Demolition Man LIVE! w/ Wyatt Cenac (HDTGM Matinee)

1h 20m
Wyatt Cenac (The Daily Show) helps Paul, Jason, & June dive into the 1993 Stallone/Snipes sci-fi classic Demolition Man! LIVE from SubCulture in NYC, they cover the frozen Sylvester Stallone cube, the slang of the future, the possibility that Wesley Snipes improvised every line, Denis Leary’s rant, and seashell wiping. Get ready for some spot-on Stallone/Snipes impressions! (Originally Released 07/09/2013)

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Runtime: 1h 20m

Transcript

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Speaker 3 See your local Toyota dealer for hybrid battery warranty details. In the future, we're all pussies.

Speaker 3 Thank goodness Sylvester Stallone and Wesley Snipes are going to blow shit up and fuck the future women.

Speaker 3 We saw demolition, man, so you know what that means.

Speaker 3 Now it's time for

Speaker 3 this create. Gonna have a glimpse of celebrating failure, not just being hate.

Speaker 3 Perhaps we'll find the answer to the question. How did this get made? Hello, people of earth!

Speaker 3 Hello,

Speaker 3 town.

Speaker 3 Hello, New York.

Speaker 3 We are live at Subculture Bridge, a beautiful space here on Bleecker Street. We have an amazing show for you, but first, let me introduce my two co-hosts.
Please welcome June Diane Raphael.

Speaker 3 And Jason Manzukin

Speaker 3 very special guests here tonight before the Wyatt Snack.

Speaker 3 Welcome everybody. Demolition Man, a movie made in 1993,

Speaker 3 posits a world that in 1996

Speaker 3 shit has gone terribly wrong.

Speaker 3 The opening of this movie, and this is like a weird cliche that bugs me, it's like the Hollywood sign is just on fire.

Speaker 3 Oh yeah. And it feels to me like the filmmakers are like, oh yeah, it's always on fire.
It's not like on fire.

Speaker 4 Yeah, because there wasn't like a fire in the hills.

Speaker 3 No.

Speaker 4 Like nothing else around it was on fire.

Speaker 3 Like just the letters.

Speaker 3 Yeah. Well, and I feel like every year, at least when I lived in LA, there was always,

Speaker 3 this is the year that the Hollywood sign is going to be torn down, and people would fight to save it. And it's like, if you watch all these movies, no, don't, nobody wants it.
No,

Speaker 3 nobody wants it. Let her go.
Yeah, these, clearly, these politicians are like, no, I've seen Demolition Man in like 800 other movies where the sign gets burned burned down. You guys don't want it.

Speaker 3 We get the message.

Speaker 3 We hear you.

Speaker 3 Also, why are our politicians watching Demolition Man?

Speaker 3 Most of the best politics that happened in the 80s and most of Clinton's administration was made off of Sylvester Stallone, Joe Silver.

Speaker 3 Almost all of Antonio Villa Rogosa's campaign promises were from Demolition Man.

Speaker 3 Prop 8 was Demolition Man. Prop 8.

Speaker 3 Guys, Prop 8 is dead. Yeah.

Speaker 3 Right?

Speaker 3 And you know why? Because the demolition man came in

Speaker 3 and destroyed it. Lit it on fire.
I thought that Doma was like demolition man.

Speaker 3 I don't know what the O stand for, but the D and the Am was the Demolition Man. Yep, absolutely.

Speaker 3 So in 1996, things are bad. So bad that one of the airline, one of the helicopter police pilots goes like, hey, you remember when they used to let commercial airlines land in Los Angeles? Like that?

Speaker 3 What about when the city was on fire? Like that's like that's the one thing he's regretting. Like, oh man, remember that? When commercial airlines would land here.
Like, that's a weird thing.

Speaker 3 All right. I possibly do.

Speaker 4 Well, by the way, in that first scene when Stallone

Speaker 4 throws a rope down and just

Speaker 4 shimmies down to the ground.

Speaker 3 It isn't shimmy.

Speaker 3 He jumps out of the back of a helicopter and yells, Whiffina!

Speaker 3 He starts yelling his name. Just crazy! He says, Send a maniac to catch one.

Speaker 3 Then he jumps out screaming, Phoenix! Phoenix!

Speaker 3 Phoenix, I'm sky fucking you!

Speaker 3 Also,

Speaker 4 at this point in the movie, though, you don't really know who Phoenix is, like, where Phoenix is.

Speaker 3 So to just see him yelling, screaming, Phoenix!

Speaker 3 Well, that is like there's the problems at the beginning of this movie, which is he runs out, he does, like, basically the world's best bungee jump and then immediately goes into killing mode like before he lands like

Speaker 3 That's the thing is he he bungees out and he never goes back up he bungees out to the ground and he's like click

Speaker 3 He just jumped like half a mile

Speaker 3 He lands and he misses no one and then proceeds to have a

Speaker 3 mental knowledge of this abandoned warehouse as if if he had studied it his entire life. It was like, ah, yeah, it's like going to mom's house.
I know this.

Speaker 3 And meanwhile, it's revealed that like he's been chasing Phoenix for two years and he finally found this place. So this is the first time.
There was no recon on this building. No, no.

Speaker 3 He lands on the ground, shoots everybody, and as if he is like, has the map in his head, goes like, boop, boop, boop, boop, boop, boop, boop, up. And like, Wesley Snipes is like, boop, but

Speaker 3 wait, what? And then, and then Stallono's like, ah, I'm here now. I got you.
And I was like, at what point is Wesley Snipes not like? There were like 400 dudes that I feel like should be guarding me.

Speaker 3 But you got through all of them instantly. Basically, the beginning of Demolition Man is the end of an awesome movie that we did not see.

Speaker 3 And

Speaker 3 I want to see the two years where like Wesley Snipes moves to LA,

Speaker 3 then somehow works his way up in the LA

Speaker 3 like underworld. His family is murdered.
And so having nothing to live for he takes to a life of crime and builds a wall all around LA.

Speaker 3 Sets shit on fire. He goes to that beauty shop, gets his hair dyed blonde.

Speaker 3 One of my favorite moments too is like, he's like, where are those people on the bus? And he's like, and Wesley Snipes.

Speaker 3 Oh, because Wesley Snipes has kidnapped, has abducted a bus full of regular people. And he's like, I'll try to tell those bus drivers.
Don't come into LA, but those bus drivers won't listen.

Speaker 3 It's like,

Speaker 3 that is their job. Dr.
Beef is with the bus drivers of Los Angeles. By the way, they're just doing their job, guys.
Yeah.

Speaker 3 They are just shepherding us from place to place in the most humiliating vehicle known to man.

Speaker 3 These bus drivers, like, that's Wesley Snipes' anger. Like, he talks so vehemently about these bus drivers.
Like, they can't come in here. It's like, why?

Speaker 3 What? Like, they're not threatening your drug empire. They're just dropping people off.
I don't know why they would even want to be dropped off in a city that is on fire.

Speaker 3 But if they want to, they're doing the job. Also, he's a guy, he's clearly wasteful, because very early on, you see him do one line of Coke, but leave two behind.

Speaker 3 Just like,

Speaker 3 these are fine. I'm going to come back to you guys.

Speaker 3 When I'm ready. Yeah.

Speaker 3 You don't go stale.

Speaker 3 How about this? At a certain point when Stallone is entering and

Speaker 3 Wesley Snipes realizes Stallone is going to enter, enter he punctures these gasoline tanks so there's gasoline all over the ground right and so Stallone comes in he's like I got you or whatever he says right

Speaker 3 relax everybody relax

Speaker 3 and then Wesley Snipes is like ha ha you're standing in gasoline lights a cigarette and then says what does he say something about like you're gonna go up in flames or whatever some one liner then he oh he says it's cold in here oh yeah let's turn up the heat or something

Speaker 3 throws the cigarette flames erupt everywhere. Okay? But he's also standing in flames.
Yes. Okay, so he's standing in gasoline.
So flames are like the wall. Right?

Speaker 3 All Stallone does, the only thing that happens to Stallone is he drops his gun.

Speaker 3 He's like, oh, that's hot.

Speaker 3 The still got so hot in my hand. Oh, God.
But then he just jumps right out of it, jumps onto us. It's like they're fighting.
Nobody's on fire. But I've got to fight.

Speaker 4 He's unburned.

Speaker 4 Did the gun get caught in the flames and then it got too hot to hold? Or did he just get scared and throw that gun down?

Speaker 3 Because that's what it looked like. I hope it's B.

Speaker 3 Woo! Woo!

Speaker 3 It looked like he just like freaked. There's a lot?

Speaker 3 That's what you don't see when he's in the helicopter flying past the Hollywood sign burning, is that he's like, oh, can't look, can't look, can't look, can't look. Tell me when we pass the fire sign.

Speaker 3 Tell me when we pass the fire sign. I would love it if in this movie there was a thread that is like, fire is his snakes to Indiana Jones.

Speaker 3 Why did it have to be fire?

Speaker 3 He's part Frankenstein monster and he's afraid of fire.

Speaker 3 The launch move is basically like a football player's tackle. It's just sort of like

Speaker 3 just lunges at a guy. He has guns and he has knives on him, but it's just a lot.
It's a tackle. But he also, I realize like he does a lot in that movie of the sideways jump and shoot action.

Speaker 3 It's for John Wu. It's like it was John Wu.
But that, it seems like for the 90s, like the three-point stance thing that we see in movies now,

Speaker 3 that's what it used to be. Was the sideways, like, goosh, goosh, goosh.

Speaker 3 One leg up. Yeah.

Speaker 3 The one thing I remember about this movie most clearly, and it's not even about the actual movie, is I used to go to Planet Hollywood all the time under the guys.

Speaker 3 I would be like, Dad, take me to Planet Hollywood. That's where the celebrities hang out.

Speaker 3 What?

Speaker 3 I was naive.

Speaker 3 But I also met Anthony Michael Hall, so I was also right.

Speaker 3 Just on us, Justin Us. Nice.

Speaker 3 I thought you said celebrities.

