know, like everything in euphoria is like through the mind of a 30-year-old man who is not in high school.

And I feel like everything we know about orphan movies are through like Hollywood writers who just saw something ages ago. Euphoria? Is it Orphoria?

Our pitch is it's it's euphoria, but with and for orphans.

Yeah, because I do think that like what we have been building on on is this idea of what an orphanage is, just a bunch of kids running around in ragged clothes.

This movie feels like it's set in the 30s, yes. Yeah, that's what's so wild.
I mean, I do think that

the other trouble, the other trouble the movie has is this movie. Wait, do we think that this movie was in 91? No, right? It can't be in 91.
I don't know what, oh, the cars are old. Okay.
Oh, yeah.

The cars are old. And she is wearing a headscarf.
Yeah. To me, the trouble is also that Mrs.
Hopewell, the tree, we never get to really see them connect with this tree. Can I ask you a question? Yeah.

Sure. Where's Mr.
Hopewell?

Like, are we to presume this tree is Mary? Right. You're right.
It is a Mrs. Well, where's Mr.
Mavilda? Well, Miss, but that, but yeah, she's a Mrs. as well.
Maybe Mr. Hope Tree and Mr.

Movilda ran off together. Wow.

Whoa.

Can I just say one thing about the tree? And And I hope you guys don't come down too hard on me on this. I didn't find the tree to be that interesting.
Tree sucked. Yeah, the tree was not an like.

The tree didn't have any personality. Yes.
Give me like a peanuts level, like bad Christmas tree that then Santa at the end will sprinkle some things on it and it grows out and it's a beautiful tree.

And we all are, oh my God. Great.
That's a great pitch. A tree that represents the orphans themselves.

Kind of down on its luck and ragged the way that they do in Charlie Brown. Great point.
And then Mrs. Mavilda will be like, Why do you like that tree? It's disgusting.
It's an eyesore.

By the way, great Mavilda. Thank you.
I've been working on it. I did not get the part.

But you might be, maybe hold out hope for Mr. Movilda in the sequel.
Oh, I would love it. Oh, I'd love it.
Oh my God. At the end of the movie, when Mrs.

Mavilda first gets electrocuted by lightning, hit struck by lightning, then is fine, then goes to work as Judy's assistant in the orphanage. And the line is, well, don't worry about Mrs.
Mavilda.

She's good now this woman has tortured these children and now still is in charge of them but don't worry she's good now but by the way she's good now she learned that you always win when you are good wait what she never was why is it still about winning and why is she working at an orphanage where all the kids have been adopted well i have to say that that's true they seem to just live there so by the way it seems like reckless to adopt that many kids in one school they adopt seven kids and they have two more but you know what This town is going to keep producing orphans.

So what are they going to do?

But I did think that that was pretty bold of Judy's husband, who had been away in the

mines in the

field somewhere. Although he came back looking crystal clear.

Like, I mean, he's like, but I mean, like, to come back to take a look around and then say, we now have nine kids, like, which is, by the way, wrong match.

A conversation. Just so you know, when he tells.
I like a lot, Paul. Yeah.
So he said, she'll be helping raise their nine children. They already have two.
So they're adding five orphans.

So it'd be seven total. Oh, yeah.
Like, so there was, there was, again, Ray is not. Plus, Licorice the dog and Mrs.
Hopewell the tree.

I'm sure he's counting those as their children. By the way, Hopewell felt far away enough from the orphanage house that it didn't seem like Mavilda would have like jurisdiction over that tree.

It wasn't like a front yard. You don't think it was on a property line? Yeah.
Yeah. Yeah.
I would have loved it.

i would have loved a scene where they go to city hall and they get actual the actual property lines laid out well they do get into that at the end of the movie they go and technically the mayor says that this tree now is public property and it's like oh we don't have to get into we don't have to get into like the logistics of of who can chop down a tree oh my god i don't even know

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I mean, this mayor seemingly is very involved. This mayor is giving out jobs.
The mayor looks at you and goes, goes, you can work in the mine.

You can go work in the orphanage and you can bring your kids there. And like, the mayor.

Why does, why does Judy and her two children, the only blondes in this town, why do they have to live in the orphanage? Why can't they live in their own home?

Well, because the money isn't coming in yet.

Yeah. So she is working off.
She's basically working for that room. I mean, I, I struggle with Judy as a mom because

she,

well, obviously she doesn't like go after her daughter when it's reported that she's missing, but she also

she doesn't seem to take the kids seriously when they are trying to tell her like something is very wrong. Yeah.
Yeah. Something's very wrong here.
Yeah.

This, it feel, again, it feels like I would say 1991 still shocking because this feels like 1970s parenting. Right.
Exactly. You know what I mean? It has the vibe of like, but

I don't want to hear from you. Like when Mrs.
Mavilda says to Judy, you have to do this, you have to do this, you have to do this.

And then at the end of the day, you can see your children for 30 minutes. Judy's like, that's plenty.
Gotcha.

Judy, that's plenty. And if anything, maybe too much.
Judy does not react at all when this says, and your children will be treated as orphans. She's like, copy.
Yeah.

Got it.

Why do they have to sleep in there? And it also seems like the orphans aren't being put through any rigorous schedule. Like, it seems like they're going to be bumping into each other a lot.

Like, I mean, it's,

you know, it's like,

what happens with Mrs. Mavilda's plan to frame Judy for stealing

from the guy? There's a whole thing that gets put in motion that I kind of didn't then train.

Well, I think that's put in motion so that the kids can escape to try to get to Santa to have Santa solve their problems. But basically, there's a mission.
Those kids would freeze to death so quickly.

So quickly immediately dead. Well, the plan changes twice, right? Because it's first, the kids are going to go see the mayor to talk to the mayor and say, hey.

But then, Paul, it's after business hours because someone did know how to get to the mayor's office because, of course, they had been there the first day of the day.

And this is all happening on Christmas Eve.

But then they realize, I did laugh at this. Then the kids, these kids, these hungry kids realize it's after business hours.
It's EOB end of business. And

the mayor, this is how locked in this community is at the mayor. They know the mayor's already on the way home.
And the mayor lives way out in the country.

