#2783 RHOA S16E04 Part Two: Bank of Trymerica

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Speaker 1 Hi everyone, welcome back. This is part two of a two-part recap.
If you're wondering where part one was, well go check in the feed and be sure to subscribe so that way you always get your episodes.

Speaker 1 But enough of that, let's get right back into the episode.

Speaker 1 So then we go to Britt with her sister Cher, who we're going to see this relationship and how Britt's a total victim of all of this. So Cher is late, I guess.
And

Speaker 1 Britt's like, well, look who decided to join us for lunch

Speaker 1 or dinner now.

Speaker 1 So Cher's like, okay, hi, okay, well, hi. So

Speaker 1 they're saying hi.

Speaker 1 And Britt's like, oh my God, like, like, she's like, how are the kids? And Cher's like, well, you know, like, one of them's like 6'3 at this point. She's like, no, no, no, no.

Speaker 1 I don't go that long without saying it. It's probably been like a month since I've seen them.
And that's like, no.

Speaker 1 You haven't seen them in like a year. Let's get, let's be honest.
That's,

Speaker 1 you're trying to cover on camera. So she's like, you know, my sister always took care of me.

Speaker 1 She always fought for me when the girls were bullying me for being a hot future real estate agent in a denim top. And, you know, I just can't believe we can't be friends.

Speaker 1 And then they talk about their mom and Sher's mad at the moment and she's probably got her blocked because she's Cher's always fighting with everybody.

Speaker 1 But then we find out Cher has like severe depression issues and that she used to be best friends with Britt. But then Britt found a man and ditched her, which I think we've all experienced that.

Speaker 1 And she's like, but that's my husband.

Speaker 1 And she goes, yeah, but then, you know, when I want to have a private conversation with you and talk about my depression or how I'm feeling like shit, she starts crying and she goes, well, I don't care.

Speaker 1 That's my husband. He has to be there.
I'm like, okay, so you're a bad sister too. Because really,

Speaker 1 your husband even has to be there like at her darkest times. She can't ever have a moment alone with you because you're married.
Give me a fucking break. This girl sucks.
Team shit.

Speaker 1 And yeah,

Speaker 1 and Shara's so nice. She was so nice to the server when the server came by.
She's like, thanks, babe. And, you know, Shara's like, look, I get it.
It's your man. I'm not hating.

Speaker 1 I love him, you know, but like, I need like one-on-one time. And, you know, and Britt's like, you know what? Share loves Mike.

Speaker 1 And Mike has been like a big brother to her, but I think she takes out her issues with me on him. I'm like, no, she probably is just sick of him being there.

Speaker 1 He probably doesn't want to be there either, by the way. I don't think he is one of the more disinterested house husbands that we've seen in a while.
He's like that dog.

Speaker 1 He's like, please let me just go. It's like, no, you and Mimosa are going to sit here and judge share with me.

Speaker 1 So Britt's basically like saying, you know, Mike's been great to her. And she goes.
You know, I don't have a lot of friends. And it's just always been like me and family.

Speaker 1 If you don't have a lot of friends, you may want to examine that.

Speaker 1 I don't know. Everybody's jealous of her.
She's just like so hot, man. Like it's really hard.
Yeah. It's really hard being her.
She's just one of those people. It's like, it's so hard.

Speaker 1 People are jealous.

Speaker 1 People are so jealous. I was in music videos in high school.
Okay.

Speaker 1 But they get to a nice place and they... they do, you know, they reaffirm that they love each other.

Speaker 1 And, you know, and then, and Britt makes the ultimate sacrifice, which is that her, she gets like three texts and a phone call. And she's like, No, you know, it's real.

Speaker 1 Cause by the way, Mike is trying to text me and I'm not against real text right now. Like, oh, wow.
Thank you for that major sacrifice that you're making. Yeah.

Speaker 1 So

Speaker 1 then I have to say on a

Speaker 1 completely unrelated note, Cher's also very good on camera. Like, Cher came ready.
She was like a natural. Like, she's been on TV for 15 years.
She did a great job.

Speaker 1 I say fire Brittany and bring on Cher. I want to hear more about Cher and her issues.
I want to see Cher fighting with their mom. You know what I mean? That's what I want.
Let's go to Brit.

Speaker 1 Her name isn't Chaz. It's Cher.
Okay. She was meant to be a star.

Speaker 1 Oh, poor Chaz.

Speaker 1 It's like, what do I ever do?

Speaker 1 Listen. Besides nothing.
Scoreboard. Yeah.
So then

Speaker 1 next we go to Dennis in the studio with the Hot Dog King. So Drew comes in and she's like, hi, everybody.
And he's like, wait a minute, are you performing tonight?

Speaker 1 She's like, I'm always performing in the booth, don't I? Always? Oh, God, I'm so excited about this record.

Speaker 1 80 songs. God, we're the new Taylor Swift, a live poet society, a live hot dog society.

Speaker 1 How about we call, okay, how about we call our album um noons?

Speaker 1 You know, because like Taylor's is like midnight, so ours will be noons. See what I'm going for there? It's just gonna be, it's gonna be huge.
Taylor Slow,

Speaker 1 dress ripper slow, dress ripper ripper slow.