Speaker 3 It was pre-dead. Yeah, that's right.
I'm starting to beef with Anthony Michael Hall.

Speaker 3 And I remember always wanting to eat under the naked Stallone demolition because he gets frozen in this movie and it's like a block of ice, but it's like kind of just naked Stallone.

Speaker 3 Really? And I just thought that was so cool. I was like, whoa, it's like he's in there.
Wait, and that was at Planet Hollywood? Yes, a big, like giant, like,

Speaker 3 like six by eight foot circle with like a Stallone dummy inside.

Speaker 3 You know what they should have done? Is they should have had a table that was that. Oh, that you should have been able to use that as a table.

Speaker 3 And then when you would eat your fries, you could see his junk. Oh, I got it.

Speaker 3 I have a feeling that there is someone who has that now, and it is a table. Oh, yeah.
is. That would be the best table of all time.
Guys, let's all chip in and get one of those.

Speaker 3 Well, because once Planet Hollywood shut down, all that shit had to go somewhere. Yeah, someone had my Axel Foley's jacket.
Yeah,

Speaker 3 I'm sure that they weren't like, hey, so Planet Hollywood shutting down. Smithsonian, you guys? You guys want Stallone and ice? You guys want a bunch of garbage? Yeah.

Speaker 3 I mean, we're loading it up on the truck and driving it down to you guys. We were just giving you a heads up to move the Millennium Falcon.

Speaker 3 There's a great line at the beginning of the movie said by the police chief in Leave a Weapon, who, like, there, after, like, he captures Phoenix, and he's like, hey, enough of this demolition man shit.

Speaker 3 Like, that's Stallone's M.O. that he just demolishes stuff.
Well, there you go. Keep this in mind, okay? In the opening of this movie, upon capturing Phoenix, the entire building both explodes

Speaker 3 and crumbles to the ground. Like in seconds.

Speaker 3 And they get away and they walk out of that. But if you were to understand why, it was because Buzzy Snipes punctured a couple cans of gasoline.
Yes.

Speaker 3 I thought it was also like a chemical factory. Guys? All right, maybe it was.

Speaker 3 That brings up something I really want to talk about, which is the events of September 11th. Oh, brother.

Speaker 3 Well, here's the crazy thing.

Speaker 4 Salone goes to jail because the hostages were in the building but nobody thinks to ask like wait did they die now?

Speaker 4 Like did they die from this explosion or were they shot in the head because we learned later on that they were dead. Major spoiler alerts.

Speaker 3 Major spoilers.

Speaker 4 They had been killed by Phoenix.

Speaker 3 How did he get away from that?

Speaker 3 Very harsh sentence for a police officer capturing like the world, like the world's worst criminal.

Speaker 3 Like, yeah, he, like that guy started the fire all he did was knock him out of the window and he's like

Speaker 3 he made a tough call he made a tough call but it would but it would be but it would be like in my opinion it would be like if stallone said fuck it we'll blow up that building right then it would be a tough call Wesley Spence booked the building.

Speaker 3 He just escaped.

Speaker 3 I love that. You're going to jail, Bristol.
I love that you have injustice. You have a sense of like, there is an injustice at the center of this movie.

Speaker 3 An American hero is tried and sentenced to jail. jail.
He is the only man. The kingdom could find Phoenix.
He tried to take down the terrorists. And

Speaker 3 as a result, some innocents died. Those are lives lost in the service of a greater good.
But

Speaker 3 what makes it worse is the fact that Wesley Snipes, as he's being taken away, is like,

Speaker 3 I told him, I told him there were people there. I told him there were people there.
And he said he didn't care. He didn't care.
That's witness testimony. Send him to ISIS.

Speaker 3 Amazing Wesley Snipes impression.

Speaker 3 But by the way, it's as if like the cops are like, yeah, we believe you, Wesley Snipes, maniac who has taken over Los Angeles over a cop, like who is a hero.

Speaker 3 But also, he's a maniac, too, because it takes a maniac to catch a maniac.

Speaker 3 That's true. That is true.

Speaker 3 Well done.

Speaker 3 Thanks for coming. Why it's an act, everybody.
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Speaker 3 By the way, we've only cracked into the first three minutes of this. By the way, I do have a question.
But the credits have not yet happened. No.

Speaker 3 This movie has a cold open.

Speaker 4 So, but are we to understand that he's been sentenced to jail forever?

Speaker 3 No, no, for 30 years. Oh, 70? I'm sorry.
I'm sorry.

Speaker 4 Okay, 70 years. Yes.

Speaker 3 In the same jail that Scott Peterson was apparently frozen in.

Speaker 3 Yes, I pulled up a screen graph of that as they're going through their records. I didn't catch this.
Yeah, as they're pulling up their records, I can show it to you right here.

Speaker 3 This is all the people that are in jail. Oh, that's amazing.

Speaker 3 Scott Peterson also had his parole hearing at 8.15.

Speaker 3 By the way, why would they list it like that? It says 7 a.m. Hyde Quinton, 8.15 Peterson Scott, 7.30 Phoenix Simon.
It should be the other way around.

Speaker 3 No, no, in the future.

Speaker 3 In the future, nothing happens in order.

Speaker 3 That was an evening parole hearing.

Speaker 3 They kind of knew that the Scott Peterson one, he had a lot to talk about.

Speaker 3 So they both get frozen, and this is before I think people even understood what cryogenics were, because they basically put Stallone Han Solo like in a cube and then fill it full of water.

Speaker 3 He seems to be choking. Oh, it is just, it is very disparaging.

Speaker 4 It's a very disparity sequence.

Speaker 3 He's also naked. No need to be naked.
There's no like the real sign of like life signs. Like he's drowned

Speaker 3 in what we're to believe like

Speaker 3 oxygen goo. Like I don't like there's he's drowning.
There's no way that he's drowning.

Speaker 3 Oh, his lungs are filling with some sort of gloopy gloopy liquid, and then they drop like a freezer thing in, and it all freezes.

Speaker 4 And he's like, it looks like a terrible way to get frozen.

Speaker 3 That's for sure. I'm so low, hello.
The fact that they didn't say, so here's the thing, just lay down and put your hands on top of your thighs.

Speaker 3 They were like, no, we're going to put you in a weird hot tub thing and do whatever you want. Just

Speaker 3 make a face. Do one of those guys.
Whatever you want. However you want to be frozen.
That's your last choice. Like, that's the last thing.

Speaker 3 Because he is swimming around in there.

Speaker 3 Because there's a point when the water, the goop is filling up. He's like, whoa, hey, whoa.

Speaker 3 Swimming's fine.

Speaker 3 It's so. And that's the thing.
He also seems okay with it. The thing that really bothered me was that he wasn't like, hey, this isn't cool.

Speaker 3 I'm a hero.

Speaker 4 Yeah, and when someone, I don't remember if it's Smithers, there's an officer named Smithers.

Speaker 4 When someone's telling him what he's going to jail for and listing off all of the charges, he's just he refuses to hear it and keeps on saying skip it.

Speaker 3 Yeah, skip.

Speaker 3 Just skip it.

Speaker 3 Like we all said in 1983, skip it. Skip it.

Speaker 3 But the five thousand.

Speaker 3 Sorry, sorry.

Speaker 4 The five though is like he's been down this road a million times.

Speaker 4 Like he knows what's gonna happen.

Speaker 3 And even his parole officers like, hey man, real bummer. I hate to do this to you.
I get the freezy for 70, but my job, like he does say something like, I'm not gonna do it.

Speaker 3 And apparently, that's like cool. Yeah.

Speaker 3 Like, no biggie. And by the way, yeah, oh, gosh.
Again, the first five moves we are cracking into.

Speaker 3 I feel like Wesley Snipes is like, I'm not getting naked, and you're not filling up a confined space with me.

Speaker 3 Although, he's in the trailer you played, there is Wesley Snipes in ice, which we never see in the movie, right? Yeah. Maybe his trial was quite good.
Guys, crack that code.

Speaker 4 So when you're frozen, though, like, hair doesn't grow in your body and your body doesn't age at all.

Speaker 3 What's this name? Well, he's got, he's got,

Speaker 3 he suffers from like below-the-ears alopecia.

Speaker 3 That's either below-the-ears alopecia, or like he went to a barber shop and had two different people working on him.

Speaker 3 Because he's got half of a box that's like, there's a fade that's not finished. And then he's like, ah, you know what? Never mind.
Diet. Diet.
Just diet blonde. I gotta get out of here.

Speaker 3 I gotta get out of here. I gotta commit heinous acts of terrorism.

Speaker 3 He can't spend all day at the salon. We cut to 2032.

Speaker 3 Life has changed. It is

Speaker 3 big time. Apparently, we all dress like Nazis.
Yes.

Speaker 3 Nazis are extras in Stars. The police.
The police. The Nazis are bad extras in Star Trek Next Generation.

Speaker 3 It's like everyone's dressed like Dinin, like big, flowy dresses and like plate. Yeah, origination.
Welcome to Obama's America.

Speaker 3 They They don't say phone, they call it fiber optic. I'll fiber optic you back, which is odd.
Yeah.

Speaker 3 Because that doesn't even seem like no, they've yeah, they've just added, because they've got no violence, they've like, we got time to kill, so let's just throw extra words.

Speaker 3 Homicide, no, it's a murder-death kill. Yeah.

Speaker 3 Is this,

Speaker 3 is this a

Speaker 3 is this a car I'm driving? No, it's a conveyance. Yeah.
My conveyance is driving. We're getting in the conveyance and murder death kill I've thought about that a lot me too murder death

Speaker 3 kill it's redundant murder there's never a murder that doesn't end in death so you can just rip the death out of there killing is also murder yes so you could just say kill because that would imply death and murder

Speaker 3 You could just say murder, which implies kill and death. But you don't need to say murder, death, kill.
Yeah. Okay, okay, Paul.
Murder, death, kill. Sylvester Stallone,

Speaker 3 John Claude Van Dam,

Speaker 3 Arnold Schwarzenegger. Go! I'm gonna murder Stallone.
I'm gonna kill Schwarzenegger, and

Speaker 3 I'm gonna death Wesley.

