#2980 RHOM S7E12 Part Two: The Strain in Spain Stays Mainly in the Plane

45m

This is part 2 of 2

Stephanie weaponizes her private plane amidst squabbles, unfollows, and textses on The Real Housewives of Miami. But the real hilarity comes once Kiki justifiably uses the “o” word against Adriana. To watch this recap on video, listen to our bonus episodes, and participate in live episode threads, go to Patreon.com/watchwhatcrappens.

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Runtime: 45m

Transcript

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Speaker 1 Well, hello and welcome to Watch What Crappens. This is part two of a two-part recap.
If you're like, hey, wait a minute, I didn't hear part one. Guys, it's because we put out a lot of recaps.

Speaker 1 Go back and listen to part one. Okay, it's before this one.

Speaker 1 Bye. Enjoy the show.

Speaker 2 So back at the tile making, Julia is like, says that she and Marisol are going to talk to Lisa. They're going to have a conversation with her.
And like, oh, well, you know what?

Speaker 2 She doesn't like people telling her what to do.

Speaker 2 She's like Peter, you know, an artist, doesn't like people telling him what to do.

Speaker 1 Julia's like, I don't like it either.

Speaker 2 But Larsa has been telling her literally since June, like, Lisa, please, you're my friend. You're following Marcus and you know what he's done to me and my family.

Speaker 2 And she just doesn't want to do it because Larsa is telling her what to do, you know? So then we go back to the other group and Adriana is basically, Adriana, this episode

Speaker 2 through like 75% of this episode is looking very sane. And I'm like having moments where I'm like, you know, I'm really appreciating Adriana.
We sort of forget she's so smart. She is very educated.

Speaker 2 And she can, she actually can have a really good like head on her shoulders when she gets out of her own way.

Speaker 2 And so, you know, I'm like, wow, look at Adriana being a voice of reason in this scene right now

Speaker 1 yeah i know it's always funny this show this show tricks us all the time so gertie is like um listen i know you're not ready to unfollow marcus and it's so stupid but the factor is it's escalated everything you have to unfollow marcus but she's been so aggressive no she's not going to tell me what to do adriana you're the voice of seasons what do you think this the voice of reason hold on let me write that down

Speaker 2 right down reason that's a good one i like that makes more sense.

Speaker 1 I love reasons. They're so good in cereal.
No, that's reasons. Okay, let me write that down.
All right.

Speaker 1 Let me write that down.

Speaker 2 Johanna's like, you don't want to unfollow Marcus on Larsa's demand because that means she's winning.

Speaker 2 At the same time, I feel like you're empowering her because she's using that to run the whole group against you.

Speaker 1 He's just like, I mean, thank you. Very, very well said.

Speaker 1 I love it when she's like this.

Speaker 2 That's what I'm saying.

Speaker 1 Like, but I also love it when she's like, you shut up with your stupid old wrinkly, bony knees. Why don't you get face surgery on your knees?

Speaker 2 But like, in this moment, there's like clarity, and Adriana says something smart.

Speaker 2 And Lisa's like, okay, you know what? I'm just going to do it. I'm going to do it.
I'll do it. I'll do it.
I'll do it. And so she unfollows Marcus and they play like hallelujah music.

Speaker 2 And it's a whole big, exciting thing.

Speaker 1 You see that, guys? I think I see pigs flying. Kiki.
And Lisa's like, um, yeah, you know, I don't think Lars is going to go, you know what? Thank you, friend. I think we can move on now.
Okay.

Speaker 1 It's not going to happen. It's not going to happen.

Speaker 2 Nope. It will definitely not.
But it's good to take away that chip. And in fact, I think Adriana says that in the background somewhere: like, you took away that chip.

Speaker 2 So now we go back to the hotel, and Marisol is going to have a sedative. I had this conversation with Monk.
And she says, if Stephanie's, it's Stephanie's playing, Stephanie's choice.

Speaker 1 We're not bring like women's rights

Speaker 1 language into this.

Speaker 1 It's her choice.

Speaker 1 We're not in Florida at the moment or Texas or something like that.

Speaker 2 Planned airplane hood.

Speaker 1 It's her choice. For now.

Speaker 2 For now. I know, for now.

Speaker 1 So Lisa joins.

Speaker 2 Bro versus fly, am I right?

Speaker 1 Yeah, somewhere.

Speaker 1 Someone wrote me a DM and said, Ronnie, please stop bringing bringing politics into everything. You're ruining it.

Speaker 1 Listen, if you think little jokes like that are bringing politics into it, if you think of the things that I've said, just think of the things that I could be saying. Okay.

Speaker 1 And send me a fucking gold medal in the

Speaker 1 gold fucking medal for all the things I haven't said in the past 13 years.

Speaker 2 Okay. Yeah.
And next time you vote for someone who advocates for removing the rights of someone to just live as their normal selves, I think

Speaker 2 that person gets to say, can we keep politics out of my life? Thank you very much. So yeah,

Speaker 1 Jesus. So let's not everyone

Speaker 2 activate it.

Speaker 1 Like, we just got

Speaker 1 to be all fit.

Speaker 2 We just got so salty so quickly.

Speaker 1 Lisa comes to talk to Julia and Mary Sola and she's like, hi, everybody. And this was what cracks me up because Lisa has shown up to literally every scene so positive.
She's like, hi, guys.

Speaker 1 Like, even when she's late, she's like, hi, guys. I just wanted to come to your room and say, hi.
Sorry, I'm late or whatever. She didn't say, sorry, I'm late.
That part, that was the problem.

Speaker 1 But, you know, she comes into every scene like, hi, guys. Let's start afresh.
Clean slate, right? And I'm like, sit down. We need to talk to you, monkey.
You're about to get grilled. All right.

Speaker 2 I'm so mad at Marisol because her stupid nicknames have invaded my life. Like, I hear, like, I, I, like, I'll be walking around.
I'll hear, hey, Keeks.

Speaker 2 I'll be hey monk and New York Times just came out with a new game called pips and like all I can hear is pimps

Speaker 1 I tell people

Speaker 1 it doesn't even make any sense I'm gonna say hey pimps

Speaker 2 I hate this because it means that Marisol is no longer the forgettable whatever on this show like she actually like officially now has a place in my heart. It makes me so me too.

