Rudy's Stand Up Debut

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Speaker 1 You two are bad friends.

Speaker 2 Who are these two idiots?

Speaker 2 White dude and an Asian dude.

Speaker 2 You two are disgusting.

Speaker 2 We're bad friends. So, John Rambo is an alien.
So unnecessary to run over the cop car.

Speaker 2 I just want to explain to her what's going on. You could have just kept going down the street.
And this doesn't make sense either. The stuck and die with this motorcycle.
Stay on the sidewalk.

Speaker 2 What are you doing? Yeah. This is so poorly choreographed.
Well, just tell her the premise all. So he's an alien.
He just landed. And the local town, right, they saw the spaceship land in the creek.

Speaker 2 Freak! They freaked him out. They say freak.
Freak. Yeah.
Get him. And they got him.
Because he was a lizard at first. And he came back as a human.

Speaker 2 Right?

Speaker 2 What? I don't believe you.

Speaker 2 Anyway, so he lands. It's a lizard race.

Speaker 2 He goes on. I'm John Rambo, you know.
Well, I'm Johnny.

Speaker 2 He goes, I'm Janadin Rambo.

Speaker 2 That's right, that's right. I'm Janadin Rambo.

Speaker 2 And then,

Speaker 2 and then the cuts are freeze. Get down.
Get down. Right.
And then you go,

Speaker 2 and he turns into Sylvastus Stallone. Yeah, the sexy movie.

Speaker 2 That's a lizard alien, but clone, like, as a disguise, he's Sylvastus Stallone from Rocky. So everyone thinks now, some of the townspeople think it's Rocky Balboa.
Yeah, they're looking for a fight.

Speaker 2 Yeah, yeah, yeah. So they're like, what's up? Hey, what are you fighting now? Where's Apollo? Remember one of the lines?

Speaker 2 Where's Apollo? Yeah, yeah. And he's like, he's black.
That's what he said. He's black.
Did you say that? He does it. Yeah, yeah.
He does that. It's cool, man.
It's a great film. It's a great film.

Speaker 2 But then the other lizards

Speaker 2 fly back down.

Speaker 2 And then one turns into Arnold Schwarzenegger. And one of them is

Speaker 2 Steven Seagal. And the other one.

Speaker 2 Jean-Claude Van Dam. And it's basically, you know what this is? A prequel prequel to um

Speaker 2 the the this is

Speaker 2 this expendables expendables yeah this is expendables one this is like the prequel expendables one really

Speaker 3 i don't know what's expendable

Speaker 2 a farmer's kid

Speaker 2 i don't know what is i don't know anything do you know who john rambo is i mean do you know who rocky balboa is no you don't know who rocky balboa is tell who tell her what who rocky balboa is rocky balboa was a famous blind fighter, a one-armed famous blind fighter from Johannesburg, South Africa.

Speaker 2 He was very famous. Joburg, South Africa.
And he was half black and half white. But it's a movie that Sebastian Sloane did.
Yeah, he played it. Right.
This is before this movie, right?

Speaker 2 It's what made him famous. And this is before CGI, by the way.

Speaker 2 So he had to, yeah. He had to have one arm like tucked and taped to his back the whole film.
No, no, what they did was they had a harness. Oh, it was a harness.

Speaker 2 Yeah. So his arm was tied to his body like this.

Speaker 2 And then they had a prosthetic like this. And there was this one.
If you see the behind the scenes with the bloopers,

Speaker 2 he was running and then the thing fell off right off the actors in the eye. Yeah.
Yeah. Yeah.
And so here's him. Here's this guy from Johannesburg, South Africa.

Speaker 2 And he's half black and half white. Yeah.
Now, when you say half black and half white, what do you think in your mind? What do they look like?

Speaker 3 They have light skin.

Speaker 2 Right. Right.
But this, he's physically half,

Speaker 2 like half black. Half of his left side of his body is black and half is white.

Speaker 2 So the side with no arms.

Speaker 2 And here's the opening song of the fucking movie, right?

Speaker 2 One half is going

Speaker 2 Ebony

Speaker 2 and

Speaker 2 Ivory.

Speaker 2 It's a famous song from the film.

Speaker 2 You never heard Ebony and Ivory?

Speaker 2 They're in harmony. It's famous.
It's from the movie.

Speaker 2 She wrote it for the movie. For the film.

Speaker 2 And so anyway, Rocky Balboa, this one-armed, half-black, half-white guy, he decides to take on Apollo. Do you know who Apollo is?

Speaker 2 He's like a lord.

Speaker 2 We have our galaxy, right? But we have a universe. He's the lord of the universe.
He's the god of the universe. Yeah, like Apollo, you know what I mean? Like a god.

Speaker 2 And part of this whole thing is Rocky is homophobic and Apollo is outwardly gay.

Speaker 2 He's openly gay. Full-blown gay.
And so they get into a full

Speaker 2 fighting match about whether or not, you know, to be able to.

Speaker 2 Apollo brought AIDS. He brought AIDS to the Earth.
To the Earth. That's what in the movie.
So Rocky's trying to beat AIDS, the whole film. That was what the whole film is.
He's fighting.

Speaker 2 Fighting AIDS, fighting intergalactic, you know, intergalactic AIDS, basically. Intergalactic AIDS.
And what.

Speaker 2 And what happens in the movie is Rocky, you know, I told you he is from Philadelphia. He's born in Johannesburg, and then he starts fighting in Philadelphia because that's, you know, that's obvious.

Speaker 2 That's where all the homophobes are. And he fights, and he beats, he beats Apollo.
He beats the guy who brought AIDS down, and that's kind of the beginning of Sylvester's career. Yeah, and also just

Speaker 2 another movie as a sequel, but it wasn't like

Speaker 2 eventually,

Speaker 2 you know, Rocky gets the HIV.

Speaker 2 He gots it, he gets HIV. He gives it to Tom Hanks in the movie Philadelphia.
That's right. That's why he dies.
In this part two. Right.
So, you know, Tom Hanks, right, he dies from HIV.

Speaker 2 Yeah, of course. But he got it from Rocky Blah, Balboa.
And here's a little behind the scenes. But it's like intergalactic AIDS.
But they don't really mention it in Philadelphia. It's Space AIDS.

Speaker 2 Space AIDS, yeah. And he ended up giving it to Charlie Sheen, but in real life.

Speaker 3 Can I see a Rocky Balboa?

Speaker 2 The picture of him? Yeah. I'm sure you can find it.
Yeah, find a Rocky Balboa picture. Find the Rocky Balboa picture.
There he is. There he is.
There he is. There he is.

Speaker 2 Look, you can see the right side is white, and the left side is obviously more dark. See that arm right there? Yeah.

Speaker 2 That arm gets ripped off. No, this is right here, the prosthetic thing.
Right, it's all fake. It's all fake.

Speaker 2 So on the left side, you can tell that he's black on the left, and you can tell he's white on the right. See how the shading?

Speaker 2 So the right side is dark, the left side is white, and that's actually the beginning of the movie where he sings Ebony and Ivory. That's it.
Yeah, so it goes, Ebony

Speaker 2 and Ivory.

Speaker 2 That's it. Yeah, that's it.
That's it.

Speaker 2 So you should watch those movies. That's why

Speaker 2 you should watch some of these older movies. Who killed at the Brea improv by the way

Speaker 2 oh my god rudy you destroyed so she did she oh honestly yeah she did did she not kill she killed yeah the crowd went ape shit

Speaker 2 people don't for people that don't know me and bob did a little tuesday night it's bobby lee and friends we did a tuesday night at the um

Speaker 2 at brea and bob brought me down and we you know last week's show we did the script for rudy and man let me just put the control can we see it no no no no don't don't put it don't don't do it yet okay let's just put everything into context, though.

Speaker 2 Okay. Okay.
Sold out. That's not what I was going to say, but it is.
Sold out. It was.
All Mexican and whites. Again, no blacks at this show.
Three. Three, we counted.
And there's a lot of Asians.

Speaker 2 There's a good amount of Asians out there. Yeah, but no black people, which I love.
So for you, because you don't get any black fans.

Speaker 2 You know,

Speaker 2 you don't.

Speaker 2 They don't like you.

Speaker 2 Do you want to make me angry or? No, no, no, of course not. Yeah.

Speaker 2 Because I'm just... No, I have to address that.
Okay. No, don't roll your eyes.
I did. When you roll your eyes, it's so gross.
Yeah.

Speaker 2 So

Speaker 2 when I play Michigan or Cleveland or

Speaker 2 they come out. Black people? Yeah.

Speaker 2 Okay.

Speaker 2 Take a picture. I will.
Take a picture with all your black fans. Yeah.
And upload it. And then, you know, I would let's make a contest to see how many more black fans I have than you.
Fine. Okay.

Speaker 2 Fine. So let's put this in the context.

Speaker 2 I'm just going to be positive today. And I looked in the mirror today when I woke up, and I was just like, I'm good enough? No, I wasn't good enough.
I'm just like, don't get angry today.

Speaker 2 Don't get angry. Don't get angry.
And every time I said it, I got more angry. But my point is, let's put this in the context.
Give the context.

Speaker 2 So the night before, she couldn't sleep.

Speaker 2 And for 24 hours, probably even 48 hours, she was just like doing every kind of angle in terms of like... convincing me not to go up.

Speaker 2 And I was just basically saying, all you have to do is introduce us.

Speaker 2 And I'm getting her ready for, and if you think that we're bullying her to do it, no, because we have a gig in Cancun November, yeah, and it's in front of a live audience.

Speaker 2 She's got to be there, and I want her to be used to an audience, yeah, right?