Speaker 3 When we cut to 2032, we're with

Speaker 3 Sandy Bullock. Sandy Bullock.

Speaker 3 And she is like a uniformed police officer. Her name is Huxley, Brave New World, nice reference.
Improving defense smart.

Speaker 3 There are so many references in this. Did anybody else notice in the first thing, Stallone punches a guy who's dressed like the Terminator?

Speaker 3 Did anybody else notice that?

Speaker 3 Right? There is a guy who's dressed like, yeah, there's this too. Oh, yeah.

Speaker 4 Gives a Schwarzenegger reference later on.

Speaker 3 There is.

Speaker 3 Wait, do you think that Wesley Snipes dyed his hair because Joe Pesci had done it in Lead the Wild? Oh my God, that's amazing. I I did want to talk about this.

Speaker 3 Wait, do you think that's Joel Silver being like, Joe Pesci's blonde hair worked? We're going to do blonde hair in this.

Speaker 3 Blonde hair is cool.

Speaker 3 Basically, just so you know, people at home, that Sandra Book is a big, like, 20th century fan. So that's why her office has a Lethal Weapon 3 poster.

Speaker 3 Not even the best, like, one of the worst of the Lethal Weapons 3. Whoa, whoa, whoa.
Hang on, bro.

Speaker 3 Like, it's so weird.

Speaker 3 Chili Peppers, because they've definitely lasted. The chili peppers carried over to 2032.
It's 2032.

Speaker 3 And there's a little joker. She's just obsessed with the 90s.

Speaker 3 There's nothing wrong with that. There's nothing wrong with that, but

Speaker 4 she keeps on saying she's obsessed with the 20th.

Speaker 3 And what about this one?

Speaker 3 They're like, oh, yeah, chili peppers, Lethal Lefton, and a poster for the band, Bomb.

Speaker 3 Hate, Fed Love.

Speaker 3 What?

Speaker 3 Like, I feel like that was Joel Sober's kid. Yeah.
And he was like,

Speaker 3 we got to get into a little bit.

Speaker 3 If we put just a poster in the movie, we'll move some units.

Speaker 3 But she is a uniformed police officer in 2032, just driving

Speaker 3 her police car on, and calls

Speaker 3 the prison warden.

Speaker 3 She calls the prison warden to say, hey, Warden,

Speaker 3 how come there's no crime? I'm bored.

Speaker 3 She's a police officer. Like, just a regular.

Speaker 3 It's, it is crazy. She's looking for action, though, although she knows she's gonna get it.

Speaker 3 Here, I will say, what's kind of what they did predict was they did predict the iPad because the warden

Speaker 3 has an iPad, but it's just got like a shiny silver frame.

Speaker 3 Steve Jobs, a lot of people think Steve Jobs got the inspiration for the iPad from this movie.

Speaker 3 By the way, when Apple was.

Speaker 3 True story. Before he died, he said that.

Speaker 3 He said it as he died.

Speaker 3 Watch Demolition Man.

Speaker 3 All the answers for Apple products are in Demolition Man.

Speaker 3 And then

Speaker 3 over his eyes, he's dead. Well, that's why they included the script in that Jobs book.

Speaker 3 Yep, yep.

Speaker 3 The last appendix of the Jobs book is just the script for Demolition Man.

Speaker 3 That's going to be oppression.

Speaker 3 That's going to be my favorite part of the Ashton Kutcher movie.

Speaker 3 Because in the movie, they show him, watch Demolition Man, but they don't cut. They just show him watch

Speaker 3 him jerking off to Demolition Man.

Speaker 3 Because everybody knows

Speaker 3 Steve Jobs jerked off to Demolition Man. That's where we're at.
It is proven. And you can download this podcast on iTunes.

Speaker 3 You're being ripped off iTunes immediately.

Speaker 3 So anyway, oddly, Wesley Snipes has a parole hearing

Speaker 3 for a mass murderer. Seems odd.
Seems odd that he's getting a parole hearing wasn't he sentenced to eternity

Speaker 3 wasn't he sentenced to eternity

Speaker 3 but yet they still run parole hearings just in case like Stallone accidentally killed 20 people he still has 40 years before parole hearing snipes gets one he gets out immediately no explanation how because he breaks out of cuffs He doesn't do anything.

Speaker 3 He's like, I didn't know that. Oh, no, no, that's because they programmed him.
Yeah. Yeah, but he was.
The bad guy programmed him.

Speaker 3 He would have to be sentient to a computer to unlatch it. Like, he didn't do like,

Speaker 3 no, he knew the code word. The guy says, How did you know the code word? Oh, code word.
Yeah, he said, whatever. He says, yeah.
He said, like, diddy pants, and then

Speaker 3 it was. It was something mad fucking

Speaker 3 silly. It was like, diddly pants, and then the handcuffs opened up.
And then they say, How did you know the password? And he goes, I don't know. And that's why he's able to use all the cats.

Speaker 3 Like, he goes up to an ATM and it's like,

Speaker 3 like, as if.

Speaker 3 Do you mean a self-esteem machine? Yes, exactly. Okay, yeah.

Speaker 3 Wesley Snipes escapes very quickly. By the way, I feel like Wesley, I would like to look at the script because I feel like Wesley Snipes improvised every line.

Speaker 3 Every line. I feel like he was like, yeah, I'll be in this movie if I can't, if I don't have to say any of your dumb words.

Speaker 3 There's a scene where he's just speaking in Spanish and I happened to watch the DVD last night and the audio director's commentary was on.

Speaker 3 He's like, yeah, Wesley just started doing the scene in Spanish and we thought it was funny funny, so we just let him do it.

Speaker 3 And I was like, I'm proven right.

Speaker 3 That's crazy.

Speaker 3 That's why he talks to the parole officer. I love that you just said, and for some reason, the director's commentary was on, as if you didn't turn on director's commentary.
No, I didn't.

Speaker 4 He couldn't figure out the DVD.

Speaker 3 We couldn't figure out the DVD push, like, I don't get that old shit, man. I'm about Netflix Instant and Hulu.
Oh, I'm about streaming. Yeah.

Speaker 3 So.

Speaker 4 here's what's really, here's what's really weird about this movie, though, overall. This is just a general comment.

Speaker 3 It's a macro point.

Speaker 4 Yeah, I'm going to take it macro for a second because it's so, like, you don't know exactly what you're rooting for.

Speaker 4 Like, there's this new society, and it is violence-free, but there are certain freedoms, like the freedom to eat fast food, that have been taken away from us.

Speaker 3 Dude, haven't you heard Dennis Leary's rant? I do, I did, I did. There are a lot of problems.
So, but you're put in a position, though.

Speaker 4 You're put in a position where it's like, as an audience member, you're hearkening back to the better times of 1996, which was

Speaker 3 mass violence. Hey, but what are we wishing for here? But at the same time, there are people today who are like, oh, it was so much easier in the 50s.
And it's like,

Speaker 3 not for me, it wasn't. That's right.

Speaker 3 Absolutely. I don't know what you mean.
I don't know what you mean.

Speaker 3 If you are unclear about

Speaker 3 people are upset, here is Dennis Leary's rant, which this is at the height of Dennis Leary being a stand-up. And I feel like they're like, do your thing, man.
Just have hair.

Speaker 3 And Dennis Leary, just so you know, Dennis Leary is like,

Speaker 3 society

Speaker 3 is rid of violence and everything's great and glossy and funny. And Dennis Leary is like the leader of the bad people that live underground, like in a kind of Matrix Revolutions kind of scenario.

Speaker 3 So he's like a rap rapin hood type figure.

Speaker 3 Yeah. And by the way, their graffiti is amazing.
It's unbelievable.

Speaker 4 And what they write in one of the first scenes in the movie is just simply life is hell. Yeah.

Speaker 3 Life is hell. And it is.
And by the way, they have a graffiti, an anti-graffiti machine, which they show how it works, but it's just like poles that shoot out of concrete.

Speaker 3 So I don't understand how the graffiti disappears. It just seems like, like,

Speaker 3 you wouldn't get it, man.

Speaker 3 But meanwhile, it wasn't sniped seasons to beat up people. So, we'll jack up the volume a little bit because these clips are a little bit low, but here you go.
This is Dennis Leary's rant.

Speaker 3 See,

Speaker 3 according to Cocteau's plan,

Speaker 3 I'm the enemy. Because I like to think.
I like to read. I'm into freedom of speech and freedom of choice.
I'm the kind of guy who just sits in a greasy spoon and wanted cheese.

Speaker 3 It's not even the keyboard steak or the jumbo rack of barbecue ribs or the side-order gravy fries. I want high cholesterol.
I want to eat bacon and butter and buckets of cheese, okay?

Speaker 3 I want to smoke a Cuban cigar the size of Cincinnati in a non-smoking section. I want to run through the streets naked with green yellow all over my body reading Playboy Magazine.
Why?

Speaker 3 Because I suddenly might feel the need to, okay, pal? I've seen this. Do you know what it is?

Speaker 3 It's a 47-year-old virgin sitting around in his face pajamas drinking a banana broccoli shake singing, I'm an Oscar Meyer wiener. You look up top, you look cocktoes away.

Speaker 3 What he wants, when he wants, how he wants. Your other choice? Come down here,

Speaker 3 maybe starve to death.

Speaker 3 And then he breaks into his pit song, I'm an asshole, right? That was that, like that song that he had, like, where he did stand-up material during the song.

Speaker 3 The other great part of that is that, go back to that for a second.

Speaker 3 Jack Black is one of the underground dwellers. Oh, really? Well, yeah, go to the very end.
Go to the very end.

Speaker 3 I saw it in the credits, and I was like, that's, yeah.

Speaker 3 Wow.

Speaker 3 Oh,

Speaker 3 amazing.

Speaker 3 That is awesome.

Speaker 3 Pre-Bob Roberts. Oh, wow, that's awesome.