Speaker 1 So we hear some lyrics. Ladies, if you sick and tired of it.
Okay, so she gets up there to sing. This is where she can't like stay with the music or anything.
And she's like, ladies,

Speaker 1 if you sick and tired of it, slide on him, glide it, slide on him. Ew, I don't want a song produced by a hot dog person

Speaker 1 with these lyrics. I don't like it.
Well, it is. Slide on it, glide on it, slide on it.
It is how give me a dot. I'm not saying put a hot dog on a bun.
No, give me a dry bun.

Speaker 1 Wait a second. I'm not sure if I understand the motivation.
Ladies,

Speaker 1 if you're sick and tired of it, add some relish or some onions.

Speaker 1 Is that new slang? Is that new slang, Dennis? He's like, just trust me. Put some chili on it and put some chili on it.
Steam it. Relish it.
Catch up. Catch up.

Speaker 1 Do you want your bun toasted, toasted?

Speaker 1 So Dennis is like, so I mean, now that you're single now, you've got to give the guys a little, you know, uh-huh, uh-huh, uh-huh. And she's like, well, I'm not technically single.

Speaker 1 I haven't signed in the dotted line yet. And she tells us, Dennis is an intricate part of the album, which I think she meant to say integral, but she said intricate.
Like

Speaker 1 she's a fast, he's very intricate. He's so intricate on this album.
There's actually the album artwork is just Dennis' face, but done in a mosaic. It's very intricate.

Speaker 1 He's serving as my executive producer. He's placing me with various award-winning producers of hot dogs, sure, but

Speaker 1 they've won things, and that's the point.

Speaker 1 We are so honored that we have a representative from the Heinz Corporation writing some of our lyrics for our ketchup song. I actually have a tune done by the Coney Island producer.

Speaker 1 Coney Island Dog Producer. So

Speaker 1 It's huge.

Speaker 1 So we just have a great partnership and to put out an incredible body of music and also hot dogs because you know what's the

Speaker 1 it just works. It is going to be awkward that an entire song has to be done in Hebrew, but you know what?

Speaker 1 We're trying to cover all the bases with every brand. I think Hebrew really needs a sexy song kind of referencing

Speaker 1 penises and hot dogs at the same time.

Speaker 1 We're going to change the world together.

Speaker 1 I was really hoping we could find a producer named Nathan just to really just see it all the way through, but unfortunately he was booked. Yeah.
So she's like, y'all trying to get me in trouble, huh?

Speaker 1 And he's like, trouble with who? And she goes, yeah, I've been in a lot of trouble these days with you know. And he's like, oh, with Portia.
He's like, I don't even know what's going on with that.

Speaker 1 Do not pull me into more Porsche shit, even though I'm sitting here right on her show. Somehow I've managed to be on five seasons of television.
God, I hate this.

Speaker 1 He's like, I don't even know what you're talking about.

Speaker 1 And then it's like, rewind to two weeks ago, Porsche being like, when you show up anywhere on these cameras with anybody else, it's going to be a problem. And he's like, yeah, I don't know.

Speaker 1 I have no idea. So Drew says, to be honest, there wasn't drama with Dennis and I working together until now.

Speaker 1 I don't know how genuine it is because Portia's going through a lot of things, but this isn't affecting Portia. Well, yeah, there wasn't drama.

Speaker 1 with you and Dennis working together until now because there weren't cameras until now. And that is Porsche's big issue.
She doesn't want Dennis to be able to have a platform to talk shit about her.

Speaker 1 Yeah.

Speaker 1 And so she's like, when I go hang out with my girls, you know, it's a little stressful of an environment. I'm like, okay, Drew, just be quiet.

Speaker 1 It's stressful of an environment.

Speaker 1 It's not a stressful environment, but it's stressful of the environment. Yeah.
The environment. Yeah.
He's like, I get it. It's intricate.
It's intricate. It's intricate.
So

Speaker 1 he's like, you know, she told me she was good with it, but now it's not okay.

Speaker 1 And he's like, yeah, but when we started this, to be fair, she was in Nigeria. So I didn't have to be like, hey, this is what I'm doing.
But now she's not in Nigeria.

Speaker 1 Now she's here and she cares, you know?

Speaker 1 And he's, and she's like, well, can you bridge the gap and let's just, you know, let's just clear the air. He's like, well, you do that.

Speaker 1 So she says, you know, me and Porsche at this point, it's like a closed door for me, you know, like much of the music industry. And I've made several attempts to try to talk to her.

Speaker 1 And you have to just let Porsche be Porsche. And we'll talk on Porsche's time.
And if not, it is what it is.

Speaker 1 She's acting like she's like totally unbothered by the fact that Porsche isn't calling her back.

Speaker 1 But you know what's killing her on the inside because like she's trying to hitch her, hitch, hitch on to that Portia star. And I like Dennis because he's as unhelpful as he's always been.

Speaker 1 Like it doesn't matter. Just change the woman out and he's still completely unhelpful.
She's like, well, you know, this is an issue with you and Portia.