Speaker 1 This is the first well I think it started last year and I think it's super interesting because she was just so boring and lame.

Speaker 1 And I think I went over this last week, but she was so terrible the first run of the show. The second show, she came back as a carbon copy of her mother.

Speaker 1 Like she was just trying too hard to have all the jokes and the props and that. And she spent a couple of years doing that.
And she's really gotten the hang of it. I think she's really good.

Speaker 2 I think she's actually found her exact lane and her exact vibe. Like she is like,

Speaker 2 I don't know. Like, I get annoyed sometimes that she does have these lines that she's like, I won't sit there.
I'm not going on this party if Adriana's there.

Speaker 2 She always has this simmering feud with Adriana. But yeah, I don't know.

Speaker 2 The fact that I'm going around being like pimps and you're going around going pimps.

Speaker 1 It's crazy.

Speaker 1 I'm having a weird year with that, though. I don't know.

Speaker 1 It's one of those things where I don't know if they're changing or if I'm changing, but I noticed like I like her now, which is uncomfortable for me because she's made me crazy for so many years.

Speaker 1 And I noticed that in the preview of Salt Lake City, I was like, oh my God, Bronwyn. They're being so mean to Bronwyn.
I don't like that.

Speaker 1 Like I'm feeling defensive over, like protective over Bronwyn, which is super weird because she makes me crazy. I'm loving Heather DeBrow on OC.

Speaker 1 Yeah. I mean, what's next? Am I going to become a Kyle Stan on Real House Austin Beverly Hills?

Speaker 2 What's happening to me?

Speaker 2 Yeah, it could all happen.

Speaker 2 Well, Pips, okay, Monk, get on over here. Get on.

Speaker 1 I'm going to be like, Ben, you know who's really changed for the better? Shep. What a good person.

Speaker 1 Just love him. Love him now.

Speaker 2 Admittedly, of all those people, Shep is like the least of your, of the ones I think that you detest, right?

Speaker 1 Oh, no, I detest

Speaker 2 the most. Really? You detest him more than Kyle Richards?

Speaker 1 Oh, the men on Southern Charm, I detest more probably than anybody combined on all of these shows. Kyle just makes me crazy, you know?

Speaker 1 I would probably hang out with Kyle in real life. I'd probably like her in real life.

Speaker 2 I would hang out with all of them. That's the saddest part.
I would hang out with literally everyone on Bravo. I like that.

Speaker 1 I would run for most of them.

Speaker 2 They're all fun. So, because they're also like crazy.
They're all psychos.

Speaker 1 Yeah. And they're all going to be fun.

Speaker 2 And I am at the end of the day, I'm a fan.

Speaker 2 You know, when we do this podcast, I like to be like, I'm a commentator, but the truth is I'm a fan.

Speaker 1 So

Speaker 2 Monk, come on, sit over here, Monk. Come on, sit over here, Monk.
Okay, we have Marbea, and we are going on Safety's jet. It is short flight and we are going to see my friends Derek and Jeff's.

Speaker 1 And it's extra special because we're going to ask them to be goats.

Speaker 2 We're going to say, can you transition into goats?

Speaker 1 And then you can come to my farm and I can take care of you. And they

Speaker 1 say yes. That's so special.
I can't wait to be there for that. I'm going to be there for that.

Speaker 1 I can't wait. So that's what we're leaving at 5 p.m., right? 10 a.m.
Okay, 4 p.m. 10 a.m.
All right, I'll be there at six.

Speaker 2 Well, I'll be on my best behavior if that's what I'm here for, because she already knows.

Speaker 2 She already knows mom and dad, or mom and mom, have like been like, okay, Lisa, we know like you're in housewives mode tomorrow. You have to be in like human being in the real world mode.

Speaker 2 These are like, these are non-reality stars and they're important. So be on good behavior tomorrow.

Speaker 1 Yeah, well, I love hearing that because they're very important people. Okay, they're god gods.

Speaker 1 And so Mary's, they're god parents.

Speaker 1 mary soul's like all right monkey you gotta put your phone away because everyone's very uncomfortable about the note taking i can't put my phone away i got kids all right well here's what we're gonna do we're gonna have a basket on the jet and when we get to the house there's a basket for the phone so we're gonna put our phones in the masket all right because people don't want you to be able to take notes there you can have your phone back and take notes after but i won't remember after that's why you can have it after do you understand monkey are you guys making the rules for everyone else Yes, of course.

Speaker 2 We all have to do that. She's like, I can't do that.
Here's the problem, Monk. Okay.
The note-taking is everyone on high alert. Okay.
We got to de-escalate.

Speaker 2 We got to get down to go from orange to yellow. Maybe we can even get to green again.
But like right now, we're in red. Situation red.

Speaker 1 One thing a real housewife cannot stand is someone holding them accountable for things they actually said, monkey. We're very, very uncomfortable with that.
Okay.

Speaker 2 Listen, a lot of these women have sold exclusives to People People magazine, and we can't have someone else writing an article about them. And that includes you, Monk.

Speaker 2 Okay, you gotta put the phone away.

Speaker 1 But I'm only taking notes on Larsa because she likes to twist things and lie. Like, I have to keep it straight.
How am I gonna remember things?

Speaker 1 One day, you take on Larsa. Next time, you take on me.

Speaker 1 First, they came for Larsa, and I said nothing.

Speaker 1 Then she came for Adriana, and I say nothing.

Speaker 1 First, they took notes on Larson.

Speaker 1 I said nothing.

Speaker 1 So, Lisa's like, Liz, I have to be able to pick up the phone. I've got two small children.
All right, well, when you're here, how can you help them if they're over there?

Speaker 1 If your baby calls and says, I've been left in a hot car, I'm dying.

Speaker 1 How are you going to save them if you're here? It doesn't matter if you're on the phone. What are you going to listen to them die slowly on a phone?

Speaker 2 I actually probably call 911 and tell them to go fetch my baby. All right, bad example.
Okay. How about this?

Speaker 2 Your kids are

Speaker 2 at the home and they want to have low-cal pizza again because that's what you taught them that they're supposed to like and you're not there to make it for them. So who are you going to call?