Speaker 3 So that's the villain of the movie.

Speaker 4 So basically... Wait, that's the villain of the movie?

Speaker 3 Well, I mean, he is because basically Cocteau, the new

Speaker 3 Cocteau is the villain. Well, but I'm saying Cocteau says he's the villain.

Speaker 3 Hey, Paul, why are you listening to Cocto?

Speaker 3 Yeah.

Speaker 3 The guy created a great San Angelians, guys. Hey, man.
I'm starting to think you're part of Cocteau's plan. Whatever.
I like wiping my ass with three seashells. No big deal.

Speaker 3 That's another like weird thing. Like, why would you over, why would you flintstones it? Like, why would you go from toilet paper to seashells?

Speaker 3 Because according to Stahlone, he said, he asked the director and is quoted as saying, it was explained to me the seashells, you hold two of them like chopsticks.

Speaker 3 and then you pull gently and scrape what's left behind with the third. What? So you are like, you're going, it seems way more

Speaker 3 to have a shit in the future. But how is it cleaned?

Speaker 3 Wait, what?

Speaker 3 You're going chopstick style and

Speaker 3 as you're getting in the middle of the log of crap, you're pulling that out and then you're taking the third shell and you're

Speaker 3 getting that unclean. We're talking like.

Speaker 3 I like a bull, a bull, and a wipe. God, they didn't even know about the Cotton Le Soft Wipe.
That shit is so much more visible.

Speaker 4 But you can't, when you say you hold them chopstick style, so you hold two seashells with one hand?

Speaker 3 Yes, like that. And you're getting in there and you're pulling it.
But we saw some

Speaker 3 cracks. They were pretty big.

Speaker 3 They were pretty big. And they were very clean.
So you'd have to wash the shit off of these seashells.

Speaker 3 Like, who was like, oh yeah, that's actually more convenient than paper that I used once and done in the toilet? That makes sense. Also, if you're somebody, like, because it was how it was,

Speaker 3 like, there were like 80-year-olds who should be alive during this time who were like, wait a minute, no, toilet paper, there was nothing, there was nothing about toilet paper that made us a violent society.

Speaker 3 Like toilet paper, if anything, kept us from being a more violent society.

Speaker 3 Why, in your utopia that does not involve the rest of the country,

Speaker 3 do you get rid of toilet paper? And also, can we have the word homicide back? Because it's really murder-death kills. It's a best part of murder-death-kill was when

Speaker 3 the computer reports like a

Speaker 3 1-87 or like the code. And they're like, well, what is that?

Speaker 3 I don't even know what that. Well, let's look it up.
Look up 187. Oh, it's a murder-death kill.
Don't you think as a police officer, you would know exactly what that thing is?

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Speaker 3 So basically, you know, we don't have to get into the big plot of it. Stallone is unfrozen, Glenn Snipes is unfrozen.
They wreck a lot of havoc in

Speaker 3 the future. Basically, Futurama.

Speaker 3 Yeah.

Speaker 3 And

Speaker 3 wow, I didn't realize there were so many Futurama fans, but there aren't.

Speaker 3 Canceled a second time.

Speaker 3 Really?

Speaker 3 Really?

Speaker 3 Really? Then you should have watched.

Speaker 3 By the way,

Speaker 3 I don't mean to get back into the shit talk, but there is a moment like Sylvester Stallone is unfrozen. They bring him right to the police place.
He gets in a uniform right away. He's fully a cop.

Speaker 3 And he's like, hey, to Santa Books, by the way,

Speaker 3 you had a toilet paper. So that means that he's walking around with shit in his eyes.
No! No, no, no.

Speaker 3 No, he was holding a shit. He didn't go.

Speaker 3 He didn't go.

Speaker 3 Because then he swears a bunch. He swears swears a bunch.
And every time you swear, you get a ticket. So he swears a whole bunch, so a whole bunch of paper tickets come out.
And he goes, thanks.

Speaker 3 I'll be in the bathroom.

Speaker 3 Here's the weird thing. Did you think he was just going to go read those in the bathroom like a newspaper?

Speaker 3 It was like, oh, damn it, there's no toilet paper. Alright, I can go out there and tell him the problem.
Then get a bunch of tickets and wipe my ass. Like, he just pulled up his pants real quick.

Speaker 3 So he's got Paul.

Speaker 3 Paul.

Speaker 3 Hey, Paul, how are you living?

Speaker 3 What? Do you live like an animal?

Speaker 3 Like, do you not check if there's toilet paper before you goo coming out of my ass because it was all up in everything i need to like shake this shit out i can't hold it in oh there's no toilet paper and i'm freaked out i gotta go out there i'm embarrassed this girl's kind of cute i need to wipe my ass i gotta be cool with her and just whisper

Speaker 3 let me ask you this also bidets They had bidets in the 90s and somebody was like, you're a bidet. No,

Speaker 3 I figured out a method.

Speaker 3 I found three seashells. Three metal seashells, they appeared to be.
Paul, I have a question for you. Yeah.
When Stallone was frozen, he had a family, I think. Oh.

Speaker 3 Yeah.

Speaker 3 He did. And when he asked about that family, here's what he was told.

Speaker 3 And then I have a mind-blowing question afterwards. Okay, great.

Speaker 3 Yeah, I think we have the same question. I think we all have the same question.

Speaker 4 I think we all have the same question.

Speaker 3 By the way, if you are a fan of Sasha. the...
I'm just going to... Should we just go? Sandra Bullock is 100% his daughter, right?

Speaker 3 Yeah.

Speaker 3 There's no other way.

Speaker 3 Yeah. Sandra Bullock is

Speaker 3 100%

Speaker 3 his daughter. Yes.

Speaker 3 Thank you. Thank you.
Thank you. No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, she knows, no, no, no, because she knows who the daughter is.

Speaker 3 No, no, she doesn't.

Speaker 3 She doesn't let her look it up. She's about to look it up.
She's like, I can look it up. And she's like, no, no, no, don't do that.
Because then when I fuck you, it'll be weird.

Speaker 3 This is like old boy shit.

Speaker 3 Spoilers for old boy.

Speaker 3 Yeah. Guys, you've rocked my world.
Right?

Speaker 3 Right?

Speaker 3 The minute that happened, I was like, oh, she's his daughter. Then they had the sex scene.
I was like, whoa. Yeah.

Speaker 3 This is going to be really weird when they reveal that she's his daughter. But it was just mind sex, so you could kind of bring it up.
I think I was kind of okay with it.

Speaker 3 But no one kisses her. And I was like, like, barf.

Speaker 3 But then I, and by barf, I mean barf out of my wiener. I came.

Speaker 3 But by the way, the way the movie ends, and spoiler alert, but it looks like he's going to go off with her. Yes, his daughter.
They're together. They're together.
His daughter. Come on.

Speaker 3 This is a dystopian future.

Speaker 4 By the way, there's no other explanation that's offered.

Speaker 3 I am wrong. There's no other explanation.

Speaker 3 They spent so much time with where's the daughter? Is there a daughter? The wife is dead. We know that.
But there's a daughter and blah, blah, blah.

Speaker 3 And I don't want to see the daughter because she won't like me because I've been in ice jail.

Speaker 3 But I want to fuck you, baby. I should make sure you're not my daughter.
Oh, fuck it. Who cares? Yeah.

Speaker 3 But alright, I know. First thing I do...

Speaker 3 One hole in this theory. He was married.
His last name is Huxley. Or his last name is Spartan.
She's Huxley. How did you change your name? Who knows? She may.
Don't worry about that.

Speaker 3 She may be remarried. She may be remarried.

Speaker 3 Oh, yeah. His wife remarried.

Speaker 4 And by the way, it's like it's a new society. Who the fuck knows what happened?

Speaker 3 I love, thank you. Thank you.

Speaker 3 I love, we are 100% on the same page. He's fucking his daughter.
Yeah.

Speaker 3 That's what also seemed weird when he was having mind sex and he was like freaked out by it. It seems like

Speaker 3 a horror movie. Yeah, that it was like he was like kind of into it and then it was like, oh, wait a minute, this could be my kid.
Yeah. Oh,

Speaker 3 I gotta go. I really thought we were gonna learn that information, and that we didn't was very upsetting.
Well, do you want to? This is sex in the future. You guys want to watch sex in the future?

Speaker 3 The following scene is

Speaker 3 pretty amazing. I learned so long.
Here we go. Also, why do they fucking love jingles? We'll begin in a few seconds.

Speaker 3 Having sex, of course.

Speaker 3 I want to talk to Sandra Bullock about this movie.

Speaker 3 Stallone, again, great acting here. Watch this.

Speaker 3 What?

Speaker 3 Not cool.

Speaker 3 Oh, shit. By the way, it's filmed like a hard daughter.
It's a horror sequence.

Speaker 3 It's a horror sequence. It's a horror sequence.

Speaker 3 Is this my daughter? Wait a minute. Oh, yeah.

Speaker 3 We both have clefts in our chin.

Speaker 3 What?

Speaker 3 What?

Speaker 3 What?

Speaker 3 What's wrong? He broke contact.

Speaker 3 Contact? I didn't even touch it yet.

Speaker 3 Wow.

Speaker 3 Guys, that just happened.

Speaker 3 That is, I think, the most graphic sex scene I've seen, even though it's not graphic. It's like, it's...
He's a...

Speaker 3 The zoom in.

Speaker 3 The zoom in's on his face. Yeah.
Look.

Speaker 3 Because

Speaker 3 you never see him naked. And by the way, this is a great look in the future.
Just the... the tuxedo vest without sleeves.
Yeah.

Speaker 3 Or tuxedo jagger without sleeves. Yeah, in a world where every word is...

Speaker 3 he has a right sleeve.

Speaker 3 Oh, did it?

Speaker 3 No, I think he had, no, he didn't have either sleeve.

Speaker 3 But in a world where like everybody's a fucking wimp, like the fact that they're like, ah, but we're going to go sleeveless to show off our muscles, even though we don't have violence or anything like that.