Speaker 1 So it would really be nice if you spoke with Portia. And he's like, no.

Speaker 1 Good luck.

Speaker 1 No,

Speaker 1 I'm in the middle of writing a really good song about Oscar Meyers.

Speaker 1 So then Drew. But the most important part is my mother is loving the storyline.

Speaker 1 He's like, okay, Drew, we wrote a song about someone who choked on a hot dog. So I'm going to need you to go in there and start seeing the lyrics.

Speaker 1 So she gets in there and she's like, Bitch, I need to breathe. Bitch, I need to breathe.

Speaker 1 Heim Lick, Heim Lick. Heim Lick, Heim Lick.
And they're like, a little bit deeper with your voice. She's like, Heim Lick, Heim Lick.
Okay, just a little bit deeper. Heim Lick, Heimlick.

Speaker 1 Okay, hold the Heimlich out like you're going, Heim Heimleck, Heimlick. She goes, Heim Lick, Heimlich.

Speaker 1 She's burned down the studio.

Speaker 1 She's like, okay, well, that song is really kicking my butt.

Speaker 1 In the back of a diner, it's just like,

Speaker 1 that's the choreo.

Speaker 1 Put your palms on the little corner of the chest and push Heimleck and push Heimleck.

Speaker 1 For real, though, the lyric is, bitch, I need to breathe. And And she says it about 50 times.
And they're like, can you go a little slower? Can you go a little deeper? And she does the same iteration.

Speaker 1 And then she goes, wow. I mean, this song is really kicking my butt.
You're making Grace Lilly sound like Tina Turner right now.

Speaker 1 And Dennis is like, it's a hit, though. It's a hit.
It's a hit.

Speaker 1 Heim Lick. Heim Lick.
People all over the country are going to be doing the Heimlick. You have saved lives today, ma'am.

Speaker 1 Memo to our editor, Christina. I'm going to need you to do a remix of the hit song.
Heim Lick, Heimlick, Heimlick, Heimlick. Giving you some visuals.
Heim Lick, Heimlick, Heimlick, Heimlick.

Speaker 1 I'm like, Heimlick, Heimlick, Heimlick, Heimlick. Heim Lick.

Speaker 1 So now we're getting ready for Angela's dinner and Shamia FaceTimes Portia. And she's talking about how she wants to apologize and stuff.
And Portia's like, just like.

Speaker 1 So then Britt's talking to Kelly on FaceTime. And everyone's like, I don't want to go to the hood.
Please don't make us go to the hood. This neighborhood is just a hood.
Don't make us go there.

Speaker 1 And she's like, what are you talking about? It's Bankhead.

Speaker 1 No one wants to go to Bankhead. I don't know anything about Bankhead.
Me neither. Except Tallulah Bankhead, right? Isn't that someone?

Speaker 1 But apparently, Bankhead is not the safest place. And they all do not want to go there.
So Shamia is asking Porsche if she's talking to Drew.

Speaker 1 And Porsche's like, no, it's not going to happen tonight because like, you know, it just needs to be 101. And like, I don't know.
Like, I kind of heard a demo of her song and it really fucking sucks.

Speaker 1 I just don't want to be near that mess. Heim like, Heim, like, damn, it's catchy.

Speaker 1 She says, No, I'm not gonna talk to Drew. I'm so sorry.
I'm trying to see if swinging Richards was located in Bankhead. Oh, because just so I can say for Bankhead

Speaker 1 because that was an event. How did that Ronnie? How did your fucking Heimlich song get so catchy? It's just two words.
It's not even barely sung. I'm the singer going, Heimlich.

Speaker 1 I'm going to become a pop master.

Speaker 1 Um, so then

Speaker 1 they're talking about, so me and Portia are talking about Drew. Did you already do this while I was Googling? Yeah, they just talked.

Speaker 1 Basically, Portia's like, Portia will have a one-on-one with Drew, but she's not going to do it in a group scene. That's what she basically says.

Speaker 1 So then she's like, tonight the theme is black excellence. I wanted the ladies to wear all black to super sexy black.

Speaker 1 So she's really excited about, you know, an all-black party, which is kind of. every party.

Speaker 1 And then so we go into this bank and it looks really cool. It's like all, it's like a huge vault door that you have to open.

Speaker 1 They do a big transition shot. Oh, they had so much fun in Final Cut on this episode because they had this giant vault door.

Speaker 1 Like you just said, and this guy opens the vault door and opens it very slowly. And on the other side of the vault was a close-up shot of Angela's face.
I was like, wow, walk into it.

Speaker 1 She's like walking confidently.

Speaker 1 I was like, oh, wow. Walk into Angela's mouth.
That's what this is. Because they just had her face right inside the vault like this.

Speaker 1 But I also kind of wanted to see what that restaurant looked like when you opened that giant door. I wanted to see a view of the restaurant, but you know what? Angela, Angela works too.

Speaker 1 So, uh, and it was a cool edit. So then, um, she's like, I don't care what

Speaker 1 did you say?

Speaker 1 I said it was a good use of masking. There's a little shout-out to the post-production team for their uh using the magnetic mask and Final Cut Pro.