Speaker 2 So it's like it was like, and we're not humiliating her, and also I was going to put her up on stage just on her own, but I didn't do that.

Speaker 2 I was on stage with her, yeah, you were up there with her, it was nice to make it safe, right? So, um, play it, killed it. Let's see it.

Speaker 2 Um,

Speaker 2 why don't you guys give her the love, right, that she deserves? Round of applause for Rudy, everybody.

Speaker 2 They're chanting, Rudy, Rudy.

Speaker 2 Pause it, pause it.

Speaker 2 The quality of this is just,

Speaker 2 I mean, it's like. What did we shoot this through? Spielberg directed it.
He did. So good.
Wow. All right.
Let's see what Steven was able to come up with.

Speaker 2 So, we wrote an intro for Andrew. So,

Speaker 2 I'm going to sit over here on the stool just to see if everything's going to be okay. All right.
I will go.

Speaker 2 Talk of the mic.

Speaker 2 Pause it.

Speaker 2 What are you thinking right here, Rudy? What's going on in your head right now? The crowd, there's 500 people going, Rudy!

Speaker 2 What are you thinking? I was farting a lot before, so I thought I was going to poo.

Speaker 2 Okay.

Speaker 2 Can I just.

Speaker 2 I thought I was going to poo. What's up with you, man?

Speaker 2 You're great. You're great.

Speaker 2 But here's what she did that was clever. What? Say, you get what?

Speaker 3 You get nervous? When I get scared, my stomach starts to.

Speaker 2 You know, Bobby and I can both tell you as comics. Sometimes before shows, I used to poop.
I used to poop before shows. Oh, yeah.
Because I get the butterflies. I get butterflies.
Yeah.

Speaker 2 I got butterflies that night. Did you? Oh, yeah.

Speaker 2 So what? You had to poop, but you didn't. No.
But she did a thing.

Speaker 2 She was so funny, and she didn't mean to do it. What? But

Speaker 2 she did a thing when she walked onto the stage as if she had been living in a cave for 50 years. So she was just, you know what I mean? She walked up like, what is this place?

Speaker 2 Like, the lights just came out. They came out.
It was a really funny, like, it almost made the audience feel like, oh, yeah, she she doesn't give a fuck. This is great.
Yes, well, yeah.

Speaker 2 Did you give a fuck? You didn't look nervous. You look like, I don't give a fuck.
She looked like she didn't care. All right, let's see.

Speaker 2 Hello.

Speaker 2 Push, watch, push, watch. Crush.
Crush. Hello? When you can say hello

Speaker 2 and get a laugh, I mean, there's something special going on. She went up.
Hello?

Speaker 2 Yeah. She acted, well, it was like that same thing where it's like when people get captured and they get blacked out and then they wake up in a forest tied to a tree.
That's the hello that you do.

Speaker 2 Hello? Hello?

Speaker 2 Who did this? Yeah. Amazing.
All right, good. Let's see next.

Speaker 2 Okay, um, did the loggie and Fred force me to do this? Pause.

Speaker 2 Let's not use force ever again. Yeah.
Okay, we didn't force you to do this. To do anything.
We're not forced you to be here. No, you enjoy it.

Speaker 2 Partially. Yeah.

Speaker 2 And you wanted to do it. So okay, let's see the rest.

Speaker 4 But they wrote the script, so I'm just going to read it.

Speaker 2 Already getting a round of applause.

Speaker 2 A round of applause for Chad.

Speaker 2 The best.

Speaker 2 She doesn't know the name. She doesn't know the name.
You know the name.

Speaker 2 You know the name, but you made it seem like you're so indifferent that you didn't. And that's clever.
Yeah, that was funny. Chad, who the fuck? Yeah, you knew a chat.
What was the other guy's name?

Speaker 2 Chad and who?

Speaker 2 There was TJ. There, so you know, yeah, yeah, yeah.
And then the other guy, who's the other guy? JT. His name was JT.
That's let her have it. Okay.

Speaker 2 It's fine. It's a sign.
It was the other guy's name. The taller white guy.

Speaker 3 I forgot.

Speaker 2 Strider. Strider.
Remember? Tall white guy. He kind of looks like.
Yeah, name everyone in the room in there. So who performed?

Speaker 3 Eleanor.

Speaker 2 Eleanor. What? Eleanor.
Eleanor. Eleanor Kirill.
Eleanor. Eleanor.
Eleanor. Yeah, who else? Annie.
Yeah. Annie, yeah.

Speaker 3 You and Tito Manager were.

Speaker 2 Correct. Yeah, that's correct.

Speaker 3 Chad. Yeah.

Speaker 2 JT. Yeah.
Mm-hmm.

Speaker 3 And then I forgot again.

Speaker 2 You literally just said it. You just said it again.

Speaker 2 Spreader. Spreader.
Spreader was up there. Spreader was up there.
Spreader killed.

Speaker 2 Are you guys having a good time?

Speaker 2 This guy knows what I'm talking about.

Speaker 2 Okay, push pause.

Speaker 2 Push pause. That joke.
You murdered. This guy knows what I'm talking about.

Speaker 2 They get that when she had a right, she read it off the thing. I know.
That's why. I think that if we do this, just hear me out.

Speaker 2 Even if we wrote her a set,

Speaker 2 it would crush.

Speaker 2 You read it off the paper. Just like you did.
Just like you did. Look at her panicking already, right? Just do it.
Yeah, just do it. So, anyway, though,

Speaker 2 let's play the whole thing now. Okay.

Speaker 2 What do you do for a living?

Speaker 2 Nice.

Speaker 2 Okay. You guys ready for more shows?

Speaker 2 I can't hear you.

Speaker 2 Why don't you guys stand up and make some noise? Let's do away.

Speaker 2 I'm giggling.

Speaker 2 I went crazy.

Speaker 2 Jesus Christ.

Speaker 2 Okay, um,

Speaker 2 I have to divide the room. The right side has to say bad, and the left side has to say bad.

Speaker 2 Okay,

Speaker 2 um,

Speaker 4 it gives me the utmost pleasure to bring the next comic to the stage.

Speaker 2 He is arguably the better and the nicer Tito.

Speaker 2 Go ahead, Drew.

Speaker 2 All right.

Speaker 2 I mean. Okay, there was a rewrite? She did the rewrite.
She did her own rewrite.

Speaker 2 I have a feeling that you were in the room. Did I do the rewrite for you or do you do it? I did it.
See, I told you. Okay.
I didn't have any

Speaker 2 of that.

Speaker 2 So, um

Speaker 2 how'd you now right right when you're getting off the stage and be honest with me yeah give us our feeling your feeling your real feeling

Speaker 2 um

Speaker 3 i was relieved and i had a headache and i just wanted to go home

Speaker 2 really appreciates it really was sitting in the moment but he i was relieved i had a headache i wanted to go home but what drives me crazy and bothers me about that statement huh I swear to God, that's not entirely true.

Speaker 2 Yeah. Why? Was she lying? No, because she can't get her to admit herself to admit the actual feeling that she got from it.
Yes, it's relief. When she says relief, there's other feelings in there.

Speaker 2 Right. Right.
That's in that little box that you have to kind of separate. Yes, there is relief that you did it, but there's another thing, right?

Speaker 2 Because it went over way better than you thought it was going to. Is that true?

Speaker 3 I was kind of happy that I did it No, but you did it go better than you thought it was gonna go Yeah, I thought no one

Speaker 2 right so that so when so when you're getting laughs and those reactions, right, that must have been a Surprise to you Yeah in the moment and I know because Andrew and I have been doing this for many many years, right?

Speaker 2 We know what that feeling is. It's like telling a heroin addict and you feel like a kid that's never done heroin.
Do you feel it? No, it's like we know you feel it because we do it.

Speaker 2 Yeah, you do feel it. Yeah, you didn't feel something special inside of you?

Speaker 3 A little.

Speaker 2 Why didn't you say that then?

Speaker 3 Does it matter?

Speaker 2 It does matter. It does matter.
Yeah, that's so funny, though. She's right.
Because it's fleeting because you didn't buy into the feeling because you know it was only temporary.

Speaker 2 She's way ahead of her years. But that's not it.

Speaker 2 I disagree. I absolutely disagree.
Yeah. What is it? Because I know, and this is,

Speaker 2 I have to believe that this is a universal human feeling.

Speaker 2 It's just that I know that when I do something great, like either I do a good scene in a show or I have a great set or something, that that feeling is residual. It's like a residual feeling.

Speaker 2 It lasts for days. You might not know it, right? But you'll lay in bed.
And you'll glimpse back, right? And you'll think about certain moments. And that gives you endorphins.
That

Speaker 2 makes you feel good. Yeah, no, it does.
So you can't tell me that you haven't had those moments.

Speaker 2 I had. Yeah, so can we go back to how you were feeling then?

Speaker 2 No.

Speaker 2 Okay.

Speaker 2 Oh, is this post-show? What is this?

Speaker 2 Oh, there was a little post-show.

Speaker 2 Look at that moment.

Speaker 2 You saved it. Killed it.

Speaker 2 There you go.

Speaker 2 Look at how happy you are.

Speaker 2 I'm crying.

Speaker 2 How do you feel now? Do we feel like a relief or is it?

Speaker 4 Are you pressing charges?

Speaker 2 Pause it.

Speaker 2 There's so much happiness in your face right there. Yeah.

Speaker 2 The amount of joy is incredible. Kalila was crying.

Speaker 2 What are you doing?

Speaker 2 What is that? Because I remember.