Speaker 3 I have a feeling they gave him like a full outbreak. He's like, I'm ripping these sleeves off.

Speaker 3 Because everyone else has sleeves. Like, I feel like he was like, rip, rip, alright.
It's the same thing in Over the Top. When the kid had a jacket and he was like, I want this kid to have no sleeves.

Speaker 3 I feel like, by the way, that they refer to Simon Phoenix, the Western Snapshar, as maniac a lot. Yes.

Speaker 3 Stand down, maniac. Or, like,

Speaker 3 the maniac is not listening. Yes.
That's right. Like, why? That seems an overtly

Speaker 3 confrontational term. Yeah.
Criminal. Maniac.
It seems beaten. Or even just, hey, suspect.
Like, yeah.

Speaker 3 Why did they go in this future? They went zero to George Zimmerman.

Speaker 3 Just

Speaker 3 like

Speaker 3 I don't know if you're the person I'm supposed to be stopping. But get on the ground, maniac!

Speaker 3 Get on the ground, maniac. Oh, man.

Speaker 3 And then, so, but also the movie is based on this idea that Wesley Snapchat needs to find the gun, but yet he steals a stick from a police officer that when injected into a car, blows it up.

Speaker 3 Well, also, like, oh, you know what? Fuck the gun. I'll take this stick that blows shit up.
And what is it?

Speaker 4 Because it's a museum, though. The guns are all in like a glass structure.
And he behaves as though he's never seen glass in the 90s.

Speaker 3 He gets a test. He's seen cannons.
Like an old school pirate cannon. He's like, ooh, what do we got here?

Speaker 3 Well, he was never, as a child, he was never taken to a museum, and that's why he turned to that life of crime. It says, it really says something about the state of public education.
So here we go.

Speaker 3 I'm just saying,

Speaker 3 perhaps if it was a little better, you know.

Speaker 3 He had a good time at that museum. He was learning.
Yeah, he went to like that school that the kids in the wire went to.

Speaker 3 And

Speaker 3 then was like, oh, this is going crazy.

Speaker 4 So in the world of Demolition Man, is there a world outside of San Angeles?

Speaker 3 You would argue that that would be yes.

Speaker 3 I mean,

Speaker 3 well, we do. We learn that.
I would argue that. There's an enormous earthquake that kills everybody, basically.

Speaker 3 A lot of lights were extinguished.

Speaker 3 If Sandra Brooks said, and my mother was also killed in that earthquake, it would have been good.

Speaker 3 Oh.

Speaker 3 Oh, yeah?

Speaker 3 Yeah, yeah, yeah, yeah, yeah. She was so, oh, but no, here, actually, this is why her name is Huxley.
Because her mother died, her dad's in jail, she gets adopted,

Speaker 3 she never knew her mom. Oh, shit!

Speaker 3 Why it's an act! He waited twice in a show.

Speaker 3 Two exits!

Speaker 3 Two bold exits. Oh, here's another thing.
When Stallone's trying to have sex with his daughter,

Speaker 3 he goes, oh,

Speaker 3 we're not going to knock boots. We're not going to hunk a chunka.

Speaker 3 Hunk a chunka?

Speaker 3 When was that a phrase?

Speaker 3 Oh,

Speaker 3 it was between 93 when the movie was made and 96 when the movie is set.

Speaker 3 Make you want a hunk-a-chunker?

Speaker 3 Yeah, it's really gross. My favorite thing is...
I remember Color Me Bad saying a song, Hunk-A-Chunka.

Speaker 3 Yeah.

Speaker 3 One of my favorite things is once Simon

Speaker 3 Phoenix has escaped and they've thawed out Sylvester Stallone, they're like,

Speaker 3 okay, well, we've run the computer program. We know what he's going to do.
He's going to, it is determined that he will try and set up a drug lab and start start a new crime syndicate.

Speaker 3 That's just his, that must be his plan.

Speaker 3 And that, that made me furious because I was like, you are fucking assholes.

Speaker 3 If you think, like, and Sylvester Salone rightfully is like, you guys are assholes. And I felt vindicated.
Also, also, do you realize how long it takes to set up a drug lab? In this environment?

Speaker 3 It would be almost impossible. You can't even get some people on the idea of taking drugs.
Right. That's why you're trying to get a drug.
And find a drug that they, like, that. Yes.

Speaker 3 Like, you're not, you don't have like weed or cocaine available. Like, you're going to have to go into a lab and make some sort of synthetic drug.
You're going to have to do human trials. Yep.

Speaker 3 You're going to have to make sure that you're graffiti artists. That's, yeah.

Speaker 3 It would be like saying in this time, it would be like, he's going to set up a loom factory and people are going to go there and get tapestries. Like,

Speaker 3 it was like, why?

Speaker 4 And also, it's going to take some doing.

Speaker 3 This is a seven-year plan.

Speaker 3 His drug lab idea, that's seven years.

Speaker 3 That's a big world. Yeah, that's a big chunk that he's going to get into.

Speaker 3 By the way, it's also a very low-tier plan.

Speaker 4 So, but we come to understand one

Speaker 4 story.

Speaker 3 I'm sorry, they're always looking for him, but they can clearly find him because he curses all the time.

Speaker 3 Whenever he curses, a ticket comes out of the machine, so it's like, oh, we'll just follow the cursing machines. That's where he is.
They never use the cursing machines to locate him.

Speaker 3 By the way, great point. Great point.

Speaker 3 Cop than Rob Schneider.

Speaker 3 We all should go to the future and be future cops.

Speaker 4 We come to understand that while Stallone was frozen, he was conscious during that entire time.

Speaker 3 Yeah, he definitely has that. Oh, right, yeah.
Do you want to hear his monologue? So, yeah, I love that.

Speaker 3 But tell your point first.

Speaker 4 No, no, let's watch it first for sure.

Speaker 3 Here's a great dramatic monologue from from Sylvester Stallone about his time in cryo jail.

Speaker 3 Listen, sister.

Speaker 3 I don't want to spoil your dinner, pal, but my cryo sentence was no sweet lullaby. I had feelings and I had thoughts.
How about a 36-year nightmare about people caught in a burning building?

Speaker 3 You would awake. I don't think so.
I do think so.

Speaker 3 And my wife beating her fist against a block of ice that used to be her husband. Then you were nice enough to wake me up and let me know everything that meant something to my life is is gone.

Speaker 3 It would have to be a good thing.

Speaker 3 What would you say if I called you a brutish fossil, symbolic of a decayed era? Great.

Speaker 3 I love that lady. I love Beetle tooth playing the same character.

Speaker 3 I honestly thought the whole like her thing, she wanted to fuck him. Oh, yeah.
She, and I was waiting for that moment where like he takes her her into the bat, into the Taco Bell bathroom.

Speaker 3 She and it's like,

Speaker 3 I've done this before in a Taco Bell bathroom, but never won this nice.

Speaker 3 She is wet.

Speaker 3 I oddly got the, I guess, the European version of this online, and Taco Bell is replaced with Pizza Hut. What? Hi!

Speaker 3 But they didn't change it all out so there are some scenes that like do you see a Taco Bell sign and then they say pizza it's like, let's go to this pizza hut, but it's Taco Bell.

Speaker 3 There's no Taco Bell in, I guess,

Speaker 3 foreign countries.

Speaker 3 I went to college at the University of North Carolina, and the one thing that I can take pride in is that a fellow alum, Dan Cortez, was the piano player

Speaker 3 in

Speaker 3 the Taco Bell.

Speaker 3 Combination Pizza Hut, Taco Bell. Oh! Whoa! I like that!

Speaker 3 I like that! Yeah,

Speaker 3 there's playing

Speaker 3 on the piano like Jolly Green Giant. It's a great scene.

Speaker 3 Jesse the body Ventura is in this movie.

Speaker 3 Where?

Speaker 3 He's one of the thawed-out thugs that Simon Phoenix asks to be thawed out.

Speaker 3 And by the way, a huge question mark on that one, only because Simon Phoenix is like, yeah, if you want me to kill Dennis Leary, I got to get a bunch of my guys out.

Speaker 3 And they're like, oh, yeah, yeah, sure. We'll release more crazy people in this world.
And then at the end of the movie,

Speaker 3 those guys are not not captured.

Speaker 3 They're probably performing that drug lab. Oh, yes.

Speaker 3 But a few of them were talking about it. Like, hey, we could really make a killing with a drug lab.
Also, do you know, did he ever thaw out Jeffrey Dahmer? Because

Speaker 3 he was so excited about getting to meet Jeffrey Dahmer. Great news.
John Hine is tweeting about the show.

Speaker 3 John Hine from the Howard Stern Show. He was just here.

Speaker 3 I do know that

Speaker 3 the police don't seem too worried about Simon Phoenix being out because at one point Benjamin Brad says it'll just be a matter of TikToks until we find him.

Speaker 3 Again, overcomplicating the word time. Because in the future, we use longer and more words to say short things.

Speaker 4 Here's what's so confusing about Sandy Bullock's character.

Speaker 4 She's set up as wanting to see violence and action so badly, but the second

Speaker 4 something actually happens, she doesn't do anything.

Speaker 3 No, she just until later when she kicks a little ass because

Speaker 4 she she her instinct is to unfreeze someone else to get in there.

Speaker 3 Yeah, right. Her dad just

Speaker 3 her father slash sexual partner

Speaker 3 I mean like there's an argument to be made that she wants to see action because it's in her blood.

Speaker 3 That's why everybody else is docile and lame and she has the blood of John Spartan in her. John Spartan? She has the blood of John Spartan in her.
And she says soon.

Speaker 3 She will have the semen of John Spartan in her.

Speaker 3 Oh wait, by the way, this is the interesting point in this movie.

Speaker 3 There's a part in this movie where Wesley Snipes threatens Coctoe, who's actually in on the whole thing, and we know that, and it's not a secret, and it's not really revealed in an interesting way.

Speaker 3 And

Speaker 3 he runs away, and then they, like, everyone just kind of takes a break. It's like, oh yeah, we're hunting that guy.
Anyway, Anyway, you want to come to Taco Bell tonight? Yeah, let's go to Taco Bell.