Speaker 2 Ghostbusters? That was a joke. You're like, that was a little on-the-fly joke.
Ghostbusters.

Speaker 1 Cockbusters, God, I love penises. All right, that was funnier, right? Use that one.
People love when I talk about penises. They love it.

Speaker 1 So he's basically saying, well, well, if you're not there, somebody's got to be taking care of the kids. Why can't they help the kids? And she's like, nobody helps.
And she goes, their father doesn't.

Speaker 1 You can't, well, Lenny, you really think Lenny's that big of a help? No, I believe that he's not a help.

Speaker 2 They're basically like someone is overseeing the kids right now. There is some adult that's overseeing the kids, right?

Speaker 2 And I guess she's saying, well, but if there's like a medical emergency, you know, I have to say, Lenny's a piece of shit, but I think if there's a true emergency, I think Lenny will probably

Speaker 1 step up. He's got a boob in one hand and a nose in another hand.
What is he going to do? Pick up a phone? No, he's got to put the boob in the nose back.

Speaker 1 He's going to have a nose in the boob and a boob on the nose. You've got to pay attention.
Can't just be picking up. Guys are shitty.

Speaker 2 Guys are shitty. But if there's also an emergency, I do think Jodi will spring into action.
And she's like, but he is not their dad. Yes, it's like, I get that, but like.

Speaker 2 If he, if, if something needs to be tended to for the kids and there's no adult around, I think Jodi will do it. And I I'll think it'll be okay.
But I mean, I don't know.

Speaker 2 This is a complicated situation. I know

Speaker 2 it's trickier than that. But that being said, I do feel like Lisa is using this as a crutch to keep her phone.
And like,

Speaker 2 I think she'll be fine. I think she'll be fine.

Speaker 1 If there's a real issue with call production, but also, I thought this call, I thought this conversation was supposed to be about Lisa being late and starting fights on the plane. Wasn't it?

Speaker 1 I don't think, I didn't think it was about taking notes, but now Marisol's making about her thing.

Speaker 1 It's supposed to be about about Stephanie doesn't want you on the plane if you're going to be late, right?

Speaker 2 Honestly, I don't really know what they're saying.

Speaker 1 They've changed it.

Speaker 2 So, so Marisol's like, are you kidding me? I mean, Jodi's not going to help you with your kids in an emergency. I mean, what kind of love is that? She's like, guys,

Speaker 2 I will remove myself from this beautiful rooftop presidential suite terrace next to the HVAC system. Okay.
Cause this is bananas. Okay.

Speaker 2 You guys are trying to tell me what to do with my phone and it's nuts.

Speaker 1 it's bananas and nuts it's actually a very nutritious snack what this all is i feel like i'm not wanted all right i love you guys bye i gotta go i don't want me

Speaker 1 and julia's like this is exactly why i don't want to happen in marbella this is what i don't want to happen it's me tell her nothing and then her scream lenny and jump off roof lisa come back oh god she got stuck on flagpole she got stuck on flagpole Somebody, please bring Crazy Face back up, please.

Speaker 1 This is our friend. I'm glad she wore belt.

Speaker 2 I think that we went to commercial at this point. And I would like to point something out that I feel like we've never really pointed out, or if we have, it's been a long time.

Speaker 2 We talk a lot about how good this show is. We talk about how the production design is amazing.
The colors are vibrant, the way it's shot. We talk about the music.

Speaker 2 Obviously, the cast is doing great things, storytelling, everything.

Speaker 2 One thing we never talk about that I absolutely love that they do on this show is that when they cut to commercial, the way they bring the pome fronds onto the screen i just love it no other housewives does it every other housewife if they're gonna if they're gonna cut to commercial they'll they'll cut to their title card it'll sort of like zoom in but the way the pom fronds come from the edges of the screen and fill up everything

Speaker 2 i mean this show just has kind of

Speaker 1 mentioned but he's he's really into apple motion and making transitions

Speaker 1 and they do they do do a really good job on that on this show yeah i appreciate their use of apple motion with their white pomfrond.

Speaker 2 Yeah, it was like, it's like a bunch of move things that they did, maybe with like a replicator. But either way, like it's, it's just an ad, like there's just something about the show.

Speaker 2 Every little element that they add in terms of the visual presentation just kind of puts it in its own league. I just love it.

Speaker 1 Yeah, it's a good one. This show is really well done.

Speaker 2 What do you think about the pom fronds, Ronnie?

Speaker 1 I think they're fabulous. I think the whole production on this show is good.
I mean, it's just so bright and vibrant and beautiful.

Speaker 1 It's a beautiful show show to look at i mean especially for such a silly thing you know it's like taking

Speaker 1 i love that they're taking such a silly thing and putting such art into it because it's really rare that you see that on these shows and well it's not completely rare i mean i think they do a really good job on salt lake city with the music and how they've made that so original i like how all the different companies are making you know trying to make things so unique Yeah, they're trying to really jazz it up.

Speaker 2 Yeah. Now it's nighttime.
Everyone's in glam.

Speaker 2 And by everyone's in glam, I mean, I think only Larsa has a makeup person, maybe Lisa. Everyone else is just doing their own makeup.
And Adriana comes into Gertie's room with no makeup on.

Speaker 2 And Gurdy's like, what? You have no makeup on. Look at this.
There's nothing.

Speaker 1 There's nothing.

Speaker 2 I'm not your makeup artist. What do you, but this is ridiculous.

Speaker 1 She goes, you do it. She goes, you do it for me.
And she goes, I'm not a makeup artist. But she does it anyway.
And she goes, oh my God, you know, we're very different looking.

Speaker 1 I don't know that we're going to have the same kind of thing. And Adriana goes, it's okay.
I like to look dark. And Gertie just looks at the camera like okay

Speaker 2 what the fuck that won't be the last time you're giving that look Gertie tonight

Speaker 1 um

Speaker 2 yeah when she said that that was so

Speaker 1 just the way that Gertie looked at the camera was so funny so now they all meet downstairs and uh Mary Soul's like kinks I'm missing it in kinks

Speaker 2 And then they're all, Kiki,

Speaker 2 what did she do? She has something on the back of her phone that she's using the thing that I used to use.