Speaker 2 Let it out. No.
Now when you look at me, it kind of stops. All right, go ahead.
But

Speaker 2 there was a moment where,

Speaker 2 so

Speaker 2 I get off stage, right? And I see Kalila running, right?

Speaker 2 Running toward the green room because she was in the audience, right?

Speaker 2 And I remember looking at her, and I don't know what came over me, but I did a move. I went like this.

Speaker 2 What is that? Like a success? Yeah.

Speaker 2 Like that. Yes, like you felt it.
And she kind of did a hop. She hopped.
Yeah.

Speaker 2 At the same time, I go, yeah, and she does a hop, right? And I go, yeah. I'm just yelling, yeah.
Right?

Speaker 2 I was so like.

Speaker 2 Are you getting teary-eyed? I was, yeah. But not anymore.
When you look at me, it just, you have a way about you. It just sucks it away.
I get angry when I look at you. So, um, okay.
I love you.

Speaker 2 Okay, but why? I was trying to share the moment with you. That.
Well, because

Speaker 2 you started that. What are you doing right now? I was him being nice.
I was being nice.

Speaker 2 I understand that. Don't look at me when I get emotional.
Okay, fine. It takes me out of it.
Well, that's a you thing. That's a you thing.
Fine, go. Be emotional.
I'm not. I'm done with that.

Speaker 2 No, I'm done with that. I'm done with that.
But be emotional. I'm done with being emotional.

Speaker 2 But my point is that there was a sense of relief for myself, too, because it could have gone the other way and it could have been traumatic for her. Right.
Stop doing that. I'm done.

Speaker 2 Well, I don't want to look at you now. I have no feelings.
So look at me again.

Speaker 2 God.

Speaker 2 This is kind of nice. Doing the show like this is great.
Yeah.

Speaker 2 Hey, but there was a, there was a, did you feel proud? Honestly, I really did.

Speaker 2 I thought it was one of those things where I knew you were going to do great just because I think, you know, sometimes things line up. Right.

Speaker 2 But the next time she does it, it's going to be a disaster. Yeah.

Speaker 2 That's what you have to do it a second time. Yeah, you're going to bomb.
Yeah, you're going to eat shit. Yeah, you have to experience heaven and hell.
Yeah, otherwise it doesn't exist. Yeah.

Speaker 2 How do you know if one is good if you don't know what's bad? Yeah, you have to know. Let me say something.
If you had had a bomb before that, that would have been 10 times more.

Speaker 2 more oh you know it would have felt oh my god it would have felt so amazing imagine her bombing in cancun

Speaker 2 oh she will that's gonna be funny when would she make her do 15 minutes of stand-up she's gonna bomb no not 15 minutes sadly yeah that's what the contract said it said 15 minutes it literally said bob and i have to do an hour together and you have to do 15 minutes to open the show yeah one minute no this is a negotiation Your contract was with the fucking festival.

Speaker 2 Imagine that, like if she's held hostage. I know.

Speaker 2 And they're like, give us $100,000. And she's like, $1.

Speaker 2 That's her negotiating choice. $1.

Speaker 2 Or,

Speaker 2 you know how sometimes you're a hostage and they film something? Right?

Speaker 2 Film this too. You have to plead for your life, right?

Speaker 2 She goes, help me.

Speaker 2 Do you want to get let out of here? Do you want to have someone come save you? Yeah. Go.
Tell people to come help you.

Speaker 3 Tikalai, help me.

Speaker 2 That's it. She's going to be dead.
They'll kill you right away. They'll go, this kid's worthless.
Yeah. But I have something else I want to talk to you about.
Okay.

Speaker 2 I think I saw a great show last night, and I saw the full first season last night. What?

Speaker 2 You're not going to like it. What is it called? Manifest.

Speaker 2 Manifest? Yeah. What is that about? It's some bullshit ABC or CBS.

Speaker 2 Why is it bullshit? Because it's like lost. Oh, yeah, no, I can't.
Yeah, this is it. Yeah, it's like lost.
So it's basically what the, here's the premise. Can I tell you the premise?

Speaker 2 A lot of white people. Yeah.

Speaker 2 There are some black people. A lot of whites for NBC.
Yeah, it's a lot of white. Zoom in on there.

Speaker 2 Is there any browns?

Speaker 2 There are. I think the wife is a Greek.
That doesn't count, dude. Greek is close to the game.
Oh, there's an Indian. There's an Indian girl.

Speaker 2 The far left right there is an Indian girl. I know, but they just make it look like she's not.
Right. Like this poster from far away.
Are all those people white? Yeah.

Speaker 2 I remember seeing that poster on like Sunset Boulevard going,

Speaker 2 but I watched it, I watched the full season. It's good, huh? So, no, it's not, no, it's bad.
But the premise is this: okay, can I tell you the premise? I'm listening.

Speaker 2 Well, the reason I want to watch it is because I was on Netflix last night, yesterday. I was like, Um, it's trending.
I don't know how that works. This was trending, yeah,

Speaker 2 like top 10. Yeah, so

Speaker 2 I gotta see the first pilot. So, this is the premise.

Speaker 2 This family, so this is what, okay, there's a family in Jamaica.

Speaker 2 They're not Jamaican.

Speaker 2 This family's in Jamaica? Yeah, yeah, they're on vacation in Jamaica. Okay.
Jamaica, man.

Speaker 2 So it's the central two leads is a brother and sister. They're adults.
Right. And they have, the brother has twins.

Speaker 2 And his sister is single, but she's a cop.

Speaker 2 Right. And they're there with their elderly parents.

Speaker 2 And so they're at the airport. And the announcement goes, you know how we're overbooked, right? So anyone who wants to take a later flight, we'll give you a $400 coupon.
Right.

Speaker 2 When that happens at the airport, I've never seen anybody go, me. Never once.
Never once. Never once.
Never once, right? I need to get to where I'm going. Me too.

Speaker 2 You'd have to give me 40 grand. Let's be honest.
Yeah. How much, what is the lowest you'd take? I mean, I don't want to sound like a dick, but the lowest I would take if there was like...

Speaker 2 Well, here's the other problem. If there were kids with cancer.

Speaker 2 You don't need to be there. Where are you going? You're going a day early already anyway.
Yeah. So you could actually get there tomorrow morning or later at the night flight.

Speaker 2 Well, the flight attendant or whoever the person is would have to come up to me and go, listen,

Speaker 2 there's a kid that needs kidney. There's three kids that need kidney surgery.
Three of them? That sounds like so many people that need kidney surgery. I know, but yeah.
All three of them are.

Speaker 2 There's three kids that need kidney surgery. Okay.
And

Speaker 2 the flight is booked. Can you please, we'll give you four grand.
Oh. Four grand.
Yeah. And you know, no voucher.
I I don't even know what voucher means. Cash.
Now. And you do four grand cash.

Speaker 2 Four grand. Yeah.
In cash? Yeah. If I have to wait, the most I'll wait is five hours.
What if it's tomorrow morning? Well, you got to get me a nice hotel room. Tonight.
Tonight. Like four seasons.

Speaker 2 Okay. Four grand in cash.
Okay. All right.
What's so funny?

Speaker 2 Is that too much? No, I mean, it's, you know, what? I'm not a four seasons. How about just a nice hotel? I don't want to be in a holiday inn.
Well, that's where that's all we have, sir.

Speaker 2 All right, I'll do it. Okay, perfect.
So we'll give you $4,000 in cash. Yes, I'll take the holiday inn.
Okay, so we're going to tell the families now.

Speaker 2 Sir, this nice Oriental man has decided to give up his seats for you. Five grand.
You called me Oriental. What? You can't say.

Speaker 2 Come on. Sir.
For $4,000, fine. I'll take the holiday in.
Go ahead.

Speaker 2 So, kids, we're going to get you those kidneys that you need because this nice yellowman over here has decided to give you... I'm sorry.
You work for American Airlines? I do.

Speaker 2 I am one of the top people here. I've been at the desk for 37 years.
Yellow and also Oriental. No, I don't believe I said that, but.
Well, I'm filming, so okay. Yeah.
Okay.

Speaker 2 Okay, guys. So, Wing Wang Wong over here is going to give up his seat for you.

Speaker 2 Right there. Already, I'm making 40, 50 grand because of this.

Speaker 2 Really? Yeah, I got sued this bitch. I was sue American Airlines.
This is crazy.

Speaker 2 Yeah. Yeah, you're not allowed to be me.
Can I just finish the manifest fucking premise? I don't know if people care about manifest. I want to just talk about it.

Speaker 2 Go ahead and talk about it. You couldn't do that.
Go ahead. I'm in the thing now.
I want to know. I do want to know.
All right.

Speaker 2 I'm just going to give you the premise to see if you like it. I know.
What is it? All right. Tell me.
All right. Okay.
So there's an announcement saying that

Speaker 2 anyone take this voucher. So the brother and sister, right?

Speaker 2 I will take it because, you know, the brother, one of his kids has cancer.

Speaker 2 It's like, it'll help. you know, anything will help.
Right. Right.

Speaker 2 So the brother and sister and the kid with cancer stay. The rest of the family leave.
They take a later flight. On the later flight, right? They're flying.
There's turbulence.

Speaker 2 There's a kind of a blackout.

Speaker 2 The plane is shaking. They go down.
Right.

Speaker 2 And they think they're going to die, but all of a sudden,

Speaker 2 you know. They level out.
They level up. The power comes back on.

Speaker 2 And they go, sorry about the, you know, that was crazy.

Speaker 2 And then, so they're approaching GFK or whatever. Let me guess.
What? Yeah, guess. This is what I want.

Speaker 2 They time traveled.

Speaker 2 Yeah.