Speaker 1 Can you tell me watching uh Final Cut Pro tutorials?

Speaker 1 I'm like, Great use of the magnetic mask, guys.

Speaker 1 Uh, can we get a little more soupy on that?

Speaker 1 Can we use a new filter?

Speaker 1 Oh,

Speaker 1 it's Carl. Carl your editor now.

Speaker 1 So everybody arrives wearing black, and they're like, oh my God, you're wearing black. I'm wearing black.
Oh, my God. You look so good in black.
You look good in black. I'm wearing black.

Speaker 1 Kenya comes in, and she's

Speaker 1 wearing bright, like... Like a Statue of Liberty, kind of.
It was like the background of our screen here. She's wearing Krappens blue.
Aka Statue of Liberty green.

Speaker 1 And

Speaker 1 Brit, and Brit's like, um, I thought we were all wearing black.

Speaker 1 And Portia's like, What are you wearing? She's like, Versace, honey.

Speaker 1 And they're like, You're supposed to wear black. She goes, I didn't get the memo.

Speaker 1 But they're like, It's obvious. It was like, right, we see the invitation.
It's like right up there, right in the center. It's like, you are cordially invited to

Speaker 1 chic black dress code at a bank.

Speaker 1 oh and she's like i don't own black stuff sorry i was expecting i'm i'm expecting her to show up in the next scene wearing black because that's very skinny she will uh so then she comes in

Speaker 1 yeah black so she comes in and says hi to everybody and and says hello to britt and britt's like oh man that was a pack that wasn't a hug and she's like that's a hug without getting makeup on me

Speaker 1 i can't stand people like that i cannot stand people we've all met people who are like like, okay, I guess that was a hug. Or like, are you not going to say hi to me?

Speaker 1 And you like, haven't said, like, you just haven't gotten over to them yet. Britt is that person.
She's needy as fuck. It's her insecurities.

Speaker 1 And like, why should we all have to deal with the, like, the, the, the shit in your life because you haven't been able to deal with it properly? And this has nothing to do with her dad.

Speaker 1 I'm just saying, like, she's just one of those insecure people who, like, the moment, like, you don't give them a hard enough hug, they suddenly are triggered into thinking that, like, um, they are being, like, they're alienated from the group.

Speaker 1 Like, relax. It was a hug.
What do you think is that? I think she's just so like trying to start a fight over nothing. It's like, can we just have appetizers? Like, you don't have to try this hard.

Speaker 1 You fucking try hard. She's so ridiculous.
So she's trying to start a fight, and Kenya's not taking the bait. She's like, okay, well, I didn't mean it like that.
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Speaker 1 Then Shamia comes in and they're like, are you holding olive oil? And she's like, my love language is gifts. And, you know, I just want to say, Angela,

Speaker 1 I don't want you to cook with this. I just want you to know I'm sincerely sorry for attacking your visible appearance when I could have been attacking your rancid, inner, dark crystal soul.

Speaker 1 So please take this olive oil with the stick hanging out of it. And Angela's like, wait, just don't leave that on the countertop or Charles won't talk to you and then I won't be able to talk to you.

Speaker 1 Please make sure this doesn't leave a little oil ring somewhere.

Speaker 1 So Shamia's like saying, yeah, love language, her love language is gifts. And, you know, she was happy that Angela accepted it.
So that was a nice moment for the two of them.

Speaker 1 So now Angela kicks off the evening by welcoming everyone. And Kenya, they're getting their food.
And Kenya's like, what are those? And Porsche is like, egg rolls.

Speaker 1 And she's like, but what's on the inside? And Porsche's like,

Speaker 1 peach cobbler egg rolls. You know, everything's sunny southern.
So, you know, cod green egg rolls.

Speaker 1 and they're joking like it's chitlin egg rolls and like they have like a little like yes and bit about the egg rolls which was really funny so then Kelly sees Drew and she's like so you know Drew you brought some extra guests to my event last weekend and I was like well she said she was bringing her sister but now she's brought guests and wow they didn't buy anything either

Speaker 1 Well, you know who else didn't buy anything? All those children. So, um,

Speaker 1 so she's so silent movie star in the the look she gives

Speaker 1 i know i totally i loved that kelly did this though it's because though drew is

Speaker 1 i know and then we see drew's makeup artist artez he comes he like walks in and then kelly says well he stayed and he didn't buy anything meaning that like after drew left artez just hung out and just was like in there for all the goss and try to get new clients yeah so kenya's like didn't he buy something didn't everyone buy something and then kelly says no and Kenny's like, well, who didn't?

Speaker 1 And then Kelly does like a swivel and just stares at Drew, which of course, of course, Drew didn't buy anything. And she's like, what? That's just not true.
It's not true at all.

Speaker 1 I got a blazer for my son. And Kelly's like,

Speaker 1 I did not see you walk out of the store with a bag.

Speaker 1 So then Drew is like, no, well, it's being delivered. And then she pulls out her phone because she's going to have, she has proof.
And she's like, here's the proof. And it's a text.

Speaker 1 Oh, she gets a text while she's showing the proof. And it's a group group text with Dennis on it.
And Kelly's like, I see Dennis texting. Portia, it's Dennis texting.