Speaker 1 Do you remember when we started doing Crappy Hour and I couldn't get my phone?

Speaker 1 We were doing it on Instagram Live and we had to use our phones. We hadn't figured out how to, there wasn't a way yet for us to use our regular webcams for it.

Speaker 1 And so we were trying to get our phones angled at the right way to do a full hour on the thing.

Speaker 1 And so I bought one of those sticky things and I would stick it to my screen right under, you know, under my camera so we could use both the camera and the phone camera. And it kept falling.

Speaker 1 don't you remember that it would fall every day i do i i didn't realize that's what kiki was using was it like a sticky so she had like an adhesive on the back of her phone or it's a little thing you can buy for the back of your phone and it has suckers it has like little mini suckers on the back like suction cups and you can like lick it and just stick it to anything it's time for a commercial it's time for a crappin' commercial

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Speaker 2 This was the funniest thing ever. So she does this thing where she sticks her phone to like a wall and they're all so enamored, like, oh my God, I can't, how did you do that?

Speaker 2 And then it's like, they just become like sixth graders playing with a camcorder for the first time. They all start doing this like video and they're like, just...

Speaker 2 You know, they were there for two hours just making a little video, then walking up to the camera, then like walking off camera. Like that was their favorite thing.

Speaker 2 Like, I'm gonna walk up to the camera and then I'm gonna walk off. Yeah,

Speaker 2 walk off. And then Marisol shows up from the bottom.
They were just like, they could have been happy if that was the rest of their entire vacation.

Speaker 1 Yeah.

Speaker 1 Well, it was hell to get here, guys. I'm dealing with a lot, and I'm not going to give Larsa the satisfaction of driving me out of this group.
So I'm coming to dinner. And they're like, um,

Speaker 1 okay.

Speaker 1 So are you going to come down to the lobby? She's like, no, no, I'm not. You guys go ahead with that.
Without me, I'm running a little bit behind. So,

Speaker 1 90 minutes earlier, we find out Mary Sol called her. She's like, listen, Lisa, listen, monkey.
I just want to see you at dinner. You can do it, Lisa.
I think it's really important you come to dinner.

Speaker 1 Who are we going to yell at, Lisa? Come to dinner.

Speaker 2 So they all go to dinner.

Speaker 2 And

Speaker 2 Adriana and Gertie are like the last to get to the vans. And so Adriana pokes her head into Julia's van and she's like, oh, it's crowded.
So she goes to the other van.

Speaker 1 And Julia's like, oh, Adriana literally looked at me and then walked the other way.

Speaker 2 And Stephanie's like, because you're fighting.

Speaker 1 She doesn't even say, can I squeeze in? Can you even believe it? There's room for three goats in here.

Speaker 2 She can sit. So then

Speaker 2 Stephanie is like, hey, Gertie, I have some serious gossip for you. Kiki found a boyfriend in Sevilla.

Speaker 2 And we see footage of like Kiki talking to some guy.

Speaker 2 This is a little piece of gossip that goes nowhere on the show.

Speaker 1 I may add. Yeah, no one cares.

Speaker 1 Well, 40 years ago when I lived here, I was 17. Oh, well, why didn't you marry a Spaniard, Alexia? Just, well, actually, I was engaged to a Spanish guy.

Speaker 1 His grandfather was the owner of Pepsi Cola in Spain. And Maritzo was like, wow, you missed that ball.
Jeez.

Speaker 2 I know, really.

Speaker 2 I'm looking for that Pepsi Cola CEO and hopes he's single and not gay, and we can put them back together because we need a big fucking band-aid. And by a big band-aid, I mean big band-aid.

Speaker 2 Look, Josh, I want him to have a big penis for Alexia. Penises, right? Everyone, should we do the drawing bit again?

Speaker 1 Ended up marrying the human embodiment of cream soda. Store brand.

Speaker 2 Get it? Store brand? No.

Speaker 1 You know, I'd marry Coca-Cola.

Speaker 1 Penises. There we go.
I love penises.

Speaker 2 You know what? I love orange soda. I would also marry...
Sun Coxt.

Speaker 2 Sun Coxt soda. Get it?

Speaker 1 Cock-free sons. All right.
That's not a soda, but you know, it's got to be.

Speaker 2 You know, what about seven cock?

Speaker 1 So everybody comes to dinner and except Lisa, of course. And

Speaker 1 Marisol's like, I need to just send somewhere I can kick Alexia under the table.

Speaker 1 Oh, oh, Julia and Mary Sol are hosting, and they decided when we come back to the hotel, we're going to meet up with Lisa. Okay.

Speaker 1 Yeah, well, I said to her, I said, here's a caveat. And she said, what's that? And I said, you know, the caveat.
And she said, can I eat it? I said, no, that's a carrot. And then she wrote it down.

Speaker 1 I was very, very upset. Okay.

Speaker 2 She thought I was talking about a fast casual place called Kava. I don't even know what that is.
But you have to put your phone in a basket when you get on the plane.

Speaker 2 And then you have to put your phone in a basket when you get to the house.

Speaker 2 You have to put the basket in a larger basket and then put that basket in a suitcase and send that suitcase to the first basket and then the other basketball.

Speaker 2 Do a lot of basket stuff. She couldn't follow it all.
She was trying to write down, bless her heart. Her pen ran out of ink and she started to cry.
It was a tough conversation.

Speaker 1 By the way, she decided to unfollow Marcus right in front of us. She did it right in front of us, everybody.
I'm so proud of her. And Marissa was like, oh, thank God, baby, Jesus.

Speaker 1 Well, we're so like past that even. Like, I mean, like, Adriana, that's like the bare like minimum.
Like, like, I don't even like care about that. Like,

Speaker 2 Adriana, I didn't know we were going to announce it because we all made a pact that we weren't going to announce that, Adriana. We did.

Speaker 1 We did. We did.
We did. Oh, well, I guess I missed that part.

Speaker 2 You were sitting right there.

Speaker 1 No, but I was looking at the birds. I was looking at the birds.
And then we see the clip. They literally made a pinky promise.
Gertie's like, okay, we're going to promise.