Way out in the country, which, by the way, why so far away? It'll be so much easier to go to where Santa lives. Right.
And this is not a

community that seemingly is set in Alaska. Like, I would say this is probably Minnesota.
Like, let's just say, like, it's a very, you know, it's a, it's a suburban, rural community.

They've all seen alone, and they are in conditions that are brutal. These kids are out there with no sweaters, on no hats.
They're chit-chatting away. They get chased by a bear.

A bear that I'm going to say is three stories tall. The bear is so big.

I mean, here's the thing that I'm going to say about that big bear. I think that these kids not knowing jack shit about anything helps them because at a certain point,

the mom has to explain what Santa Claus and Christmas is. Like the kids have no idea what that is.

So I guess I'm starting to look at the kids and being like, they have been, have you ever heard that story where parents only taught Klingon to their son?

And then like Child Protective Services came in and like they had to take the child away because the parents were just intent on only teaching Klingon.

Wait a minute. Wait a minute.
Were they Starfleet officers?

I think that

they were part-time Klingon.

players.

Were they oh wow wow yeah so they were cosplayers who you know look I went to Comic-Con one time and I watched a Klingon play

play out in Comic-Con Rune and it was great and they were all in a Klingon language doing a you know a piece of a piece of Klingon literature.

But you know, so I

so the so that to me feels like these kids have no idea what's going on. So they're like, yeah, trees are people.
I didn't know about Santa.

So when that bear comes, to me, I think that they look at that bear like licorice. Oh, it's another dog.
It's a big dog. Big dog.
Like they're not like, they don't know.

I'll be honest, I was rooting for the bear. I was rooting for the bear just because I was like, you're, to come out here like this is so irresponsible.

I just felt bad that the bear had no Christmas Eve plans. Yeah.

Did anybody wonder what happened with that giant accident that stopped Judy on the road from getting to pick up the package where she was going to be framed.

Judy, what is that all about? Judy, I have issues with Judy as well because at one point, like the kids are not speaking and Judy's like, hey, hey, settle down. I'm like, they are settled.

No one's speaking. Listen, it's completely silent.
A little respect on Judy's name, though. I was deeply impressed with Judy.
Wait a minute.

Let's put some respect on her name. Just moments ago, you were dragging Judy's name through the mud.

I know, but then I remembered how absolutely intrepid judy was when she built that swing and that platform whatever that that slide i have issues with that slide a wooden slide splinters in the butt yeah i feel like that's okay but like they they didn't have to no she was very care like that was real now where'd that stuff go did mrs movilda tear it down She wanted to.

I think so. Yeah.
She didn't like that it was there. She was.
Yeah, but when she goes,

saw to it. I don't think it's there.

It doesn't appear as though those animated elements were included in the wide shots i have a feeling that they had a daylight scene of the slide and the swing but that the climax took place at night so they could not bring it over yeah hold on one second are we to are we to understand

that santa sent the lightning to strike mrs movilda that's a and didn't we all think that the lightning was going to bring the tree to life or am i the only one

I thought that there would be, like, yes, I almost felt like if the lightning was going to make Mrs. Hopewell come to life and be like, I will now run the orphanage.
Not like Judy would take over.

Yes.

There was, I felt like there was so much import placed on the tree and Mrs. Hopewell and its protection.

The tree was personified so much for the children that it seemed to me at some point it must become sentient. It must.
It must become become the thing the kids are saying it is.

And in fact, Judy becomes that thing, I believe. It's not Mrs.
Hopewell. Judy becomes Mrs.
Hopewell for them. She becomes their advocate.
But why does the tree still get all the fucking credit?

Well, the tree gets a lot of credit, but I also think that something's weird with Santa. I do think that the Santa that we meet.
Go on. Because, okay.

First of all, Santa is a very different animation style than anything else in the movie. That's very true.
Yes. And it does seem like...
That was clip art.

It does seem like it's borrowed from maybe another

movie. And he, I think the way that he looks at everyone in this town is very sexual.
I think that he has a glimmer in his eye.

Paul, and I'm not going to lie to you, I did. We don't see what happened with Lily and Santa and where he found her or what that scene, what happened there.

But when he appeared with her, I feel like the movie, we wanted to feel like, oh my gosh, Santa found her and dropped her off. And where where my mind went was like, what the fuck?

Yeah, what's going on? What the fuck happened? Well, we don't get really, we don't get almost any time with Santa. So he's so just Deus Ex Machina kind of dropped at the very, very, very end.
Yeah.

That it kind of is like, wait, who the fuck is this guy? And yet he has saved this little girl, but he doesn't say, I saved her. She didn't fall off the cliff.
She fell into my slate.

He didn't say shit. He's like, I got to go.
Got to go. Yeah.

i got these parachutes attached to my presence i gotta get the fuck out of here there was something i gotta get the fuck out of here before the cops arrive

and if they ask any questions no presents next year i'm worse than mrs mavilda that's what i think is really going on maybe he is mr movilde oh that would be cool

did anybody else question

why

after we have been told over and over these kids don't have anything they don't have dolls they don't have any toys like

why didn't they ever play with the sled that was outside yeah well you're obsessed with sleds you both are you love botting i love sleds sleds were like the greatest things that's what i'm saying that's the most fun thing you could have in a town basically a snow car you basically had the ability to go fast yes it's you it could be a child's entire winter yeah one sled it's an it's independence absolutely i could ride my sled to other towns i could ride my sled

up and down the coast. Wait, hold on one second.
Wait a second here. This is just a no.
Now, I had a dog sled. I attached dogs to it, and we would run.
We would run.

Much to my parents' chagrin.

But like this, they feel like... Seriously, Paul? Oh, yeah.

You had a dog sled? We had a dog sled. Like, not like it was.

Yeah. Like an ididarod? No, no, no, no.
Well, we had to keep talking about it. All right.
So we had two sleds. One was much more of a metal.

So it had two wheels in the back, a little platform that you stood on, and then handlebars, and you attached dogs to the front, and then they would shake off. There was a wheel in the front, too.

So that was the non-snow one. That was the one for.
This was not real. You didn't know.

Oh, 100%. So it was like bicycle handle.
So it was like. I'm going to need photos.

I wish. Yeah.
It was like a dog sled. That's like a dog sled train.
That's like an out-of-season training sled for I did a rod dogs, right? Right. Yeah.
I would imagine.