Speaker 1 And she's like, it's a group text. Hello, it's not private.
There are other people on there.

Speaker 1 And Drew insists that the Balmain jacket cost her $2,000, which is why I really believe that she didn't buy it. And Kelly is like, well,

Speaker 1 you spoke on buying something. And you even went as far as showing me a text message of you speaking with the sales associate, but you're not sending me a transaction.
You didn't purchase anything.

Speaker 1 You're drinking champagne.

Speaker 1 you're eating hors d'oeuvres and you're not buying anything clearly she's not used to being in these rooms supporting a car yeah because normally you go to balmain and they're not like guilting you into giving 10 of money to somebody to buy their purses normally balmain can stand on its own it doesn't need a charity crutch

Speaker 1 yeah um yeah but uh kelly is basically just saying that drew just doesn't hang around in uh high-end waffle circles and

Speaker 1 it's a pretty damning accusation i don't think you're supposed to have i mean this is a classic housewives thing, though, right?

Speaker 1 You have a charity and then you shame people based on how much they give you. But I'm showing up to work, ma'am.
I have to shoot scenes here.

Speaker 1 And it's not fair that you have a scene that costs me money. Fuck off with that, Valmean bullshit.

Speaker 1 I'm not going to go in there and spend five grand because you decided to have a charity that gives 10% back to an important cause. Fuck off.
Have it at the hospital next time. You want my money?

Speaker 1 You better have some make-a-wish kids tap dancing.

Speaker 1 Earn it.

Speaker 1 Well.

Speaker 1 I really like that Kelly did this thing at Balmain and then Shim Drew afterwards because that is that is classic housewifery. It is.

Speaker 1 And it's like, it's, we are getting more, like, this show has really desperately needed some, like, some rich bitch to come in here and be snobby for a while.

Speaker 1 Because let's be honest, in the previous seasons, it's been like, let's go to La Archive and shop in Marlowe's Leftovers.

Speaker 1 So it's nice to get back into like a proper store addresses to people who are six foot four

Speaker 1 and that's it the size of my size

Speaker 1 yeah that's yeah it's nice to it's nice to get out of it's nice to get out of tags and la archive and get back into ball main so i'm gonna support this this entire uh endeavor yeah by the way

Speaker 1 i was thinking of dandy and she's not as ridiculous she has not had as ridiculous moments yet but i believe in her i do get a little Marlowe energy from Angela. I don't know what it is.

Speaker 1 I don't know if it's the voice or the affectation. I really don't know what it is yet, but I'm just putting that bet down now.
I think she has way, she comes off as someone who has like way more

Speaker 1 confidence. Like Marlowe acts out in a way that you just feel like, oh, this is someone who's like desperate to be loved.
And Angela's... Well, you know these shows.
I go, don't be awful.

Speaker 1 Yeah, but we haven't seen Angela really pushed over the edge yet. So I want to see what she gets like when she's pushed over the edge.
Cause I'm just a slight bit of Marlowe though. Just slight.

Speaker 1 It's just a hint. Well, listen, she had a great comeback last week when she called Shamia Flava Flav.
So like, if that's a sign of what's to come, I'm very, very excited. Yeah.
Okay.

Speaker 1 So now they order food and they're talking about the hair spa

Speaker 1 and Kenya's going to have a party. You're all invited.
We have movie screens.

Speaker 1 And

Speaker 1 so basically they're all talking about how they're going to go. And Porsche's like, well, I'm going to take my weave out because I'm going to get a massage on my head.

Speaker 1 And she's joking about it. Better be for free.
So then Angela's like, Shamia,

Speaker 1 bring us up to speed with everything that's going on in your life. And she's like, well, thank you so much.
Well, the first thing that's happened in my life,

Speaker 1 she's like, I want to play you my new single. So here's my phone, everybody.
And she holds up her phone.

Speaker 1 She starts playing it she starts singing along with it it's like yeah yeah leaf blower leaf blower whoa

Speaker 1 leaf blower leaf blower and they're like that is hymn like heim like yeah

Speaker 1 twice as much as your last as your last single

Speaker 1 Yeah, and so she's singing and Portia starts being such a Porsche's she's being a dick. She's like, um,

Speaker 1 when is when do you start singing? She's like, it's me.

Speaker 1 no that's not you that's drew when do you sing no i am that's drew what are you talking about that's not your voice she's like uh i'm singing you think i don't know your singing voice that's not you you don't think you're not singing right now and she's shamia's getting so annoyed at her Yeah, Portia's just being an asshole because Shamia had the nerve to kind of stand up to Portia on camera and Portia no like.

Speaker 1 She's like, okay, I'm the one who brought you on the show.

Speaker 1 I've kept you on the show for all these years and now you're going to come take my show over and be rude to me or like stand up to me because Porsche deserved it.

Speaker 1 And Shamia didn't even do anything that bad. She was just visibly not pleased with Portia.
And so now Portia is going to completely turn on Shamia. I mean, wow, that didn't take Portia.

Speaker 1 Portia also is,

Speaker 1 she is pretty controlling about how she films.