Speaker 3 Let's go back to your apartment.

Speaker 3 Like, there's a long period of time where Wesley Snipes, he escapes in the daylight. We catch back up with him at night, and he's like, All right, here I am going down here.

Speaker 3 Like, there's just a everyone just took time off. Yeah, he jumped into some bushes, and they were like,

Speaker 3 I'm not getting this fancy new outfit dirty. He is dressed like crisscross in this movie.

Speaker 3 He is full-blown crisscross. And like, for whatever reason, there's there's like a Demolition Man logo on the front of his overalls.
I don't know where I got that, but there, you know,

Speaker 3 it was from the cryo lab. Yeah, they all got those plastic things.
Yeah,

Speaker 4 that's not a demolition man.

Speaker 4 That's like a that's just something from the prison.

Speaker 3 I will say, I will say in the Dennis Leary underground Teenage Mutant Ninja Turtle sewer world,

Speaker 3 why did the lady who made cheeseburgers look like Frita Kahlo? Yes.

Speaker 3 Yes.

Speaker 3 100% weird. She's alive and she's been living them.
That's her new resistance.

Speaker 3 Yep. In the future, Frida Carlo.
In this version of the future, Frida Carlo and Diego Rivera live in an underground city.

Speaker 3 Guys, let me just drop some facts on you about this movie and I want to hear your reactions to them.

Speaker 3 Lori Petty was originally cast in the role that Sandra Bullock played. Tank girl? Yes,

Speaker 3 and after a few days of filming, was fired and replaced with Sandra Bullis. Wow.
A few days, so we don't know. So we have to get that footage.
It's the Eric Stoltz Marty McFly footage.

Speaker 3 I feel like she probably tried to get fired. Because she's like, what the fuck? I'm fucking my dad? Yeah.

Speaker 3 The original movie was written for Steven Seagal and Jean-Claude Van Damme. Amazing.

Speaker 3 Van Damme was offered the role of the bad guy, but didn't want that role. He agreed to start it if both lead roles could be switched.
But Sagal was like, Well, I don't want to play the bad guy.

Speaker 3 So then that movie was scrapped. Here's two other facts that are interesting:

Speaker 3 Jackie Chan was supposed to be Wesley Snipes, but Jackie Chan said he didn't want to play a bad guy because Asian audiences don't like good guys who become bad guys.

Speaker 3 And then he is name-checked in it. Yes, because Sandra Bullock is a big Jackie Chan fan.
But in the European version, he says

Speaker 3 Bruce Lee. He says Bruce Lee, not Jackie Chan.
Interesting.

Speaker 3 Here are two other things. These are all like amazing facts.

Speaker 3 Wesley Snipes' kicks and punches look lurchy and awkward because he's such a good karate guy in real life that his punches were so fast that it blurred in the camera. Oh my gosh.

Speaker 3 So they made him slow it down.

Speaker 3 So it looks weird. That's amazing.
And

Speaker 3 in Kuwait, the movie was simply called Rambo the Destroyer.

Speaker 3 Rambo, Rambo also name-checked in this movie. Wesley Snipes gets guns and is like, thanks, Rambo, or something like that.
And then Luke Skywalker is also name-checked in this movie.

Speaker 3 There's a lot of pop culture references from the 1980s in 2032. Also, I am wondering if in the Expendables movies, Sylvester Stallone wears a beret.

Speaker 3 And I'm wondering if he just took the beret from Demolition Man, or if this is some kind of a nod to all the guys and gals who went to DemoCon.

Speaker 4 And where does that beret come from?

Speaker 3 What are we doing?

Speaker 3 Where are you wearing berets? No, it was in his box. He had a box of stuff.

Speaker 3 Right, with

Speaker 3 yarn. Yes.

Speaker 3 Remember when he knit a sweater?

Speaker 3 Remember when in one night Sylvester Stallone knit a red sweater?

Speaker 3 And by the way,

Speaker 4 by the way, he he knit an entire sweater out of like one ball of yarn.

Speaker 3 Yeah.

Speaker 3 That's how good the rehabilitation program was.

Speaker 3 He and his daughter.

Speaker 4 I thought that was going to be like fully realized, and that was going to be like

Speaker 4 paid off in a wonderful way. The final sequence.

Speaker 3 I want to learn to knit now just so I can start an Etsy shop called John Spartan.

Speaker 3 John Spartan.

Speaker 3 Sweaters. sweaters for my daughter wife.

Speaker 3 I want to, before we go out to the audience, because I'm sure you guys have some things that we might have missed, I do want to play this scene that Jason,

Speaker 3 the witch, said that we should definitely play, and I agree with you. I'm going to pee while we do this, because it's too sexy for me to do it.

Speaker 3 So,

Speaker 3 obviously, Wesley Snipes, from the way he's dressed, is pretty hip-hop. So, we're going to score the fight scene with a little bit of hip-hop here.

Speaker 3 So, let's do the record scratches during this fight scene. Here we go.

Speaker 3 Hey, wait for me.

Speaker 3 Stupid.

Speaker 3 I love that they whoever made that turn is like, whoo, wick away, look at the old like Casio piano that you would buy, whoop the wick of the wicket.

Speaker 3 Yeah, and then you never hear it for the rest of the movie. Never again, never again.

Speaker 3 They, throughout the movie, they hired different people to score it and then fired them. Like, they would submit one song and it was like, huh? Get out.

Speaker 3 And then another person, like, but we don't have the budget to have them re-score the whole moment. Just let them do the next song.

Speaker 3 That's your song, get out.

Speaker 3 Because even at the very end, like, when he's hanging, when Stallone's hanging from the

Speaker 3 grabber thing,

Speaker 3 the music there is like weirdly like orchestral, but like fast and kind of circusy. I feel like they, no one really knew what was going going on, but they were psyched that it was happening.

Speaker 3 Like, I know they're like, we're doing something!

Speaker 4 The best in this sequence, though, is when they cut back to everyone in the police station who's watching violence, I guess, for the first time.

Speaker 4 I mean, that's what I think that scene is about, right? Like, they've never seen it. But, like, so my question is: they've never seen movies, they've never seen well.

Speaker 3 She's a 90s aficionado. Right.
She must have seen some Stallone films. Right.
I mean, no, she just just has the poster for Lethal Weapon 3. Well, and Rambo is talked about, so

Speaker 3 Rambo exists. Did you use three seashells in there? What's that?

Speaker 4 Did you use the three seashells in there?

Speaker 3 Yeah, yeah, yeah. I used three seashells.

Speaker 3 But that also, that brings up a good, it brings up a good point.

Speaker 3 There's a moment where, like, when the warden is killed, and they're like, bring him up on screen. They show him dying, and they're all just like, huh.
Yeah.

Speaker 3 That's a shame. Yeah, that's a bummer.
They didn't call for help back up. They're like, oh, this is watch him bleed out.
Okay.

Speaker 3 Also, in 2036, I just want to, I just have to say, 2036, I think there's only two women on the police force. Yeah, yeah.
Like, really?

Speaker 3 There's Benjamin Brad, too, and he's kind of a lady. Like,

Speaker 3 they really built it.

Speaker 3 At the end of the movie, like, they're just sitting there and they're like side by side. And he's like, fuck it.
And then Siri's like, hi five. And there's a moment between the two of them.

Speaker 3 Yeah, because he gets dreaded. Like, they change his clothes.
They give him a makeover and rip the sleeves off his outfit and put a vest on him. No sleeves.
Yeah.

Speaker 3 They put a vest, like, good, yeah, you're one of us now.

Speaker 3 Wear this vest.

Speaker 3 There are obviously some things that we missed, and that's why we go out to you, the audience, if you have questions, things that we might have missed, things you want to inform us about.

Speaker 3 Oh my gosh, this guy's questioned up. All right, your name, your favorite scene of the movie, and your question.
Oh, he wrote it down on his iPad. Here we go.

Speaker 3 You mean on his fiber op?

Speaker 3 Read your fiber op.

Speaker 3 My name is Chris. I think my girlfriend.
You thought way too long. I know.

Speaker 3 Well, and he was reading.

Speaker 3 My name is Chris.

Speaker 3 What I was actually thinking about is my favorite scene in the movie because there's so many great ones. I think it's the Blood Sugar Sex Magic Legal Weapon 3 framing of Sandra Bullock's office.

Speaker 3 I just wanted to bring up that the director of this movie, which I had to look up because I was like, where did this come from? I just want to read

Speaker 3 the first line of his Wikipedia.

Speaker 3 Marco Vembrilla is a New York-based video collage and installation artist known for his elaborate recontextualizations of popular and found imagery, which Vanity Fair praises as critiques and masterpieces of visual overload.

Speaker 3 Well, that's

Speaker 3 not that.

Speaker 3 Sounds like the guy that I watch directing Demolition, man.

Speaker 3 And by the way, this movie is not like poorly directed.

Speaker 3 Are you sure about that?

Speaker 3 I agree. I agree with you.
But I mean, like,

Speaker 3 in the scheme, like, in the grand scheme of, like, the room. Are you sure about that?

Speaker 3 I mean, in that.

Speaker 3 Did you see that sex scene? Yeah, you're right. That's a pretty great video installation.
All right.

Speaker 3 All right, your name.

Speaker 3 Your favorite thing that Simon Phoenix did in your question. Here we go.
My name is Tom.

Speaker 3 Favorite thing that Simon Phoenix did

Speaker 3 was

Speaker 3 actually the opening fight sequence when he just goes crazy to hip-hop music.

Speaker 3 And my question is,

Speaker 3 it's more of an explanation, hope, but...

Speaker 3 Nice question.

Speaker 3 This guy gets it. This guy gets it.
I was wondering...

Speaker 3 The entire building does get blown up in the opening scene, right? So how did they find 20 bodies in a matter of seconds?

Speaker 3 Very good point.

Speaker 4 Very good point.

Speaker 3 Because they were left out to the front, maybe. There is in the front of the building.