I mean, as far as I knew, I just hooked the dogs up to it and they would run and I could, and by when I turned the handle, four.

Okay.

You know, and so,

you know, so then I would, I would hook them up to it and they would run with me.

And then, you know, and I would take them around the neighborhood. I'm looking right now on some websites and I'm seeing it right here.
I will, I will kind of show you exactly what it was.

There is no.

What are you, what are you talking there's no way we've done this show for 15 years and we're just finding out that you had idirod style dog sled in long island new york uh i'll show you a picture of it right here what on earth is happening all right here hold on one second i'm gonna share my screen are you serious okay yeah here it is that's what i had what yeah

How did

you have enough dogs for you?

Yeah, let me see if I can. It looks like fun.
I'm not going to lie. There we go.
Sorry. I'm going to make it bigger right here.
No, I get it. But did you have huskies? No, we had pointers,

which were like hunting dogs. So yeah, that was exactly, that's exactly it.
It's, it, it's like, it, it almost looks like a tricycle that you would.

Yeah, no, no, I get it. I get it.
I'm just like, I don't. I'm explaining it for the people who can't see it.
I can't rectify.

I can't. I can't make it make sense.

Yeah.

Did anyone question you? You're riding around in that thing. And did anyone say like, whoa, whoa, what, buddy? Hey, hey, little guys.

Sweetie, sweetie, hold up, hold up.

I would attach the dogs to it to impress my sitter, like my babysitter, like who's often a high school girl, to show her that I could control the dogs.

You got the pointers for the sitter? Well, I didn't get the pointers for the sitter, but I would like to say, like, hey, you know. Did you look up the pointers just for the sitter?

By the way, what they call this, according to what I'm seeing online, is dry land mushing. Yeah.
Okay. So that's what I was doing.
I was doing dry land mushing. Okay.

So, which I'm sure, I'm sure made the sitter absolutely soaking wet.

Never was that. That dry land mushing.

What on earth is happening? I am absolutely stunned. I can't accept this.
I really hope we've as new information. No, that's really the craziest thing.

So is this the same era? Because to have that, you have to have

open

to ride around. And is this the same era where you had horses? Yes.
Oh, 100%. Yeah.

We had a dog run behind the barn, and that's where the pointers lived outside. And that was like, yeah, so I would be cleaning the dog run.

So I would go in there and, you know, take the shovel and clean up the poop and everything and hose it all down.

What year was this? I mean, this is all. It sounds like you're describing the teens, the 19 teens.

I mean, you look, it was my job to go around the back of

the stables and feed the dogs. I mean, I had to get the salt licks.
I had to get the salt licks for the horses, and I had to make sure that I put the hay in there.

I had to put more hay in their kennels during the winter so they had a warmth,

you know, to keep them warm.

You know, but they were outdoor dogs. They lived in their outdoor kennels.

You know, and that was it.

This is astonishing.

I don't know where we were going, but I was going to say, like, now that's a sleigh. That's a sleigh.
That's what I want to see. Sweat some dogs up to this stuff.

Because these kids seemingly are just going uphill at all points. They are using that sleigh as if it as an engine.

Well, the engine is licorice.

Eventually.

And licorice is hooked up, Paul Shear style, Pointer style, to

dry the... But this is obviously

this is snow mushing, not dry mushing. I guess we did also have

a regular sleigh, too. You did.

That was available to you. Yeah, yeah, yeah.
Yeah, that's good. That's good to know.
Just for people who are keeping track at home as to

what you had available at what point in life,

vis-a-vis modes of transportation. And I am looking right now that Pointers are good dogs for sled dog racing because they're fast.
Yeah, and they have, I guess, a good swing.

Just the last question about this, I promise. But was there anybody else that you knew that had this type of pointer? No, no, no.
I have another question. Yeah, sure.

And this one is real, significant. Yeah.

Why?

Why did you have both the dry and the snow sleds? Did you or anyone in your family race these dogs?

That's a good question. Did you use these as transportation? Like, what? Right.
Well, we didn't use it. No, we didn't use it as transportation.
We didn't use it. I was just going to say why.

This is something that comes up in my brain. I understand why Jesse has the dogs in Life Below Zero.
That makes sense. He gets around with them.

He needs them because he's in a place in Alaska where he needs the dogs for transportation. Well, no, this, the dogs were, the dogs kind of just were.

Yeah, I mean, I guess we had them,

these dogs were going out. We were hunting with them.
We were, I mean, we were always, these dogs were always coming out and doing something. They were, you know, they're pointers.

So when they saw a bird, their tail would go up, you know, and then you'd, and then that's how you know, okay, we got a bird. Did you hunt like a lot?

I had, I had multiple guns, but I never was out there to kill animals. I, I would shoot much more.

You had multiple guns, but I was never out there to kill animals. No, I was out there.
Were you out there to kill the most dangerous game?

I would hunt humans, sure, but that's a different thing. Now, and these pointers were really good at finding bodies, human bodies.

Wow, so interesting. And

I think, I don't know if I ever mentioned this, but most of my fifth grade class were weirdly shot. I don't know why.
They were wandering around. Weirdly shot.
Weirdly shot.

How they were shot was weird. Weird.
It was weird.

Oh, my God. Oh, my God.
Yeah, so I shot a lot more skeet than I did.

That was my bread and butter.

That was my bread and butter.

I shot plenty of skeet. That was my bread and butter.
Nothing. I mean,

I think I've told this on the podcast that I did kill a lot of quail. Okay.
Yes. So like that's what you guys would do.
You would go out and do quail hunting. No, no, no.

We raised them and then I would then we would chop off their heads and then put them into a defeatherer and then

sell them. Defeatherer? Yeah.
God, this is so horrible. How does that work? It's basically like, imagine, and I'll give the funnier description of it.
You chop their heads?

I didn't do the chopping off that.

I did the thing where I'd stick them in the defeatherer, where you would hold them by their legs, and it's basically like a steel drum with, let me just say, for your visual, like a bunch of dildos attached to it.

And so you, like, so it's like these rubber things, and you put the bird in,

you can pull it off.

Oh, okay.

And then you would sell the quail. Yeah, we sell that meat.
You'd sell the quail meat.

Where? Where would you go to do that? Again, these are the things. I just did the chores.

I guess, yeah. Okay, I got to be honest with you.
I wish you'd asked more questions. I know.
I did too.