Speaker 2 Is that right? Yeah. Seriously? Yeah.
But.

Speaker 2 In the past or the future? Well, that's what you have to guess.

Speaker 2 I think everything's going retro now. So the past.
They went back to the past. No.
Oh, they went future. Well, I mean, they have a kid that has cancer.

Speaker 2 They're going to go in the past, what, in the 1700s?

Speaker 2 He's going to fucking die. There's no chemo back then.
It's funny. It is funnier.
Very funny. It's funnier.
To put him back then. It is funnier.
Because they kill yourself.

Speaker 2 They go, he's sick. Kill him.
Yeah. Yeah.
All right, so they go in the future. How long in the future? 100 years.
Five years. Five is a little bit short.
That feels like it's very short.

Speaker 2 I was hoping. Five years.
Five years. Okay, five years.
Because the people. I know they don't want to change the wardrobe.
No, that's not. That's not what it is.

Speaker 2 It's just that the people that flew ahead of them, they still need to be in the show. What are they? Fucking a thousand years old now?

Speaker 2 Yeah, that's funny. Because the kid, the kid with cancer, has a sister who's a twin.
She's now, right? She flew before him. Oh.

Speaker 2 Right, so now now the kid is still eight with cancer, and his sister, who was a twin, is now 12 or what? I don't know, whatever, right? Well,

Speaker 2 five years. 13 or whatever.
Right, right. So it's like.

Speaker 2 No, I danced it in my head too.

Speaker 2 I literally went to the bottom. So that's the premise of the show.
I like that. Yeah.
Five years in the future? Five and a half years. But the kid with cancer is.

Speaker 2 But now technology now

Speaker 2 is advanced. So the procedure that they didn't exist five and a half years ago.
Well, the Indian girl is the actual person that created it. And she's on the flight with it.

Speaker 2 She's on the flight too, right? So she's, right before the turbulence, she's emailing the doctor or whatever she works with and saying that, I found a thing. You know what I mean?

Speaker 2 Oh, she found the cure. Yeah.
Or, yeah. So five years in the future.
Yeah. And this kid's cured of cancer.

Speaker 2 Not yet. I mean, I'm only in the first season.
He's not cured yet. Imagine if he dies at the end of the first season.
I'd love it. All that for nothing.
Yeah, I'd love it.

Speaker 2 What he should do, they should just get back on a bunch of planes, keep taking planes, and keep time skipping until they're 30, 40 years in the future. Then he's definitely going to live through it.

Speaker 2 Yeah, but no, it's a one-third anomaly. A one-time deal.
One-time anomaly. But let's come up with something turbulence.
Like that. Like that.
But what happens? Instead of going in the past,

Speaker 2 you and I are on a flight in the middle of the night. We're going to Cancun.

Speaker 2 Oh, yeah, let's talk about that. So what women? Us three on the flight.
Cancun. And we're flying.
And she's nervous, so she's got to poo.

Speaker 2 Okay?

Speaker 2 Right. Rudy goes in the bathroom.
Just like in Lost,

Speaker 2 Dominic Monaghan is shooting heroin in the bathroom. In the bathroom.
We need a reason for. Can she be shooting heroin? Sure.
Pooh or heroin, either one. She could be poo and do it.

Speaker 2 But she's Filipino, so she's smoking like ice. Oh, she's smoking meth.
Meth, like smokeable. Yeah, ice.
Yeah, she's got, oh, that's what meth ice is met.

Speaker 2 In Hawaii, ice breasts. They call it ice.
They call it ice. Yeah, that's right.
So you're smoking meth and ice bra.

Speaker 2 And then, like, there's a scene where you're sitting there and you have all that stuff out.

Speaker 2 And then there's a no-smoking sign, right? And she does something rebellious, like. She spits on it.
Yeah.

Speaker 2 Yeah, right on the no-smoking sign.

Speaker 2 A close-up of the sign, and it just a chogi. Just

Speaker 2 wobbles down. And then she...

Speaker 2 Because the network TV, probably the show that we're doing, this is network. Yeah, yeah.
This is on NBC. So you can just see the smoke.
You don't really see you doing that. Well, you see her go,

Speaker 2 and then light the lighter. And then as she goes to like smoke it, it pans up to the no-smoking.
Right, with the very

Speaker 2 down. I would love to.
Yeah, yeah. So then we know she's smoking meth in the bathroom.
Right. You, of course, are.
In first class. In first class.
I am. Coach.
Coach. Middle seat.

Speaker 2 Middle seat between two

Speaker 2 conjoined twins. Twins.
What? They're conjoined at the head. So their heads are above me.

Speaker 2 I didn't know. I'm below their heads.
That's good writing. Have you ever seen the two girls that their heads are joined? Yeah.
You know those two girls? Look up the two girls.

Speaker 2 I can't, no, no, I can't. Please, I want to see it.
No, no, no, no, no, no, no, wait, wait, wait, wait, wait. The reference.

Speaker 2 For reference. Don't do it.
But But for reference.

Speaker 2 Wait, this is for the show. We're making our show.
This is our manifesto. What are we doing? We see the dudes.
Do the ones where they're grown. The teenager ones.
The teenagers. They drive.

Speaker 2 They drive together. They date.
Yeah, yeah, yeah. Oh, they're at the body.
Yeah, they're at the body, dude. They're not at the head.
Oh, why did I think they were at the head?

Speaker 2 So it's two heads, one head.

Speaker 2 How about this?

Speaker 2 That's funny. There's a great one.
You have one on one end. She's with the two heads.
The two heads of the head.

Speaker 2 You could do a bit where it's like, you know, because you could do a bit where one of the head is coming into your space. Right.
Asking me for asking me, can I have some of that?

Speaker 2 Right, so you do a comedy thing where you kind of do a yawn

Speaker 2 and you're trying to push one of the heads towards their space, yeah. And the other, and her head knocks against her sister's head.
And the other one on the other side is somebody without a head.

Speaker 2 Oh, right.

Speaker 2 Somebody. No, no, no.

Speaker 2 Maybe their head didn't develop.

Speaker 2 It's down here. It's going to stick down here on the shoulder.
Shoulder head. Right.
So it's almost as like you do a joke like, you know, I wish I I could just.

Speaker 2 Can I just.

Speaker 2 I just want to swap a swap.

Speaker 2 Right. Something like that.
You know what I mean? Shoulder head. Shoulder head.
So, okay, so that's where I am, and I'm in the middle of the seat.

Speaker 2 But I'm scrunched up, and I just, it's southwest. So that.
It's funnier if I was there. You are there.
No, you would be at the, you have to be in first class. You're on your way.

Speaker 2 I'm in, coach, you're on your way back. Let's get there.
You're in ice class. I'm in first class.
You're hanging out. What happens? Your iPad dies.

Speaker 2 Shit.

Speaker 2 And You don't have a charger. A charger at the bottom.
Right. So you go, Santino's got one.
Yeah, but you don't have chargers in Coach. I have one in my bag for one of those.
Oh, yeah. Yeah, yeah.

Speaker 2 Yeah. Why can't I just, because you're trying to swap seats? You come back and go.
But why can't I just, because this is in writing, right? Yeah.

Speaker 2 I could just grab the charger and just, I'll just grab it and I'll bring it back. No, you say, hey, can I have your charger? My iPad died.
And I say, well,

Speaker 2 you have to sit in this seat. Right.
And then there's a bit where I look at both of them,

Speaker 2 right? And I have to think. And then me and you both go, I know, I wish you could.

Speaker 2 Like, we both get it. Right, right.
We both get it. Right.
We have a little laugh. Right.
And then you switch seats with me. Right.
Right? Yeah.

Speaker 2 Now, on my way to first class, right, I close the curtain. I say goodbye to you.
I give you a little wink-a-doodle. I got a good, good one.
What? I got a good one. But when we land,

Speaker 2 right?

Speaker 2 I've proposed to one of them.

Speaker 2 Like, literally. Shoulder heads? One of them? Yeah.
Or double down. No, even the one on the other side.

Speaker 2 There's two heads, right? The one at the window, I've somehow developed a relationship. Oh, neck head.
But this one right here hates me. Okay, okay, I get that.
Yeah, I get that.

Speaker 2 But we're getting engaged. So you're getting engaged.
To the one on the right. Oh, to one of the double downs.
Yes. Okay, so.
You call them

Speaker 2 double downs? Double down. Oh, yeah, yeah, yeah.
That's their name. The double downs.
So the double downs. You're going to get in trouble for this.
Why? It's a movie. Yeah, this is a movie.

Speaker 2 It's a movie. It's a TV show, first of all.
It's a TV show. This is RF show on NBC.
So here's the deal. You propose to the double down on the right.
Yeah. Right? Yeah.
I'm in first class. Yeah.

Speaker 2 You get up because you need to find

Speaker 2 Rudy Jules. Right.
But

Speaker 2 can I just say this, though? Yeah. I'll just throw something else in.
Yeah. When I'm coming to get the Charger and you go, let's exchange, right?

Speaker 2 You know, maybe I do it because there's something even worse in first class. That's sitting next to you.
That's next to me on first class. What is it? It's either like Eric Griffin.

Speaker 2 So addictive. He's so dicky.
So mean.

Speaker 2 No, who else? Who is somebody that's a kind of person? It's a kind of person, yeah. Right.
Somebody that's going to Houston,

Speaker 2 right, to be on 600-pound life. So, so you've got a 600-pound human being next to you.
Yeah. And they're falling into your seat.
They're folding into your seat. They're melting into the seat.

Speaker 2 They're melting into your seat. Yeah.
So you have to sit there. Oh, yeah.
Right. So I'm with the, you know what I mean?

