Trump Posts Bizarre AI Videos as Government Shuts Down | Benny Safdie

ABC Wednesdays, Shifting Gears is back.

It has arisen.

Tim Allen and Kat Dennings return in television's number one new comedy.

What what?

With a star-studded premiere, including Jenna Elfman, Nancy Travis, and

hey buddy!

A big home improvement reunion.

Welcome.

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That guy's a tool.

Shifting Gears, new Wednesdays, 8-7 Central on ABC, and stream on Hulu.

The family that vacations together stays together.

At least, that was the plan.

Except now, the dastardly desk clerk is saying he can't confirm your connecting rooms.

Wait, what?

That's right, ma'am.

You have rooms 201 and 709.

No, we cannot be five floors away from our kids.

The doors have double locks, they'll be fine.

When you want connecting rooms confirmed before you arrive, it matters where you stay.

Welcome to Hilton.

I see your connecting rooms are already confirmed.

Hilton, for this day.

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From the most trusted journalists at Comedy Central.

It's America's only source for news.

This is the Daily Show with your host, Ronnie Smith.

Welcome to the Daily Show.

I'm Rai Chang.

We've got so much to talk about tonight.

The White House is just a meme account now.

The Tooth Fairy is so broke, she's on OnlyFans.

But first, the federal government shut down last night.

So, if you're wondering why the mailman didn't come by this morning and bang your wife, now you know why.

Let's get into it.

Our coverage of Shutdown Showdown 2025

Locked up, locked down, and closed the business.

I thought the worst thing that could happen this week was when Nicole Kidman and Keith Urban broke up.

I mean,

I know if two hot Australians with the same face can't make it work, then

what hope is there for the rest of us?

But then, to make it worse, my favorite federal government also couldn't make it work.

And the breaking news, as of this morning, the U.S.

government is officially shut down.

The main sticking point is health care.

Democrats want to reverse Medicaid cuts and stop enhanced Obamacare subsidies from expiring.

But top Republicans say they will not negotiate until the government reopens.

Wait, this is all because of health care?

But I thought that hot guy murdering that CEO solved all of this.

Look, this is the classic dispute between the parties.

Democrats say that the government should help pay for health care, and Republicans say that's what GoFundMe is for.

But because the Republicans need Democratic votes to keep the government open, the two parties have to come together.

So this moment calls for a serious and sober-minded leader like President Trump to

work with the other side

to find compromise with dignity and mutual respect.

The president last night posted her AI-generated video depicting House Minority Leader Hakeem Jeffries wearing a sombrero and mustache and Senate Minority Leader Chuck Schumer speaking in a fake voice.

There's no way to sugarcoat it.

Nobody likes Democrats anymore.

We have no voters left because of all of our woke trans bullshit.

What the f ⁇ did I just watch?

Trump is making fun of a black man for being Mexican?

It's almost too confusing to be racist.

It's

it's like putting a headdress on the Twin Towers.

I I mean,

I don't even know what you're trying to say.

I don't have the racist math skills to solve this equation.

I never thought I'd say this, but Donald Trump, can you be better at racism?

What's making reality break down even more is that this is the official position of the president of the United States.

Is it hilarious?

Yes.

Is it professional?

No.

So let's see the mature measured response from the Democrats.

It's a disgusting video and we're going to continue to make clear bigotry will get you nowhere.

Finally, some adults in charge.

You know what?

I'd like to see Donald Trump make fun of that.

President Trump posting another AI-generated video.

It's a disgusting video and we're going to continue to make clear.

Bigotry will get you nowhere.

We are fighting to protect the health care of the American people in the face of an unprecedented Republican assault.

God damn, this makes even less sense,

but it's even more funny.

What is the bit here?

So Hakeem Jeffries is Mexican now, and so is Trump.

And they start a mariachi band.

I mean, maybe this is them coming together.

I mean, this is maybe this is

President Trump's way of outreach to the other side.

Like, he's trying to signal that they can work out a deal at banned practice.

I don't know.

I don't know.

But yes,

I hope they do get together soon because as long as this government is shut down, this is going to f ⁇ over a lot of people.

As many as 750,000 federal workers are expected to be furloughed.

Many others will have to report to work but will not get paid.

That includes TSA officers.

Wait, TSA TSA officers were getting paid this whole time?

Then why are they so angry?

Look, I'm sorry.

I didn't know Kindles were laptops.