Like, you were part of, I want to be clear. You were part of something.
You were part of something that I don't think you understand. I guess I call it a chicken plucker machine.

Chicken plucker machine is what I'm looking at. Yeah.

Why? Paul, who sold the quail? Where? And what were the proceeds used for? Like what system was this a part of?

You know, it's just crazy stuff.

These machines, these machines are bringing back memories now. Oh, God.

How are there more memories?

I guess I just felt like we were raising quail, so then we had to

sell them. We're not going to just keep a bunch.
Like, we were raising a tremendous tremendous amount of quail.

Yeah, I understand the concept of if you're raising quail, you're probably selling them, yeah, but in what capacity? Like, I don't know,

I mean, I like, I never went to a funnel.

We're trying to understand what the funnel looks like, well, yeah, so I don't know. I mean, I never, we never

black market quail sales. I mean, what did I marry into? Is there a quail fortune? I don't know.

I never went to a farmer's market. Okay.
Um, I never did that. So I know that we didn't sell it there, but I also think

we had a big freezer. We were putting things in the freezer, and then I think that people were picking up things from the freezer.
People would come by. I think it was much more of a.

You think you had a, it was an open freezer, and people would just take a quail, leave a dollar.

What is this?

I remember distinctly saying,

we'll leave the garage open. You can come and get the quail.

What?

So I think we were selling, we were selling animal meat locally.

Got it. I think.

Again,

not quite positive. And again, I should have asked these questions.
These are great. All these great questions.
I would love to know if these were FDAs. Yeah, go ahead.

Yeah, you were just trying to get your chores done. It's like

so you could get on your dog sled and enjoy yourself. Like, I understand.
I don't blame you. I just, hey, guys, I want to hang out.

I just have to de-feather 300 quail so I can fill up the quail freezer in the garage that everybody knows will be open. Now, here's the thing that I will say.

I definitely believe that we ate them as well. Sure.
Because we were not raising, when you say 300, I would say we didn't have 300 at a time, you know, so we were probably raising maybe like 50 quail.

Like, so we were a little, we were a low tier, you know, you know, probably like, yeah, like, and you'd go in there and the coop was just a mess and feathers and shit.

And you'd have to get in there and dig up. You lived with a quail coop.
Yeah. Like, we're getting, this is, again,

this is just astonishing new information. The quail coop was on the property next to ours, which we rented the house of, but we kept the backyard.
So that was like a deal that we had to give. Okay.

So you have the stables for the horses,

kennels for the dogs. That was in our yard.

That was in our yard. And then the quail coop and anything.
What else is in there?

Just so I have a, and I would love it if a fan could maybe just do a property sketch of all the information we now know from Paul. I mean, what a, I mean, what a, what a childhood.

You know, like, it, it feels like when you talk about your childhood, it feels somehow like, even though I know you grew up in Long Island, it feels to me like you grew up on Little House on the Prairie.

Well, that, you know, it is interesting when I do talk about it, it doesn't seem natural or right. And so when I did go back to like look at the house, I was like, did I make any of this stuff up?

And nope, I did not. Everything is still

aggressively there.

This is wild. I love this.
I love the excavation of your childhood is

that the it is what drives you. I've got at least two more books coming.
Like, man. I did.
As you said it, I forgot about us mushing.

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But up ba-ba-ba.

Okay, so

sorry for that detour. I apologize.
No,

in all sincerity,

it was so much better than the movie.

Truly. But now, the fact that we now know

you were a frequent dry musher as a child is huge information. I have big information.
The fact that I know the term dry mushing. Yeah.

Now we all do.

I thought that there was something sexual with Miss Mavilda called Mel Fast Fingers. Yeah.
And

she really does hang out with a bunch of degenerates. Yes.

Which I like. I was you.
Oh, yeah.

Again, that was a choice that I really loved about the movie, which is that she was a gambling addict. And also that her choice of she wasn't hobnobbing with the rich and famous.

You know, she was with the dregs of society. And she also didn't aspirationally have hopes.

She wasn't trying to buy her way into society or get her or buy her way out of the orphanage into a this or a that. Like she just wants, I think, to party and gamble.
And fund her habits.

And that's why I think that she was losing the money on purpose because she wasn't like, she just wants to shut everybody down because she doesn't even invite the girl, the mom, to play cards.

Like, it's not even like... But, Paul, I'm sort of coming around to your point of view because they do say that about gambling addicts, that they don't actually want to win.
Oh, really?

Yes, that they, the, that, that the desire is to try and there's something in the risk of it, but it's not about actually winning. Oh, okay.
Oh, wow.

So you might, you might be on to something there. I did appreciate, you know, it's definitely the animation of the time, but I did appreciate.

Just want to be, I want to be clear. It's not the anime.
This is, this is like,

what are some of the other animated movies that are out in 1919 there's toy stories that exist no i mean this is like okay a time of like uh rover danger field uh rock a doodle american tale animated time um american tale yeah okay i mean but i love i loved that at least in the 90s all the women who were villains had purple eyeshadow that seemed to be very very important and i also love you like those pink lips that when judy when judy went driving and she was on the road and told by the police officer, like, you're not going to get through, better turn around.

She sped off like a bat out of hell. Did anyone notice how fast she drove?

I did not clock it. She threw that car around into a turn and sped away.
Wow.

It was hilarious. I'm just going to say that Beauty and the Beast comes out in 1991.
Okay. And American Tale comes out in 1991.
Fival Goes West, of course. Of course.
Rockadoodle comes out in 1991.

These are movies that look very different from this movie. Well, I mean, there is something about it where it feels like these cells might have been purchased on a black market.

You would even say maybe a quail market, you know, bespoke. Oh, boy.

And you would get this, like, because there is something about it where this all feels left over.

And look, I know these kids are supposed to look sweet and kind, but they all look like kids who are having terrible allergy attacks.

Like, their eyes are just big enough and watery enough to look like they're just like, oh, they're like their sneeze is like living right in their headspace. They don't look well.

They're all facing out. They all stand in the exact same direction at all times.
They have to. I mean, they must.
They only had to

mention. Yeah, they're using the same cells over and over again.
And it's clear because none of the, you know, they just have written a script to cells that they had, I think, to scenes that they had.