Speaker 2 What, double-down? What are you doing? Double downs. I'm with the double downs and the no-down.
You're the double down and the no-neck. And the headneck.
Sorry, and the head, shoulder head. Yeah.

Speaker 2 Shoulder head. That's a funny thing about, like, you know, going, so, have you guys, have you guys flown this airline before? And then, and then they go, yeah, we have, have.

Speaker 2 Anyway, like she goes, like, I turn, right? I know that she's not going to respond because she has no head. Right.
So it could be a like a little comedy, but I like that. I like that.

Speaker 2 Yeah, yeah, I like that. Okay, so she's got to get out of the bathroom.
She's been smoking meth for quite a while.

Speaker 2 So what's going on with her? She hits her meth. She hits her rock.
Yeah. I mean, it could be a funny moment.
Check this out. What? She comes out of the bathroom.
She opens the door. Yeah.

Speaker 2 And nobody's in the plane. It's totally empty.
We're here. We're Rudy's POV.
She's ripped up on meth and she opens up and every seat is empty.

Speaker 2 Check this out. Yeah.
The door of the plane is open. Yeah.

Speaker 2 Logic ensues. Yeah.
Kevin pressure would be gone. How am I still breathing? How am I still alive? Right.
Man, this meth must be really good. Yeah.
Right? Yeah, yeah. Okay.

Speaker 2 But she walks around for a second to look into the seats and then she freaks out. So she runs back into the bathroom, closes the door.
Yeah. Right.

Speaker 2 And is like, come on, just chill out, you know, chill out. Yeah, yeah.
This is just you. You're doing this to yourself.
You're doing this to yourself. You're freaking out, right?

Speaker 2 Oh, so what you're saying is that the ice, smoking the eyes, puts her in a different dimension. Correct.
Or a plane. Correct.
Right.

Speaker 2 So she can visit this plane and dimension every time she smokes eyes. But watching it,

Speaker 2 just as a viewer, I'm watching it. It's like, she's just on drugs.
Like, you know what I mean? That's what she's seeing. But it's pain medication.

Speaker 2 What?

Speaker 2 We insert a part of the story where because of her face and stuff and who she is, and something's wrong with her. You can tell when you look at her, something's wrong with her.

Speaker 2 And she needs the ice to survive. So people that are judging, like, she's doing drugs, like, no, she needs it for medication.
Ice. Ice.
She needs ice. Crystal method.
Crystal method.

Speaker 2 Smokeable crystal method. Right.
As a medication. So check this out.
What? This is Rudy's POV. This is actually Rudy's show.
People don't know this.

Speaker 2 Rudy goes back in the bathroom, smokes rock again.

Speaker 2 Now when she opens the airplane door, she's somewhere completely different where you tell me kid right that and so it's called rudy's ice rudy's ice that's the name of the show that's what it's called rudy's ice so so when she goes back into different dimensions she has to solve some of the issues right like she has to go back into the plane where we were because um a terrorist tried to take over the plane The guy who was sitting next to me, 600-pound life, he was actually going to take over the plane.

Speaker 2 That's what's really going on. Yeah.
He's like, I'm taking over this airplane. Right.
Right. And

Speaker 2 he goes up to the, you know, he holds one of the flight attendants hostage. So Rudy now has to get back to that flight.
She has to save everyone's life. It's like, you know what it's like? Yeah.

Speaker 2 You know what's like what? My name is Earl. You know what? He has to go fix all of his problems from his past.
Yeah. But it's my name is My Name is Earl.

Speaker 2 It's Rudy's Ice.

Speaker 2 She has to save people's lives. First of all, I just want to say that you're making it way too.
First of all, I don't like the fact that it's her show. It's her show.

Speaker 2 No, I don't like the fact that it's her show. Why not? Because you're throwing out this.
Listen, I like the idea. Yeah.
I like the idea, right? Rudy's ice.

Speaker 2 That's a great. We keep that as the title.
Do you like this show? No.

Speaker 2 Rudy's ice, right? I love Rudy's ice. Here's what I don't like.
It's almost as if we established these great relationships with the double head. We'll come back.
No head. We'll be back.

Speaker 2 We have the 600-pound guy in the front, right? We're coming back. Right.
I mean, I wish we would land and then we all have a purpose together. What is our purpose? So we land, right? Mm-hmm.

Speaker 2 Right?

Speaker 2 That's a

Speaker 2 every time I land.

Speaker 2 welcome to LA.

Speaker 2 Bum bum bum bung bang bang bum bang. But it's not.
When we land, it's eee, right? We don't hear welcome to

Speaker 2 guys,

Speaker 2 and we look out the window

Speaker 2 in either one of two things. One thing is we just see carriages like

Speaker 2 cowboy.

Speaker 2 Right? Okay, you're in the wild west?

Speaker 2 You hear me?

Speaker 2 Yeah, yeah, all that stuff, right?

Speaker 2 Or we land, right? And it's like, like, you know, hover crafts and

Speaker 2 the Jetsons type of shit.

Speaker 2 Or

Speaker 2 I got even better. We're underwater.
No. No.
That's good. That's good.
But here, I have a fourth one. Okay.

Speaker 2 We land, we look at the window, and we see everyone either in the out there, either 600 pounds or with the double heads. Oh, that's everybody.
That's everybody. Oh, man.

Speaker 2 That's everybody. Somewhere in the lands of the fats and the double down.

Speaker 2 Or the no head. Oh, the no heads.
Yeah, yeah. Right, right.

Speaker 2 And us three are the only ones who look like singular heads, right? Right. And it's sort of like a reverse racism thing.
We're the outcast. We're the outcast.
And we get shamed. Right.

Speaker 2 Right. So during the movie, during the movie, there's a scene where I go to like a mannequin store or whatever, and I chop off a mannequin head and I put it on my shoulder just so that I can

Speaker 2 so you could be one of them. So you walk around a little bit.

Speaker 2 And then like we have a scene where Rudy gets a fat suit. Yeah.
Oh, yeah, yeah, yeah. Right, right, right.
And then we have a thing where you, right, we get a shirt, right?

Speaker 2 A mechanism where the shirt ends here. So it's my favorite.
So you're like this really tall, weird guy

Speaker 2 with no head. I love it.
Yeah, I love it. This is great.
And so we're walking around town.

Speaker 2 Me with no head, you with the second head, and Rudy, 600 pounds.

Speaker 2 But she's trying to fight ice in this world. She's trying to find find ice.
Somehow. She's jonesing.
She's jonesing for ice.

Speaker 2 Jonesing for ice. Yeah, and we don't know the economy now.
We don't know what's going on. What's money? I don't know how they trade.
Yeah, yeah. This is good.

Speaker 2 And then we get shamed and bullied.

Speaker 2 It's a good message. It's like a coming-of-age tale that also involves crystal methamphetamine.
Yeah, yeah, yeah, yeah. I like it.
You like it? Rudy's ice. Rudy.

Speaker 2 Rudy's ice.

Speaker 2 I think that's it. Do you like this show? Will you do this show? We have to go to.
What What if we have to go to NBC? Can you imagine us preaching this for real? I swear to God, we can get a meeting.

Speaker 2 We won't get it sold. So what? But we can have the meeting.
Can I say something real?

Speaker 2 I'm not joking. Yeah.

Speaker 2 Can we somehow set up a meeting to go to NBC, pitch this show, dead serious? Yeah. Okay.
Pitch this show and film it. Oh, my God.

Speaker 2 We'll blank out their faces and stuff. I understand that, but that would, number one, kick us out of the business.

Speaker 2 We may never get another pitch again. I know, but that's funny.
It is funny. And number two,

Speaker 2 I think I would be laughing so hard.

Speaker 2 What if they bought it? By the way, we're not. Look at the network notes.
You don't remember the network notes? Can't go to cable.

Speaker 2 Let's go to cable.

Speaker 2 No, rewrite the pilot, right? Okay. We send it in, right? What are the notes like?

Speaker 2 We can't say that. The show can't be based on crystal meth, guys.
Yeah, it can't be crystal math. Can it be crack? No, they'll say, can it be like she has a pharmaceutical pill addiction?

Speaker 2 That's what they'll say. Oh, that's what they'll say.
Yeah, something that... that I'll get.
How about another thing? More deadly, but more.

Speaker 2 There's not enough diversity in the show. That's what that's the first note.
Yeah, can we make the double-headed guy black? Puerto Rican or Puerto Rican in there.

Speaker 2 And then we're like, well, we're trying to find a double-headed, like a real person. We don't want to CGI it.
Do you know how, like, in movies now, hard to cast?

Speaker 2 We would make the double-headed person black. I would do that as a writer, right? We would change that.
100%. Yeah.
Does it matter what the headless

Speaker 2 that's the pitch?

Speaker 2 To an ever handling.

Speaker 2 That would be an argument. I would have.
Does it matter? Does it matter what the headlines? They're going to say, we're going to see his hands. We'd love some racial diversity.

Speaker 2 Yeah, we're going to see that. So we'll make the, you know what? Does it matter what the headless?

Speaker 2 Oh, my God. That'd be great.
So, what is the headless person? Yeah. You only see arms.
Yeah, I'll just say,

Speaker 2 and the headless person, we'll just put gloves out. It'll be ambiguous.
But they can see your forearm. Oh, the forearm.
Unless we're wearing shirt long sleeves the whole show. We'll make it yellow.

Speaker 2 So it'll be Asian. So it's an Asian guy.
Yeah, we'll make it Asian. Or it'll be Asian guy.
Yeah, Asian. Okay, perfect.
I already cast it right now. Oh, you already know who it is.