All right, stop yelling at me.

And it's not just the TSA.

This shutdown is also affecting the one thing in America that everyone actually liked.

Among the big impact of our shutdown are national parks.

They will remain partially open, but buildings that require staffing, like visitor centers, well, they will close.

The last time there was a shutdown human waste had been left outside of the restrooms with no one there to clean anything up.

Yeah you know what that makes sense.

You know when the trash can is full and you put your trash next to it to indicate that you at least try to put it in?

It's like that but with shit.

This sucks because national parks are like the one thing in America that's not a left-right issue.

Everyone, regardless of political party, goes there to enjoy the beauty and splendor of being outside staring at your phone.

For more on the shutdown's impact on national parks, we go live to the Grand Canyon with Josh Johnson.

Josh.

Josh.

Josh, what's the latest?

It's pretty bad, Ronnie.

The shutdown got everybody stressed out.

Smokey Bear already made it through a whole pack of cigarettes.

He flicked the butts into the forest and everything.

He doesn't care anymore.

Okay.

Wow, that's horrible.

I mean,

is it true that people are straight up pooping on the ground outside the bathrooms?

Of course not, Ronnie.

Have some faith.

People aren't pooping outside the bathrooms of the Grand Canyon.

No, they're pooping directly into the Grand Canyon.

Wait, wait, how do you even do that?

Ronnie, are you not potty trained?

So first you pull your pants down.

That's actually going to be the most important part.

Okay, no.

No, I mean, yes, I am fully potty trained.

I mean,

how can someone bring themselves to poop in the Grand Canyon?

It's just a big hole in the ground.

Do they not have holes where you're from?

I mean,

when you think about it, a canyon is just nature's toilet.

And the squirrels are its toilet paper.

Okay, what?

Isn't it dangerous?

For the first few hours it was.

People would lose their balance and plunge anus first, 6,000 feet to their death.

But now the poop has reached the top.

So good news, when you fall, you just land on the poop.

Okay, are you telling me the Grand Canyon is already full of poop?

It's been less than a day.

It started with a couple people who just desperately needed to go, but then someone posted online and it became a kind of viral challenge after that.

You know how the internet is.

It's called the fecal furlough challenge.

Okay.

Oh my God.

Josh, are you eating chili out of the can?

Don't tell me you're trying to take a dump in the Grand Canyon as well.

Yeah, ma'am.

I'm not going to be the only guy who didn't do it.

You know?

I don't want people to think I'm weird.

Oh.

Oh, it's happening.

That's bad chili.

One bite was all it took.

Oh.

Oh, shit.

Wait, somebody get me a squirrel.

Okay, cut the cameras.

Josh Johnson, everybody.

When we come back, Michael Pasa will tell you how to get rich, so don't go away.

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welcome back to a daily show

if you want honest and rigorous financial news then go eat a dick but if you want to get rich then you want michael costa in another installment of Costa doing business.

Yo, yo, yo, yo, yo, yo, yo.

What up, players?

This is the Costa doing Business, and I'm Michael Costa.

Let's make some fat stacks of stanky cash, okay?

But first, I know what you're wondering.

Hey, Costa, why do you have a stuffed crow on your head?

Are you being pursued by a Mongolian crypto tycoons enforcer who uses hawks to hunt down debtors?

And crows are a natural defense system against predatory raptors.

Correct.

My fans know what's up.

Yo, but enough about crow.

It's time to talk dough.

All right.

Now look, unemployment is up.

Inflation is up.

Bloodthirsty hawks are up in the sky.

So that means in this economy, we got to start downsizing, specifically down to the size of a child.

Hit me.

If you're an adult who sometimes orders food off the children's menu, take comfort.

You're not alone.

A survey finds 44% of grown-ups choose kids' meals to save money and limit their portion sizes.

The practice makes even more sense when you consider the rising cost of dining out.

I'm never going to order an adult meal at Culver's ever again.

The value you get for the kids' meal is crazy.

That's right.

With food prices on the rise, more adults are eating kids' foods.

So if you see me eating lunchables in my car, just know that's not sad anymore.

And it's not just the kids' menu.

These are all kinds of discounts you can take advantage of pretending you're a child.

Movies, aquariums, even flights if you can convince a mom to sit on her lap.

Don't forget about education.

Why spend 200 grand on college when you can just do what I did and pay 10 grand for preschool?

Cha-ching, all right?