Because I don't think like none none of this makes, none of this adds up as a movie. Well, I mean,

I also don't understand how the whole town gets involved. At the end of the movie, the entire town is around the tree.
It seemed like this is a very small issue.

Mavilda's going to cut down a tree and then everyone shows up. But yet, again, I just want to call it back, which is.

It is a weird moment because a child is missing, reportedly falling off a cliff in the woods.

And a town is much more concerned about a tree that no one has any connection to because at this point, the tree is not a national landmark. And it seems like the boy is crying.

The boy is crying and he says, She fell down. I lost her.
He's like beside himself. And then it's like, start up that chainsaw.
We're killing this tree. And everybody's like, fuck the little girl.

We have to save the tree. Which is bizarre.
I mean, is it an ecological story? I don't know. I mean, that's- I don't don't know.

I mean, I do think the way he tells the way he shares the news about Lily, like, it does seem so definitive. Like, she's gone.
She's dead. She's, she's dead.

So there is something I can't believe I'm on their side, but there's something I do understand. Like, they radically have to accept that news.
Can I ask a question?

Please. Is the little blonde boy's name Pappy? Yes.
Yeah. Or Happy.
Pappy. Pappy.
Happy. Pappy.
Now, why is he named Pappy? Isn't Pappy like an old man, like a grandfather's nickname? Like, you know.

My Pappy. Like, yeah, Pappy is not like, it's not a nickname.
It's not a, it's not a nickname for like a, like, Patrick or something.

I couldn't wrap my head around the fact that this little boy's name is Pappy. Lily Pappy.

Pappy Kindle. You should call it by his full name Pappy.
Pappy Kindle, which is a paper. Which makes me also wonder, the Kindle family, is this Amazon product?

I mean, this is like War of the Worlds level stuff. You know, let's have the Kindles come in, and you know what? She can read to them any story, access anything they want, magazines,

audio books, now in color.

By the way, did anyone else wonder like what happened to the Kindles in their previous town? Where are they running from? Yes.

And when they show up, the mayor is basically like, I'm going to put you in this thing, this job over here. Like, it seems like he's just getting placed, not based on his skill set.

None of it. He's just being told to work at a lumber mill.
That's communism.

I'm going to be honest. That's communism.
Whatever your trade is, it doesn't matter. You do this now.
For us, you are a lumberman.

Your family belongs to the town. They're not yours anymore.
Your family belongs to the town. They are community property.

This is communism. I believe this is a story about communism.
Well, I guess here's the other part of it. The mayor is coming with the bags of money.

And the way he gives the bags of money is by seeing that the orphans are in nice clothes, right? But these orphans never leave. So she is doing a bad job.
Because I imagine part of being an

orphanage is like, you want to get some out the door. It's like running a car dealership.
You wouldn't get more money in a car dealership. You're not

moving products.

So you think she's getting money. She's going to fill out a report, though, every year.

Like, I, you know, there were, maybe there weren't any placements, but like this many people came to see the orphans as potential adoptees. Like, because

she must have to she must have to account for something there doesn't seem to be i believe i'll be honest any oversight there's no cps there's no

seems his his arrival with the bags of money this town seems to be the mayor and mrs movilda

i mean it is it is it is a an orphanage that is run

I mean, like literally with the least oversight. It's an orphanage of fear that is run with the least oversight because all he needs to do is see that they are in a pretty dress.

And then he, by the way, this is disturbing to me. You look, I've seen a lot of weird stuff, but seeing kids get naked, like ripping clothes off a kid and having them in their underwear.

I'm like, I don't need to see little kids in this, like this ragtag, generic peanuts gang. I don't need to see, I don't ever want to see Lucy in her underwear.
I don't want to see Linus.

I don't even want you saying.

I don't even want you saying what you're saying. Yeah, I don't want it available.

I don't want or putting putting images into my brain that I didn't ask for, you know. I don't want it, especially about Linus.

I mean, the other thing is: what world is this money? Like, is he like,

I mean, we're also in a world where, like, why is the money in bags? Why is the money? I'm just thinking about that. Money's always in bags,

like, money's always in bags. You know, if this is, if this is run,

if he's sort of running this as a communist utopia, then I do think that

do understand, in Alaska, I do understand Mrs. Mavilda's gambling addiction a little bit more.
Right. I understand

the need for

like,

you know, excess and stepping out. Like that does, even if it doesn't lead anywhere.

Well, it also, it does, that also feels to me like the idea that this takes place in a frontier town, basically, where it is people are working in the mine or the mill or whatever.

That's how they make their living. But really what it is, it's just lowlifes who are doing gambling and scheming.
And it's Mrs. Mavilda and her poker friends.

You know what we don't see is a ton of like townspeople who are like good people. We just see villains and the only good person really is the mayor, I think.
And Mrs. Hopewell, the tree.

Paul and Judy. Sure, sure, sure.
And licorice. I don't trust licorice.
I don't trust licorice either. Licorice, I feel like, left Lily.
Licorice should have gone after Lily.

I will say, no,

just as for Licorice, because I think Licorice did do a good job fighting the bear. Okay, you're right.
Yes, which

should have been killed. I think should have been killed.
Was that bear the same bear from the jungle book? It did look like they may have stolen.

Definitely Balooke.

But there was this one moment where the mayor does say, like, there's weird editing.

Of course, like, I think you're right, Jason, like, there's points where they're, like, they have too much time and they're rushing.

Then there's points where they don't have enough time and they're cutting. So, you're this weird thing where, like, the end of the movie is like, and then it's all good.
And she's great.

And we don't even see any images of her. It's just a wide shot saying that everything worked out great.
It's like, it's like the way that I get when I'm trying to tell my kids something.

I'm like, yeah, yeah, it's fine. It's fine.
They worked out. Everything.
Yeah, yeah, don't worry about it. They're fine.
They're good.

But there's this one moment where the mayor goes, I've got enough money here to get the children new clothes

and still some left for their Christmas. Like, it's like there's a long beat.
I've got enough money here to get the children new clothes.

And still some left for their Christmas presents. Like, it's like, I was like, what, what happened? Like, did he have a mini stroke?

There's a lot of that kind of stuff where it feels like it's just because they have more footage of the mayor talking. So they're going to fill it up and make it last.
It almost feels like it's...