Speaker 3 Maybe the

Speaker 3 entire building is still in the city. I think Phoenix must...

Speaker 4 Here's what I think. I think Phoenix must have killed them by lighting them on fire or something.

Speaker 3 He would have been put them in a dumpster and they were going through the dumpster. No, he froze.
Well, he froze.

Speaker 3 He said he froze them so that way because Stallone early on is like, I did a a thermoscan and there was only eight people in that giant building.

Speaker 3 And he says, the reason you didn't know is because they were dead already.

Speaker 3 He froze them. He froze them so that they wouldn't show up on the thermoscop.

Speaker 4 The cops in Los Angeles thought that Stallone froze these people to death?

Speaker 3 No. No, no, no.

Speaker 3 That's what Simon Phoenix did.

Speaker 3 They thought that he was a cowboy and went in and just, with reckless abandon, caused the death of these 20 hostages.

Speaker 3 And what they they didn't know is that Simon Phoenix had already killed and frozen the hostages to frame John.

Speaker 3 Oh, I'm dying.

Speaker 3 I'm fucking dying.

Speaker 3 This is our lives.

Speaker 3 We try and make sense of this for you.

Speaker 3 I'm looking for a lateral.

Speaker 4 But here's the last question about that. So the cops found them frozen, though.
The cops found the bodies frozen.

Speaker 3 No, because the fire, the fire, they've got flash rounds.

Speaker 4 They really did just take Phoenix's word for it that they were dead.

Speaker 3 Yes,

Speaker 3 That's the injustice that I was complaining about. Yeah, yeah, you're right.
You're right, you're right. This is the kind of world I don't want to live in, 1990.

Speaker 3 Okay.

Speaker 3 Your name, what you would say to Simon Phoenix at his trial,

Speaker 3 and

Speaker 3 your question.

Speaker 3 You're a maniac. Good.
Your name. Is your name?

Speaker 3 Okay, now what would you say to Simon Phoenix at his trial?

Speaker 3 Number one, if they're trying to underplay the sexuality so much in this

Speaker 3 society, why did that girl nude dial Stallone? Yeah,

Speaker 3 that was strange. And who did she think she was dialing?

Speaker 3 Like, what was that? The other quick question was, doesn't the liquid styrofoam for a crash car seem so much like more inefficient and slower than airbags when that slipped out?

Speaker 3 I actually thought that was a good thing. I thought that the safety foam.

Speaker 4 I thought that the foam was a great idea, though, because the foam protects the entire car.

Speaker 4 Like, there's to me there's no way if you have a car that produces that foam that you could ever die in a car crash whereas what you would die in suffocation it would no

Speaker 3 filling the cabin with something that goes from soft to hard so you would be killed what happens goes from soft to hard

Speaker 3 bark

Speaker 3 it protects you inside of it it protects you inside of it and then someone has to chisel you out yeah because you're dead no you're dead. Because you're dead, then.

Speaker 3 I did think that the naked girl was interesting. That's a very good thing.

Speaker 3 This is like the first sexting, here's naked picture kind of scenario.

Speaker 3 And it, because it's a phone call up here, and there's a naked woman, and she's like, hey, do you want to? Oops, wrong number.

Speaker 3 But this is like the era where like naked women in movies like started like went on a decline a little bit. It was sort of like actually like, so I just put some tits in there.

Speaker 3 Like that would be a fun scene, right? Because it's like it was like so gratuitous. And even like there's no, like, they should just.
I have no problem with that scene.

Speaker 3 You're named.

Speaker 3 Why you think John Spartan's a hero? In your question, go ahead.

Speaker 3 My name's Mallory.

Speaker 3 I think. Mallory.

Speaker 3 It's a family ties quote, guys. R.I.P.

Speaker 3 David Kaz. Sorry, David Goldberg.
Great Scott Valentine reference. Thank you.
I think John Spartan was a hero because he didn't let anything stop him. Great.

Speaker 3 I like that.

Speaker 3 And I guess my question is: that scene where he's in the museum and he's kicking the glass, and then I guess the museum guard sees him.

Speaker 3 And I guess I'm wondering, how socially stunted are they that they can't, like, he's breaking into the thing. He's like, oh, do you need help?

Speaker 3 And then he's like, oh, how much do you weigh? And just chucks him. And you know,

Speaker 3 this movie posits that 30 years in the future we would forget 30 years ago. So that would be like

Speaker 3 we have no recollection of, what would that be? Like the 8th, 77th. Yeah.
So we'd be like, yeah, I don't know what happened in the 70s. I don't know.

Speaker 4 Unless that earthquake killed most people.

Speaker 3 I don't think it did.

Speaker 3 And then lobotomized everybody else. And just, oh,

Speaker 3 information's leaving my brain. It's one thing, it's one thing to be like, we don't have crime.
It's another thing to be like, what is crime?

Speaker 3 You know? Like, that's a tough thing.

Speaker 3 like that's a tough sell and especially for people that are in their 20s yeah which means that they were like they were born 10 years after this so it's not like well like his cop friend his cop friend who was flying the helicopter at the beginning of the movie like nobody ever thought to be like hey man you you lived through this you were a cop then this like you you don't remember what a 187 is yeah why can't he be like oh no, that's a murder.

Speaker 3 Right.

Speaker 3 Death kill.

Speaker 3 As you guys know it now. And then they'd be like, shut up, man.
Just keep working on your little miniatures.

Speaker 3 That's my third wife. After Freeman? That's my third wife.
After Freeman? Yeah. By the way, Wyatt and I were talking about this.

Speaker 3 I love that guy because the young version of him was Agent Johnson from Die Hard, which is just, you know, look, I like that.

Speaker 3 And I like that he's both, he's flying helicopters in both movies Yeah, he has a very he has a niche the problem is the actor who's the older version of him is like a foot and a half taller than the actor playing the younger version of him

Speaker 3 Oh everybody gets longer.

Speaker 3 Your question your name

Speaker 3 What favorite piece of future tech in your question?

Speaker 3 Mike, my favorite piece of future tech has to be Taco Bell being every restaurant ever

Speaker 3 My question or my point is you guys left out the part of the movie that actually made me have to pause it and take a break and come back and that is the way people greet each other in the future.

Speaker 3 Be well.

Speaker 3 Oh, right.

Speaker 3 They put their hands close and they do a little snapshot. Yeah.

Speaker 3 They go like that.

Speaker 3 And then

Speaker 3 face, but not. It's very weird.
It's very karate kid, wax on, wax off.

Speaker 3 Although, you know what?

Speaker 3 If we all did that, we'd put that damn Purell family out of business. Well, that's the thing is, they also don't high five.
They come close to high five. They are like, yeah.
Yeah.

Speaker 3 Well, they really don't make

Speaker 3 physical contact with each other. No, no, sex is outlawed because of the swapping of fluids.
Yeah, but which we all understand to be disgusting.

Speaker 3 Who has a good question? Double hand raised. We have a good question.
All right, just go. Holy shit.
What is going on? What is everyone? Everyone's raising their hand. There we go.
Your name.

Speaker 3 You okay?

Speaker 3 Okay.

Speaker 3 Your name, what you would call the first movie that leads into Demolition Man, and your question.

Speaker 3 Alright, the movie leading into Demolition Man is probably White Man Can't Jump. Alright, I like that theory.

Speaker 3 Well, that's a trilogy, and then after that it's Major League and Major League 2 is pretty much happening at the same time as

Speaker 3 wait, so you're saying White Man Can't Jump goes into Major League 1, Major League 2, and then Demolition Man?

Speaker 3 Alright, we're off the track. Here we go, question.

Speaker 3 So, Mike, well that's more of a point leading in.

Speaker 3 Okay, so at the start, there's the fire going on, and then Wesley Snipes says, is it me or is it hot in here and then or it's getting cold in here and he throws the thing on at you have a guess, but at the end it's like all frozen and cold and then Stallone says is it me or is it cold in here?

Speaker 3 And then that just pisses off Wesley Snipes. So it's kind of like they're going first like full circle and like

Speaker 3 well there is there actually

Speaker 3 is a parallel of the last scene. There's another parallel about that because Wesley Snipes says something in the beginning about taking my head off.

Speaker 3 Like he's like he's like, something, something, if you take my head off, and Stallone's like,

Speaker 3 Stallone's like, oh, keep that in mind. And then in the end, he takes his head off.
He kept it in mind for 37 years already.

Speaker 3 He didn't get a lot of time to think while he was alive in that block of ice.

Speaker 3 People go insane in solitary confinement. People go insane.

Speaker 3 For 37 years, he's been awake. And comes out and is like, let's get to work.

Speaker 3 And it was a good thing.

Speaker 4 Well, like his mind asks to to be put in a moment of frustration says put me back in the fridge

Speaker 3 all right here we go not even the freezer just the fridge fridge

Speaker 3 he wants a lesser sentence okay question comment name

Speaker 3 here you go my name is Merlenis and I'm not very good with names of cars but there's one scene where they're on the ground and they had this like awesome red car like how is these like poor people have this awesome car and how they got it down there and then then how did they get it down there?

Speaker 4 How did they get it down there?

Speaker 3 And it's like, I mean,

Speaker 3 that's my question.

Speaker 3 It's an amazing question. Oh, yeah.
That basically the mold people had an elevator

Speaker 3 underneath a Chevy dealership that just in case they needed to get it.

Speaker 4 Yeah, because we see them go down there a number of times. The only way it seems to get down, they seem to be able to get down, is through like a manhole cover.

Speaker 3 Right.

Speaker 3 But also, with that,

Speaker 3 like, Wesley Snipes runs away, and Stallone, rather than give chase, is like, wait, hold on a second. Can you start that elevator up? Because I really want to drive that GTO right now.

Speaker 3 Like, I know I need to stop this terrorist that's like trying to kill me and everybody.

Speaker 3 But I want to give this thing a test drive. Is that cool, Dennis Leary? I know I'm supposed to be protecting you, but is it alright if I...
Like, I know. I'm going to catch him.
He's on foot.