Speaker 1 We're going to remember by linking our pinkies. So we're going to promise not to tell anybody.
Everybody know? That's what linking a pinky means. Okay, link.
You link your pinky.

Speaker 1 You link your pinky, Adriana. It's like a physical thing they all did.
She's like, although, I don't know. I was watching birds.
So

Speaker 2 actually, but when you watch it, it you see that like um lisa gertie and kiki do the pinky thing and adriana just sitting there sort of zoning out and they're like adriana and they pull her hand into it so i think that she just was not paying attention like i think she that she was truthfully looking at the birds that's so funny but either way it's so funny so she does that so then uh lisa meanwhile lisa comes in like va ba boom i mean she looks great i mean she has this this outfit on and she's like yeah i'm going to dinner so she comes in they're all she would have been there half an hour hour earlier if they didn't take a whole setup on the street to watch her walk slowly across the street across the crosswalk you know they did that 10 times for traffic to not be in the crosswalk

Speaker 2 But they're all eating their entrees and she walks in. I'm like, wait, you're at your, they're at their entrees and you're walking in during their entrees.
I'm sorry.

Speaker 2 That's just so rude and inappropriate. Like, that's just, that's ridiculous.

Speaker 2 So Larsa goes, who shows up two hours late and acts like everything's okay?

Speaker 2 Like, and then the caption says, only one hour late as if it's like oh only one hour no big deal one hour late to a dinner guess where she lives she lives in a place called tulula land like she's like tulula lula

Speaker 2 little

Speaker 1 land yeah like she's from yoga pants to lulu

Speaker 2 so kiki goes Lisa,

Speaker 2 we made a promise not to say anything, but Adriana ran her mouth and Adriana's like, no, it's not like that though.

Speaker 2 she's like it was like that kiki stop being so ratchet and kiki is like everyone's like

Speaker 2 because like that is a loaded comment to say gertie gurdy screamed she's like oh

Speaker 1 yeah

Speaker 2 it's so loaded coming from a non-black woman and going and like you we all know how that hits and we know how inappropriate it is for her to say that and kiki like the look on kiki's face is like what excuse me i mean it was like was like, oh,

Speaker 1 oh my God. It was idiotic.
When Gertie squealed, like Gordy, Gertie screamed, squealed, and I died laughing. I was like, that was so, so funny.
And Adriana's like, what? What?

Speaker 1 I was, and Kiki goes, what do you mean, stop being so ratchet? And she goes, because I was breaking good news. And Kiki's like, no, that's fucked up.
She goes, no, it was good news.

Speaker 1 And she's, no, I'm talking about you calling me ratchet.

Speaker 1 And Alexi's like, oh my God, I'm going to choke on the bone. I'm going to choke on the bone.
In a good way or a bad way, bro.

Speaker 2 Like a penis, like a penis, bro. Okay, Kikes is having a fight.
We should watch.

Speaker 2 So, Kiki, I mean, Kiki is rightfully furious because it is, it was just wildly inappropriate, you know, for Adriana to say that.

Speaker 2 And Kiki is like, so Kiki's like, you're the ratchet, the ratchet of them all. You're the most ratchet of them all.
We made a promise and you call me ratchet. She goes, I didn't see a promise.

Speaker 2 It's like, did you call me ratchet?

Speaker 1 And Julia's like, Adriana, don't react. Kiki is overreacting.

Speaker 2 I'm like, okay, Julia, we do not need you to come in, to step in here and say who is overreacting. I think Kiki's reaction is 100% valid and 100% deserved and not an overreaction whatsoever.

Speaker 1 Yeah, nobody needs fucking problematic ass Julia being the arbiter of what's problematic or what's not. And so Kiki's like, what if she called me ratchet?

Speaker 1 Like, I'm going to, now I'll go ratchet for real on her ass. And Gertie's like, let me look it up.
I'm going to look it up for you, audience. Ratchet, what does it mean?

Speaker 1 R-A-T-C-H-E-T, low class or out of control used in a disparaging or complimentary way what

Speaker 1 wait a minute who wrote this

Speaker 2 second definition a word used by hannah burner excessively on summer house still doesn't clarify anything

Speaker 1 and stephanie's like um i think adriana must have meant to use a different word she there's no way that she meant to use that word right

Speaker 1 she knew that right

Speaker 2 so alexia then Alexis, oh, you know, she used the wrong word. All these women, they use the wrong words all the time.
They always use the wrong words. Okay, could someone pass me the

Speaker 1 password? I don't even know what you're going to try, but I dare you.

Speaker 1 What'd you say?

Speaker 2 Could someone pass me the HP printer? I'm sorry, I meant the water.

Speaker 1 Sorry, I used the wrong word again.

Speaker 2 I'm like desperately looking around my office for like, oh no, Ben, you're making a joke about using the wrong word, but you can't even come up with a word to use as a wrong word.

Speaker 2 Can someone please pass me the uh, the Google router, please?

Speaker 1 That's like saying ghetto, it's not nice, you're not supposed to say that.

Speaker 1 You called me ratchet because you're trying to throw me under a bus, and she's like, You are too old to be talking about this to people. Julie's like, Oh my god, Kiki, stop.

Speaker 2 What a beautiful response because Kiki, because not only did Kiki say you were too old, the way she said old, she goes, You are too old. Like, she just emphasized it in such a good way.

Speaker 2 It's like that is the ultimate

Speaker 1 taboo. That is the ultimate.

Speaker 2 The ultimate taboo on Real Housewives is to call someone old. And not only did she call someone old, and she's right.
Adriana is too old to be saying these things. As in,

Speaker 2 you're too smart. You can't be stupid and smart at the same time.

Speaker 2 And the fact that she emphasized old to someone on this show, on this show, especially,

Speaker 2 I was like, okay, now it's on. Here we go.

Speaker 1 Here we go. Oh, I'm old.
Because you are the same age as my fucking mom. You're the ratchet one.
Of course you're old. Yes, you're old.
Do you want to deny it? You want to deny being old?

Speaker 1 And Alexia is like, she's old. I mean, she's older.
I mean, I don't know. I'm old too.
I don't know.