Speaker 2 He'd be great. He would be good as a headless man.
So now, the black, no, the fat guy. The fat guy in the seat in the front? Yeah, let me ask you this.

Speaker 2 What if

Speaker 2 I'm the executive?

Speaker 2 You and I really did write this. Okay.
This is the note. And I want to see what you would say.
Perfect. So the 600-pound guy, can he be 300? No.
No, 300 is not big.

Speaker 2 400.

Speaker 2 Not big enough.

Speaker 2 I'm telling you, we need 600 pound. It's kind of the metric of

Speaker 2 obesity.

Speaker 2 Like the show's 600 pound life. It's very famous.
So we need a 600 pounder. Yeah, but how do you, but then I'm as a

Speaker 2 crane. A crane.
You need a crane. I know, but do you know.

Speaker 2 Do you know anybody?

Speaker 2 Would you.

Speaker 2 Reality show. No, but would you.
No, get them off for reality. No, no, no.
No, we have to get a good actor. Oh, there's no 600-pound actor.
No,

Speaker 2 we make an actor eat the food. Oh, we make someone do that for the role.
It's called, yeah, it's called, you know, it's called, what do you call a method? A method actor. We get a method it out.

Speaker 2 So Matthew McConaughey, he lost all that weight for Dallas Buyers. Now he's got to gain

Speaker 2 450 pounds for our show. Yeah.
I think he would do it. You think so? Just him blobbing out in the seats.
Yeah. Or you knew who would do it? Christian Bale.
Bale would do it in a hard time.

Speaker 2 Bale could do it like that. Well, how big was the woman that was in What's Eating Gilbert Grape?

Speaker 2 She was big. 250.

Speaker 2 250. 300.
There's literally no chance. 300.
Way more. No.
She had to have been 400 or 500%. There's no way.
There's no way.

Speaker 2 I'm telling you, dude. I'm telling you.
She was. Let's take a guess.
What's eating Gilbert Grape? What's eating Gilbert? What's Gilbert's last name? You're Gilbert. Gilbert Galon.

Speaker 2 What's eating Gilbert Galan? Gilbert Grape here. Her name is Darlene Cates.
And by the way, we're not making fun of overweight people, but Darlene, Darlene, Darlene,

Speaker 2 Darlene, Darlene, Darlene, Darlene. I love that song.

Speaker 2 It's Jolene. Is it Jolene? Yeah, Jolene.
Yeah, yeah. Darlene Cates was an American actress.
Rest in peace. She died a couple of years ago.
She was fucking incredible in this movie.

Speaker 2 How much did the mom weigh? Okay, because that's the first question asked on Google. 500 pounds.
Told you. Wow.
Kates has been bedwritten and weighed 500 pounds. Let's get her.
She's dead. She died.

Speaker 2 I just got her. We'll get her still.
We got to get her anyway. Still got to get her.
Okay, we'll revive her then. Yeah, yeah.
She died at 69.

Speaker 2 Huh. 2017.
We can't get her sad. So, you know what?

Speaker 2 We should make this a movie. So not a TV show.
Yeah, because all this network stuff is driving me crazy.

Speaker 2 well because you're going through notes right now yeah because the notes and stuff they're gonna change it all it's i want it to be ice you know what you could do though you just say just say when somebody's like hey here's a note just be like i think that's racist

Speaker 2 that's all you have to do is say i think that's racist and they'll go oh i didn't know and then you're like yeah we don't want to have nothing to do with the race like the notes that's the whole point that's the whole point you know what i mean ready i'll say this is what really okay so i'll they go bobby they go bobby check this out in the show in the korean spa show yeah so one of the network notes that i think we all kind of collectively didn't really enjoy is there's a little bit of you want to be nude in it, and you want to do a thing where you windmill your penis around when you get out of the steam room, where you windmill it around, you go,

Speaker 2 yeah, yeah. We just, I don't think, we just, I don't think that's good for the show.
That's racist. We'll leave it in.
I think that's a good, I think it's a great setup that puts it in the middle.

Speaker 2 I think, in fact, not only should you windmill it, I think you should also touch it. I get with that, right? Tuck it, flap it, flop it.
I know. Smack it, pull it up.

Speaker 2 What is something as simple as this, though?

Speaker 2 Right. You're the right writer.

Speaker 2 Right. So, you know, that scene where Jimmy, who's a white guy? Yeah.
Right. And he's eating corn.

Speaker 2 You know what I mean? Can it be carrots?

Speaker 2 That's racist. You can't see.

Speaker 2 How? That's racist. How?

Speaker 2 What about Jimmy? He needs to eat carrots.

Speaker 2 What do you mean? Why does he need to eat carrots instead of corn? Because carrots have a long history of oppression of white people.

Speaker 2 Yes, they are. Carrots were thrown at white people for many, many years on stage.
Yes. You know that Carrot Farms is sponsoring.

Speaker 2 Oh, they're giving us money? Yeah. Oh, he'll be eating carrots all day.
Okay. Okay, good.
So there you go. That doesn't work then.
It's the money thing, though.

Speaker 2 Money Trump's race. Money Trump's race.

Speaker 2 I see.

Speaker 2 Rudy, do you want to do any of this stuff? She doesn't even want to participate today. Yeah, what's up? We're over here just having a good time.
It's like Rudy's eyes, Rudy. Rudy's your show.

Speaker 3 I like it. It's fun.

Speaker 2 She's on this show, isn't she? I know. Yeah, um, we do have the Bobby Lee's ready for a phone call.
Oh, the band, the Bobby Lee's want to call us. The Bobby Lee's.

Speaker 2 We're about to get a phone call from the band, the Bobby Lee's. Because I've known about them for a couple years, but I'll get a meeting.
Let's approach them.

Speaker 2 Hello. Hello.
This is Bobby Lee. Am I talking to the Bobby Lee's? Yay.
Hey.

Speaker 5 What's up?

Speaker 5 I'm talking to two of us.

Speaker 5 One of us is in the bathroom, and the other one is not feeling well today.

Speaker 2 Was the other one in the bathroom?

Speaker 5 Does he have diarrhea or something i don't think so does he i check him i just texted him to get it to get back out here we'll see but mackie our drummer is in the bathroom and who's sick

Speaker 2 um nick our guitar player is sick he thinks he has pneumonia but is it covered it's covet it's it's the delta variant i bet it's the delta delta it's delta

Speaker 2 is it united or delta which one so guys guys i've known about your band for a couple of years and i've always like really yeah i have

Speaker 2 so who is they was there a teacher or I mean why are you guys called the Bobby Lee's

Speaker 5 it's kind of random it was like a it was an accident I guess that we're named that I had written a song called Bobby Lee which was um

Speaker 5 like from our first record and it was I used to have these kind of psychotic episodes where I thought I was possessed by different people and I named one of them Bobby Lee and it was not supposed to be the band name but then we got our first show

Speaker 5 and we didn't have a name, so I picked that very temporarily. And I did not know that there was a famous comedian named that.

Speaker 5 And then, once we started playing shows, I definitely became aware of who you were because everyone asked, Are you based on hey, Mac? He's in the car.

Speaker 5 We told him he asked if you had diarrhea. Oh, yeah, totally.

Speaker 2 Well, why do you, why do you have diarrhea right now, bud?

Speaker 2 You know, man,

Speaker 2 that stuff in my body, it just

Speaker 5 doesn't really know, but the something in there just gets all tangled in a web of lies and deceit comes out painfully.

Speaker 2 I get it.

Speaker 2 Where do you guys live? In the Midwest? Where do you guys live?

Speaker 5 We're in Woodstock, New York.

Speaker 2 Oh!

Speaker 2 Upstate New York. Yeah.
Yeah, because I think I listened to it. When I found out about your battle, I think I listened to one of your songs.

Speaker 2 I really liked it, but then I was like confused about why you guys are called the Bobby Leaves. But now that you explained it, yeah, but I still want to hear more.

Speaker 2 The demonic, so you had demonic visions of people. Are you being real?

Speaker 5 Yeah, no, I mean, I used to have a really bad drinking issue, and I would start to hallucinate. There's a thing called like alcoholic schizophrenia that I didn't know about until I had it.

Speaker 5 And I quit drinking and now I very, not very often do I think I'm possessed.

Speaker 2 Well, can we get some of the like the

Speaker 2 the psychology behind it? Like where does the word Bobby come? Like who is Bobby in your life and what does Lee mean to to you? Like, how did that happen? Do you know what I mean?

Speaker 5 I have no idea. I was sitting in an apartment, and

Speaker 5 I used to think like my radiator was talking to me at the time.

Speaker 2 I neither shouldn't be talking. I was like,

Speaker 2 Because

Speaker 2 I'm a recovering drug addict and alcoholic myself, and I relate to those psychotic breaks. I mean, I've had them myself, you know what I mean?

Speaker 2 So, I think it's interesting, and I, and I, and I believe you. Are you sober now? Or

Speaker 5 yeah, I am, yeah.

Speaker 2 Congrats,

Speaker 2 for how long?

Speaker 5 um six years bobby's going on

Speaker 2 now I only have a couple years at six seven at 17 years I relapsed and I have a couple years yeah here's what I want to do I do you guys I mean I know because of COVID and the pandemic it's probably touring is out the window but if you guys ever play in LA at the Troubadour any of these places or Spaceland is that still there you know

Speaker 2 yeah

Speaker 2 give us a call and we'd love to come see you

Speaker 5 Yeah, we would love, we would love to come. We actually start, we start touring next month and we're going to to be in L.A.
in November. I don't know what date yet or where, but we will be there.