Speaker 3 there's no way i'm just just let me put the car in the elevator hey uh

Speaker 3 move past ila huerta move your fucking burger shop so i can uh drive in there did anybody else think it was weird that the dennis leary people the underground dwellers their way of checking in on the real world is to have like a periscope that pops out of the ground yeah yeah and that twice Sylvester Stallone sees it randomly and is like, hey, what is that thing?

Speaker 3 And everybody else is like, what are you talking about? And he's like, well, I guess it was nothing. He's a groundhog.
In 1996, he was a great groundhog hunter.

Speaker 3 And I was going to say, this is my favorite part. And when he goes underground for the first time, Sylvester Stillman lifts up the sewer grate and goes, smells like biscuits and gravy.
Yep.

Speaker 3 But it shouldn't. No, it doesn't.

Speaker 3 If it does, then that's a beautiful place to live, but it does not seem like it matches. Especially because then he manages to find a a hamburger, which he's been craving forever.
Uh-oh.

Speaker 3 Nick Kroll did.

Speaker 3 Yeah!

Speaker 3 Y'all done with the show? Where at?

Speaker 3 Everybody text Nick Kroll. No, we're not done with the show, asshole.
Very close, very close, but not yet.

Speaker 3 He eats a hamburger. Turns out it's made of rat meat.
But you know what? It's still pretty good.

Speaker 4 Pleasant-minded.

Speaker 3 Here we go. This is your final question.
A lot of pressure on you to bring it home. No!

Speaker 3 We've got to get to Nick Crow!

Speaker 3 Guys!

Speaker 3 Nick Crow!

Speaker 3 Got it!

Speaker 3 What you would say to Sylvester Stallone when he was on trial.

Speaker 3 And your question.

Speaker 3 My name is John. I'd say it's not your fault.

Speaker 3 Good answer.

Speaker 3 And my question is, could you guys just briefly talk about how

Speaker 3 Sandra Bullock tries to say like these 90s phrases but says them wrong?

Speaker 3 At a certain point. What's What's there to say?

Speaker 3 After Simon Phoenix in a hole and says, I'm going to go down there, I'm going to blow him.

Speaker 3 I wrote down a bunch of those. They're all terrible.
Again, like, again,

Speaker 3 language has not devolved. No.
Like, I'm going to blow him. I'm going to blow him up.
She says, at one point she says, it looks like you've met your match.

Speaker 3 What? And she says, take this job and shovel it. Yeah.

Speaker 3 Yeah.

Speaker 3 Like, there is. If If she saw leave a weapon, she would know that those are wrong statements.

Speaker 3 To anyone who is like over 45 in that society,

Speaker 3 they would know those phrases.

Speaker 3 Sure. Yeah.

Speaker 3 They have jingles from our time. Right.
Why don't they have like a book of phrases from our time? Also, why don't they have the music from our time? They clearly have the movie posters, but

Speaker 3 they're not serious. They have posters for the red-hot chili peppers, but not.
No music. Yeah.

Speaker 3 Was that the end? Like, oh, that's, music can't get any better. Let's shut it down.

Speaker 3 Shut down the studios, everybody. We're not listening to music anymore, just jingles.
Old jingles, too. Like jingles from like the 40s jingles.
Yeah, yeah. Jingles from our time.

Speaker 3 No, like oldies is for them from the 40s.

Speaker 3 But just jingles, not songs. But not the, yeah, and not like the good ones like by Menon.
Yeah. Like that's great, solid.

Speaker 3 And if you want to watch some deleted scenes of dancers singing by men and you can see it yeah um obviously we had opinions on this movie but uh they're not shared by everyone now it is time for a second opinion

Speaker 3 these are um five star reviews told from amazon.com uh people who felt very strongly about it there's some good ones in here uh this one's from jts

Speaker 3 titled Beauty and the Syro Cop.

Speaker 3 I think she means like, well, okay, Syro cop is not right. This is an all cap.
Cryo? Does she mean cryo? I think she means cryo. It's spelt cyro though.

Speaker 3 So

Speaker 3 she's always a constant in these Amazon reviews. Here we go.
All caps. Sandra's sweet innocent takes the edge off this tough guy film.
She is the Spartan, what Adrian spelt like Alderon

Speaker 3 was to Rocky.

Speaker 3 The special effects are great. Some of the dialogue lags at times, but the strengths of the characters carry this one through.
Check out the end.

Speaker 3 Wow.

Speaker 3 All right, Sandra Bullock wrote that review. Sandra Bullock wrote that.
I own this title and have seen it six times.

Speaker 3 Worth a sequel?

Speaker 3 I think so.

Speaker 3 Good fair.

Speaker 3 Do you think any of the people who listen to our podcast, when they hear about the movie, go and write five-star reviews, hoping that they might get a review?

Speaker 3 I never take anything that's written past like 2009. Well done.

Speaker 3 So that is

Speaker 3 a nice try assholes.

Speaker 3 I really like this movie. A good thing about it is there is profanity, but they don't abuse it like they do in pulp fiction.

Speaker 3 And that movie they say the effort so many times it loses its meaning. Also, Snipes is pretty funny at times throughout the film.
Five stars.

Speaker 3 Okay, this is my...

Speaker 3 I think this goes up in the pantheon of like favorite Amazon reviews because it really takes a turn.

Speaker 3 From Geek Mom.

Speaker 3 This is my most favorite movie ever.

Speaker 3 There are so many quotes in this movie that are relevant today to today's society.

Speaker 3 It's a great action flick with some of my most favorite actors and the crazy humor in it makes looking at what we're going through today almost laughable.

Speaker 3 I wish more people had seen it, and then they'll understand what's wrong with today's Congress and why they need to stop voting for progressives. ASAP.

Speaker 3 This is the kind of world we'd be forced to live in if the progressives continued to thrive.

Speaker 3 Nothing would be legal, and government would monitor and pay for everything you do.

Speaker 3 Truly frightening.

Speaker 3 By God.

Speaker 3 Here's me.

Speaker 3 I will say.

Speaker 3 I will say watching this movie, there was something about it that felt like, oh yeah, if you listen to Glenn Beck, like Glenn Beck would love this movie as like, oh, this is the dystopian future that like liberals want because, oh, everyone wears the same outfits and there's only one restaurant.

Speaker 3 Like you get like, like, there's no money anymore. And

Speaker 4 I agree with it, but what we came from in 96 was so terrible.

Speaker 3 Right. And in 96 that was Clinton.
Right, right. That was, that was like, oh, Clinton caused Hollywood to catch fire.
And then...

Speaker 3 No planes to land in LAX anymore. No commercial airliner.
Yeah. Like they were all, like, everything about the movie seemed like a liberal complaint.
Like, it sucks now that Clinton's president.

Speaker 3 Everything's on fire. And then it only gets worse.

Speaker 3 We can't curse no more.

Speaker 3 This movie asked a lot of questions and did not do a lot of answers.

Speaker 3 I feel like, Gatavan, would you recommend seeing it? I know I would. Yes, recommend.
Strong recommend. Yeah.
I mean, if the choice is that or like Winter's Bone.

Speaker 3 Demolition.

Speaker 3 Demolition. Even though Sandra Booth could have got a Winter Bone, right? Yeah.

Speaker 3 With that John Spartan. I dick.

Speaker 3 And by that, we mean her father's penis in her body.

Speaker 3 Also,

Speaker 3 Sting did the theme song.

Speaker 3 Oh my god, you're right. Yes.
How about that?

Speaker 3 And I wonder if Sting asked, like, they were like, hey, Sting, you know, Center Bullock's character is like in the 90s things. We were thinking about putting up a poster of you.
No, it's alright.

Speaker 3 Don't do it. Don't, don't fucking.

Speaker 3 We really want to prominently feature Ten Sumner's Tales. Nope, that's fine.
That's cool. I'm going to keep it away.

Speaker 3 Here's a red hot chili pressure. Are you sure soul cages? You don't want us to put soul cages up? I'm fine.
I'm fine. I'm going to continue having tantric sight with my wife.

Speaker 3 You cannot put any of my movies in her. Really? You sure? No soul cages? Absolutely not.
Yeah, no, no, no, no, no.

Speaker 3 I saw that tour, guys. Saw that tour.

Speaker 3 Just saying. Do you think he does the theme song in concert?

Speaker 3 Like, I kind of.

Speaker 3 No, wait a second.

Speaker 3 Can somebody settle something? Did he write it for this, or is that a police song?

Speaker 3 It is a police song that was appropriated for this. All right.

Speaker 3 Even worse.

Speaker 3 Sting, you did it. You did it.
You did it the best way you could.

Speaker 3 Well, thank you guys so much for coming. Give it up, Abby.

Speaker 3 Winter is the perfect time to explore California. And there's no better way to do it than in a brand new Toyota hybrid.

Speaker 3 With 19 fuel-efficient options like the stylish all-hybrid Camry, the Adventure-Ready RAV4 hybrid, or the rugged Tacoma hybrid, Toyota has the perfect ride for any adventure.

Speaker 3 Every new Toyota comes with Toyota Care, a two-year complementary scheduled maintenance plan, an exclusive hybrid battery warranty, and of course, Toyota's legendary quality and reliability.

Speaker 3 Visit your local Toyota dealer and test drive one today so you can be prepared for wherever the road takes you this winter. Toyota, let's go places.

Speaker 3 See your local Toyota dealer for hybrid battery warranty details.

Speaker 3 Hear that?

Speaker 8 That's me in Tokyo learning to make sushi from a master. How did I get here? I invested wisely.
Now the only thing I worry about is using too much wasabi.

Speaker 8 Get where you're going with SPY, the world's most traded ETF. Getting there starts here with State Street Investment Management.

Speaker 5 Before investing, consider the funds' investment objectives, risks, charges, and expenses. Visit state street.com/slash IM for prospectus containing this and other information.
Read it carefully.

Speaker 5 SPY is subject to risks similar to those of stocks. All ETFs are subject to risk, including possible loss of principal.
Alps Distributors Inc. Distributor.