Speaker 1 Adriana's like, oh, I'm old.

Speaker 2 So I guess I'm expired. It's ageism.
Okay.

Speaker 2 You know what? Why don't you just send a tour guide to come look at me and all my child work? Because I'm some old. I'm old like a palace, like Alcazar.

Speaker 4 Who?

Speaker 4 Don't mind me. I'm just old.

Speaker 1 Oh, typical Adriana. She says the most ridiculous things.
She just accused me of being old. And then thankfully the editors put it in.
Shut up, you old whore.

Speaker 1 Get plastic surgery on your wrinkled knees because they need it.

Speaker 2 She literally just age-shamed Marisol.

Speaker 1 Time out, time out.

Speaker 2 Time out, time out, time out. You guys are Delulu.
Okay, Dolulu, timeout.

Speaker 2 You guys, in order for us to get back to a Delulu place where we can all coexist and see the good and Delulu in each other, we have to understand that we have friends. We're going to be friends.

Speaker 1 And we are just, what we need is...

Speaker 2 Jesus, we need Jesus. No, we need common sense like.

Speaker 1 For Kiki, you can only be friends if you're young. Okay, so if you're old, you can no longer be friends.
That's what she said.

Speaker 2 All right, guys, let's have a lovely time. I wanted to apologize to everybody about yesterday.
I wanted to remove myself and I did and I've dealt with it myself. And anyone want to take my phone?

Speaker 2 Look at me. I'm handing off an olive branch, although it's a phone, but it could be an olive branch.

Speaker 1 And they're just looking at her like, this is not about you right now, you know? And she's like, no, no, I want to clarify.

Speaker 1 In the last two and a half years, I'm constantly taking notes because the lawyers, you know, and whoever else is going to say, I got to take notes because of everything. Okay, well, I'm sorry.

Speaker 1 I got to get back to Miami because I have to babysit her kids because that's what grandmothers do. So bye.
Goodbye, everybody.

Speaker 1 Goodbye. I have to go get in a cocoon like old people.

Speaker 1 Bye.

Speaker 2 Sorry, I have to go find Morgan Freeman to drive me around, and I have to make sure I tell my story to Kathy Bates. She's just gonna go to every Jessica tandy role.

Speaker 2 Oh, sorry, I have little robot aliens living in my tenement right now that are repairing things. Sorry, batteries not included.

Speaker 1 Are you kidding me? Old people have to babysit her kids for her. That's what she said.
Oh, no, now, now, you know, you know who's taking care of my mother? Me. It's me who's taking care of her.

Speaker 1 Oh, respect, respect, respect, respect.

Speaker 1 Respect. It's yellow.

Speaker 1 Respect. Stop it.
Respect. Stop it.
Respect. I'm done.
So Stephanie rises up all of a sudden and starts crying. She's like, I'm done.

Speaker 1 There's no way I'm taking a single chance to do something nice for Julia. This shit happens again.
This is the third dinner that all of you guys have ruined. I am leaving.
Nadriana leaves too.

Speaker 1 She goes, I'm leaving too.

Speaker 1 Goodbye, says the old person. She goes, you're not coming with me.

Speaker 2 She's like, this is my scene. She's like, no, no, no.
I love that she turned to Adriana.

Speaker 1 I was like, no, uh-uh, you're not coming with me.

Speaker 2 This is my storm out, not your storm out too. We are not allies in this.
You sit down. I'm leaving.

Speaker 1 She's like, well, I got to go babysit her kids so she can party. Seven is like, no, I'm not going with you.

Speaker 2 All you guys are crazy. Honestly, I'm embarrassed.
Listen, we are in Spain. They don't do this here.
Okay.

Speaker 2 cut to last night being like leave those men out of it i don't want them to know we are american okay i don't want them to know

Speaker 2 i think that ship has sailed

Speaker 1 i don't want them to know we're american the ways

Speaker 2 The camera crews and the screaming all night was a little bit of a tip-off.

Speaker 1 So funny. So she gets up to leave with Mary Sol.
Now they're walking out with them. So Lisa is like, oh, sorry at the table, sorry.
And she goes up to this teenage guy. She's like, sorry, sorry.

Speaker 1 Okay, everybody. Drinks on the, I guess the house.
I don't know. Am I the house?

Speaker 1 I'm not paying for that. They're paying for that, right? The restaurant will get it.

Speaker 2 She's like, sorry, guys, for making a scene. And then she walks away.
She trips and falls over and almost falls on her face.

Speaker 1 She's like, I have that jam removed. That jam got in my way.

Speaker 2 And watching her trip, she trips in such a funny way. I watch it like five different times.
She's like,

Speaker 2 it's like, it was like some weird like Super Mario skidding or something like that.

Speaker 1 It was impressive because she tripped, but she caught herself on her stiletto heel and then was like wobbling and like somehow managed to like wobble it back straight i mean that's talent

Speaker 2 oh god it was so

Speaker 2 so funny so down by the vans so now you have all the people who stormed out but not adriana adriana tried to storm out with the group but they i don't know where did adriana wind up staying with the table because because uh she did not get to be part of the storm out van so we have marisol and she's like well tonight escalated because of keeks and adriana i mean Lisa, you know, Lisa, Lisa and you, Larsa, Larsa, because Larsa's with them too.

Speaker 2 She's like, you know, Lisa and you, Larsa, we're moving forward, I thought. It's like, oh, but I know it's always something.
It's always something.

Speaker 2 And then Stephanie is in the wayback of this van and she's claustrophobic.

Speaker 1 And she's like, guys, guys, I'm getting claustrophobic. And you're going to move or what? Like, I can't.
I can't do this anymore. I'm getting claustrophobic.
She's so ridiculous. So now she's crying.

Speaker 1 Nothing happened to Stephanie. Nothing.
She's just trying to take everybody else's shit. It was so funny.
So now they get back to the the hotel. Stephanie's crying and she's like,

Speaker 1 no, no, like I, I don't, I'm good. We can't just take some and leave other people on the plane.
And then, oh, now what am I supposed to do? Who am I supposed to kick off?

Speaker 1 So now we have to watch Stephanie cry to decide who she's going to kick off of her old man ball plane.