Speaker 2 Please reach out. We'd love to come and see you.
Yeah. Do you guys, are you writing a song right now called The Andrew Santino by any chance or no?

Speaker 5 If you want us to, we can.

Speaker 2 Write a song called Andrew Santino, please.

Speaker 2 Please, make it angry and aggressive. Have you guys ever heard our show at all or no?

Speaker 5 We heard about it when someone said we were on it and we were very excited.

Speaker 5 But I knew about you, Andrew. I saw you on I'm Dying Up Here, which I thought was awesome.
Oh, thanks.

Speaker 2 Yeah. Well, we like you guys.
We think you're cool. We were interested.
At first,

Speaker 2 we were going to seek legal action. Bobby wanted to sue for the likeness of his name.

Speaker 2 He was going to sue you guys for 50 million. That's what he said.
50 million.

Speaker 5 Wasn't that the number? We've made no money yet.

Speaker 2 We're kidding. We're kidding.
No, we're kidding. We're going to see you guys in November.
Thanks so much for talking to me. We're going to be there.
The Bobby Lee's, baby.

Speaker 5 Thank you, guys.

Speaker 5 And thank you for having us on.

Speaker 2 Yeah. Yeah, bye.
Let's love. Bye, guys.

Speaker 2 Bye. Can we play that video with that woman real fast? I want you to see this.
This is funny.

Speaker 2 This whole Karen thing is annoying to me now. It's like, all right, enough.
Like, it's annoying. But also, this did make me laugh because of what she does.

Speaker 1 Have you never heard of Alicia in the City?

Speaker 2 Really?

Speaker 2 Really?

Speaker 2 Okay, we'll wait for the police to clear it up.

Speaker 2 Go call them. Karen,

Speaker 2 Karen, call them. Karen, get your phone down, call the police.
I'm just waiting for him to come by.

Speaker 2 So he says, which country should I go back to, Karen? Because apparently, before the video, she said, go back to whatever country you're from.

Speaker 2 The reason she's mad is because these people are running, this is in New York, with their dog off the leash. They're like on a path of the dog off the leash.
She's mad that this is, but here it is.

Speaker 2 This is very funny to me. Go ahead.

Speaker 2 Huh? Say it.

Speaker 2 Cat got your tongue. Can't get my tongue.

Speaker 2 Yeah. Edit it out.
Go ahead, edit. Edit what out? Come on, puppy.
Come on, come on.

Speaker 2 Come

Speaker 2 Pause it.

Speaker 2 This psychopath tried to clap their dog into the street.

Speaker 2 Look, I'm not cool with it, but I was like, this woman's so fucking nuts. That's crazy.
Come on, Peppy. He kept watching.
I'm going to go to the camera.

Speaker 2 And imagine if the puppy did it, ran out there, a Mac truck runs the puppy over, right?

Speaker 2 Look at this.

Speaker 2 What do you think would happen to her? Nothing. Nothing.
Nothing. No.
Nothing. She'd run away.
She'd run away. But she's on tape.
I know.

Speaker 2 There was a video out of a white woman calling it a puppy on the table. Clapping a puppy away into the freeway.
And the fucking truck ran him over.

Speaker 2 This woman would be. Gone.

Speaker 2 Disappear. Her whole life

Speaker 2 would just disappear. Play it again when she goes on the street.
It's not funny. Come on, puppy.
Oh, my God.

Speaker 2 I'm sorry.

Speaker 2 I hate this girl. Insane.
I hate this woman.

Speaker 2 I'm not okay with it, obviously. I have a dog.
I love dogs, but it made me laugh at how insane it was because she didn't know what to do. Yeah.
Because they got her.

Speaker 2 And she's like, okay, I'm going to double down. She doubled down hard.
I'm going to clap your dog into the street. What do you like this woman, Rudy?

Speaker 3 No, if she does that, I would kill her.

Speaker 2 What would you do? Would you admit violence on her? You would.

Speaker 2 The boys like it.

Speaker 2 Yeah. No, honestly, be honest.
If she killed like Stubbs,

Speaker 2 Stubbs. Woof.
Even you? I would kill her for killing Stubbs. You love Stubbs.
Your other dogs, not as much, but Stubbs. Hey, yeah, yeah, yeah.
But Stubbs, for sure. She's the best.
Oh, my God.

Speaker 2 So if she, Stubbs, you know, because Stubbs is a great dog.

Speaker 2 Phenomenal. You know what I would do?

Speaker 2 Look at this. You know what I would fucking do?

Speaker 2 I would fucking.

Speaker 2 You know what I would do?

Speaker 2 I would do that thing in Game of Thrones. What?

Speaker 2 Tie her up.

Speaker 2 I would tie her up, and I would take the bucket, a bucket, right? A wooden bucket, right?

Speaker 2 And put 15 rats in there, tie it to her stomach, then light this end right so the fucking rats dig through her stomach and eat away through her spine to escape and while she's screaming

Speaker 2 fuck you

Speaker 2 fuck you

Speaker 2 my fucking dog man you don't fuck with my dog man that's so fucked

Speaker 2 i like that though you're standing up for stuff no it was really good i hate this woman that's what happened i know she would die she's nuts i would just cut i would cut off slowly i would little tiny bits of her head

Speaker 2 of her body. Well, you know, have you ever seen, have you ever seen a video of

Speaker 2 a blade saw that's spinning fast? And if you push stuff up to it,

Speaker 2 it just disappears. No, I've got something better at that.
Something better.

Speaker 2 Pol Pot, Pol Pot, Pol Pot. What did Pol Pot do? So you take bamboo, right? And at the edge of the bamboo, you make like spikes.
Sharp. Sharp.
And bamboo grows gradually. Right.
Right? Right.

Speaker 2 And so what he would do, Pol Pot would tie people, kids.

Speaker 2 Oh, my God.

Speaker 2 Oh, my God. And put like

Speaker 2 spikes of bamboo bamboo

Speaker 2 in their fingers. And it would just slowly grow into their bones, right? But I would do that to her titties.

Speaker 2 Okay.

Speaker 2 No, but she killed my dog.

Speaker 2 She guessed it. She's got it.
She guessed what she deserved. Yeah, yeah.
Let me tell you something. The funniest thing that happened, Stubbs was brought to the improv, to the Bray Improv.
Two things.

Speaker 2 One, the moment that warmed my heart with Stubbs is I had my arms like this on your, at your house. Yeah.
I'm sitting on the stoop. Yeah.
And this hole in my arm right here is perfect for what? A dog.

Speaker 2 A dog head. Stubbs walks up behind me and puts

Speaker 2 right through this hole and then leans on my hip. I almost fucking

Speaker 2 fell into hell.

Speaker 2 If God gave me a heart attack with the dog like that, fine. If my heart was like

Speaker 2 and stopped, Stubbs on my hip, fine. The best.
Fine. It warmed my soul.
And I sat there and I couldn't believe it. I looked around.
I was like,

Speaker 2 Stubbs, so Stubbs came to the the improv,

Speaker 2 and this made me laugh harder than I've ever laughed. Bobby is trying to order Stubbs food.
They have a full kitchen at the improv. Okay? And Rudy says, get him some chicken, right?

Speaker 2 Get Stubbs some chicken. Bobby says, get me two chicken strips.
So they get you two chicken strips. And then what do you say? Just take off the breading.

Speaker 2 You could have just ordered chicken.

Speaker 2 The whole time you could have just ordered chicken. So they got you a bunch of chicken strips.

Speaker 2 And then he was trying to peel off the breading

Speaker 2 of the chicken.

Speaker 2 And we were like, why don't you just order grilled chicken?

Speaker 2 The breading could be pre-packaged that way, right? Like frozen.

Speaker 2 Yeah, they're frozen for sure. Yeah, right.
So like when you go to McDonald's, you get chicken nuggets, right? They don't put the breading on the fucking chicken. It's already pre-made.
Yeah. Right?

Speaker 2 Yeah. So I thought that the chicken strips are pre-breaded.
They are. Right? Yeah.
And I didn't know that they had regular chicken. So I just got two chicken strips so I can take the breading off.

Speaker 2 You thought they didn't have regular chicken? No.

Speaker 2 Okay.

Speaker 2 Okay. How bizarre.
That's not weird. It is.
It's not. Did you think they had regular chicken? No.
You guys are weird. No, you're weird.

Speaker 2 I think in this certain scenario, honestly, you're weird because it's... They had chicken sandwiches.
We had chicken patties. I don't eat at comedy clubs, so I don't know the menu, right?

Speaker 2 You've never eaten at a comedy club. You had a pretzel every time we've gone down there.
Yeah, that's the only thing, because I know that, because I saw somebody else eat it.

Speaker 2 It's like, oh, they have pretzels here. You didn't look at the menu once.
No. So my point is, is that

Speaker 2 I know every place has chicken strips.

Speaker 2 Yes. Everything.
Yes. Right.
So I'm like. And chicken sandwiches.
Yeah. Maybe breaded.
Pre-frozen. I don't know if it's grilled.
Okay. Yeah.
So

Speaker 2 my logic is correct in this.

Speaker 2 Oh, yeah. 100%.
I'm telling you, no. And you're so funny.
You're starting to shame me when it comes to logic. The first thing that I would say is, do you guys have chicken breasts? Yes, we do.
Yeah.

Speaker 2 Can I have some? Yeah. That's where I'd go.
Yeah, but since I don't eat at comedy clubs, I don't know what the fuck they have. You've never eaten.

Speaker 2 You didn't eat when you were coming up to the improv. Here's another thing.
You never ate at the improvs on the way up. Here's another thing.