That's what I mean. It feels like when you watch an old TV show and you're like, why is this scene seven minutes long? The plot points were over minutes ago.

So why is Magnum still hanging out at the King Kamehameha Club just to watch somebody fall down in the sand? By the way, I mean, I would imagine that

Mavilda would also get put in jail. It seems like a very lax system that would be like, you know what? Well, and that's Judy's fatal flaw.
Yeah.

And that's where Judy is, you know, her underreaction, her willingness to turn a blind eye, her, her,

you know,

need to like rescue Mrs. Mavilda and not restore justice to this town is really deeply troubling.
It's a, you know, there is no, Mrs. Mavilda shows no remorse.

She really doesn't have a, she doesn't have a real turn in a way that you're like,

she got caught. Do you feel like the lightning strike like kind of shocked it out of her, like electro shock therapy? Like it's just like, I would have loved if they showed that.

if she was like if after the lightning strike she was like wonderful and loving and lovely you'd be like okay she's changed santa changed her with lightning or like it was a stroke or something you know and because what we don't hear at the end is that mrs movilda stopped gambling no no she's just good well now she maybe just gambles smaller amounts yeah by the way again you said justice for judy June, I just wrote this line down.

There's a moment where Judy tells the kids that they won't be getting the new clothes, and then the kids are upset. And she says, Please, children, don't make it more difficult for me.
Yeah, I know.

Listen, I'm so back and forth with her. I just admired her carpentry.
What can I say?

Here's the thing: Judy is up against insurmountable odds, so she cannot help but fail over and over again because it's simply too much. That being said, um,

she could do better, she could do better, Judy do better, yeah, you know, Judy, Judy, just do better. But also, these orphans do better.
Like, these orphans are just standing around.

They are not doing a goddamn thing. And orphans, by the way, do better and turn to each other.
Yes. Build community.

Like, people always say that if you feel unhappy in your life and depressed and like are constantly making yourself the victim, like turn around and put some energy into what is,

into the people around you, into the spaces around you. You know, invest in the opportunities of your,

the person to your right, the person to your left. That's exactly right.
Don't try and tell me that you can't make yourself a better life unless that tree is your best friend.

Well, okay, so I guess, I guess

if I'm going to take away all the things that we've been saying about this movie and just judge it in a way that's like, what was the intention here? Like, what is the Christmas moral of this story?

Such a good question.

Like, I don't think there is one. Believing? No.
Nope. It's not about believing.
It's not about the Christmas spirit. It's not about

love for one for each other instead of craving gifts and so forth. I mean it's not about the spirit of Christmas.
It's not about

harder at one point. It's about one of, oh, you know what they do do is the kids all want things and then the kids are like, I shouldn't want things.
I should wish instead for Mrs.

Hopewell, the tree to be saved. Right.
But also of all the people who don't want things, the kids should get some things. The kids have not gotten anything.
They don't have clothes.

They don't have toys. They don't know what Christmas is.
They have such shitty attitudes. I mean, they really do.

The kids are, the kids are sleepy. I mean, the kids seem like they are, I mean, the star.
The kids seem like, I'll be honest, the kids seem like Mrs. Mavilda's giving them a Benadryl every morning.

I do think they might be on drugs.

Because like, the fun thing about orphan movies, and I know this is wrong, but when you're watching them as a kid and you're watching Annie, as horrible as the Miss Hannigans of the world are, there's something so appealing about seeing, about kids being together.

Yes.

Even all of our sleeping in the same, sleeping in the same quarters, one of the little one being way more of a rascal and taking risks and the other ones having, like, there is something so compelling story-wise watching these stories as a kid.

Yeah. I am this.
I am that one. Yeah.
I'm a voice in the, I'm a voice in the animated movie The Twits, which is one of the role doll books,

which has very fun,

up-to-stuff orphans. The orphans are driving the story because they are, they have the ability to go out into the world and stir shit up.
And so they do.

And it's a blast because the orphans are, they have agency. They're not just sitting around waiting for some Judy to come make it fucking bad.

But Jason, this is the thing that you have refused to talk about.

You also play a mayor in the Twits, and you are not talking about

you have been in this position. I mean, what is the mayor doing right? What is the mayor doing wrong?

It's so true because the mayor does not support the orphanage in any way. Like, he doesn't show up.
My character, the mayor, doesn't show up with bags of money.

He is so much more focused on his re-election campaign. Okay.
So this is. Now, does your character address Roll Dahl's anti-Semitism at all? He does not, but I will say his butt explodes.
Okay.

Oh, okay. Hey, that's fair.
You know, look, you can't win.

His butt swells and swells and swells and swells until it explodes.

Not a fart. His butt explodes.
Well, that is. That is upsetting.
So

do you feel like it was an asshole that exploded or was like a butt cheek explodes? I'll be honest.

The director, the wonderful director, Phil Johnston, I asked him so many times, what has happened here?

What is the injury? Because you then later see him in the hospital in traction and it looks like they've done some like cheek surgery. Right.
You know what I mean?

Like what like what was the what was this? Like I need to know so I understand how to play it. Well, of course.
So I understand how to inform my vocal performance. Right.

You don't want to be like this guy who becomes Jimmy Stewart at the end of the movie and in the beginning of the movie sounds perfectly normal.

Holy shit.

This is truly one of

Wow. I mean, one of the, like, again, we keep on saying this recently.

Like, these are movies that are blowing our minds because i'm like i did not know this existed and in 45 minutes i have more questions than i ever have had but here's the thing i am so looking forward

to the time

when uh in I'm going to say 45 minutes from now when I have forgotten this movie. It's already forgotten.
I'm so looking forward to that time.

I like I still am, I'm thrilled, by the way, to still be thinking about and laughing about and talking about my boyfriends back. Oh, yeah.
But this, I hope to never revisit.

This is, this I want wiped clean from my memory as soon as possible. This is, to answer the question you're leading us towards, Paul, I do not recommend this.
Really?

This is, I found this to be to what we were saying earlier, so weirdly long, even though it's short. So the scenes are so boring and so drag on with just either exposition or unnecessary information.

I couldn't make heads or tails out of it. Well, and I will say, I kind of feel the same.

And we did keep our, we did keep our nine-year-old up last night a little bit later than usual because we're like, oh, you can watch the movie with us.