Speaker 2 Yeah.

Speaker 2 And Marisol's like, oh, God, it was so embarrassing. I mean, you know, at least Lisa, you know, last night, she kept a normal tone, but those two are just absolutely disgusting.
I

Speaker 2 actually thought it was offensive that like it became a discussion of like, wow, Kiki and Adriana were so loud and terrible because I feel like Kiki, like,

Speaker 2 I feel like Kiki was, it was really offensive what Adriana said. And I think Kiki was allowed to have an emotional moment.

Speaker 2 And the fact that they're kind of like put making it that like both Kiki and Adriana were out of control. Adriana was out of control.
Adriana was wrong here and Kiki was reacting.

Speaker 2 And I just don't think that Kiki should have been lumped into this like.

Speaker 1 Well, Kiki was also yelling at the restaurant. I mean, I think that Kiki was.

Speaker 2 Alexia was yelling the night before.

Speaker 1 Well, that's the thing. That's any of these ladies acting like the other ones are not behaving and they're so embarrassed is hilarious because they all act like assholes in public.

Speaker 1 They're always screaming at each other in public. It's not the first time this has happened.
So them acting like, oh my God, I can't believe she.

Speaker 1 I mean, we just saw it with Gertie this season when Gertie gets water thrown all over her, but Gertie's the asshole, you know? Yeah, exactly.

Speaker 2 And I just feel like Kiki had, of all, of all the outbursts that we saw over the past two nights of two nights of dinners, Kiki's, I felt, was the one that was most earned because I think she had something that wasn't.

Speaker 2 Oh, I thought that was offensive.

Speaker 2 And I think it was just, I just didn't like this whole vibe of like, oh, like, she is as like the false equivalency of like, oh, well, she and Adriana, they're both just being terrible.

Speaker 2 It's like, no, Kiki had something terrible that was said to her. It was well, yeah.

Speaker 1 The conversation should have been like, uh,

Speaker 1 Adriana is just throwing out like casually racist terms at somebody. Like, what the fuck? And that never even came up.
Like, nobody even said that. Like, I don't know if they didn't.

Speaker 2 Yeah, or at least problematic more than maybe not, maybe not outwardly. Maybe not.

Speaker 2 I don't know if it like, if it's all the way at the level of like racist, it probably could be, but at the very least, problematic. And

Speaker 2 she should have known better. And I don't know.
I just, I just didn't like the way that then they were like, oh, they're being so uncouth.

Speaker 2 When like Mary, like, Marisol, to be fair, Marisol rarely yells because she doesn't have that energy. But Alexia, Alexia has meltdowns in public all the time.

Speaker 1 Constantly. And Stephanie's, Stephanie just stood up and walked out and had a fit in front of a whole

Speaker 1 table. And she wasn't even involved in anything.
They're all ridiculous. And then Lisa comes in and they all, they're all, anybody in this cast getting pissed off at yelling is ridiculous.

Speaker 1 But yeah, I was surprised that Adriana got away with nobody even calling her out on how problematic that was.

Speaker 1 And I'm wondering if they're thinking, because I think even at one point, someone was like, maybe it was when Alexi was saying, like, I don't think they understand the words.

Speaker 1 Like, people don't know words, you know? And I wonder if that was, that was the closest we got to somebody being like, I don't think she knew what she was saying. I think that's what they think.

Speaker 1 Maybe that's what they think it was.

Speaker 2 Gurdy did it.

Speaker 1 It's crazy.

Speaker 2 Gertie did say, it's like saying your ghetto. And so like, it's just as a very loaded, it's a very loaded thing to say.
Yeah.

Speaker 1 And I feel like we all pretty much know better in 2025, but we should know better.

Speaker 2 Jesus. And I think that may be the reason why, I think that Gertie, I'm not Gertie, Kiki, Kiki had such a great, you know, like counterattack by calling her old.

Speaker 2 It was so, it was so pure and it was so effective that there's almost an element of like justice was served.

Speaker 2 But

Speaker 2 yeah, like it's, it's still, it still is not right at all.

Speaker 1 So

Speaker 1 Stephanie's now crying. And so they sit down at the hotel bar.
And Larsa's like, I mean, like, I feel like even when I have words, like I talk low, I'm just not like one of those people to yell.

Speaker 1 Yeah, you've been yelling in public multiple times just in this trip. And she goes, yeah, it's like, like, even if the house was on fire, I'd just be like, the house is on fire.

Speaker 1 I wouldn't be like, ah, the house is on like fire. Like, I would be like, the house is on fire.

Speaker 2 House is on fire. Like, house is on fire.
Like, so they're all laughing about Larsa having a quiet voice.

Speaker 2 And then Stephanie is like, like, I'm like actually so surprised that Alexia is really there for me. She's making me feel really good.

Speaker 2 And I feel like I'm seeing some light at the end of this dark tunnel with Alexia.

Speaker 1 Making you feel good about what?

Speaker 2 Nothing happened to you. You stormed out.

Speaker 2 She's crying and the real housewives.

Speaker 1 She's crying and having a fit. And Alexia is like, oh, you know why you're crying? Because like you, you're not used to it.

Speaker 1 Like, we're used to it, so we don't care, but like you're, you're, you're new. So like, you don't know, but like, this is how it gets, you know?

Speaker 1 And she's like, oh my God, she's like being so nice to me in my dark times.

Speaker 2 So that, so then Stephanie starts coming up.

Speaker 2 She has all these papers they have to sign i guess to go on the on the plane um but she then decides that she is going to draw out a schematic where uh they're going to figure out the seating arrangements on the plane so that way no one has to sit next to anyone they don't want to of course when she does this she like yells across the entire hotel lobby to the receptionist like can i get a pencil instead of going up and getting a pencil like any normal human would be would do so um she sits there and she starts drawing out this map and she is on such a power trip with this map and she's like arranging i can't even follow it.

Speaker 2 She's saying something about there's like a criminal seat. Is that where Adriana's going to sit?

Speaker 1 Because there's different sections of the plane. So they can cordon people off into different rooms, I think.
So she's like, this is the criminal area. So someone will be alone back here.