That's the sound of me saving cash and learning all my colors, especially green.

Shout out to Miss Danielle for taking us to touch a truck day.

Sorry I spent the whole time crying.

Anyways,

to save in this economy, adults need to keep eating foods for younger and younger kids.

Well, Costa smells like cashiatoonity.

Introducing baby food for adults.

Get yourself some Kid Costa's yum yum pouches.

These packets of puree are 100% organic looking.

And if you, like me, struggle eating solids because a Mongolian enforcer knocked your teeth out, well these yum yum pouches are easy on the gums gums and on the wallet.

Oh God.

That is a taste.

Okay, you know what?

Well you know what that sound means.

It's time to take questions from the money mailbox.

Here we go.

Belortuya at Mongolian.gov writes, where's my money?

Oh,

let's go to a different question.

Doug writes, hey Costa, I'm sick of my job, but I'm scared to quit.

What should I do?

Great question, Dougie Style.

And it turns out you are not alone.

I said hit me.

As the labor market grinds to a slower pace, job hopping has been given way to job hugging.

That's the term some career experts have coined for employees hanging on to a position for longer than planned.

Rising unemployment, small wage growth, and overall economic uncertainty are main factors causing people to cling to their jobs.

Have you hugged your job lately?

Yes, job hugging.

Not to be confused confused with hugging on the job, which HR tells you is absolutely not allowed.

Even though it's not a sexual thing at all.

You know, sometimes as a human, you just long to be held,

to be comforted, to feel the warm embrace of another soul.

And

you're not alone in this world.

I mean, why do we have these rules that say just because you're in an office, you shouldn't experience one iota of platonic affection?

I mean,

is it so wrong for one of God's creatures to share a hug with

an intern?

And for that,

and for that, you're told to go to Meredith's office to watch the training video again?

It's my fourth viewing.

When are you going to realize I'm not going to get it?

I'm a hugger.

Anyways, this is about job hugging, totally different concepts.

So if you want to keep your job, you got to be prepared to stay at your desk.

No leaving ever.

That's why I'm going long on medical toilet chairs.

All right, now look.

Your office mates might ask, is that human shit I smell?

No.

It's the stench of job security.

Now get out of my office, Meredith.

Moving on.

If you want to master the market, you got to know where to look for economic indicators because sometimes they could be staring at you right in the face, specifically the mouth part.

Hit me.

The tooth fairy is tightening his budget, not leaving as much under the pillow as he used to.

Delta Dental's annual original tooth fairy poll finds kids are getting on average just a little over five bucks per tooth.

The average payoff for a tooth loss has fallen 14% and that is one of the steepest declines since Delta started tracking tooth fairy leavings 27 years ago.

Damn, you know, losing teeth is how kids stash cash.

So let me talk to all the children over here at the Costa Kids Camp.

Come here.

Hey, hey, hey there, little slugger.

I know you're pretty sad that your molars aren't bringing in the moolah like they used to.

So, Uncle Mike is going to tell you what to do, all right?

You got to go all in on

dog teeth, all right?

Now listen.

This is a volume play, kids.

If the individual price of a tooth goes down, you need to be putting teeth under your pillow three, four, five times a week to make up the difference if you want 9k you got to round up some k9s okay

and you know what

and i know what you're saying but uncle m where am i going to get a hand where am i going to get my hands on a jowl full of fido fangs unfortunately that's something for legal purposes you'll have to figure out on your own

My lawyers informed me that telling children to rifle through a vet clinic's bio-waste dumpster is something I can't do again.

Moving on, this next story hits home because it's about Costco.

And I've been a Costco member from 2004 to 2008.

Then again from 2012 to 2014.

Then 2019 until 2023.

It's been a tough road.

Anyways, hit me!

Well, this next story gives a whole new meaning to popping bottles.

Costco is sounding the alarm about spontaneously shattering bottles of Prosecco.

They were sold in 12 states across the Midwest and South between April and August.

They're being recalled, but Costco does not want them back.

Costco's warned unopened bottles are at risk of shattering, even when left on a shelf.

Ouch.

Looks like grandma's mimosa just became a bloody Mary.

Ouch!

But let's be real.

If you're buying Kirkland Prosecco in bulk from an Ohio Costco, you're lapping that shit up even if it's spilled on your driveway.

That's why I'm going all in on tongue bandages, because...

What are you gonna let ingesting a little broken glass stop you from saving $4?