Speaker 1 I mean, this whole Dennis thing, that is a full-fledged example of it. We saw, we've seen her leave.
vacations early.

Speaker 1 We saw that she dropped the news about Simon the day after part three of the reunion that season ended. So she is really good about,

Speaker 1 she's really, she takes, puts a lot of time and effort into plotting what comes on screen, what is not on screen, how it is on screen, and who is it with.

Speaker 1 And so this is all to say, Shamia has been sidekick, a sidekick for years on this show.

Speaker 1 And now suddenly, Shamia is not only a full-fledged cast member, she is initially being seen as the glue for this cast in the first few episodes. I don't think Portia likes that personally.

Speaker 1 We already see that she's uncomfortable with Dennis having scenes with Drew. And obviously she's in a better position with Shamia, but I don't think she's comfortable with Shamia having a peach.

Speaker 1 Yeah, exactly. And she's going to make her pay for it.
And if you don't believe that Portia is a controlling diva nightmare, watch her spin-off show. Yikes.

Speaker 1 Yikes. It was so good.
What a mess that show was. Okay, so, and I like that the producers are keeping a bit of that in because they're making Portia look so stupid.
They won't like it.

Speaker 1 Like they're just editing and

Speaker 1 after she does, you know she says something she thinks is smart i mean they're kind of coming for her and i like it uh so let's see so

Speaker 1 shamia is not i mean she's just she's like okay

Speaker 1 so now you're saying you don't really think that's me that's great thanks and portia tries to back she tries to back backtrack and she's like when i say it sounds like drew it's because i think it sounds good i generally thought it was drew singing no no no that's too late too late no you're being

Speaker 1 Which they write, you know, it's just another way of that. Let's ask each other questions in order to start fights at this dinner.
We don't know each other that well yet. So they do that.

Speaker 1 And the first question is, Shamia, what did you first do to earn that? What did you do to thank your husband for that Rolls-Royce he bought you? And she's, you know, does her like,

Speaker 1 twerking, twerking, twerking, shaking, clapping her butt cheeks, like, ah,

Speaker 1 okay, next.

Speaker 1 Has Angela had a threesome? And she's like, hell no. My God.
One time we tried that, and someone actually got up on the counter and they were almost murdered. You got to watch that in my house.

Speaker 1 And then someone does, someone says, I did hear your husband was spicy. And Angela's like, he can be.

Speaker 1 And Portia's like, well, now I've heard something else about Charles because they're sort of alluding that there's like, there's stories about Charles that are out there.

Speaker 1 So then Britt is like, I heard something about Charles. And she goes, and Britt's like, wait a minute, Portia, you've got tea.

Speaker 1 And she's, Portia's like, oh, wait, I'm going to wait. And she's like, well, what did you hear about my husband? She's like, I'm going to wait.
Okay, next question.

Speaker 1 So the next question, well, Angela's like, Portia doesn't even want to speak about her own marriage under her own and her own relationship. So why are you mentioning my husband?

Speaker 1 Like, don't even say Charles's name. Don't even get it out.
I'm sorry, stupid bitch.

Speaker 1 The producer goes, what? And she says, nothing.

Speaker 1 So now, Kenya, what color panties do you have on? So she throws her panties. She shows her panties saying, oh my God, that's the biggest vagina.
It's gonna eat all the food.

Speaker 1 And then we get to dawn. Daunt.

Speaker 1 We get to shady questions.

Speaker 1 It's the silly questions, which, by the way, thankfully the silly part was like really brief. It wasn't like Potomac or like Beverly Hills where they draw out the or real households of New York.

Speaker 1 Like, what's your favorite sexual position you've had while eating ice cream? And then it's like 10 minutes of them talking about it.

Speaker 1 And then 10 minutes of interviews of them reacting like, vanilla ice cream. I don't think I can eat vanilla ice cream ever again.
So this is just like a quick thing.

Speaker 1 And then they get to the shady questions.

Speaker 1 So then they're basically they come for Kenya. And by they, I mean, Brit.
So Britt says, to Kenya, can you speak to Britt kindly and not with an attitude? I didn't write it, I promise.

Speaker 1 Well, the first was, there was a first question that says, the Drew read that was like, Kenya, why are you so worried about a happily married woman? And Kenya just kind of laughs it off.

Speaker 1 She goes, aha ha ha, it's a habit. And Kelly's like, a habit? She goes, I'm just being silly.
And so now Britt's, that's the question you just said.

Speaker 1 Can you speak to Britt kindly and not with an attitude? I didn't write that. I promise.
I didn't write it, but it's hilarious. Are you mad? Because Britt's gorgeous and wears denim tops.

Speaker 1 Are you Johnson insurance agents? So then Kenya's like, well, the answer is yes. I can speak to everyone kindly without an attitude.
And I think I have.

Speaker 1 And so Britt's like, yeah, but we're talking about me, sweetheart. So what do you mean? Why? I've got the floor, baby.
You're the one with the attitude here.

Speaker 1 Kenya does not give you any attitude or any like

Speaker 1 really significant attitude for.