And he wanted to go to sleep. Yeah, I can't wait until your sons write books.

that are revealing the way Paul's book is revealing, but all of the stories are about all of the movies they were exposed to.

They have seen. And by the way, we get excited when it's a kid's movie.
We're like, oh, finally, you can watch it with us. Like the fart movie with Rupert Grimm, yes.

You know, like they, like, they, and that one I think went over better. I'll tell you this much.
I will read you one or two of these second opinions

because, but I don't trust them. I, but here we go.
It's now time for second opinions.

The movie was a piece of shit.

Yet this person recommends it.

Tell me what is the message.

Maybe that art is subjected.

I need a second opinion.

So it was very hard to find second opinions for this.

So we had to go to Letterboxd. It's not a real movie.
It's not a real movie. Yeah.
So we had to go to Letterbox, even though it went straight to DVD. So it should be able to be reviewed on Amazon.

Pisswater Dead Girl. Okay.
On Letterboxd.

This is so wonderful. The real children voice acting adds such a beautiful, homey vibe to the whole thing.
Their eyes are so somber. It's enchanting.
I like this a lot. Five stars.

That does seem earnest.

It does seem earnest. And I will say one of the things that they mentioned that we did not mention, I don't think, is that yes, all of the orphaned children's voices are little kids' voices.
Yes.

And you can tell, and the kids are struggling. Well, I will tell you this much.
The actress who played Lily, seven years old, is the real-life daughter of the actress who played Judy.

And the actor who played Pappy, who is 10, is the real-life son of the actor who played Bob. Okay.
And all of the actors in this have one credit.

Most of the cast is made up mainly of friends and family of the animation crew members. I'm not surprised.
They save some money here. No union.
No union fees here.

And of course, there's a little boy in this movie named Pappy. So we follow Pappy.
I mean, like, just talking about Pappy. I can't wrap my head around a little boy named Pappy.

I will say that 47 Ronin writes, a tragedy. Miss Mavilda is what Lily will become in a few decades,

surrounded by simpering, plastic children,

a life unfulfilled with shattered dreams. Already she's numbing the pain of her pathetic existence, as evidenced by her drooping eyelids that indicate that she is on substances.

No matter the bitterness that will morph into hatred, she too becomes just like her employer, exploiting and abusing those gremlins until years have passed.

They will call upon that entity Santa Claus to smite her rotten, blackened heart. Another will take her place and the vicious cycle begins anew.

Five stars. What? I mean, I think that what they're saying is, you know, you are destined.
Destiny. Now, this is another one that feels, again, these are,

you know, these are different reviews, but this one, Darth. Raider on IMDb.
We went to go everywhere. Molly went everywhere this week to find these.
Thank you, Molly.

Eight out of 10 stars stars on IMDb. And the subject line is cute Christmas flick for toddlers.
Nope.

Saw this when it was on the USA network years ago, and now my kid watches the DVD and loves dancing around to the music. It's a cute little show that young kids can enjoy.

Adults and older kids might prefer the standard peanut specials.

Since this one is comparatively a bit rougher and over-narrated, the story is non-traditional, but it's a nice change from those same old archaic stories of reindeer with light-up noses and talking blobs of snow that our grandparents grew up with.

Apparently, there were some former artists from Hanna-Barbera and Disney working on it, and it's played all over the world in multiple languages since its release decades ago.

So while it hasn't become a classic locally, there must be a following out there somewhere. I believe this is written by someone who worked on the movie.
Yeah.

It feels like it. It feels like it.
It's gotta be. It makes no sense otherwise.
This is that that's

this isn't that. By the way, what we saw is not that.
By the way, this is the first time ever in the history of the show that there are only two reviews on Amazon. Two.
Oh, oh.

So that we didn't even pull them because out of two reviews, 68% are five-star. This was the time.
Okay, so this is the kind. I don't even understand that math.

As I was watching it, you know, I don't know, an hour before we recorded. Yeah.
I got, I don't know, 20 minutes into it and panicked because I was like, this can't be what we're actually doing.

And I texted the chain to be like, are we, is this what we're doing? Oh, yeah. Like just to confirm because I was so nervous I was watching the wrong thing.
Also, because it was 47 minutes long.

None of it. I was like,

am I waste? And then I was like, oh, no, for sure, this is what we're doing. And it was, it was very upsetting.
I truly, I truly was disturbed by this movie. It takes a lot to shake me to my core.

That's why I think I want people to see it.

I know that YouTube don't, you want to you want to gatekeep this movie, but I believe that I believe that children, everyone needs to see it and then respect the Rankin Bass, the peanuts, a little bit more, a little bit more.

Do you guys have holiday

movies now in your family that you watch in the holiday season? Oh, yeah, big time.

For example, my main one is Mixed Nuts. Well, that's June.
That's June's. Of course.

I think that Jason was asking. A movie that I really was poo-pooing, and now I enjoy it.

The family ones. Home Alone, big hit.
Home Alone 2, maybe even a bigger hit than Home Alone 1.

Wait,

is that Manhattan? Is that New York? Yes, that's New York. Yeah, great.

Then we were talking about Elf.

Christmas Vacation is a big one.

Those

Muppet Christmas Carol.

No, to them to see it at the New Beverly,

not into it. They don't like the Muppets.
Oh, oh, okay. They love June's movie, 8-Bit Christmas.
Sure, of course. As well as my Christmas movie, The Family Switch,

which is a little more of a body switch movie, even though it does take place at Christmas.

But yeah, those are kind of like the ones that we really... By the way, solid list.
But do you guys watch like the Rankin Bass? Do you watch the TV specials? Do you watch Charlie Brown Christmas?

Like any of the ones that we...

Charlie Brown Christmas we'll have on but we won't it's not really like something we'll sit down so you guys don't it's not like these are the ones we watched as kids and now we'll you now have like the modern movies that you all watch together yes I think that that's we and we like that and

our kids taste is getting it's it's evolving they have a lot more you know like this is a big is a big year we might even you know show them lethal weapon well I was hoping that would be the Christmas movie of my choice or you know diehard has been very close to being.

Oh, yeah, yeah. Die Hard.
Die Hard. I mean, Lethal Weapon and, of course, Kiss Kiss Bangback.
Lethal Weapon's pretty brutal. Die Hard's.
Yeah, Lethal Weapon is the tough one.