Hell no.

Oh, you know what that sound means?

Ha ha ha.

Time to put the old crow hat on and call her a day.

Sure, I may live every waking moment in fear of a murderous bird, but hey, that's just the cost of doing business.

You know, hey, it's Ashley, right?

Oh, come here, give me a hug.

You go to Hofstra?

Come on, come here.

Come on.

Thank you, Michael.

When we come back, Benny Staff, you'll be joining me on the show, so don't go away.

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Welcome back to The Daily Show.

My guest tonight is a critically acclaimed writer and director whose new film is called The Smashing Machine.

Please welcome the one and only Betty Safde.

New York zone.

Shaming ovation, Ben Safdi.

That is awesome.

Thank you.

Wow.

Yeah, that's how I feel every day.

No, that was amazing.

You saw that clip.

Yes.

And it was, people were so in it,

they felt the pain of the punch.

Yes.

And the crowd went, ow.

Yes.

And for a second, we all forgot we were watching a movie.

That's amazing.

Well, that's what I wanted it to, I wanted you to be there.

That was the goal, you know, with this movie, is put you in the best seat in the house, which is ringside.

Sure.

You know, but it's interesting, if you look at it, you weren't in the ring in that.

No.

Because I very specifically wanted to be outside looking in because if I was actually there filming it, you would see a camera person if you went into the ring.

So I,

which makes sense.

Right.

Which is also how every other fight movie would do it.

Would do it.

Exactly.

And so I was like, can I make it so that you're in there without being inside?

And then I use the ropes, I use everything to kind of hide some tricks so that when that punch happens, you feel it.

Right.

And they definitely feel it.

I know.

I was excited to hear that reaction.

Yeah.

And you also show a lot of long lens.

You shoot,

like, can you,

what was your kind of process for mapping out how to shoot this story?

So essentially, I would approach each scene and be like, okay, what if we were here?

How would we film this?

And with Maseo Bishop, the cinematographer, we would game plan and figure out how the best shots we could get, different angles and all that.

And basically, with the long lens, you know, I felt like you can kind of pull an audience in with that, which kind of seems counterproductive, but something about being attached to the character, if you can get close to them, then you kind of want to lean in and get around the ropes and see around things.

Well,

I mean, to my naive, it seems a little counterintuitive because you figure if you want to get close to the character, you just

get close.

But then you're shooting it as though we, you're a camera person covering the actual event.

Yes, so it situates you in a perfect POV.

Like, okay, this is, I know somebody's there.

Sure.

And they're filming it.

So now you're in their head looking at it.

And that kind of process puts you in a special place.

place when you watch it.

Well, this is why this you are you because I wouldn't have thought of doing that and it freaking worked because I watched the whole film and it's great.

That's amazing.

And the other thing about this film, obviously you got to talk about The Rock.

Oh my God.

And he comes in and

he embodies this character so much because for me, The Rock is such a familiar figure in pop culture.

Especially when you get him in wrestling underwear.

Of course.

No, it's true.

The way he moves as The Rock, we all in our head, we all know, we've seen it so many times.

And in fact, just by his gait, you can recognize him.

In this movie, he changed his gait.

He changed how he walked.

Something that was really difficult was, if you look at pictures of Mark Kerr back in the day, he was a big guy.

Dwayne's a big guy.

But Mark was a little bit bigger.

And so I had to say that.

Is that even possible?

I know.

And so I'm thinking, I'm like, how do I bring this up?

you know, to Dwayne.

Just say you're not big enough.

And so I just said, you know what?

Exactly.

I said, you you know what?

I said, so I said, Dwayne, I said, as we get closer, maybe you could get a little, how do I say it?

And I was like, puffier.

You know, like, bigger.

Sure.

And he's like, oh, okay.

He goes,

give me 24 hours to like process that.

And then he's like, I know exactly what you mean.

And then he put on like 30, 40 pounds of muscle to like, and it, because it's not normal muscle.

His shoulders are huge.

His legs are big, but his waist is tight because he's like a wrestler.

Yeah.

You know, but like a freestyle wrestler, not like

the performative wrestling, which is what he would do.

Oh, but he actually changed the way he bulked up for it.

Exactly.

So he had to literally like, you're picking people up and throwing them down.

Interesting thing, I said to the real marker, I wanted him to take me down so that he knew what it felt like.

And he's like, I'm not going to do that.