Speaker 1 And then no one can, you know, they can't start fights. So I think we should put there.
And if they disrespect me for 22 minutes, they drive back.

Speaker 1 And Mary Soul's like, yeah, even I think this is a lot. I mean, she's taking this plane and using it as a weapon.

Speaker 1 And she goes, oh my, but we can put them in there because there's a door and it closes. There's a full door, like a door.
We could just lock them in there.

Speaker 2 It's like a door. It's like a door.
It's like a door. It's like, it's natural door, guys.
It's like, yes, we understand what a door is. I mean, the isolated scene area.

Speaker 2 It makes me feel like everyone is being punished. And it's just not sitting well with me, pun intended, because we're talking about a seating chart.

Speaker 2 And I just don't want any part of it, although I will take a full part of it.

Speaker 1 Yeah, while I say I don't want any part of it, I'm going to sit here and help with the seating chart and not say anything. So I'm going to stand against it.

Speaker 1 And she goes, and also I don't want people wearing zippers on their clothes and cutting my seats. So we're going to have to do something about that too.

Speaker 1 Oh, and also, I don't know if you guys understand how much I don't like pooping.

Speaker 1 Alexia is just looking at her like, um, I liked you for five minutes. Yeah.

Speaker 2 This is way too many strings attached. Also, you're so wealthy then enough that you can have your own large private plane that you can't get material that can hold up to a zipper.

Speaker 1 Well,

Speaker 2 then you are lame.

Speaker 1 Yeah, she sucks.

Speaker 1 And I think she actually had a decent episode. Most of the episode, I was kind of enjoying Stephanie, and then I was like, oh, no, yeah, she still sucks.
By the end.

Speaker 1 Boo.

Speaker 1 Boo, ma'am. But for the whole episode, wow, what a great episode.
And it just ends with Marisol going, this is my drink.

Speaker 2 Peaceful. Classic Marisol.
Yeah.

Speaker 1 That's what I drink. Great episode, though, overall.

Speaker 2 So entertaining. And yeah, the trip continues.

Speaker 2 We're going to see how this all pans out. Thanks, everyone, for being here.
Oh, and by the way, you know what? I just realized we're recording this.

Speaker 1 We're recording this.

Speaker 2 The day that this airs, Ronnie, we didn't, I can't believe I didn't say this at the top.

Speaker 1 50 years old. Happy 50th birthday.
Oh my gosh.

Speaker 1 You tell me every day. You're so sweet.
We did a bonus episode. We did this one.
Then we're going to record again on Monday.

Speaker 2 But it's just funny because we

Speaker 2 Yeah, because it's our the time is all off, but I forgot that this is actually airing on Ronnie's birthday. So everyone give Ronnie a huge amount of birthday love because this is a big one.

Speaker 1 Oh, thank you.

Speaker 2 And we love you, Ronnie.

Speaker 1 You're made it to 50. Who knew? Didn't see that one.
You did it.

Speaker 2 You did it. Well, you've given me, at the very least, 20 great years of laughs and love and friendship.

Speaker 1 So I love you. I'm happy.

Speaker 2 I'm honored to have been along. the ride with you for for that amount of time and looking forward to 20 more years and 20 more years after that and we love you and

Speaker 2 hope you have celebrate uh have a great 50th birthday celebration. And

Speaker 2 yeah,

Speaker 2 everyone give Ronnie some love.

Speaker 1 Thank you, Ben. We love you.
And we love you guys. We'll talk to you next time.
Bye. Bye.

Speaker 1 You're sweet, man.

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Speaker 1 Don't get salty with Christine Pepper. Can't have a meal without the Emily Sides.

Speaker 2 Who, what, why, where, and Gwen Pentland.

Speaker 1 Let's go into the woods with Guy Tubbs. It's our queen.
It's Queen Laifa.

Speaker 2 Nobody holds a candle to Jamie Kendall. Hail the Cork Master, the Master of the Cork, Jennifer Corcoran.
We got our wish. It's Jen Plish.
She's not harsh. She's Jill Hirsch.

Speaker 2 My favorite Murdo, Karen McMurdo. We love him madly.
It's Kyle Pod Shadley. In the study with a candlestick, it's Leslie Peacock.
G, it's Lisa H. We're ride or die for Lisa Ryder-Baron.

Speaker 2 She's a whiz, it's Liz Sarthe. Always killing it, it's Lola Alcalani.

Speaker 1 The incredible edible Matthew Sisters. She eases our woes, it's Melissa St.
Rose. There's a chance of meatballs, it's Rebecca Cloud.
Meet, it's Ronit Feldman.

Speaker 2 She's the Queen Bee, it's Sarah Lemke.

Speaker 1 We cannot tell a lie, it's Sarah Telefson.

Speaker 2 Shannon, out of a cannon, Anthony. Please don't stop.
It's Solian Pop. Let's take off with Tem La Plain.

Speaker 1 It's always a good time when you're wasting time with Bravo. She ain't no shrinking Violet Koutar.

Speaker 1 We love you guys.

Speaker 1 If you like Watch What Crappens, you can listen ad-free right now by joining Wondery Plus in the Wondery app or on Apple Podcasts. Prime members can listen ad-free on Amazon Music.

Speaker 1 Before you go, tell us about yourself by filling out a short survey at wonderry.com slash survey.

Speaker 3 Picture this. You're standing on the beach when you notice something strange.
The horizon doesn't look right. At first, all you can see is a thin white line stretching as far as your eyes can see.

Speaker 3 Then the line starts to rise. But it's not the horizon at all.

Speaker 1 It's a wave, a 30-foot wall of water.

Speaker 3 And it's racing straight toward you. On the day after Christmas in 2004, a 9.1 magnitude earthquake hit off the coast of Indonesia, triggering a devastating tsunami.

Speaker 3 It struck Thailand without warning. No alarms, no cell phone alerts, no evacuation.

Speaker 3 In this season of Against the Odds, experience one of the deadliest natural disasters in history through the perspectives of those who did everything they could to survive.

Speaker 3 Follow Against the Odds on the Wondery app or wherever you get your podcasts. You can binge all episodes of Against the Odds Tsunami in Thailand early and ad-free right now on Wondery Plus.