Speaker 2 All right. The improvs, a lot of them, are attached to an umami burger.
Well, they used to be. Well, they used to be, right? Yeah, copper burger.
So in my head, right, right,

Speaker 2 I know that menu, right? They don't have a grilled chicken sandwich on that menu. At umami burger? Yeah, they have a breaded chicken sandwich.
That's pre-breaded. So you do eat at comedy clubs.

Speaker 2 Omami burger, yeah. And so if I want to look at that menu, there is no grilled chicken.
So in my logic. All you know is umami burger.
Yeah, so in my head, like, you know what I mean? Okay.

Speaker 2 So you're wrong about this. And it's so funny when you're wrong.
You get all

Speaker 2 bread. Yeah, I look at you.
No, you would ask for chicken breast. No, you wouldn't.
Yeah, you would. No.

Speaker 2 I can't even ask the boys because they don't know any better. No one would side with you on this.
Okay, fellas. Pete, what would you ask for?

Speaker 2 A chicken breast or chicken strips and asked to peel off the breading? I'd ask if they had grilled chicken. Probably.

Speaker 2 Do you have a chicken breast? And they would go, yeah. It's funny.
A pete who's never been to a comedy club before yes he has pete have you been to a comedy club of course how many uh

Speaker 2 five yeah five that's it

Speaker 2 i've been to all of them now watch this watch this yeah george

Speaker 2 yeah

Speaker 2 he lied he's lying already he went he got excited george would you ask for uh would you how would you phrase it would you say do you guys have chicken or would you say give me chicken bread give me chicken strips and then i'm in your mind you're just just going to peel off the breading.

Speaker 2 I would go with the chicken strips, probably. I knew it.

Speaker 2 Also, could I just say this? Dude, it's not that big of a deal. Do you know what a dingleberry is? You.
Do you know what a dingleberry is? Yeah, I do.

Speaker 2 It's like a piece of toilet paper that gets caught in your poo hairs, in your butt hairs. I thought it was a little round ball of poo that.

Speaker 2 Typically, it's because toilet paper gets caught in there and stuff like that. It's poo and toilet paper and hair.
It's all in your hair. Toilet paper is just the round ball of poo.
There's no poo.

Speaker 2 No, yeah, usually it's because. It's still toilet paper.
Yeah, residue. Residue.
Anyway. But don't say toilet paper.
Toilet paper.

Speaker 2 George is your dingleberry.

Speaker 2 George is your dingleberry.

Speaker 2 And will hold on to your poo hair

Speaker 2 as hard as he can, regardless, even if he knows that he would clearly ask for chicken breasts.

Speaker 2 Now, ask me if George is my dingleberry. Is George your dingleberry?

Speaker 2 But that's not necessarily why he's saying that. Yes, it is.
I think it's logic. George, do you not think your Bobby's Dingleberry? No, I'm like.

Speaker 2 Kalila's Dingleberry for sure.

Speaker 2 Who are you more afraid of, Kalila or me? Be honest. Who?

Speaker 2 That'd be Kalila. Yeah.
Oh, really?

Speaker 2 You're that much more scared of her? She's so pleasant. What are you scared of? She's maleficent.
Maleficent? Yeah. What a film.
Yeah. Wait, really? Are you really scared of Kalila?

Speaker 2 Well, if she's angry, it actually means something. And if he's angry, what? It's a day of the week.

Speaker 2 Oh, man. Hold on, let me put on my seatbelt.
Hold on. Let me put on my seatbelt.
I don't think that's it, dude. I think that my anger, right, you know that I'm half joking.
Yeah. Right?

Speaker 2 Whereas Kalila, it's full commitment.

Speaker 2 There's no joke or when she's angry. You know, I could be, I yell for no reason, and I could be fake angry or

Speaker 2 trying to make a false scene, right? Whereas Kalila is like really angry when she's angry, and it's scary. When she's mad, she's actually very mad.
Yeah. No, I get it.
I get it. Yours is.

Speaker 2 I just want to say that the chicken strip thing that you had planned to do is. It's not planned.
Stop for a second. It's not planned.
When I talk, it's half of my podcast as well. Barely.
All right.

Speaker 2 It's so funny because the chicken strip grilled chicken. It was so stupid.
It backfired in your stupid face. See? You're starting shit.
And you look like a fool today, bud.

Speaker 2 And I think that

Speaker 2 we're not cutting that out. I just want the audience to know that you're a fool.
Oh, is it? Okay. Yeah, yeah.
Okay. You're a fool.

Speaker 2 Who's dumber, you or me?

Speaker 2 You're much smarter than I am. Thank you.
But in this specific situation, scenario, you're the dumb one. I'm the dumb one.
And you're foolish.

Speaker 2 But see, what an idiot would do is not understand the logic of asking for a chicken breast prior to asking for chicken strips.

Speaker 2 So what smart people do, what smart people do, I'm at a Mexican restaurant. I'm not going to say, hey, do you guys have jambalaya? You're not a...
The improv is in a Mexican restaurant.

Speaker 2 I'm not going to go to like... The improv is a fucking comedy club that has bar food, and almost every bar in the world has a chicken breast sandwich.

Speaker 2 They're pretending some of them have a copper blue attached to them some of them almost every bar

Speaker 2 almost every bar has a chicken vote below guys vote below

Speaker 2 there's no voting below my logic is i know for a fact let me tell you that when i stop i have it figured out when i go to a comic club they they always have chicken strips right yeah i've never ordered i first of all it's also an item i've never ordered i've never ordered chicken without some sort of breading.

Speaker 2 I know, I can see that. Yeah.

Speaker 2 Now you go to, because you're losing the argument now you go to body shaming no you call me a fool and you and you so you insulted me twice so me insulting you is only even you go to body shaming so

Speaker 2 you insulted me you called me a fool and so yes i'm gonna do that to you yeah yeah but let me show you the let me show you the logic and it might be hard for you to pick up it's not and that's condescending check it out now watch stop now watch yeah yeah so here starting point right starting point bobby bobby needs right over here, chicken for the dog, right?

Speaker 2 Instead of going, hey, do you have chicken for the dog? Bobby stopped off at the gas station over here for cigarettes and Red Bull and went, do you guys have chicken strips? Yeah, we do. Okay, good.

Speaker 2 So now I have chicken. But also, I need to come over here.

Speaker 2 Let's go back. Okay.

Speaker 2 Let's go back.

Speaker 2 Okay. Yeah.

Speaker 2 Hey, do you have chicken? That's

Speaker 2 not your mind. Let me do it.
Let me do it. Do you have chicken? We do.
Let me do it. Let me do it.
Instead, you went over here. No, no, no, let's do it.
Let me do it. Down here.

Speaker 2 I'll get chicken strips. I'll peel them off.

Speaker 2 No, just do you have chicken? Then if they said no, then you, oh, do you have chicken strips? We do. So that's it.
All right. This is my dog, right? This is me.
This is the waitress. Okay.

Speaker 2 That's the waitress. Yeah.

Speaker 2 Are you making an insult about the person that served us? It's just, there's only three items on the fucking table. But look at that.
Look at that. So it's like this.

Speaker 2 Now, this person, me, right, has 50,000 things going on. Like what? In charge of the lineup, who's going what? I'm worried about her.
There's so much things going on. So many things going on.

Speaker 2 So why did you have to handle the chicken? Right. So what I'm saying is that people are barking.
Kalila is trying to feed you, right?

Speaker 2 You guys brought something out of the car that was like kind of you didn't know if it was fresh or not. Do you remember you said that? So, you went to Kalila and go, Is this fresh?

Speaker 2 I have all these things going on in my head, right? In terms of lineups, and I saw that the food, that dog food that you had in your hand, that couldn't, so I don't know, I don't know what they have.

Speaker 2 I don't have time to look at the menu, so I go, Just give me some chicken strips. So,

Speaker 2 in my head, it's like it's not that hard, it's not, yeah, and you're making a big deal out of fucking nothing. Thank you for being a bad bad friend.

Speaker 2 They always remake movies. I think the new Training Day, you should be Denzel's part.
No. Oh, yeah.
Hey, let's remake. Dude, how funny would be Training Day Remade?

Speaker 2 Same script, but we put Jules as Denzel Washington.

Speaker 2 How great would that be? It wouldn't make any sense. It'd be so weird, but I would love to see it.

Speaker 2 You want to do it?

Speaker 2 And Ethan Hunt. What?

Speaker 2 And Ethan and Ethan Hall. No, we got to get somebody other someone ridiculous as Ethan Hunt.
Who should we get? Andreas?

Speaker 2 Yeah, Andreas. Andreas is Ethan Hunt.

Speaker 2 Yeah, yeah. I want to play the Cuba Gooding Jr.
part.

Speaker 2 Yeah, is that that same movie, right? No, that's... No, no, no.
That's American.

Speaker 2 American gangster american gangster and then qi good

Speaker 2 i think american gangster would be another good remake we could do yeah with jewels absolutely yeah there's just so many movies if we they remade it with you in it that would just change it but made it make it better in a weird way here's another one jewels starring in

Speaker 2 first blood

Speaker 2 rambo

Speaker 2 this just just her walking down the street when uh brian Dennehy, you know, he's in his cop car and looks through his rear view window and sees, you know what I mean,

Speaker 2 sees John Rambo, you know, with his green fatigues walking down the street. I think that right there would get a 20-minute laugh in the theater.

Speaker 2 And then you're like, hey, buddy, what are you doing around here, man? You know what I mean? And just Jules lightly, well,

Speaker 2 I just want to get something to eat, you know? And then that whole scene where she's in the cop station and she escapes, and then her falling off the cliff, and then her showing herself up.