Because you would snap in half.

Yes, I would get destroyed.

But the stunt coordinator, Greg Rementor, was like, I'll do it.

And so

literally,

and now that guy's dead.

Yes, exactly.

But he did it.

And it's a really remarkable thing.

You're standing there, and then a half a second later, you're like, okay, here I go, and you're just down.

Sure.

There's nothing you could do.

Right.

Because the fights were physical.

And that was another thing.

It's like, I wanted to know what that felt like.

Because I'm going to be asking these guys to get in there and do that.

You know, there's a level of physicality.

Sometimes they're not getting punched in the face.

But I did get punched at the very, towards the end of the movie.

He really got punched because I was like, I don't want to cut away.

And that's another hard conversation to have.

That I need you to get punched in the face for this thing.

Yes.

But I mean, he committed so hard.

I'm sure that wasn't a...

He knew he had to.

That's what he actually brought up to me.

The hard part was reminding him that he said that early on.

Right.

And did you have, were you working with him in the characterization for him to embody it?

For sure.

Or was he off on his own and then he come back and says?

As I was writing it, I was talking to Dwayne the whole time.

And I was also talking to Mark, too.

Right.

Because I felt, if I'm going to tell this story, I got to get to know Mark.

And Dwayne and I at that point had gotten very close.

And it really was just like there was this shared experience, you know, which is strange because we have very different, you know, upbringings, but there was something that I really felt connected to with both him and Mark.

And I could sense that we all felt the same thing.

And so I was like, okay, there's something to explore here.

You know, there's a shared human experience that I could get into.

You want me asking, what was that thing?

It's okay.

What do you have in common with the rock?

Okay.

So, yes.

It's the fact, and it's actually a little sad.

So I know what it feels like to have a kind of deep pain inside of you and have to go out in front of everybody and act like it's not there.

But it's always there.

And it's something that you know is there.

But for the benefit of other people, you're like, and it's also, you're not going to let yourself be defined by that.

And that's something that I think Mark Kerr felt, and I felt Dwayne had a relationship to to that as well.

And it was something that like, okay, this is something that I want to explore.

I want to feel what he feels like.

And so that's why with the movie, I felt

let me give you what the life was like.

And I'm going to give it to you in all of its realness.

And then hopefully you can take the clues from the stuff that happens in his life, Mark's life.

and then come to a realization at the end of the movie about life.

You know, that like maybe things can be really bad, but you'll be okay.

You know, like life, we're alive and isn't that great?

Sure.

You know?

And I mean, that's what's interesting about this film, what you just said, is that to me, I mean, on the surface, it looks even the title, The Smashing Machine, you figure it's going to be a fight movie.

Yeah.

And it's more like a character movie with...

that happens to be about this guy who fights.

Yeah, because like I had,

I had done a lot of boxing.

I was going to play a boxer in something.

And so I said, well, I got to learn how to do that.

And so I got into a boxing gym, did sparring, got my ass kicked, and I loved it.

So I was, thank you very much.

And somebody's like, you want to do it again?

I'm like, yes.

And there's really no explanation to that.

I don't know what it is.

Something about it makes you feel alive.

The bad part is forgetting words.

But that's...

That's...

Yeah, brain damage is the downside.

Yeah, brain damage is the downside.

But the, I don't even know where I went.

So, let's see, I there,

whatever that was.

But basically what I realized is I got close to some of these fighters and I would go and see them fight.

And what made it so exciting to me was win or lose, I was connected to the person inside the ring.

So that's what the movie I try to do is I try to put you in a place of deep connection with Mark so that when he gets in the ring, you feel the butterflies or you feel the weight of everything he has outside of it.

So you understand this is what it's like to be a fighter.

I wanted it to be very truthful in that one.

Sure.

I mean, it is truthful and it is super engaging.

I mean, I would say almost in a surprising way.

But what's also cool is that you actually,

aesthetically, the movie looks cool.

And as someone who, I mean, just not to cast aspersions here, but like, I think the MMA world is sometimes kind of tacky looking.

Yeah.

You know, like, it gets a little,

these guys aren't known for their aesthetics a lot.

Well, that's, but

the thing is, is Mark was very aware of how he wanted to present himself.

Sure.

You know, he got a really expensive suit for his press conference.

He wears this sick Nautica yellow sweat.

Yes, yes, yes.

No, he was street web.

I'm saying how you shot this.