Speaker 1 Kenya's still smiling and she's just like, you want a moment? Have your moment. She's like, this is not a moment.
She goes, yeah, it's a big moment for you. She goes, you're having a moment.

Speaker 1 Do you need to step out? Do you need to step out? And I cannot believe Drew wasn't like, well, thank you for acknowledging that. Because that

Speaker 1 it's close. It's close to one of my huge films.

Speaker 1 Yeah, The Pass. It's also close to my ex-husband's book, The Step In Parenting.
So then Kenya's like. Step Up, Drew.
Oh, she wasn't Step Up. You're right.

Speaker 1 Yeah. So I thought there's a reference to the Step In parenting.
And then I was thinking about Drop It with Drew when they did steps.

Speaker 1 Anyway. So Brit, she's like,

Speaker 1 a drop it, Kenya. She's like, thank you.
Thank you again. Just thank you.

Speaker 1 So Britt is like,

Speaker 1 Britt's like, do you need to step? Like, you're having a, oh, you're having a moment. Do you need to step out? And Kenya's like, I am a moment.
I can speak to everyone.

Speaker 1 And Britt's like, oh, well, this wasn't about everyone. You want me to read it again? Would you like me to read it again?

Speaker 1 I'm like, wow, you're really fired up about a question you quote unquote didn't write yourself. She's like the SNL parrot or the

Speaker 1 one that the bitch sesh girls did years ago, like the hot wives, where they would just be like, Pepper, you said you want pepper. How dare you? Just like, yeah, personally,

Speaker 1 yeah, like ready to be like a professional reality star. So, Kenya's like, Okay, I'm not gonna play these childish games.
Peasants cannot come for queens. And she's like, What?

Speaker 1 That was what you said, peasant. Angela's like, Okay, well, guys, we have olive oil over here, holive branch.
Charles is gonna get mad soon if it spills. So, come on, enjoy it.

Speaker 1 I love when she goes, Girls have got olive oil over here. And so Kenny's like, please stop.
And Britt goes, um, I didn't send for her. Kenny goes, oh, yeah, thanks for using one of my catchphrases.

Speaker 1 She's like, girl, get the fuck out of here. Get out of here, bitch.
And everyone's like, okay, whatever. Some people are trying to be the wrong ones for every moment.

Speaker 1 Like, get the fuck out of here, bitch.

Speaker 1 And everyone knows, like, everyone sees how ridiculous she's being, but she just won't stop. Saying, oh, yeah, you want to come for me? You want a piece of me? I'm like a piece of apple pie.

Speaker 1 Everyone's Everyone's going to get a piece today. Come at me, bitch.
Yellow.

Speaker 1 What are you doing? And here's how you know she's. What is wrong with you?

Speaker 1 It felt very like it was, you know, it was kind of like Brittany Bateman trying to have a scene on Salt Lake City, you know, and like Brittany Bateman was funny because she also was just as blatant and obvious, but she, she just flopped so many times that we just grew to enjoy it.

Speaker 1 But Britt isn't at that level yet of flopping so many.

Speaker 1 This is just like, she needs to do a whole bunch of flops, but she is also met with the same thing that Brittany Bateman was often met with, which which is indifference.

Speaker 1 And that's really a bad sign when she's trying to stir this whole thing up and she's starting to get feisty and just no one's paying attention. Everyone's like, okay, whatever.
We're going to go now.

Speaker 1 They're like, Kenya's like, whatever. Kenya's just ignoring it.
She's trying to gather the veterans to like, you know, kiki about it, et cetera. Like, she doesn't care.
Yeah, I like that.

Speaker 1 When Kenya was like, can all the people who have been on this show come outside with me? And so they start leaving. And this is when Britt is like,

Speaker 1 well, hold on. Let me call my husband that cares about me.
And Kenny's like, oh, she's kind of unfortunate. She's like, yeah, she's being extra.

Speaker 1 So Britt's like, um, wait, let me come on this side so I can be aware of my surroundings. Oh, we're not done.
We're not done. We're so catching this moment.
Where are you going?

Speaker 1 I'm going to call my husband. I'm going to call my husband.
And my husband's calling. Everyone, my husband's calling.
Oh, do you guys have a husband?

Speaker 1 Because I've got a husband who's calling right now. It's like, oh my God, shut the fuck up.
Yeah.

Speaker 1 So Drew's like,

Speaker 1 what are we doing? Can I put this gift down? It's really heavy. We didn't even see what was in the gift, did we? No, we didn't.

Speaker 1 They got these big-ass gifts, and now they're all just like, literally the veterans are getting into their own car to drive away to talk smack with the newbies.

Speaker 1 And I like that Drew's basically like, are we filming? Because I don't have the upper body strength to hold this. Oh, we are filming.
Oh, yeah. She's lifting it up and down.

Speaker 1 She's like, yeah, doing reps. Not dropping it.
She's like, this is hard because I want to show I can do reps, but I also need to drop it to show I can drop it with Drew.

Speaker 1 So Britt still keeps going. She now's on the phone.
She's like, somebody find my husband. Where are you at, baby? And then

Speaker 1 the Kenya, the vets, Kenya, Shamia, and Porsche go to the car. And Britt's like, I'm ready, baby.
I had to let that bitch know. I mean, don't play with me, bitch.