It goes down a little tougher.

Yeah, no, I think so.

It's fun, though. Yeah, so maybe we'll try a Rankin Bass.

Family Stone? Were you guys on Family Stone? You know what? I would love to try that out.

I honestly had forgotten about it. You know what I haven't watched? Because I like the Family Stone.
People hate it. But you know what

I haven't watched in ages that I'm going to revisit this year is Home for the Holidays. I love Home for the Holidays.
And that's a Thanksgiving movie, in my opinion.

Yeah, so I with like Plains Print on it. One of the very few.
Yes. One of the very few.
Well, also, did we talk about Christmas Vacation? You said that. Yeah, Christmas Vacation is a vacation.

Okay, yeah. Christmas vacation to me is a very important.

It was a very important piece of my child. Or I just, it felt like a formative Christmas movie.
I will tell you, the movie that I have gone off of, I used to love a Christmas story. Love it.

Now, if I put it on,

it irks me in a way. It bothers me in a way that I don't like at all.
I prefer to watch, and I know I'm in it, but I do prefer to watch 8-bit Christmas.

There you go. Yeah.
I mean, I also

think The Holdovers is going to make a showing now. I think I will watch that.
I like the Holdovers.

That's a good one. I like that in a planes, trains, and automobiles way.
Yeah,

that's a nice one. And I think we were enjoying, uh, you know, we, we're gonna watch them all.
We, we, we get into it. Like, I feel like the kids might like Jingle All the Way.
Oh, yeah, that's good.

You know, oh, yeah.

I mean, I don't know. I'm so excited to stop talking about this movie and watch all of those movies.
Oh, my God. Wow.
So excited.

I'm, I'm already, I'm so, I'm, I'm so glad to tell you guys, I'm already forgetting this movie. Wow.
But please don't forget me mushing dogs on dry land.

Jason, none of us will ever forget you dry mushing and also your your gray market quail hunting and um

your de uh feathering i oh here's the thing uh we are going to continue talking about christmas the three of us in person with jessica st. Clair on December 10th.

We are going live and worldwide with our annual holiday tradition. How did this get made?

a holiday for your ears and your eyes because we are doing it via video we'll be in the same room it will be a lot of fun uh there might even be some fun treats.

We'll be announcing the movie very shortly. You can get tickets.
I mean, you've been listening to this podcast for so many years. You have no idea what we look like.
No idea. Why not tune in to

see the stream? See us in real life.

And so

get your tickets at how did this getmade.com or just go right to Veeps. Jessica St.
Clair will be there in person, which means no tech issues, but will she get there on time? Question mark.

It really is a question mark. Oh, there's no way she'll be on time.
I'm willing to say that. Now, June, you are going to be doing a Christmas special a couple days before ours, right? That's right.

Now, this is a different type of Christmas special, and I do hope Jessica can make it because she is, well, hosting it. Okay.

You know, so I do hope she will be there. But this is our deep dive second annual Christmas Spectacular.
Paul will be doing a tour of his Christmas village. Oh, yeah.
So we'll be able to check in on

what all the villagers are up to, what's happening with the town. That's really exciting.
It's such a fun show.

We will be talking trees and we have a

professor, professor of holiday studies. Yeah, Stop Scheer.

Paul's cousin will be coming on to discuss Krampus. So we'll be learning, we'll be celebrating.
Head to thedeepdiveacademy.com for tickets, and you can use code howdy

for $5 off. Wow.
All ticket prices. Making us look bad by not having a code.
Howdy, howdy why or howdy I e? E? Great question. H-O-W-D-I-E.

Why pick such an odd password?

Howdy? How does that tie into the

just dive, divers?

Well, because this code is just for Had to Skip Maid lists. Oh, got it, got it.
Okay.

Okay, got it, got it. Okay, got it.
So it's a tip of the hat to the howdy. I love it.
Yeah.

I still love that for our show, we use code Vonder for mental health.

Yes. For a mental health advertiser.

Hey, you want to get your brain in check? Use the code bonkers. Hey, you know what? It'd be great for you to talk to a mental health professional.

All you need to do is, for 15% off, put in the password. I'm Cuckoo Bananas.

Jason, Man on the Inside season two is now on Netflix. Man on the Inside, season two, get it while the getting's good.
And Percy Jackson, season two, is right around the corner.

And then, as always, guys, guys, you know it's a great holiday watch when you've got downtime. It's called Taskmaster.
Yeah. Season 19 is all on YouTube.
Season 20 just finished. Fantastic season.

Watch that as well. Why not? And if you are looking for a gift, you can get my book now in paperback and hardcover.
And you know what? If you get it in early, I can even sign it for you.

All right. Well, don't watch it or maybe watch it.
If you do watch it, don't tell June that you did. That's a wrap on the Christmas tree.

We hope you all sit down with your family after Thanksgiving and enjoy this wonderful film together. If you have anything that we might have missed, and you know what? There's a lot here.

We didn't even talk about the fact that there are two characters that are just shadows. They weren't even colored in or even drawn, for that matter.
So there's a lot to add to this conversation.

You can give us a call at 619-P-A-U-L-A-S-K. That's 619-PAL ask or write a comment on our Discord.

You can go to our Discord at discord.gg slash HDTGM and we will respond to your messages and your comments on next week's last looks.

Plus, Jason and I will sit down, talk about what we're watching, also meet up with our old engineer, Devin Bryant. We'll be a blast.

And if you want to give a gift of How Did This Get Made this holiday? Well, guess what? We have brought back our first shirt. That's right.
Ridiculous Cage is up. Take a look.

The very first shirt that we took down because we were going to get sued. And now we've put it back up.
It's in our merch store. Just go to hdtgm.com.

You can also get a how did this get made hat that are very fashionable.

And remember, if you listen on Apple Podcasts or Spotify, please make sure you are subscribed to our feed and have automatic downloads turned on in the show settings.

It helps us and we appreciate it a lot.

A big thank you to our entire team, our producer Scott Sanny, Molly Reynolds, our audio engineer, Casey Holford, our social media manager, Zoe Applebaum, and of course, our intern, Quinn Jennings.

We always want to just also give a shout out to Averill Halley and

just put good wishes in the air for her. We are always thinking about her.
And that's all we got for now. See you next week on Last Looks.

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