Oh, yes, okay.

Versus how, like, let's say a certain

MMA company.

I know exactly what you mean.

If they want to make this movie, it would be very different.

It would be very different, and some would say shitty.

Okay.

And to that point,

so I chose 16 millimeter to

shoot this on because aesthetically it has a feeling.

everybody remembers what 2000 feels like it's a very close time period but it's actually a long time ago so what i wanted to do is i wanted to evoke what that feels like and how do you do that and i i it's with sound it's with music the songs that are playing on the radio but it's the way it looks yes there's something about the way it looks that i just thought felt right and i wanted it to look really nice i wanted it to be lit well i wanted i we looked at all these photographs like gary winner grand photographs like it was a very aesthetic thing So I'm happy you saw that.

And a lot of old documentaries that were made on 16mm, I think just deep down what that does is you watch something that isn't shot on DV or digital and you think, how did they do that?

Because they're walking around with a film camera that you know only has a certain amount of time in it, and yet they're there and they're editing it and you think there's something else happening here.

So we took that and we shot it on 16 millimeter, did a bunch of stuff to it to make it look the way it does, to get rid of some grain that we wanted to get rid of because I want to see.

That's You just put a little bit of stuff.

Yeah, exactly.

Just throw that through and then just like print it out.

And then we so and then, but I wanted the beginning of the movie starts out like a big YouTube video.

Yes.

So we shot it on the cameras that they shot those files.

So then we go from there, so you're watching it on YouTube and then it hard cuts to 16 millimeter where it's clear but evocative of this kind of dreamscape.

And then we also use 65 millimeter for a section of the movie as well.

So you go through this journey of resolution, which sounds really exciting.

Yeah, it is.

It looks great.

And the way you talk about film is so exciting.

And I don't know if you have any kind of like, like, um, perspective on this idea that

kind of American cinema is kind of in a downslope in terms of quality and storytelling and whatever.

Like, do you agree with that?

Is that just, oh, so you do agree?

I don't know.

I don't know.

Because sometimes we have like nostalgia bias.

Oh, yes, that's true.

We tend to think that it was always better back then.

For sure.

And I got to ask a few people from that school of filmmaking, was it better back then?

And they said they didn't really feel that way.

I think it's harder because now it's like there's so much out there and there's so much stuff to watch that it gets overwhelming.

And so what do you do to break through in that?

And then you bring in AI and all this stuff and it gets even more complicated.

So to me, it's just about humanity.

You have to focus on emotions and human beings because we're here.

You know, like this is like what's important.

This is actually AI, right?

This is it.

Okay, I didn't know.

You can always tell.

But I just think that that's the thing is like focusing on stories that you can kind of get into.

And for this, I really wanted it to be like, really get into the emotional vibe of the whole thing and feel these fights and really just kind of like take it to another level.

And that's what movies do, but I wanted to just really make it feel like it was really happening, even though everything is telling you it's not.

Right.

Well, hey, I mean, you definitely succeeded in doing that.

Yeah, you make it sound so easy, but you know, it's about telling stories, but everyone tries to do that, and very few people can accomplish it.

And you did with this film.

Thanks for making it.

Thanks for putting out into it.

And thanks for coming on the show.

The Smashing Machine will be in theaters nationwide, October 3rd.

It's many sabs, everybody.

We're going to throw it to a great, we'll be right back after this.

I could come

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Hey, that's our show for tonight.

Now here it is, your moment of Zen.

My favorite animal everybody thinks is a chimpanzee, but it's not true.

Chimpanzees are so like people that, you know, some chimpanzees are really not nice at all, just like some people are really not nice.

My favorite animal altogether is a dog.

because dogs have taught me so much and dogs are so faithful and dogs give unconditional love and I don't like to think of a world without dogs.

Explore more shows from the Daily Show podcast universe by searching The Daily Show, wherever you get your podcasts.

Watch the Daily Show weeknights at 11, 10 Central on Comedy Central, and stream full episodes anytime on Fairmount Plus.

This has been a Comedy Central podcast.

On October 17th, I'm an angel.

See the wings?

Don't miss the new comedy, Good Fortune, starring Seth Rogan, Aziz Aziz Ansari, and Kiana Reeves.

Critics Rave.

He's having sent.

Didn't you have a budget, Guardian Angel?

Kinda.

You were very unhelpful.

Good Fortune, directed by Aziz Ansari.

Red at R.

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