Speaker 1 And Britt starts going off. Like, everything's fine.
Everything is cool. Everything's good.
Kenya, her little ditzy ass, like, bitch, play that shit in front of the cameras. Don't play that with me.

Speaker 1 I don't play those games. I don't play them.
I got whips. I got a pistol.
I got everything. I was like, oh, no.

Speaker 1 Really?

Speaker 1 So,

Speaker 1 yeah, she's really trying so hard right now. She's like, play that shit for the cameras.
Don't play that shit with me. She called you a peasant.
Girl, you really have to relax.

Speaker 1 Yeah, she called you a peasant and you're begging your husband for extra money to not have popcorn ceilings. Like she went totally wrong.
You know what I mean?

Speaker 1 I, yeah, I'm shocked that she's not getting along with her sisters. She doesn't do all that thing, Hollywood shit.
This is real life. This is real life.
This is real life.

Speaker 1 You just had a dinner party in a bank vault. It's not real life.

Speaker 1 i'm telling you this right now it's not i don't play those type of games you want to be respectful no fucking peasants you got to be respectful around here and if you don't know you're gonna learn today this is the day you're gonna learn see this is why i'm sad that kenya really screws the pooch next week because this is the perfect example of why kenya

Speaker 1 is really like one of the all-time greatest villains because she can say one word. She calls this girl a peasant and Britt has now lost the the thread.

Speaker 1 She is spiraling in a parking lot outside of the fake bank and losing her mind, threatening to pull out whips and pistols because she was called

Speaker 1 a peasant while the person who she's yelling at is in a car and has already driven away.

Speaker 1 I mean, I think this is like, that is how, like, Kenya just says, like, well, those people who know it's just say the right thing just to send someone off. And it's so good.

Speaker 1 And it makes me so mad that she

Speaker 1 messed up so much next week. Well, I think it's also just that Brittany wants to fight so bad and Kenya's just not giving it to her.

Speaker 1 So she's like a little kid, you know, she's not getting her way, so she's just going crazier and crazier.

Speaker 1 And now she's just like sitting there yelling and threatening to threatening to shoot people or insinuating that she could shoot people, just to keep it technical.

Speaker 1 And meanwhile, Kenya's like, whatever. So she gets in Portia's car and they drive off, but their mics are still on.

Speaker 1 And Britt's still going off, oh, she's one of those types where she just wants to keep poking and being dismissive. Well, take it, bitch.
I'm wearing a denim top and I'm new real estate and I'm ha.

Speaker 1 And the girl's in the car. Kenya's like, wow.

Speaker 1 She's talking about her. She's talking about

Speaker 1 her. Really? And Portia's like, she said gun.
And Kenya's like, yeah, she was talking about she still has got a pistol on me. I mean, this girl is a problem.
She's got to go. She's got to go for real.

Speaker 1 And Porsche's like, yeah, she's got a little hype. So I'm going to go this way.
And Kenya's like, please, please let her do something to me so she can go. Okay.

Speaker 1 Oh, but, oh, look, Charles Oakley is here. I'm not going anywhere near Charles.
I don't want any problems with Angela. So,

Speaker 1 which is sort of to imply that there's something going on with Charles.

Speaker 1 I didn't mean yikes to that. I just meant yikes to the, to the Brit stuff.
Like, yeah, yeah, no, I'm saying yikes too, because I think Kenya may have spilled something in Charles's presence.

Speaker 1 And that's a no-no.

Speaker 1 Well, that brings us to the end of Atlanta. Down with Brit, I say.
I think she sucks. Yeah, she does.
I don't need anything. She really does suck.
Like, if this is her audition, you're done.

Speaker 1 Just try too hard. We would have been like, go away.
You're trying way too hard. And

Speaker 1 this is not the show for that, ma'am. Okay.
You're trash. Yeah.
She did the first show. Don't be like poor and pretend you're getting lobster catered somewhere else, ma'am.
I can't. Yeah.
Bye. Yeah.

Speaker 1 Anyway, thanks everyone for being here. Thanks everyone that came out to our shows over the weekend.
Those were so wonderful. And we will see you on the next episode.
Bye-bye. Bye.

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Speaker 2 Picture this: You're standing on the beach when you notice something strange. The horizon doesn't look right.
At first, all you can see is a thin white line stretching as far as your eyes can see.

Speaker 2 Then the line starts to rise. But it's not the horizon at all.
It's a wave, a 30-foot wall of water, and it's racing straight toward you.

Speaker 2 On the day after Christmas in 2004, a 9.1 magnitude earthquake hit off the coast of Indonesia, triggering a devastating tsunami. It struck Thailand without warning.

Speaker 2 No alarms, no cell phone alerts, no evacuation.

Speaker 2 In this season of Against the Odds, experience one of the deadliest natural disasters in history through the perspectives of those who did everything they could to survive.

Speaker 2 Follow Against the Odds on the Wondery app or wherever you get your podcasts. You can binge all episodes of Against the Odds Tsunami in Thailand, early and ad-free right now on Wondery Plus.